(3) There is a serpent on the brow of that hill, five hundred cubits in length, three cubits of his forepart are pierced with swords

(4) Of the four lists were fashioned the two arms, The thighs and legs, the belly and the chest Members became that never yet were seen. Every original aspect there was cancelled; Two and yet none did the perverted image Appear, and such departed with slow pace. Even as a lizard, under the great scourge Of days canicular, exchanging hedge, Lightning appeareth if the road it cross; Thus did appear, coming towards the bellies Of the two others, a small fiery serpent, Livid and black as is a peppercorn. And in that part whereat is first received Our aliment, it one of them transfixed; Then downward fell in front of him extended. The one transfixed looked at it, but said naught; Nay, rather with feet motionless he yawned, Just as if sleep or fever had assailed him. He at the serpent gazed, and it at him; One through the wound, the other through the mouth Smoked violently, and the smoke commingled. Henceforth be silent Lucan, where he mentions Wretched Sabellus and Nassidius, And wait to hear what now shall be shot forth.

(1) Back, serpent Haiu, whom Osiris execrateth. May Thoth cut off thy head, and may there accrue to me whatsoever property proceedeth from thee [according to] what was decreed against thee by the Company of the gods for the accomplishment of thy slaughter

(5) Thy white diadem is established on thy brow. The god Nemu is with thee; he grants thee to be at the head of the...?

(4) The fastenings of the hinder part of my head were fastened by Nu, on the first time of my beholding the Law in virtue of which the gods and their symbols come into existence

(14) The fingers (prongs) which hold fast, they are the fingers of the ancestors of Rā, the claw of the ancestor of Hathor

(6) Reckon thou thy bones, and set thy limbs, and turn thy face towards the beautiful Amenta

(61) There is a serpent belonging to it, who comes from the two wells at Elephantine, at the gate of the water. He goes with the water, and stops at the stream of Cher-āba, near the powers of the high flood; he sees his hour of the silent evening

(21) The stake which is in my hand is the thigh of Nemu; the fork which is in my hand is the fingers of Sokaris; this point which is in my hand is the claws of Isis; the blade which is in my hand is the knife of Nemu

(3) My mother placed me servant to a lord, For she had borne me to a ribald knave, Destroyer of himself and of his things. Then I domestic was of good King Thibault; I set me there to practise barratry, For which I pay the reckoning in this heat." And Ciriatto, from whose mouth projected, On either side, a tusk, as in a boar, Caused him to feel how one of them could rip. Among malicious cats the mouse had come; But Barbariccia clasped him in his arms, And said: "Stand ye aside, while I enfork him." And to my Master he turned round his head; "Ask him again," he said, "if more thou wish To know from him, before some one destroy him." The Guide: "Now tell then of the other culprits; Knowest thou any one who is a Latian, Under the pitch?" And he: "I separated Lately from one who was a neighbour to it; Would that I still were covered up with him, For I should fear not either claw nor hook!" And Libicocco: "We have borne too much;" And with his grapnel seized him by the arm, So that, by rending, he tore off a tendon.

(43) The three nails of the Passion have found their way into the symbolism of many races and faiths. There are many legends concerning these nails. One of these is to the effect that originally there were four nails, but one was dematerialized by a Hebrew Qabbalist and magician just as they were about to drive it through the foot of the Master. Hence it was necessary to cross the feet. Another legend relates that one of the nails was hammered into a crown and that it still exists as the imperial diadem of a European house. Still another story has it that the bit on the bridle of Constantine's horse was a Passion nail. It is improbable, however, that the nails were made of iron, for at that time it was customary to use sharpened wooden pegs. Hargrave Jennings, in his Rosicrucians, Their Rites and Mysteries, calls attention to the fact that the mark or sign used in England to designate royal property and called the broad arrow is nothing more nor less than the three nails of the crucifixion grouped together, and that by placing them point to point the ancient symbol of the Egyptian TAU cross is formed.

(45) C. W. King, in his Gnostics and Their Remains, thus describes a Gnostic gem: "The Gnostic Pleroma, or combination of all the Æons [is] expressed by the outline of a man holding a scroll * * *. The left hand is formed like three bent spikes or nails; unmistakably the same symbol that Belus often holds in his extended hand on the Babylonian cylinders, afterwards discovered by the Jewish Cabalists in the points of the letter Shin, and by the mediæval mystics in o the Three Nails of the Cross." From this point Hargrave Jennings continues King's speculations, noting the resemblance of the nail to an obelisk, or pillar, and that the Qabbalistic value of the Hebrew letter Shin, or Sin, is 300, namely, 100 for each spike.

(5) Be silent Ovid, of Cadmus and Arethusa; For if him to a snake, her to fountain, Converts he fabling, that I grudge him not; Because two natures never front to front Has he transmuted, so that both the forms To interchange their matter ready were. Together they responded in such wise, That to a fork the serpent cleft his tail, And eke the wounded drew his feet together. The legs together with the thighs themselves Adhered so, that in little time the juncture No sign whatever made that was apparent. He with the cloven tail assumed the figure The other one was losing, and his skin Became elastic, and the other's hard. I saw the arms draw inward at the armpits, And both feet of the reptile, that were short, Lengthen as much as those contracted were. Thereafter the hind feet, together twisted, Became the member that a man conceals, And of his own the wretch had two created. While both of them the exhalation veils With a new colour, and engenders hair On one of them and depilates the other,

(68) For so long as the Image stands in the Anger, it is the Image of the Serpent; but if it goes forth [from the Lust of Sin, or Desire of Evil] into the breaking [or destroying thereof,] then a heavenly Image is figured by the Treader upon the Serpent, and uthe Serpent's Head is broken; the two Kingdoms fight [or wrestle] one with another, and that which overcomes, figures the Image.

(29) And let the offender [15] fall prostrate, when he meditates destruction for me, by blows upon his back-bone

(25) The white serpent has struck his ka , and his ka has struck the white serpent

(1) EACH of the four primary elements as taught by the early philosophers has its analogue in the quaternary terrestrial constitution of man. The rocks and earth correspond to the bones and flesh; the water to the various fluids; the air to the gases; and the fire to the bodily heat. Since the bones are the framework that sustains the corporeal structure, they may be regarded as a fitting emblem of the spirit--that divine foundation which supports the composite fabric of mind, soul, and body. To the initiate, the skeleton of death holding in bony fingers the reaper's scythe denotes Saturn (Kronos), the father of the gods, carrying the sickle with which he mutilated Ouranos, his own sire.

(10) Said on a serpent having two legs, and bearing a two-horned disk. Two eyes are before him, having two legs and two wings

(24) The fingers and toes also have special significance. The toes represent the Ten Commandments of the physical law and the fingers the Ten Commandments of the spiritual law. The four fingers of each hand represent the four elements and the three phalanges of each finger represent the divisions of the element, so that in each hand there are twelve parts to the fingers, which are analogous to the signs of the zodiac, whereas the two phalanges and base of each thumb signify the threefold Deity. The first phalange corresponds to the creative aspect, the second to the preservative aspect, and the base to the generative and destructive aspect. When the hands are brought together, the result is the twenty-four Elders and the six Days of Creation.

(13) My nails and bones those of the Living Uræi Uræi