(392) about men poets and story-tellers are guilty of making the gravest misstatements when they tell us that wicked men are often happy, and the good miserable; and that injustice is profitable when undetected, but that justice is a man’s own loss and another’s gain—these things we shall forbid them to utter, and command them to sing and say the opposite. To be sure we shall, he replied. But if you admit that I am right in this, then I shall maintain that you have implied the principle for which we have been all along contending. I grant the truth of your inference. That such things are or are not to be said about men is a question which we cannot determine until we have discovered what justice is, and how naturally advantageous to the possessor, whether he seem to be just or not. Most true, he said. Enough of the subjects of poetry: let us now speak of the style; and when this has been considered, both matter and manner will have been completely treated. I do not understand what you mean, said Adeimantus. Then I must make you understand; and perhaps I may be more intelligible if I put the matter in this way. You are aware, I suppose, that all mythology and poetry is a narration of events, either past, present, or to come? Certainly, he replied. And narration may be either simple narration, or imitation, or a union of the two? That again, he said, I do not quite understand. I fear that I must be a ridiculous teacher when I have so much difficulty in making myself apprehended. Like a bad speaker, therefore, I will not take the whole of the subject,

(386) ‘Lest the mansions grim and squalid which the gods abhor should be seen both of mortals and immortals 2 .’ And again:— ‘O heavens! verily in the house of Hades there is soul and ghostly form but no mind at all 3 !’ Again of Tiresias:— ‘[To him even after death did Persephone grant mind,] that he alone should be wise; but the other souls are flitting shades 4 .’ Again:— ‘The soul flying from the limbs had gone to Hades, lamenting her fate, leaving manhood and youth 5 .’ Again:— ‘And the soul, with shrilling cry, passed like smoke beneath the earth 6 .’ And,— ‘As bats in hollow of mystic cavern, whenever any of them has dropped out of the string and falls from the rock, fly shrilling and cling to one another, so did they with shrilling cry hold together as they moved 7 .’ And we must beg Homer and the other poets not to be angry if we strike out these and similar passages, not because they are unpoetical, or unattractive to the popular ear, but because the greater the poetical charm of them, the less are they meet for the ears of boys and men who are meant to be free, and who should fear slavery more than death. Undoubtedly. Also we shall have to reject all the terrible and appalling names which describe the world below—Cocytus and Styx,

(24) O nobly-born, at that time, at bridge-heads, in temples, by stiipas of eight kinds, thou wilt rest a little while, but thou wilt not be able to remain there very long, for thine intellect hath been separated from thine [earth-plane] body. Because of this inability to loiter, thou oft-times wilt feel perturbed and vexed and panic-stricken. At times, thy Knower will be dim; at times, fleeting and incoherent. Thereupon this thought will occur to thee, 'Alas! I am dead! What shall I do?' and because of such thought the Knower will become saddened and the heart chilled, and thou wilt experience infinite misery of sorrow. Since thou canst not rest in any one place, and feel impelled to go on, think not of various things, but allow the intellect to abide in its own [unmodified] state.

(12) 'The wise who, by means of meditation on his Self, recognises the Ancient, who is difficult to be seen, who has entered into the dark, who is hidden in the cave, who dwells in the abyss, as God, he indeed leaves joy and sorrow far behind.'

(605) which he represents some pitiful hero who is drawling out his sorrows in a long oration, or weeping, and smiting his breast—the best of us, you know, delight in giving way to sympathy, and are in raptures at the excellence of the poet who stirs our feelings most. Yes, of course I know. But when any sorrow of our own happens to us, then you may observe that we pride ourselves on the opposite quality—we would fain be quiet and patient; this is the manly part, and the other which delighted us in the recitation is now deemed to be the part of a woman. Very true, he said. Now can we be right in praising and admiring another who is doing that which any one of us would abominate and be ashamed of in his own person? No, he said, that is certainly not reasonable. Nay, I said, quite reasonable from one point of view. What point of view? If you consider, I said, that when in misfortune we feel a natural hunger and desire to relieve our sorrow by weeping and lamentation, and that this feeling which is kept under control in our own calamities is satisfied and delighted by the poets;—the better nature in each of us, not having been sufficiently trained by reason or habit, allows the sympathetic

