(60) And the chambers of the winds, and how the winds are divided, and how they are weighed, and (how) the portals of the winds are reckoned, each according to the power of the wind, and the power of the lights of the moon, and according to the power that is fitting: and the divisions of the stars according to their names, and how all the divisions are divided.

(60) For when the lightning lightens, the thunder utters its voice, and the spirit enforces a pause during the peal, and divides equally between them; for the treasury of their peals is like the sand, and each one of them as it peals is held in with a bridle, and turned back by the power of the spirit, and pushed forward according to the many quarters of the earth. And the spirit of the sea is masculine and strong, and according to the might of his strength he draws it back with a rein, and in like manner it is driven forward and disperses amid all the mountains of the earth.

(72) The chariot on which he ascends, the wind drives, and the sun goes down from the heaven and returns through the north in order to reach the east, and is so guided that he comes to the appropriate (lit. 'that') portal and shines in the face of the heaven.

(23) "By attracting or heaving the waters of the ocean, she naturally appeared to be the sovereign of humidity; and by seeming to operate so powerfully upon the constitutions of women, she equally appeared to be the patroness and regulatress of nutrition and passive generation: whence she is said to have received her nymphs, or subordinate personifications, from the ocean; and is often represented by the symbol of the sea crab, an animal that has the property of spontaneously detaching from its own body any limb that has been hurt or mutilated, and reproducing another in its place." (The Symbolical Language of Ancient Art and Mythology.) This water sign, being symbolic of the maternal principle of Nature, and recognized by the pagans as the origin of all life, was a natural and consistent domicile of the moon.

(73) And her rising and setting change every month: and her days are like the days of the sun, and when her light is uniform (i.e. full) it amounts to the seventh part of the light of the sun.

(102) Are not the entire sea and all its waters, and all its movements, the work of the Most High, and has He not set limits to its doings, and confined it throughout by the sand?

(44) The sheen of gold in her dark hair indicates that while she is lunar, her power is due to the sun's rays, from which she secures her ruddy complexion. As the moon is robed in the reflected light of the sun, so Isis, like the virgin of Revelation, is clothed in the glory of solar luminosity. Apuleius states that while he was sleeping he beheld the venerable goddess Isis rising out of the ocean. The ancients realized that the primary forms of life first came out of water, and modem science concurs in this view. H. G. Wells, in his Outline of History, describing primitive life on the earth, states: "But though the ocean and intertidal water already swarmed with life, the land above the high-tide line was still, so far as we can guess, a stony wilderness without a trace of life." In the next chapter he adds: "Wherever the shore-line ran there was life, and that life went on in and by and with water as its home, its medium, and its fundamental necessity." The ancients believed that the universal sperm proceeded from warm vapor, humid but fiery. The veiled Isis, whose very coverings represent vapor, is symbolic of this humidity, which is the carrier or vehicle for the sperm life of the sun, represented by a child in her arms. Because the sun, moon, and stars in setting appear to sink into the sea and also because the water receives their rays into itself, the sea was believed to be the breeding ground for the sperm of living things. This sperm is generated from the combination of the influences of the celestial bodies; hence Isis is sometimes represented as pregnant.

(79) And the waning of the moon which takes place in the sixth portal: for in this sixth portal her light is accomplished, and after that there is the beginning of the waning:

(73) And her circumference is like the circumference of the heaven, and her chariot in which she rides is driven by the wind, and light is given to her in (definite) measure.

(78) On the side whence the light of the moon comes forth, there again she wanes till all the light vanishes and all the days of the month are at an end, and her circumference is empty, void of light.

(3) It rises and it sets, by turns, throughout its limbs ; so that by reason of Time’s changes it often rises with the very limbs with which it [once] had set. For [its] sphericity,—its law of revolution, —is of this nature, that all things are so straitly joined to their own selves, that no one knoweth what is the beginning of their revolution ; since they appear for ever all to go before and follow after their own selves. Good and bad issues, [therefore,] are commingled in all cosmic things.

(1) Now with reference to the divinities. — c Verily, I am going to blaze/ began the Fire. c I am going to give forth heat/ said the Sun. e I am going to shine/ said the Moon. So said the other divinities, each according to his divine nature. As Breath holds the central position among the vital breaths [or functions], so Wind among these divinities; for the other divinities have their decline, but not Wind The Wind is that divinity which never goes to rest.

(129) And of the Solar Circles, and of the Lunar, clashings, and of the Aërial Recesses; the Melody of Ether, and of the Sun, and of the phases of the Moon, and of the Air.

(9) It ascends from ye earth to ye heaven & again it desends to ye earth and receives ye force of things superior & inferior.

The FUMIGATION from FRANKINCENSE and MANNA. TETHYS I call, with eyes cærulean bright, Hid in a veil obscure from human sight; Great Ocean's empress, wand'ring thro' the deep, And pleas'd with gentle gales, the earth to sweep; Whose blessed waves in swift succession go, And lash the rocky shore with endless flow: Delighting in the Sea serene to play, In ships exulting and the wat'ry way. Mother of Venus, and of clouds obscure, Great nurse of beasts, and source of fountains pure. O venerable Goddess, hear my pray'r, And make benevolent my life thy care; Send, blessed queen, to ships a prosp'rous breeze, And waft them safely o'er the stormy seas.

(63) For when it changeth itself with its wheeling and penetrating, so that another qualifying or fountain spirit becomes chief or predominant, then their art lies down upon the ground, and their Deity in the first qualifying or fountain spirit, in which they had begun their art, has an end.

(1) [This chapter is supplementary to ch. v.] "The sky turns round; the earth stands still; sun and moon pursue one another. Who causes this? Who directs this? Who has leisure enough to see that such movements continue? "Some think there is a mechanical arrangement which makes these bodies move as they do. Others think that they revolve without being able to stop. "The clouds cause rain; rain causes clouds. Whose kindly bounty is this? Who has leisure enough to see that such, result is achieved? "Wind comes from the north. It blows now east, now west; and now it whirls aloft. Who puffs it forth? Who has leisure enough to be flapping it this way or that? I should like to know the cause of all this." Wu Han Chao said, "Come here, and I will tell you. Above there are the Six Influences and the Five Virtues.

(135) The Ethereal Course, and the vast motion of the Moon, and the Aërial fluxes.

(38) winds, vanishing in the extreme background. Court de Gébelin sees in this card another reference to the rising of the Nile and states on the authority of Pausanius that the Egyptians believed the inundations of the Nile to result from the tears of the moon goddess which, falling into the river, swelled its flow. These tears are seen dropping from the lunar face. Court de Gébelin also relates the towers to the Pillars of Hercules, beyond which, according to the Egyptians, the luminaries never passed. He notes also that the Egyptians represented the tropics as dogs who as faithful doorkeepers prevented the sun and moon from penetrating too near the poles. The crab or crawfish signifies the retrograde motion of the moon.

(43) Now the innermost birth of heaven reflects strongly upon the earth, and holdeth the outermost water upon the earth strongly captive, together with the earth also.