(20) Leaf 8. Under the sun, moon, and Mercury are the words Three and One, an inference that the three are one. The words under the flower stems read: "Whiteness forty days after ashes." Under the blossoms is written: (left) "Minor time of the Stone"; (right) "The selected red." Between the arms of the central figure appears: "Let one pound of Mercury be placed." To the left is written: "If you who read shall have known this figure, you will possess the whole science of the Stone"; to the right: "And if you do not acknowledge it, you will be stiff-necked and dull." Above the sun is the word Father; above the satyr, "Ferment of the work." Beside the child is the sentence: "The son of the moon would threw the Stone into the fire--his mother." Above the flaming basket is written: "I am the true Stone." Under the central figure are the words: "A moderate fire is the master of the work."

(21) Leaf 9. In the upper left it is written that without the light of the Moon the Sun does not heat the earth and that into the Moon the Sun emits its fruits. In the upper right the true herb of the philosophers is described, and it is declared that whoever believes in and it shall be [spiritually] rich. The panel concludes thus: "Understand thoroughly what it is that the man has in either hand if you wish to be enlightened." The text to the left above the sun reads: "Entirely without the Sun and Moon, make dye; dissolve, congeal, and like produces for itself like." The words to the right of the man holding the Philosopher's herb declare sublimation to be the beginning, the middle and the end of the Great Work. The last sentence reads: "Out of the Sun and Moon make a thing of equal parts, and by their union, God willing, let the Philosopher's Stone be made."

(17) Leaf 6. This plate shows all the secrets of the great Stone. In the center stands the Paschal Virgin, in her hair the prime virtue which is described as an herb flourishing in wells. The hands hold the symbols of the spiritual and material elements. The statement at the upper left is to the effect that there are four spirits with two faces, which are called the elements. At the upper right it is written that fire lives on air, air on water, water on earth, and thus the Stone lives Peacefully on all the pure elements. Under the sun appears the word Summer; under the moon, Autumn. About the tree on the left with its attendant eyes are the words: "Turn away your eyes to [from?] the fire. There is space [?]." About the tree to the right. "Open your eyes to the fire. There is time." The lower panel opens with this sentence "I am exalted above the circles of world."

(36) Leaf 21. The upper line reads: "Two things and double, but finally one is dissolved into the first and they make sperm." The four capitals. I A A T, are the initial letters of the names of the elements: Ignis, Aer, Aqua, and Terra. The writing under them reads: "Our fire is water; if you can give fire to fire, fire and Mercury will suffice." Along the arm appear the words: "The Art of the Stone is," and on the ribbon: "Swift, brief, bright, and rare." The two lines under the ribbon read: "Every hand is a key, because it was called the herb celandine"; under the Sun: "I am the gift of God " The verse reads: "So that you remain contented in all matters, I must listen attentively. My body [is] naked, clean, and shining, and I run like oil ready to drop, resplendent like bright gold, and then succumb to the plague in its bright and cheerful little chamber [retort]."

(15) Leaf 4. At the top: "Let them believe that . everything is possible. The art is fleeting, bright and rare, and not believed by the foolish." The words between the sun and crescent read "It is hidden," and on the panel across the body "The Book of life and true Treasury of the World." The panel to the left of the figure says "Moving almost all, and the soul of its body returns to the place from which it had fled, and ripens seven months or nine, and the King crowned with his diadem appears." The right panel states: "There are three Mercuries: animal, vegetable, and mineral." The text below is of such a cryptic nature that to translate it is well nigh impossible. It declares that by putting fire beneath the feet of the symbolic figure it is possible to extract therefrom the sun and the moon which the human body is shown elevating to a position of dignity above its head.

(1) [This chapter is supplementary to ch. v.] "The sky turns round; the earth stands still; sun and moon pursue one another. Who causes this? Who directs this? Who has leisure enough to see that such movements continue? "Some think there is a mechanical arrangement which makes these bodies move as they do. Others think that they revolve without being able to stop. "The clouds cause rain; rain causes clouds. Whose kindly bounty is this? Who has leisure enough to see that such, result is achieved? "Wind comes from the north. It blows now east, now west; and now it whirls aloft. Who puffs it forth? Who has leisure enough to be flapping it this way or that? I should like to know the cause of all this." Wu Han Chao said, "Come here, and I will tell you. Above there are the Six Influences and the Five Virtues.

(35) Leaf 20. At the top is written: "Rains are made by six stars." Under the inverted man it reads: "Receive new spirit. Arise, for you are asleep." The two sentences about the large figure read: "Remember Mercury, for ashes thou art and unto ashes thou shalt return. I thirst and am dead." Above the seven globes at the left is the admonition: "If he thirst, give him a drink and he shall live." Over the small man is written: "Hermes, the father of philosophers." The curved line of writing to which Hermes points says: "The measure of the drink." Under the central pedestal appears: "The light of my eyes is a lantern to my feet." Below is added: "If the beginning is unknown, the rest is unknown." Above the figure rising from the flames on the right is the statement: "He was resurrected after new Moon," and under the eagle: "Thou shalt not fly further with me."

(9) Now these two Gates are in one another; the nethermost goes into the Abyss, and the uppermost goes into Paradise; and a third Gate comes to these two, out of the Element with its four Productions, and presses in together with the Fire, Air, Water, and Earth; and their Kingdom is the Sun and Stars, which qualify with the first Will; and their Desire is to be filled, to swell, and to be great. These draw into them, and fill the Chamber of the Deep, [viz.] the free and naked Will in the Mind; they bring the Glimpse [or Glance] of the Stars into the Gate of the Mind, and qualify with the Sharpness of the Glimpse [or Flash;] they fill the broken Gates of the Darkness with Flesh, and wrestle continually with the first Will (from whence they are gone forth) for the Kingdom [or Dominion,] and yield themselves up to the first Will, as to their Father, which willingly receives their Region [or Dominion.] For he is obscure and dark, and they are rough and sour, also bitter and cold; and their Life is a seething Source of Fire, wherewith they govern in the Mind, in the Gall, Heart, Lungs, and Liver, and in all Members [or Parts] of the whole Body, and Man is their own; the Spirit which stands in the Flash brings the Constellation into the Tincture of its Property, and infects the Thoughts, according to the Dominion of the Stars; they take the Body and tame it, and bring their bitter Roughness into it.

