(8) There are other features of the operation of this Principle of Rhythm of which we wish to speak at this point. There comes into its operations that which is known as the Law of Compensation. One of the definitions or meanings of the word "Compensate" is, "to counterbalance" which is the sense in which the Hermetists use the term. It is this Law of Compensation to which the Kybalion refers when it says: "The measure of the swing to the right is the measure of the swing to the left; rhythm compensates."

(4) Night follows day; and day night. The pendulum swings from Summer to Winter, and then back again. The corpuscles, atoms, molecules, and all masses of matter, swing around the circle of their nature. There is no such thing as absolute rest, or cessation from movement, and all movement partakes of rhythm. The principle is of universal application. It may be applied to any question, or phenomena of any of the many planes of life. It may be applied to all phases of human activity. There is always the Rhythmic swing from one pole to the other. The Universal Pendulum is ever in motion. The Tides of Life flow in and out, according to Law.

(5) The Principle of rhythm is well understood by modern science, and is considered a universal law as applied to material things. But the Hermetists carry the principle much further, and know that its manifestations and influence extend to the mental activities of Man, and that it accounts for the bewildering succession of moods, feelings and other annoying and perplexing changes that we notice in ourselves. But the Hermetists by studying the operations of this Principle have learned to escape some of its activities by Transmutation.

(1) The great Fifth Hermetic Principle--the Principle of Rhythm-embodies the truth that in everything there is manifested a measured motion; a to-and-from movement; a flow and inflow; a swing forward and backward; a pendulum-like movement; a tide-like ebb and flow; a high-tide and a low- tide; between the two-poles manifest on the physical, mental or spiritual planes. The Principle of rhythm is closely connected with the Principle of Polarity described in the preceding chapter. Rhythm manifests between the two poles established by the Principle of Polarity. This does not mean, however, that the pendulum of Rhythm swings to the extreme poles, for this rarely happens; in fact, it is difficult to establish the extreme polar opposites in the majority of cases. But the swing is ever "toward" first one pole and then the other.

(400) a courageous and harmonious life; and when we have found them, we shall adapt the foot and the melody to words having a like spirit, not the words to the foot and melody. To say what these rhythms are will be your duty—you must teach me them, as you have already taught me the harmonies. But, indeed, he replied, I cannot tell you. I only know that there are some three principles of rhythm out of which metrical systems are framed, just as in sounds there are four notes 36 out of which all the harmonies are composed; that is an observation which I have made. But of what sort of lives they are severally the imitations I am unable to say. Then, I said, we must take Damon into our counsels; and he will tell us what rhythms are expressive of meanness, or insolence, or fury, or other unworthiness, and what are to be reserved for the expression of opposite feelings. And I think that I have an indistinct recollection of his mentioning a complex Cretic rhythm; also a dactylic or heroic, and he arranged them in some manner which I do not quite understand, making the rhythms equal in the rise and fall of the foot, long and short alternating; and, unless I am mistaken, he spoke of an iambic as well as of a trochaic rhythm, and assigned to them short and long quantities. 37 Also in some cases he appeared to praise or censure the movement of the foot quite as much as the rhythm; or perhaps a combination of the two; for I am not certain what he meant. These matters, however, as I was saying, had better be referred to Damon himself, for the analysis of the subject would be difficult, you know? Rather so, I should say. But there is no difficulty in seeing that grace or the absence of grace is an effect of good or bad rhythm. None at all.

(5) 5. The Principle of Rhythm "Everything flows, out and in; everything has its tides; all things rise and fall; the pendulum-swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates." --The Kybalion. This Principle embodies the truth that in everything there is manifested a measured motion, to and fro; a flow and inflow; a swing backward and forward; a pendulum-like movement; a tide-like ebb and flow; a high-tide and low-tide; between the two poles which exist in accordance with the Principle of Polarity described a moment ago. There is always an action and a reaction; an advance and a retreat; a rising and a sinking. This is in the affairs of the Universe, suns, worlds, men, animals, mind, energy, and matter. This law is manifest in the creation and destruction of worlds; in the rise and fall of nations; in the life of all things; and finally in the mental states of Man (and it is with this latter that the Hermetists find the understanding of the Principle most important). The Hermetists have grasped this Principle, finding its universal application, and have also discovered certain means to overcome its effects in themselves by the use of the appropriate formulas and methods. They apply the Mental Law of Neutralization. They cannot annul the Principle, or cause it to cease its operation, but they have learned how to escape its effects upon themselves to a certain degree depending upon the Mastery of the Principle. They have learned how to USE it, instead of being USED BY it. In this and similar methods, consist the Art of the Hermetists. The Master of Hermetics polarizes himself at the point at which he desires to rest, and then neutralizes the Rhythmic swing of the pendulum which would tend to carry him to the other pole. All individuals who have attained any degree of Self-Mastery do this to a certain degree, more or less unconsciously, but the Master does this consciously, and by the use of his Will, and attains a degree of Poise and Mental Firmness almost impossible of belief on the part of the masses who are swung backward and forward like a pendulum. This Principle and that of Polarity have been closely studied by the Hermetists, and the methods of counteracting, neutralizing, and USING them form an important part of the Hermetic Mental Alchemy.

