(42) Whereof you have an image in the Revelation of John, where he seeth seven golden candlesticks or lights before the Son of God, which signify the seven spirits of God, which shine in great clarity, brightness or lustre before the Son of God, out of which the Son of God is continually generated from eternity to eternity, and is the Heart of the seven spirits of God, and which I will here describe in order one after another.

(37) But the light is another Person, for it is continually generated out of or from the seven spirits, and the seven spirits rise up continually in the light; and the powers of these seven spirits go forth continually in the glance or splendour of the light in the seventh nature-spirit [Or spirit of nature], and do form and image all in the seventh spirit; and this outgoing or exit in the light is the Holy Ghost.

(41) But when the light is generated, then it enlighteneth all the seven qualifying or fountain spirits, so that all seven are [become] understanding, and all seven do give their will to the birth of the light.

(19) In the fourth and fifth chapters St. John describes the throne of God upon which sat the Holy One "which was and is, and is to come." About the throne were twenty-four lesser seats upon which sat twenty-four elders arrayed in white garments and wearing crowns of gold. "And out of the throne proceeded lightnings and thunderings and voices: and there were seven lamps of fire burning before the throne, which are the seven Spirits of God." He who sat upon the throne held in His right hand a book sealed with seven seals which no man in heaven or earth had been found worthy to open. Then appeared a Lamb (Aries, the first and chief of the zodiacal signs) which had been slain, having seven horns (rays) and seven eyes (lights). The Lamb took the book from the right hand of Him that sat upon the throne and the four beasts and all the elders fell down and worshiped God and the Lamb. During the early centuries of the Christian Church the lamb was universally recognized as the symbol of Christ, and not until after the fifth synod of Constantinople (the "Quinisext Synod," A.D. 692) was the figure of the crucified man substituted for that of Agnus Dei. As shrewdly noted by one writer on the subject, the use of a lamb is indicative of the Persian origin of Christianity, for the Persians were the only people to symbolize the first sign of the zodiac by a lamb.

(21) In the central foreground, St. John the Divine is kneeling before the apparition of the Alpha and Omega standing in the midst of the seven lights and surrounded by an aureole of flames and smoke. In the heavens above the twenty-four elders with their harps and censers bow before the throne of the Ancient One, from whose hand the Lamb is taking the book sealed with seven seals. The seven spirit, of God, in the form of cups from which issue tongues of fire, surround the head of the Ancient One, and the four beasts (the cherubim) kneel at the corners of His throne. In the upper left-hand corner are shown the seven angels bearing the trumpets and also the altar of God and the angel with the censer. In the upper right are the spirits of the winds; below them is the virgin clothed wit h the sun, to whom wings were given that she might fly into the wilderness. To her right is a scene representing the spirits of God hurling the evil serpent into the bottomless pit. At the lower left St. John is shown receiving from the angelic figure, whose legs are pillars of fire and whose face is a shining sun, the little book which he is told to eat if he would understand the mysteries of the spiritual life.

(22) The seven spirits are the father of the light, and the light is their son, which they always continually generate thus from eternity to eternity, and the light enlighteneth and always eternally makes the seven spirits living and joyful, for they all receive their rising and life in the power of light.

(46) The alchemists were went to symbolize their metals by means of a tree, to indicate that all seven were branches dependent upon the single trunk of solar life. As the Seven Spirits depend upon God and are branches of a tree of which He is the root, trunk, and the spiritual earth from which the root derives its nourishment, so the single trunk of divine life and power nourishes all the multitudinous forms of which the universe is composed.

(2) Invoking then Jesus, the Paternal Light, the Real, the True, "which lighteth every man coming into the world," "through Whom we have access to the Father," Source of Light, let us aspire, as far as is attainable, to the illuminations handed down by our fathers in the most sacred Oracles, and let us gaze, as we may, upon the Hierarchies of the Heavenly Minds manifested by them symbolically for our instruction. And when we have received, with immaterial and unflinching mental eyes, the gift of Light, primal and super-primal, of the supremely Divine Father, which manifests to us the most blessed Hierarchies of the Angels in types and symbols, let us then, from it, be elevated to its simple splendour. For it never loses its own unique inwardness, but multiplied and going forth, as becomes its goodness, for an elevating and unifying blending of the objects of its care, remains firmly and solitarily centred within itself in its unmoved sameness; and raises, according to their capacity, those who lawfully aspire to it, and makes them one, after the example of its own unifying Oneness. For it is not possible that the supremely Divine Ray should otherwise illuminate us, except so far as it is enveloped, for the purpose of instruction, in variegated sacred veils, and arranged naturally and appropriately, for such as we are, by paternal forethought.