(102) The earthy sign succours the terrestrial earth, The watery sign (Aquarius) sends moisture to it; The windy sign sends the clouds to it, The fiery sign (Leo) sends forth the heat of the sun, The heaven is busily toiling through ages, And the earth does the woman's work, and toils Know then earth and heaven are endued with sense, If these two lovers did not suck nutriment from each other, Why should they creep together like man and wife? Without the earth how could roses and saffron grow?

(5) Wishing to express Sun in writing, they make a circle; and Moon, a figure like the Moon, like its proper shape. But in using the figurative style, by transposing and transferring, by changing and by transforming in many ways as suits them, they draw characters. In relating the praises of the kings in theological myths, they write in anaglyphs. Let the following stand as a specimen of the third species - the Enigmatic. For the rest of the stars, on account of their oblique course, they have figured like the bodies of serpents; but the sun, like that of a beetle, because it makes a round figure of ox-dung, and rolls it before its face. And they say that this creature lives six months under ground, and the other division of the year above ground, and emits its seed into the ball, and brings forth; and that there is not a female beetle. All then, in a word, who have spoken of divine things, both Barbarians and Greeks, have veiled the first principles of things, and delivered the truth in enigmas, and symbols, and allegories, and metaphors, and such like tropes. Such also are the oracles among the Greeks. And the Pythian Apollo is called Loxias. Also the maxims of those among the Greeks called wise men, in a few sayings indicate the unfolding of matter of considerable importance. Such certainly is that maxim, "Spare Time:" either because life is short, and we ought not to expend this time in vain; or, on the other hand, it bids you spare your personal expenses; so that, though you live many years, necessaries may not fail you. Similarly also the maxim "Know thyself" shows many things; both that thou art mortal, and that thou wast born a human being; and also that, in comparison with the other excellences of life, thou art of no account, because thou sayest that thou art rich or renowned; or, on the other hand, that, being rich or renowned, you are not honoured on account of your advantages alone. And it says, Know for what thou wert born, and whose image thou art; and what is thy essence, and what thy creation, and what thy relation to God, and the like. And the Spirit says by Isaiah the prophet, "I will give thee treasures, hidden, dark." Now wisdom, hard to hunt, is the treasures of God and unfailing riches. But those, taught in theology by those prophets, the poets, philosophize much by way of a hidden sense. I mean Orpheus, Linus, Musaeus, Homer, and Hesiod, and those in this fashion wise. The persuasive style of poetry is for them a veil for the many.

(166) II. The elements signify or denote the wonderful proportion, variety, change and alteration of the form and posture of heaven: For as the deep between the stars and earth always alter and change in their form, suddenly it is fair, bright and light, suddenly it is lowery and dark, now wind, then rain, now snow, suddenly the deep is blue or azure, suddenly greenish, by and by whitish, then suddenly again dusky.

(30) Leaf 16. The first sentence reads: "The dead bodies remain; the spirits are freed by the death in the bodies. You will ride with that death with a scythe, and the light of the Sun, the Moon, and the fixed stars." Over the scythe is written: "Subject to the Sun, the Moon and Azoth, complete the Work." The four words in the curve of the scythe blade say: "Man's head, head of raven." The three lines to the right are interpreted thus: "This figure is called Laton, for it looks black in a vessel, and is the beginning of corruption." The text below the ladder states: "This is the ladder of primitive matter which when placed in a vessel turns black, the gradually changes to white by the scale [ladder] of digestion, according to the degree of heat." Here a ladder is used to signify the natural steps up which matter must ascend before it can attain to a truly spiritual state.

(56) A more profound interpretation is found in the correspondences between the twelve figures in the upper panel and the twelve in the lower. This furnishes a key to one of the most arcane of ancient secrets--the relationship existing between the two great zodiacs the fixed and the movable. The fixed zodiac is described as an immense dodecahedron, its twelve surfaces representing the outermost walls of abstract space. From each surface of this dodecahedron a great spiritual power, radiating inward, becomes embodied as one of the hierarchies of the movable zodiac, which is a band of circumambulating so-called fixed stars. Within this movable zodiac are posited the various planetary and elemental bodies. The relation of these two zodiacs to the subzodiacal spheres has a correlation in the respiratory system of the human body. The great fixed zodiac may be said to represent the atmosphere, the movable zodiac the lungs, and the subzodiacal worlds the body. The spiritual atmosphere containing the vivifying energies of the twelve divine powers of the great fixed zodiac is inhaled by the cosmic lungs--the movable zodiac--and distributed by them through the constitution of the twelve holy animals which are the parts and members of the material universe. The functional cycle is completed when the poisonous effluvia of the lower worlds collected by the movable zodiac are exhaled into the great fixed zodiac, there to be purified by being passed through the divine natures of its twelve eternal hierarchies.

(2) All things being undefined and yet unwrought, the light things were assigned unto the height, the heavy ones had their foundations laid down underneath the moist part of Dry Space, the universal things being bounded off by Fire and hanged in Breath to keep them up. And Heaven was seen in seven circles; its Gods were visible in forms of stars with all their signs; while Nature had her members made articulate together with the Gods in her. And [Heaven's] periphery revolved in cyclic course, borne on by Breath of God.