(108) But when the heat riseth up therein, then the green form inclineth to a half red or ruddy form, as when a carbuncle stone shineth from the green flash or beam of light.

(20) Now this spirit subsisteth in its colour like azure or heaven-blue, for it is generated out of all the six spirits; and when the flash, which stands in the midst or centre in the heat, shineth into the other spirits, so that they rise up in the flash and generate the seventh spirit, then the flash riseth up also in the birth of the six spirits together in the seventh.

(38) In those colours grow all manner of fruits, which rise or spring up in the Salitter, and the Mercurius or sound mingleth itself therewith, and riseth up in all the powers of the Father, and then sounding and tunes rise up in the heavenly joyfulness.

(19) Then that flash retireth back, and the sweet water catcheth it, and riseth up in that fierceness, and in that rising and terrifying changeth itself into a green or azure or blue colour, and trembleth because of the fierce flash.

(47) Moreover, it is the imaging or forming of all sorts of red colours in its own quality; in the sweet it imageth or formeth all sorts of white and blue; in the astringent, or harsh and sour, it formeth all sorts of green, dusky and mixed colours, with all manner of forms or figures and smells.

(37) For when the powers spring up in God they touch and stir one another, and move one in another, and so there is a constant harmony, mixing or concert, from whence go forth all manner of colours.

(68) Timaeus: which is midway between these reaches to the liquid of the eyes and is mingled therewith, it is not brilliant but, owing to the blending of the fire's ray through the moisture, it gives off a sanguine color, and we give it the name of “red.” And “bright” color when blended with red and white becomes “yellow.” But in what proportions the colors are blended it were foolish to declare, even if one knew, seeing that in such matters one could not properly adduce any necessary ground or probable reason. Red blended with black and white makes “purple”;

(31) And when the light riseth up out of the sweet fountain-water in the heat, in the astringent and bitter qualities, then the bitter and astringent qualities taste the light and sweet water, and the bitter quality catcheth the taste of the sweet water, and in the sweet water is the light, but only of a sky-colour or azure, which is blue.

(4) On it, they say, is white and blue And yellow and green and red. That was the path by Brahma found; By it goes the knower of Brahma, the doer of right (punya-kri), and every shining one. jo. Into blind darkness enter they That worship ignorance; Into darkness greater than that, as it were, they That delight in knowledge.

(45) Subtle substance rises in ascending degrees, to that pure nature which has no distinguishing mark.

(80) Timaeus: and derived from kindred substances,—some from fruits, and some from cereals, which God planted for us for the express purpose of serving as food, —they get all varieties of colors because of their commingling, but red is the color that runs through them most of all, it being a natural product of the action of the fire in dividing the liquid food and imprinting itself thereon. Wherefore the color of the stream which flows through the body acquired an appearance such as we have described; and this stream we call “blood,” which is the nutriment of the flesh

(78) And they set and enter the portals of the west, and make their revolution by the north, and come forth through the eastern portals on the face of the heaven.

(50) The ancients conceived the spirit of man to correspond with the color blue, the mind with yellow, and the body with red. Heaven is therefore blue, earth yellow, and hell--or the underworld--red. The fiery condition of the inferno merely symbolizes the nature of the sphere or plane of force of which it is composed. In the Greek Mysteries the irrational sphere was always considered as red, for it represented that condition in which the consciousness is enslaved by the lusts and passions of the lower nature. In India certain of the gods--usually attributes of Vishnu--are depicted with blue skin to signify their divine and supermundane constitution. According to esoteric philosophy, blue is the true and sacred color of the sun. The apparent orange-yellow shade of this orb is the result of its rays being immersed in the substances of the illusionary world.

(103) Whereupon they would get their true life, and would be satisfied by the light, and rejoice highly therein, and from that living joy love would arise, and then the tone would rise up in the fire-flash, through the rising up of the bitter quality in the astringent. If that were done there would be a heavenly fruit, just as it [the fruit] springeth up in heaven.

(114) In that seventh spirit of nature rise up also the heavenly fruits and colours, and whatsoever is apprehensible or comprehensible, and is like to such a form or manner as if the angels did dwell between heaven and earth in the deep, where they ascend and descend, and wherever they are, there their foot resteth, as if it stood upon the earth.

(17) Zimon* saith: O Turba of Philosophers and disciples, now hast thou spoken about making into white, but it yet remains to treat concerning the reddening! Know, all ye seekers after this Art, that unless ye whiten, ye cannot make red, because the two natures are nothing other than red and white. Whiten, therefore, the red, and redden the white!* Know, also, that the year is divided into four seasons; the first season is of a frigid complexion, and thisis Winter; the second is of the complexion of air, and this is Spring; then follows the third, which is summer, and is of the complexion of fire; lastly, there is the fourth, wherein fruits are matured, which is Autumn. In this manner, therefore, ye are to rule your natures, namely, to dissolve in winter, to cook in spring, to coagulate in summer, and to gather and tinge the fruit in autumn. Having, therefore, given this example, rule the tingeing natures, but if ye err, blame no one save yourselves.

The Turba answereth: Thou hast treated the matter extremely well; add, therefore, another teaching of this kind for the sake of posterity. And he: I will speak of making lead red.* Take the copper which the Master ordered you to take at the beginning of his book, combine lead therewith, and cook it until it becomes thick; congeal also and desiccate until it becomes red. Here certainly is the Red Lead of which the wise spake; copper and lead become a precious stone; mix them equally, let gold be roasted with them, for this, if ye rule well, becomes a tingeing spirit in spirits.t So when the male and the female are conjoined there is not produced a volatile wife, but a spiritual composite. From the composite turned into a red spirit is produced the beginning of the world.

Behold this is the lead which we have called Red Lead, which is of our work, and without which nothing is effected!

(171) But as they rise, so they go away again, for they are not incorporated or compacted together, as the angels are: for these figures are so formed in the birth of the rising qualities, in the spirit of nature or nature-spirit.

(22) The green color alludes to the vegetation which covers the face of the earth, and therefore represents the robe of Nature. The black represents death and corruption as being the way to a new life and generation. "Except a man be born again, he cannot see the kingdom of God." (John iii. 3.) White, yellow, and red signify the three principal colors of the alchemical, Hermetical, universal medicine after the blackness of its putrefaction is over.

(23) The psychic nature, taking on the colour of the Seer and of things seen, leads to the perception of all objects.

(68) Timaeus: but when these colors are mixed and more completely burned, and black is blended therewith, the result is “violet.” “Chestnut” comes from the blending of yellow and grey; and “grey” from white and black; and “ochre” from white mixed with yellow. And when white is combined with “bright” and is steeped in deep black it turns into a “dark blue” color; and dark blue mixed with white becomes “light blue”; and chestnut with black becomes “green.” As to the rest, it is fairly clear from these examples