(137) The light's flame or flash, which in the twinkling of an eye, or in a moment, shineth into all the powers, even as the sun does in the whole world, is the Holy Ghost, which goeth forth from the clarity or brightness of the Son of God, and is the flash of lightning and sharpness; for the Son is generated in the midst or centre of the other qualities, and is caught by the other qualities. Understand this high thing rightly.

(28) Against the wall on the southern side of the Holy Place stood the great Candlestick, or lampstand, of cast gold, which was believed to weigh about a hundred pounds. From its central shaft branched out six arms, each ending in a cup-shaped depression in which stood an oil lamp. There were seven lamps, three on the arms at each side and one on the central stem. The Candlestick was ornamented with seventy-two almonds, knops, and flowers. Josephus says seventy, but wherever this round number is used by the Hebrews it really means seventy-two. Opposite the Candlestick, against the northern wall, was a table bearing twelve loaves of Shewbread in two stacks of six loaves each. (Calmet is of the opinion that the bread was not stacked up but spread out on the table in two rows, each containing six loaves.) On this table also stood two lighted incensories, which were placed upon the tops of the stacks of Shewbread so that the smoke of the incense might be an acceptable aroma to the Lord, bearing with it in its ascent the soul of the Shewbread.

(32) But the light, which subsisteth in the midst or centre in all the seven spirits, and wherein stands the life of all the seven spirits, whereby all seven become triumphing and joyful, and wherein the heavenly joyfulness rises up:

(4) There are seven spirits of God, all these seven have moved themselves, and the light therein has moved itself also, and the spirit, which goeth forth out of the seven spirits of God, has moved itself also.

(11) Behold, all the seven spirits of God are generated alike together at once; none of them is the first, and none of them is the last; but we must have an eye to the kernel, and consider how the divine birth or geniture riseth up, otherwise man understands it not.

(101) When the light riseth up in this striving, then the Holy Ghost moveth in the power of the light, in the play of the other six spirits, and so in the seventh spring up all manner of fruits of life, and all manner of colours and vegetations, or ideas and forms.

(35) For everything which is visible is a copy of that which is hidden. For as a fire which burns in a place without being confined to it, so it is with the sun which is in the sky, all of whose rays extend to places on the earth. Similarly, Christ has a single being, and he gives light to every place. This is also the way in which he speaks of our mind, as if it were a lamp which burns and lights up the place. (Being) in a part of the soul, it gives light to all the parts.

(15) The seven stars carried by this immense Being in his right hand are the Governors of the world; the flaming sword issuing from his mouth is the Creative Fiat, or Word of Power, by which the illusion of material permanence is slain. Here also is represented, in all his symbolic splendor, the hierophant of the Phrygian Mysteries, his various insignia emblematic of his divine attributes. Seven priests bearing lamps are his attendants and the stars carried in his hand are the seven schools of the Mysteries whose power he administers. As one born again out of spiritual darkness, into perfect wisdom, this archimagus is made to say: "I am he that liveth, and was dead; and, behold, I am alive forever more, Amen; and have the keys of hell and of death."

(44) But the seven spirits, which are in an angel, and which generate the light and understanding, are bound and united with the whole God, that they should not qualify any other way, either higher or more vehemently, than God himself; but that there should be one and the same manner and way between them both.

(29) For it is one of the seven spirits of God, in whose power stands the divine being or essence in the whole divine power and heavenly pomp.

(7) In like manner also the spirit went forth from the heart into all the qualifying or fountain veins of the body, and kindled all the seven spirits, and so the royal body was glorified instantaneously, and there he stood as a king of God, in an unsearchable clarity or brightness, transcendently excelling the whole heavenly host or army.

(7) Also, the Word of God attributes to the Heavenly Beings a likeness to Brass, Electron, and many-coloured stones. Electron, as being partly like gold, partly like silver, denotes the incorruptible, as in gold, and unexpended, and undiminished, and spotless brilliancy, and the brightness, as in silver, and a luminous and heavenly radiance. But to the Brass, according to the reasons assigned, must be attributed either the likeness of fire or that of gold. We must consider that the many-coloured appearances of stones denote either as white, the luminous; or as red, the fiery; or as yellow, the golden; or as green, the youthful and the full grown; and within each likeness you will find an explanation which teaches the inner meaning of the typical images. But since, I think, according to our power, this has been sufficiently said, let us pass to the sacred explanation of the Divine representations of the Heavenly Minds through wild beasts. We must consider that the shape of a Lion signifies the leading, and robust, and indomitable, and the assimilation, as far as possible, to the unutterable Godhead, by the concealment of the intellectual footprints, and by the mystically modest covering of the path, leading to It, during Divine illumination.