(7) Remember always, however, that you do not really destroy the Principle of Rhythm, for that is indestructible. You simply overcome one law by counter-balancing it with another and thus maintain an equilibrium. The laws of balance and counter-balance are in operation on the mental as well as on the physical planes, and an understanding of these laws enables one to seem to overthrow laws, whereas he is merely exerting a counterbalance. "Nothing escapes the Principle of Cause and Effect, but there are many Planes of Causation, and one may use the laws of the higher to overcome the laws of the lower." --The Kybalion.

(12) The Hermetists regard the chain of lives as continuous, and as forming a part of one life of the individual, so that in consequence the rhythmic swing is understood in this way, while it would be without meaning unless the truth of reincarnation is admitted.

(4) In the first place, science teaches that all matter manifests, in some degree, the vibrations arising from temperature or heat. Be an object cold or hot--both being but degrees of the same things--it manifests certain heat vibrations, and in that sense is in motion and vibration. Then all particles of Matter are in circular movement, from corpuscle to suns. The planets revolve around suns, and many of them turn on their axes. The suns move around greater central points, and these are believed to move around still greater, and so on, ad infinitum. The molecules of which the particular kinds of Matter are composed are in a state of constant vibration and movement around each other and against each other. The molecules are composed of Atoms, which, likewise, are in a state of constant movement and vibration. The atoms are composed of Corpuscles, sometimes called "electrons," "ions," etc., which also are in a state of rapid motion, revolving around each other, and which manifest a very rapid state and mode of vibration. And, so we see that all forms of Matter manifest Vibration, in accordance with the Hermetic Principle of Vibration.

(2) Now Time’s distinguished on the Earth by quality of air, by variation of its heat and cold; in Heaven by the returnings of the stars to the same spots, the revolution of their course in Time. And while the Cosmos is the home of Time, it is kept green [itself] by reason of Time’s course and motion. Time, on the other hand, is kept by regulation. Order and Time effect renewal of all things which are in Cosmos by means of alternation.

(9) The Law of Compensation is that the swing in one direction determines the swing in the opposite direction, or to the opposite pole-the one balances, or counterbalances, the other. On the Physical Plane we see many examples of this Law. The pendulum of the clock swings a certain distance to the right, and then an equal distance to the left. The seasons balance each other in the same way. The tides follow the same Law. And the same Law is manifested in all the phenomena of Rhythm. The pendulum, with a short swing in one direction, has but a short swing in the other; while the long swing to the right invariably means the long swing to the left. An object hurled upward to a certain height has an equal distance to traverse on its return. The force with which a projectile is sent upward a mile is reproduced when the projectile returns to the earth on its return journey. This Law is constant on the Physical Plane, as reference to the standard authorities will show you.

(19) We have to ask ourselves whether there are not certain Acts which without the addition of a time-element will be thought of as imperfect and therefore classed with motions. Take for instance living and life. The life of a definite person implies a certain adequate period, just as his happiness is no merely instantaneous thing. Life and happiness are, in other words, of the nature ascribed to Motion: both therefore must be treated as motions, and Motion must be regarded as a unity, a single genus; besides the quantity and quality belonging to Substance we must take count of the motion manifested in it.

We may further find desirable to distinguish bodily from psychic motions or spontaneous motions from those induced by external forces, or the original from the derivative, the original motions being activities, whether externally related or independent, while the derivative will be Passions.

But surely the motions having external tendency are actually identical with those of external derivation: the cutting issuing from the cutter and that effected in the object are one, though to cut is not the same as to be cut.

Perhaps however the cutting issuing from the cutter and that which takes place in the cut object are in fact not one, but "to cut" implies that from a particular Act and motion there results a different motion in the object cut. Or perhaps the difference lies not in the fact of being cut, but in the distinct emotion supervening, pain for example: passivity has this connotation also.

But when there is no pain, what occurs? Nothing, surely, but the Act of the agent upon the patient object: this is all that is meant in such cases by Action. Action, thus, becomes twofold: there is that which occurs in the external, and that which does not. The duality of Action and Passion, suggested by the notion that Action takes place in an external, is abandoned.

Even writing, though taking place upon an external object, does not call for passivity, since no effect is produced, upon the tablet beyond the Act of the writer, nothing like pain; we may be told that the tablet has been inscribed, but this does not suffice for passivity.

Again, in the case of walking there is the earth trodden upon, but no one thinks of it as having experienced Passion . Treading on a living body, we think of suffering, because we reflect not upon the walking but upon the ensuing pain: otherwise we should think of suffering in the case of the tablet as well.

It is so in every case of Action: we cannot but think of it as knit into a unity with its opposite, Passion. Not that this later "Passion" is the opposite of Action in the way in which being burned is the opposite of burning: by Passion in this sense we mean the effect supervening upon the combined facts of the burning and the being burned, whether this effect be pain or some such process as withering.

Suppose this Passion to be treated as of itself producing pain: have we not still the duality of agent and patient, two results from the one Act? The Act may no longer include the will to cause pain; but it produces something distinct from itself, a pain-causing medium which enters into the object about to experience pain: this medium, while retaining its individuality, produces something yet different, the feeling of pain.

What does this suggest? Surely that the very medium- the act of hearing, for instance- is, even before it produces pain or without producing pain at all, a Passion of that into which it enters.

But hearing, with sensation in general, is in fact not a Passion. Yet to feel pain is to experience a Passion- a Passion however which is not opposed to Action.