(13) The thirteenth pylon: Isis extends her two hands upon her; she lightens the Nile in its hidden abode. She will prepare the enwrapping of the dead

(17) 12. The Bracement. “Hand of Isis, stanching the blood of the Eye of Horus,” is thy name

(21) This Chapter, taken from London 9900, is found complete in the pyramid of Unas (l. 166 ff.). Four other pyramids, those of Teta, Pepi I, Merenrā and Pepi II contain the greatest part of it; as also does a stele of the XIIth Dynasty found in Abydos, and belonging to a man called Nehi. Hatshepsu had it copied on both sides of the chamber of offering specially dedicated to her ( Deir el Bahari , Vol. IV, pl. CIX-XIII and p. 8). In the pyramids as well as at the temple this text is connected with offerings. The representation in the temple may be considered as the vignette to this chapter. We see there the queen sitting before an altar of offerings called

(4) At the next round, and let us descend the wall; For as from hence I hear and understand not, So I look down and nothing I distinguish." "Other response," he said, "I make thee not, Except the doing; for the modest asking Ought to be followed by the deed in silence." We from the bridge descended at its head, Where it connects itself with the eighth bank, And then was manifest to me the Bolgia; And I beheld therein a terrible throng Of serpents, and of such a monstrous kind, That the remembrance still congeals my blood Let Libya boast no longer with her sand; For if Chelydri, Jaculi, and Phareae She breeds, with Cenchri and with Amphisbaena, Neither so many plagues nor so malignant E'er showed she with all Ethiopia, Nor with whatever on the Red Sea is! Among this cruel and most dismal throng People were running naked and affrighted. Without the hope of hole or heliotrope. They had their hands with serpents bound behind them; These riveted upon their reins the tail And head, and were in front of them entwined.

(6) The Osiris N avoideth the raging storm: the Osiris N is not to be kept away from Rā, not to be repulsed is he

(17) Like nearly all religious and philosophical antiquities, the Bembine Table of Isis has been the subject of much controversy. In a footnote, A. E. Waite--unable to differentiate between the true and the purported nature or origin of the Tablet--echoes the sentiments of J.G. Wilkinson, another eminent exotericus: "The original [Table] is exceedingly late and is roughly termed a forgery." On the other hand, Eduard Winkelmann, a man of profound learning, defends the genuineness and antiquity of the Tablet. A sincere consideration of the Mensa Isiaca discloses one fact of paramount importance: that although whoever fashioned the Table was not necessarily an Egyptian, he was an initiate of the highest order, conversant with the most arcane tenets of Hermetic esotericism.

(27) A serpent interwoven among the olive leaves on her head, devouring its own tail, denotes that the aurific unctuosity was soiled with the venom of terrestrial corruption which surrounded it and must be mortified and purified by seven planetary circulations or purifications called flying eagles (alchemical terminology) in order to make it medicinal for the restoration of health. (Here the emanations from the sun are recognized as a medicine for the healing of human ills.) The seven planetary circulations are represented by the circumambulations of the Masonic lodge; by the marching of the Jewish priests seven times around the walls of Jericho, and of the Mohammedan priests seven times around the Kabba at Mecca. From the crown of gold project three horns of plenty, signifying the abundance of the gifts of Nature proceeding from one root having its origin in the heavens (head of Isis).

(6) —Deliver Osiris N. Do not let him be carried away by his enemies, to him who devours the soul, who raises evil accusations. Restore his soul to his body and his body to his soul

(17) There is a remarkable niche in the north wall of the Queen's Chamber which the Mohammedan guides glibly pronounce to be a shrine. The general shape of this niche, however, with its walls converging by a series of overlaps like those of the Grand Gallery, would indicate that originally it had been intended as a passageway. Efforts made to explore this niche have been nonproductive, but Mr. Dupré believes an entrance to exist here through which--if the well did not exist at the time--the workmen made their exit from the Pyramid after dropping the stone plugs into the ascending gallery.

(35) The statue of Isis was placed on a pedestal of dark stone ornamented with rams' heads. Her feet trod upon a number of venomous reptiles. This indicates that Nature has power to free from acidity or saltness all corrosives and to overcome all impurities from terrestrial corruption adhering to bodies. The rams' heads indicate that the most auspicious time for the generation of life is during the period when the sun passes through the sign of Aries. The serpents under her feet indicate that Nature is inclined to preserve life and to heal disease by expelling impurities and corruption.