(380) ‘God plants guilt among men when he desires utterly to destroy a house.’ And if a poet writes of the sufferings of Niobe—the subject of the tragedy in which these iambic verses occur—or of the house of Pelops, or of the Trojan war or on any similar theme, either we must not permit him to say that these are the works of God, or if they are of God, he must devise some explanation of them such as we are seeking; he must say that God did what was just and right, and they were the better for being punished; but that those who are punished are miserable, and that God is the author of their misery—the poet is not to be permitted to say; though he may say that the wicked are miserable because they require to be punished, and are benefited by receiving punishment from God; but that God being good is the author of evil to any one is to be strenuously denied, and not to be said or sung or heard in verse or prose by any one whether old or young in any well-ordered commonwealth. Such a fiction is suicidal, ruinous, impious. I agree with you, he replied, and am ready to give my assent to the law. Let this then be one of our rules and principles concerning the gods, to which our poets and reciters will be expected to conform,—that God is not the author of all things, but of good only. That will do, he said.

(388) even to women who are good for anything), or to men of a baser sort, that those who are being educated by us to be the defenders of their country may scorn to do the like. That will be very right. Then we will once more entreat Homer and the other poets not to depict Achilles 8 , who is the son of a goddess, first lying on his side, then on his back, and then on his face; then starting up and sailing in a frenzy along the shores of the barren sea; now taking the sooty ashes in both his hands 9 and pouring them over his head, or weeping and wailing in the various modes which Homer has delineated. Nor should he describe Priam the kinsman of the gods as praying and beseeching, ‘Rolling in the dirt, calling each man loudly by his name 10 .’ Still more earnestly will we beg of him at all events not to introduce the gods lamenting and saying, ‘Alas! my misery! Alas! that I bore the bravest to my sorrow 11 .’ But if he must introduce the gods, at any rate let him not dare so completely to misrepresent the greatest of the gods, as to make him say— ‘O heavens! with my eyes verily I behold a dear friend of mine chased round and round the city, and my heart is sorrowful 12 .’ Or again:— ‘Woe is me that I am fated to have Sarpedon, dearest of

(2) On this account my wish would be content To hear what fortune is approaching me, Because foreseen an arrow comes more slowly." Thus did I say unto that selfsame light That unto me had spoken before; and even As Beatrice willed was my own will confessed. Not in vague phrase, in which the foolish folk Ensnared themselves of old, ere yet was slain The Lamb of God who taketh sins away, But with clear words and unambiguous Language responded that paternal love, Hid and revealed by its own proper smile: "Contingency, that outside of the volume Of your materiality extends not, Is all depicted in the eternal aspect. Necessity however thence it takes not, Except as from the eye, in which 'tis mirrored, A ship that with the current down descends. From thence, e'en as there cometh to the ear Sweet harmony from an organ, comes in sight To me the time that is preparing for thee. As forth from Athens went Hippolytus, By reason of his step-dame false and cruel, So thou from Florence must perforce depart.

(21) Critias: to Critias—declared that in his opinion Solon was not only the wisest of men in all else, but in poetry also he was of all poets the noblest. Whereat the old man (I remember the scene well) was highly pleased and said with a smile, “If only, Amynander, he had not taken up poetry as a by-play but had worked hard at it like others, and if he had completed the story he brought here from Egypt , instead of being forced to lay it aside owing to the seditions and all the other evils he found here on his return,—

(6) Thereon he hid himself; and I towards The ancient poet turned my steps, reflecting Upon that saying, which seemed hostile to me. He moved along; and afterward thus going, He said to me, "Why art thou so bewildered?" And I in his inquiry satisfied him. "Let memory preserve what thou hast heard Against thyself," that Sage commanded me, "And now attend here;" and he raised his finger. "When thou shalt be before the radiance sweet Of her whose beauteous eyes all things behold, From her thou'lt know the journey of thy life." Unto the left hand then he turned his feet; We left the wall, and went towards the middle, Along a path that strikes into a valley, Which even up there unpleasant made its stench.

(5) While I delighted me in contemplating The images of such humility, And dear to look on for their Maker's sake, "Behold, upon this side, but rare they make Their steps," the Poet murmured, "many people; These will direct us to the lofty stairs." Mine eyes, that in beholding were intent To see new things, of which they curious are, In turning round towards him were not slow. But still I wish not, Reader, thou shouldst swerve From thy good purposes, because thou hearest How God ordaineth that the debt be paid; Attend not to the fashion of the torment, Think of what follows; think that at the worst It cannot reach beyond the mighty sentence. "Master," began I, "that which I behold Moving towards us seems to me not persons, And what I know not, so in sight I waver." And he to me: "The grievous quality Of this their torment bows them so to earth, That my own eyes at first contended with it; But look there fixedly, and disentangle By sight what cometh underneath those stones; Already canst thou see how each is stricken."

