(48) T o disturb the inward parts of Tiamat, they followed after him

(1) Verily, the day arose for the horse as the sacrificial vessel which stands before. Its place is the eastern sea. Verily, the night arose for him as the sacrificial vessel which stands behind. Its place is the western sea. Verily, these two arose on both sides of the horse as the two sacrificial vessels. animal sacrifices in ancient India (described at length in Sat. Br. 13. 1-5), is interpreted, in this and the following Brahmana, as of cosmic significance — a miniature reproduction of the world-order. In the liturgy for the Horse-sacrifice (contained in VS. 22-25) there is a similar apportionment of the parts of the animal to the vanous parts of the world. Compare also a similar elaborate cosmic correlation of the ox at AV. 9. 7. symbolized cosmically by the Bay of Bengal and the Indian Ocean. Becoming a steed, he carried the gods; a stallion, the Gandharvas; a courser, the demons; a horse, men. The sea, indeed, is his relative. The sea is his place.

(27) With outspread wings, Ishtar, the daughter of Sin (the Moon), sweeps downward to the gates of death. The house of darkness--the dwelling of the god Irkalla--is described as "the place of no return." It is without light; the nourishment of those who dwell therein is dust and their food is mud. Over the bolts on the door of the house of Irkalla is scattered dust, and the keepers of the house are covered with feathers like birds. Ishtar demands that the keepers open the gates, declaring that if they do not she will shatter the doorposts and strike the hinges and raise up dead devourers of the living. The guardians of the gates beg her to be patient while they go to the queen of Hades from whom they secure permission to admit Ishtar, but only in the same manner as all others came to this dreary house. Ishtar thereupon descends through the seven gates which lead downward into the depths of the underworld. At the first gate the great crown is removed from her head, at the second gate the earrings from her ears, at the third gate the necklace from her neck, at the fourth gate the ornaments from her breast, at the fifth gate the girdle from her waist, at the sixth gate the bracelets from her hands and feet, and at the seventh gate the covering cloak of her body. Ishtar remonstrates as each successive article of apparel is taken from her, bur the guardian tells her that this is the experience of all who enter the somber domain of death. Enraged upon beholding Ishtar, the Mistress of Hades inflicts upon her all manner of disease and imprisons her in the underworld.

(6) And the dead will outnumber the living! Anu addressed princess Ishtar, saying: "If you demand the Bull of Heaven from me, there will be seven years of empty husks for the land of Uruk. Have you collected grain for the people! Have you made grasses grow for the animals? Ishtar addressed Anu, her father, saying: "I have heaped grain in the granaries for the people, I made grasses grow for the animals, in order that they might eat in the seven years of empty husks. I have collected grain for the people, I have made grasses grow for the animals. When Anu heard her words, he placed the noserope of the Bull of Heaven in her hand. Ishtar led the Bull of Heaven down to the earth. When it reached Uruk It climbed down to the Euphrates... At the snort of the Bull of Heaven a huge pit opened up, and 100 Young Men of Uruk fell in.

(25) Commenting on the twenty-fourth allocution of Chrysostom, in The Origin of all Religious Worship, Dupuis notes that each of the four elements was represented by a horse bearing the name of the god "who is set over the element." The first horse, signifying the fire ether, was called Jupiter and occupied the highest place in the order of the elements. This horse was winged, very fleet, and, describing the largest circle, encompassed all the others. It shone with the purest light, and on its body were the images of the sun, the moon, the stars, and all the bodies in the ethereal regions. The second horse, signifying the element of air, was Juno. It was inferior to the horse of Jupiter and described a smaller circle; its color was black but that part exposed to the sun became luminous, thus signifying the diurnal and nocturnal conditions of air. The third horse, symbolizing the element of water, was sacred to Neptune. It was of heavy gait and described a very small circle. The fourth horse, signifying the static element of earth, described as immovable and champing its bit, was the steed of Vesta. Despite their differences in temperature, these four horses lived harmoniously together, which is in accord with the principles of the philosophers, who declared the world to be preserved by the concord and harmony of its elements. In time, however, the racing horse of Jupiter burned the mane of the horse of earth; the thundering steed of Neptune also became covered with sweat, which overflowed the immovable horse of Vesta and resulted in the deluge of Deucalion. At last the fiery horse of Jupiter will consume the rest, when the three inferior elements--purified by reabsorption in the fiery ether--will come forth renewed, constituting "a new heaven and a new earth."

The FUMIGATION from FRANKINCENSE. O Mighty Titans, who from heav'n and earth Derive your noble and illustrious birth, Our fathers fires, in Tartarus profound Who dwell, deep merg'd beneath the solid ground: Fountains and principles, from whom began Th' afflicted, miserable, race of man: Who not alone in earth's retreats abide, But in the ocean and the air reside; Since ev'ry species from your nature flows, Which all prolific, nothing barren knows: Avert your rage, if from th' infernal seats One of your tribe should visit our retreats.

(71) The outward earth is a bitter stink, and is dead; and that every man understands to be so. But the Salitter is destroyed or killed through the wrath; for thou canst not deny but that God's wrath is in the earth, otherwise the earth would not be so astringent, bitter, sour, venomous and poisonous, neither would it engender such poisonous, venomous, evil worms and creeping things. But if thou shouldst say that God has created them thus out of his purpose, that is as much as if thou shouldst say that God himself is evil, malice, malignity or wickedness.

(29) In this respect the story parallels the legend of Persephone. The gods, realizing that the loss of Ishtar is disorganizing all Nature, send a messenger to the underworld and demand her release. The Mistress of Hades is forced to comply, and the water of life is poured over Ishtar. Thus cured of the infirmities inflicted on her, she retraces her way upward through the seven gates, at each of which she is reinvested with the article of apparel which the guardians had removed. (See The Chaldean Account of Genesis.) No record exists that Ishtar secured the water of life which would have wrought the resurrection of Tammuz.