(20) Josephus hints that there was a third compartment which was formed by subdividing the Holy Place, at least hypothetically, into two chambers. The Jewish historian is not very explicit in his description of this third room, and the majority of writers seem to have entirely overlooked and neglected this point, although Josephus emphatically states that Moses himself divided the inner tent into three sections. The veil separating the Holy Place from the Holy of Holies was hung across four pillars, which probably indicated in a subtle way the four elements, while at the entrance to the tent proper the Jews placed seven pillars, referring to the seven senses and the seven vowels of the Sacred Name. That later only five pillars are mentioned may be accounted for by the fact that at the present time man has only five developed senses and five active vowels. The early Jewish writer of The Baraitha treats of the curtains as follows:

(27) Farther westward, in line with the Brazen Altar, was the Laver of Purification already described. It signified to the priest that he should cleanse not only his body but also his soul from all stains of impurity, for none who is not clean in both body and mind can enter into the presence of Divinity and live. Beyond the Laver of Purification was the entrance to the Tabernacle proper, facing the east, so that the first rays of the rising sun might enter and light the chamber. Between the encrusted pillars could be seen the Holy Place, a mysterious chamber, its walls hung with magnificent drapes embroidered with the faces of Cherubs.

(19) The right Tablet of the Law further signifies Jachin--the white pillar of light; the left Tablet, Boaz--the shadowy pillar of darkness. These were the names of the two pillars cast from brass set up on the porch of King Solomon's Temple. They were eighteen cubits in height and beautifully ornamented with wreaths of chainwork, nets, and pomegranates. On the top of each pillar was a large bowl--now erroneously called a ball or globe--one of the bowls probably containing fire and the other water. The celestial globe (originally the bowl of fire), surmounting the right-hand column (Jachin), symbolized the divine man; the terrestrial globe (the bowl of water), surmounting the left-hand column (Boaz), signified the earthly man. These two pillars respectively connote also the active and the passive expressions of Divine Energy, the sun and the moon, sulphur and salt, good and bad, light and darkness. Between them is the door leading into the House of God, and standing thus at the gates of Sanctuary they are a reminder that Jehovah is both an androgynous and an anthropomorphic deity. As two parallel columns they denote the zodiacal signs of Cancer and Capricorn, which were formerly placed in the chamber of initiation to represent birth and death--the extremes of physical life. They accordingly signify the summer and the winter solstices, now known to Freemasons under the comparatively modern appellation of the "two St. Johns."

(33) "When Moses distinguished the tabernacle into three parts, and allowed two of them to the priests, as a place accessible and common, he denoted the land and the sea, these being of general access to all; but he set apart the third division for God, because heaven is inaccessible to men. And when he ordered twelve loaves to be set on a table, he denoted the year, as distinguished into so many months. By branching out the candlestick into seventy parts, he secretly intimated the Decani, or seventy divisions of the planets; and as to the seven lamps upon the candlesticks, they referred to the course of the planets, of which that is the number. The veils too, which were composed of four things, they declared the four elements; for the plain linen was proper to signify the earth, because the flax grows out of the earth; the purple signified the sea, because that color is dyed by the blood of a sea shell-fish; the blue is fit to signify the air; and the scarlet will naturally be an indication of fire.

(19) It is the custom of bibliologists to divide the interior of the Tabernacle into two rooms: one room ten cubits wide, ten cubits high, and twenty cubits long, which was called the Holy Place and contained three special articles of furniture, namely, the Seven-Branched Candlestick, the Table of the Shewbread, and the Altar of Burnt Incense; the other room ten cubits wide, ten cubits high, and ten cubits long, which was called the Holy of Holies and contained but one article of furniture--the Ark of the Covenant. The two rooms were separated from each other by an ornamental veil upon which were embroidered many kinds of flowers, but no animal or human figures.