(386) S UCH then, I said, are our principles of theology—some tales are to be told, and others are not to be told to our disciples from their youth upwards, if we mean them to honour the gods and their parents, and to value friendship with one another. Yes; and I think that our principles are right, he said. But if they are to be courageous, must they not learn other lessons besides these, and lessons of such a kind as will take away the fear of death? Can any man be courageous who has the fear of death in him? Certainly not, he said. And can he be fearless of death, or will he choose death in battle rather than defeat and slavery, who believes the world below to be real and terrible? Impossible. Then we must assume a control over the narrators of this class of tales as well as over the others, and beg them not simply to revile but rather to commend the world below, intimating to them that their descriptions are untrue, and will do harm to our future warriors. That will be our duty, he said. Then, I said, we shall have to obliterate many obnoxious passages, beginning with the verses, ‘I would rather be a serf on the land of a poor and portionless man than rule over all the dead who have come to nought 1 .’ We must also expunge the verse, which tells us how Pluto feared,

A sick man laboring under an incurable disease went to a physician for advice. The physician felt his pulse, and perceived that no treatment would cure him, and therefore told him to go away and do whatever he had a fancy for. This was the advice given by God to the Israelites when they were seen to be incurable by the admonitions of the prophets. "Do what you will, but God's eye is on all your doings." The sick man blessed the physician for his agreeable prescription, and at once went to a stream, where he saw a Sufi bathing his feet. He was seized with a desire to hit the Sufi on the back, and, calling to mind the physician's advice, at once carried his wish into effect. The Sufi jumped up, and was about to return the blow, but when he saw the weakly and infirm condition of his assailant he restrained himself. He disregarded his present angry impulse, and had regard to the future, so that the non-existent future became to him more really existent than the existing present. Here the poet digresses to point out that when wise men recognize the true relative importance of the present and the future they cease to shrink from death and annihilation, which lifts them to a higher and nobler life. This is illustrated by an anecdote of Mahmud of Ghazni, quoted from Faridu- 'd-Din 'Attar. Mahmud, in one of his campaigns, took prisoner a Hindu boy, who at first regarded him with the greatest dread, in consequence of the stories he had heard of him from his mother, but afterwards experienced Mahmud's kindness and tenderness, and came to know him and love him. So it is with death. According to the Hadis "Those who have passed away do not grieve because of death, but because of wasted opportunities in life." The Masnavi is "a shop of poverty and self-abnegation," and a treasury containing only the doctrines of "Unity;" and if its stories suggest aught else, that is due to the evil promptings of Iblis, who also misled the Prophet himself to attribute undue power to the idols Lat and 'Uzza and Manat, in a verse which was afterwards cancelled. The Sufi, being full of the spirit of self-abnegation, did not retaliate on his weak, assailant but led him before the Qazi. On learning the facts of the case the Qazi said, "This Faqir is sick to death, and you, being a Sufi, are, according to your profession, dead to the world. How, then, can I award a penalty against him in your favor? I am a judge, not of the dead, but of the living." The Sufi was dissatisfied with this view of the case, and again pressed the Qazi to do him justice. On this the Qazi asked the sick Faqir how much money he had, and on his replying, "Six dirhams," took pity on him, and let him off with a fine of three dirhams only. The moment the sentence was pronounced the sick Faqir went up to the Qazi and struck him a blow on the back, and cried out, "Now take the other three dirhams and let me go!" The Sufi then pointed out to the Qazi that by his ill-timed leniency to the Faqir he had brought this blow upon himself, and urged him to apply in his own case those principles of mercy and forgiveness which he had proposed in the case of another. The Qazi said that, for his part, he recognized every blow and misfortune that might befall him as divinely ordained, and sent for his good, according to the text, "Laugh little and weep much," and that his judgment in the matter of the Faqir had not been dictated by impulse, but by inspiration. The Sufi again asked him how evils and misfortunes could proceed from the divine fount of good, and the Qazi replied that what seems good and evil to us has no absolute existence, but is merely as the foam on the surface of the vast ocean. Moreover, every misfortune occurring to the faithful in this life will be amply compensated for in the life to come. The Sufi asked why this world should not be so arranged that only good should be experienced in it, and the Qazi replied by telling him an anecdote of a Turk and a tailor. The Turk, who typifies the careless pleasure-seeker, was so intent on listening to the jokes and amusing stories of the tailor, typifying the seductive world, that he allowed himself to be robbed of the silk which was to furnish him with a vesture for eternity. The Sufi again retorted that he did not see why the world would not get on better without the evil in it, and the Qazi replied with the poet's favorite argument that there would be no possibility of being virtuous if there were no temptations to be vicious. As Bishop Butler says, this life is a state of probation, and such a state necessarily involves trials and difficulties and dangers to be resisted and overcome.