(14) At length Isis discovered that the chest had floated to the coast of Byblos. There it had lodged in the branches of a tree, which in a short time miraculously grew up around the box. This so amazed the king of that country that he ordered the tree to be cut down and a pillar made from its trunk to support the roof of his palace. Isis, visiting Byblos, recovered the body of her husband, but it was again stolen by Typhon, who cut it into fourteen parts, which he scattered all over the earth. Isis, in despair, began gathering up the severed remains of her husband, but found only thirteen pieces. The fourteenth part (the phallus) she reproduced in gold, for the original had fallen into the river Nile and had been swallowed by a fish.

(13) This Chapter is not frequently met with in the papyri; it was written on the wrappings and the bandages of the dead; for instance, on the funeral cloth of King Thothmes III, where it is not complete. This Chapter is interesting, as it shows how repulsive to the Egyptians was the idea of corruption, of the decay of the body, which is described here in most realistic terms. This is one of the reasons why they gave such importance to mummification

(29) Isis holds in her right hand a small sailing ship with the spindle of a spinning wheel for its mast. From the top of the mast projects a water jug, its handle shaped like a serpent swelled with venom. This indicates that Isis steers the bark of life, full of troubles and miseries, on the stormy ocean of Time. The spindle symbolizes the fact that she spins and cuts the thread of Life. These emblems further signify that Isis abounds in humidity, by means of which she nourishes all natural bodies, preserving them from the heat of the sun by humidifying them with nutritious moisture from the atmosphere. Moisture supports vegetation, but this subtle humidity (life ether) is always more or less infected by some venom proceeding from corruption or decay. It must be purified by being brought into contact with the invisible cleansing fire of Nature. This fire digests, perfects, and revitalizes this substance, in order that the humidity may become a universal medicine to heal and renew all the bodies in Nature.

(25) The Osiris N inaugurateth the paths of Rā and prayeth that he may drive off the Lock which cometh out of the flame against thy Bark out of the great Stream

(13) Let me seize that Thigh which is under the place of Osiris, with which I may open the mouth of the gods and sit by him, like Thoth the Scribe, sound of heart, with thousands of loaves, beer, beef, and fowl upon the table of my father, and the flesh of oxen and birds of various kinds, which I offer to Horus, which I present to Thoth, and which I sacrifice to the Lord of Heaven

(6) This Chapter is found in the pyramid of Unas (ll. 361-376), where the text is not much better than in the Papyrus London 9900

(7) Thou goest out like Rā, thou art powerful like Rā, thou art in possession of thy feet. Osiris N. is in possession of his feet at all times and at all hours; thou wilt not be judged, thou wilt not be imprisoned, thou wilt not be guarded, thou wilt not be put in bonds, thou wilt not be placed in the house where are the enemies. Cakes are piled up before thee, and offerings are well guarded for thee

(4) Caliph al Mamoun, an illustrious descendant of the Prophet, inspired by stories of the immense treasures sealed within its depths, journeyed from Bagdad to Cairo, A.D. 820, with a great force of workmen to open the mighty Pyramid. When Caliph al Mamoun first reached the foot of the "Rock of Ages" and gazed up at its smooth glistening surface, a tumult of emotions undoubtedly racked his soul. The casing stones must have been in place at the time of his visit, for the Caliph could find no indication of an entrance--four perfectly smooth surfaces confronted him. Following vague rumors, he set his followers to work on the north side of the Pyramid, with instructions to keep on cutting and chiseling until they discovered something. To the Moslems with their crude instruments and vinegar it was a herculean effort to tunnel a full hundred feet through the limestone. Many times they were on the point of rebellion, but the word of the Caliph was law and the hope of a vast fortune buoyed them up.

(2) Away with the two sentences uttered by Isis when thou camest to fling remembrance at the mouth of Osiris and the heart of Sutu, his enemy, saying:—

(1) should not have been placed among those of the Book of the Dead, it belongs to another book similar to the , the book engraved on the walls of the royal tombs. It describes gods and genii of the bounds in the Tuat who confer certain blessings on the deceased; such as this: “those who lift up their faces towards the sky at the prow of the boat of Rā, grant that Osiris N. may see Rā when he rises.” A vignette gives the appearance of the god or genius spoken of. Every one of them is followed by this sentence: “for the libation of a vase has been made on earth by Osiris N. who is (now) the lord of abundance, and goes round the garden of Hotepit.”