(70) Three vertical columns support the universal system as typified by the Sephirothic Tree. The central pillar has its foundation in Kether, the Eternal One. It passes downward through the hypothetical Sephira, Daath, and then through Tiphereth and Jesod, with its lower end resting upon the firm foundation of Malchuth, the last of the globes. The true import of the central pillar is equilibrium. It demonstrates how the Deity always manifests by emanating poles of expression from the midst of Itself but remaining free from the illusion of polarity. If the numbers of the four Sephiroth connected by this column be added together (1 +6 +9 + 10), the sum is 26, the number of Jehovah. (See chapter on Pythagorean Mathematics.)

(22) [paragraph continues] My House be established. "In the splendor of mental and spiritual illumination, the High Priest stood between the pillars as a mute witness to the perfect virtue of equilibrium--that hypothetical point equidistant from all extremes. He thus personified the divine nature of man in the midst of his compound constitution--the mysterious Pythagorean Monad in the presence of the Duad. On one side towered the stupendous column of the intellect; on the other, the brazen pillar of the flesh. Midway between these two stands the glorified wise man, but he cannot reach this high estate without first suffering upon the cross made by joining these pillars together. The early Jews occasionally represented the two pillars, Jachin and Boaz, as the legs of Jehovah, thereby signifying to the modern philosopher that Wisdom and Love, in their most exalted sense, support the whole order of creation--both mundane and supermundane.

(12) Before the throne of God was the crystal sea representing the Schamayim, or the living waters which are above the heavens. Before the throne also were four creatures--a bull, a lion, an eagle, and a man. These represented the four corners of creation and the multitude of eyes with which they were covered are the stars of the firmament. The twenty-four elders have the same significance as the priests gathered around the statue of Ceres in the Greater Eleusinian Rite and also the Persian Genii, or gods of the hours of the day, who, casting away their crowns, glorify the Holy One. As symbolic of the divisions of time, the elders adore the timeless and enduring Spirit in the midst of them.

(34) "Now the vestment of the high-priest being made of linen, signified the earth; the blue denoted the sky, being like lightning in its pomegranates, and in the noise of the bells resembling thunder. And for the Ephod, it showed that God had made the universe of four (elements); and as for the gold interwoven, * * * it related to the splendor by which all things are enlightened. He also appointed the breastplate to be placed in the middle of the Ephod, to resemble the earth, for that has the very middle place of the world. And the girdle which encompassed the high-priest round signified the ocean, for that goes round about and includes the universe. Each of the sardonyxes declares to us the sun and the moon, those, I mean, that were in the nature of buttons on the high-priest's shoulders. And for the twelve stones, whether we understand by them the months, or whether we understand the like number of the signs of that circle which the Greeks call the Zodiac, we shall not be mistaken in their meaning. And for the mitre, which was of a blue colour, it seems to me to mean heaven; for how otherwise could the name of God be inscribed upon it? That it was also illustrated with a crown, and that of gold also, is because of that splendour with which God is pleased." It is also symbolically significant that the Tabernacle was built in seven months and dedicated to God at the time of the new moon.

(23) "Then a cloud covered the tent of the congregation, and the glory of the Lord filled the Tabernacle. And that was one of the clouds of glory, which served the Israelites in the wilderness forty years. One on the right hand, and one on the left, and one before them, and one behind them. And one over them, and a cloud dwelling in their midst (and the cloud, the Shechinah which was in the tent), and the pillar of cloud which moved before them, making low before them the high places, and making high before them the low places, and killing serpents and scorpions, and burning thorns and briars, and guiding them in the straight way." (From The Baraitha, the Book of the Tabernacle.)

(17) The two tables signify respectively the superior and the inferior worlds--the paternal and the maternal formative principles. In their undivided state they represent the Cosmic Androgyne. The breaking of the tables signifies obscurely the separation of the superior and the inferior spheres and also the division of the sexes. In the religious processionals of the Greeks and Egyptians an ark or ship was carried which contained stone tablets, cones, and vessels of various shapes emblematic of the procreative processes. The Ark of the Israelites--which was patterned after the sacred chests of the Isiac Mysteries--contained three holy objects, each having an important phallic interpretation: the pot of manna, the rod that budded, and the Tablets of the Law--the first, second, and third Principles of the Creative Triad. The manna, the blossoming staff, and the stone tables are also appropriate images respectively of the Qabbalah, the Mishna, and the written law--the spirit, soul, and body of Judaism. When placed in King Solomon's Everlasting House, the Ark of the Covenant contained only the Tablets of the Law. Does this indicate that even at that early date the secret tradition had been lost and the letter of the revelation alone remained?