(329) Some complain of the slights which are put upon them by relations, and they will tell you sadly of how many evils their old age is the cause. But to me, Socrates, these complainers seem to blame that which is not really in fault. For if old age were the cause, I too being old, and every other old man, would have felt as they do. But this is not my own experience, nor that of others whom I have known. How well I remember the aged poet Sophocles, when in answer to the question, How does love suit with age, Sophocles,—are you still the man you were? Peace, he replied; most gladly have I escaped the thing of which you speak; I feel as if I had escaped from a mad and furious master. His words have often occurred to my mind since, and they seem as good to me now as at the time when he uttered them. For certainly old age has a great sense of calm and freedom; when the passions relax their hold, then, as Sophocles says, we are freed from the grasp not of one mad master only, but of many. The truth is, Socrates, that these regrets, and also the complaints about relations, are to be attributed to the same cause, which is not old age, but men’s characters and tempers; for he who is of a calm and happy nature will hardly feel the pressure of age, but to him who is of an opposite disposition youth and age are equally a burden. I listened in admiration, and wanting to draw him out, that he might go on—

(51) And then if thou will follow oit, thou will find in thyself, In Contempt and Disesteem. not only after this Life, but in this Life also in thy Regeneration, that she will very worthily meet thee, and out of what Kind of Spirit this Author has written.

(2) Then reigned within my lofty fantasy One crucified, disdainful and ferocious In countenance, and even thus was dying. Around him were the great Ahasuerus, Esther his wife, and the just Mordecai, Who was in word and action so entire. And even as this image burst asunder Of its own self, in fashion of a bubble In which the water it was made of fails, There rose up in my vision a young maiden Bitterly weeping, and she said: "O queen, Why hast thou wished in anger to be naught? Thou'st slain thyself, Lavinia not to lose; Now hast thou lost me; I am she who mourns, Mother, at thine ere at another's ruin." As sleep is broken, when upon a sudden New light strikes in upon the eyelids closed, And broken quivers ere it dieth wholly, So this imagining of mine fell down As soon as the effulgence smote my face, Greater by far than what is in our wont. I turned me round to see where I might be, When said a voice, "Here is the passage up;" Which from all other purposes removed me,

(2) And yet in this fantasy them think that they have a restful remembrance of their God without any letting of vain thoughts; and surely so have they in manner, for they be so filled in falsehood that vanity may not provoke them. And why? Because he, that same fiend that should minister vain thoughts to them an they were in good way—he, that same, is the chief worker of this work. And wit thou right well, that him list not to let himself. The remembrance of God will he not put from them, for fear that he should be had in suspect.

After short anecdotes of Pharaoh's magicians, of the mule who complained to the camel that he was always stumbling, and of the prophet Ezra, comes the story of the old man who wept not for the death of his sons. An old man who was noted for sanctity, and who realized the saying of the Prophet, "The 'ulama of the faith are as the prophets of Israel," lost all his sons, but showed no grief or regret. His wife therefore rebuked him for his want of feeling, whereupon he replied to her as follows:

(18) 'The knowing (Self) is not born, it dies not; it sprang from nothing, nothing sprang from it. The [paragraph continues] Ancient is unborn, eternal, everlasting; he is not killed, though the body is killed.'

(328) For let me tell you, that the more the pleasures of the body fade away, the greater to me is the pleasure and charm of conversation. Do not then deny my request, but make our house your resort and keep company with these young men; we are old friends, and you will be quite at home with us. I replied: There is nothing which for my part I like better, Cephalus, than conversing with aged men; for I regard them as travellers who have gone a journey which I too may have to go, and of whom I ought to enquire, whether the way is smooth and easy, or rugged and difficult. And this is a question which I should like to ask of you who have arrived at that time which the poets call the ‘threshold of old age’—Is life harder towards the end, or what report do you give of it? I will tell you, Socrates, he said, what my own feeling is. Men of my age flock together; we are birds of a feather, as the old proverb says; and at our meetings the tale of my acquaintance commonly is—I cannot eat, I cannot drink; the pleasures of youth and love are fled away: there was a good time once, but now that is gone, and life is no longer life.