(112) The tetrad--4--was esteemed by the Pythagoreans as the primogenial number, the root of all things, the fountain of Nature and the most perfect number. All tetrads are intellectual; they have an emergent order and encircle the world as the Empyreum passes through it. Why the Pythagoreans expressed God as a tetrad is explained in a sacred discourse ascribed to Pythagoras, wherein God is called the Number of Numbers. This is because the decad, or 10, is composed of 1, 2, 3, and 4. The number 4 is symbolic of God because it is symbolic of the first four numbers. Moreover, the tetrad is the center of the week, being halfway between 1 and 7. The tetrad is also the first geometric solid.

(16) The court of the Tabernacle was an enclosed area, fifty cubits wide and one hundred cubits long, circumscribed by a wall of linen curtains hung from brazen pillars five cubits apart. (The cubit is an ancient standard of measurement, its length being equal to the distance between the elbow and the extreme end of the index finger, approximately eighteen inches.) There were twenty of these pillars on each of the longer sides and ten on the shorter. Each pillar had a base of brass and a capital of silver. The Tabernacle was always laid out with the long sides facing north and south and the short sides facing east and west, with the entrance to the east, thus showing the influence of primitive sun worship.

(18) As representing the power that fabricated the lower, or Demiurgic, sphere, the tablets of stone were sacred to Jehovah in contradistinction to the tablets of sapphire that signified the potency that established the higher, or celestial, sphere. Without doubt the Mosaic tablets have their prototype in the stone pillars or obelisks placed on either side of the entrance to pagan temples. These columns may pertain to that remote time when men worshiped the Creator through His zodiacal sign of Gemini, the symbol of which is still the phallic pillars of the Celestial Twins. "The Ten Commandments, writes Hargrave Jennings, "are inscribed in two groups of five each, in columnar form. The five to the right (looking from the altar) mean the 'Law'; the five to the left mean the 'Prophets.' The right stone is masculine, the left stone is feminine. They correspond to the two disjoined pillars of stone (or towers) in the front of every cathedral, and of every temple in the heathen times." (See The Rosicrucians: Their Rites and Mysteries.) The same author states that the Law is masculine because it was delivered direct from the Deity, while the Prophets, or Gospels, were feminine because born through the nature of man.

(72) And in that fourth portal from which the sun rises in the first month are twelve window-openings, from which proceed a flame when they are opened in their season.

(20) In the mysterious Sephirothic Tree of the Jews, these two pillars symbolize Mercy and Severity. Standing before the gate of King Solomon's Temple, these columns had the same symbolic import as the obelisks before the sanctuaries of Egypt. When interpreted Qabbalistically, the names of the two pillars mean "In strength shall

(71) The column on the right, which is called Jachin, has its foundation on Chochmah, the outpouring Wisdom of God; the three globes suspended from it are all masculine potencies. The column at the left is called Boaz. The three globes upon it are feminine and receptive potencies, for it is founded in Understanding, a receptive and maternal potency. Wisdom, it will be noted, is considered as radiant or outpouring, and Understanding as receptive, or something which is filled by the flowing of Wisdom. The three pillars are ultimately united in Malchuth, in which all the powers of the superior worlds are manifested.

(24) There is no doubt that the Tabernacle, its furnishings and ceremonials, when considered esoterically, are analogous to the structure, organs, and functions of the human body. At the entrance to the outer court of the Tabernacle stood the Altar of Burnt Offerings, five cubits long and five cubits wide but only three cubits high. Its upper surface was a brazen grill upon which the sacrifice was placed, while beneath was a space for the fire. This altar signified