(18) O nobly-born on the Fourteenth Day, the Four Female Door-Keepers, also issuing from within thine own brain, will come to shine upon thee. Again recognize. From the east [quarter] of thy brain will come to shine the White Tiger-Headed Goad-Holding Goddess, bearing a blood-filled skull-bowl in her left [hand]; from the south, the Yellow Sow-Headed Noose-Holding Goddess; from the west, the Red Lion-Headed Iron-Chain-Holding Goddess; and from the north, the Green Serpent-Headed Bell- Holding Goddess. Thus, issue the Four Female Door-Keepers also from within thine own brain and come to shine upon thee; as tutelary deities, recognize them.

(8) O, thou child of man! open the eyes of thy spirit, for I will here shew thee the right and real proper gate of the Deity, as indeed that very one only God will have it.

(18) O nobly-born, the Four Yoginis of the Door, issuing from within the brain, will come to shine upon thee: from the east, the Black Cuckoo-Headed Mystic Goddess, holding an iron hook in the hand; from the south, the Yellow Goat-Headed Mystic Goddess, holding a noose in the hand; from the west, the Red Lion-Headed Mystic Goddess, holding an iron chain in the hand; and from the north, the Greenish-Black Serpent-Headed Mystic Goddess: [these], the Four Door-Keeping Yoginis, issuing from within the brain, will come to shine upon thee.

(142) This now is the very door of the hidden, secret Mystery of the Deity. Concerning which the Reader is to conceive, that it is not in the power or capacity of any man to discern or to know it, if the Dawning or Morning-Redness does not break forth in the centre in the soul.

COME, blessed Dionysius, various nam'd, Bull-fac'd, begot from Thunder, Bacchus fam'd. Bassarian God, of universal might, Whom swords, and blood, and sacred rage delight: In heav'n rejoicing, mad, loud-sounding God, Furious inspirer, bearer of the rod: By Gods rever'd, who dwell'st with human kind, Propitious come, with much-rejoicing mind.

(28) The twelfth chapter treats of a great wonder appearing in the heavens: a woman clothed with the sun, the moon under her feet, and upon her head a crown of twelve stars. This woman represents the constellation of Virgo and also the Egyptian Isis, who, about to be delivered of her son Horus, is attacked by Typhon, the latter attempting to destroy the child predestined by the gods to slay the

(21) This symbolic figure, representing the way to everlasting life, is described by Khunrath in substance as follows: "This is the Portal of the amphitheatre of the only true and eternal Wisdom--a narrow one, indeed, but sufficiently august, and consecrated to Jehovah. To this portal ascent is made by a mystic, indisputably prologetic, flight of steps, set before it as shown in the picture. It consists of seven theosophic, or, rather, philosophic steps of the Doctrine of the Faithful Sons. After ascending the steps, the path is along the way of God the Father, either directly by inspiration or by various mediate means. According to the seven oracular laws shining at the portal, those who are inspired divinely have the power to enter and with the eyes of the body and of the mind, of seeing, contemplating and investigating in a Christiano-Kabalistic, divino-magical, physico-chemical manner, the nature of the Wisdom: Goodness, and Power of the Creator; to the end that they die not sophistically but live theosophically, and that the orthodox philosophers so created may with sincere philosophy expound the works of the Lord, and worthily praise God who has thus blessed these friend, of God." The above figure and description constitute one of the most remarkable expositions ever made of the appearance of the Wise Man's House and the way by which it must be entered.

(103) Thou child of man, behold now, how great a gate of heaven, of hell, and of the earth, as also of the whole Deity, the spirit openeth to thee.

(2) Naked of me short while the flesh had been, Before within that wall she made me enter, To bring a spirit from the circle of Judas; That is the lowest region and the darkest, And farthest from the heaven which circles all. Well know I the way; therefore be reassured. This fen, which a prodigious stench exhales, Encompasses about the city dolent, Where now we cannot enter without anger." And more he said, but not in mind I have it; Because mine eye had altogether drawn me Tow'rds the high tower with the red-flaming summit, Where in a moment saw I swift uprisen The three infernal Furies stained with blood, Who had the limbs of women and their mien, And with the greenest hydras were begirt; Small serpents and cerastes were their tresses, Wherewith their horrid temples were entwined. And he who well the handmaids of the Queen Of everlasting lamentation knew, Said unto me: "Behold the fierce Erinnys. This is Megaera, on the left-hand side; She who is weeping on the right, Alecto; Tisiphone is between;" and then was silent.

(20) Raguel, one of the holy angels who †takes vengeance on† the world of the luminaries.

(32) I am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture.

(272) 392 To say: O Lofty-one, which is not sharpened, thou Door of Nun, 392 N. comes to thee. Cause this (door) to be opened for him. 392 N., he is small, 392 (yet) N. is chief of the Followers of R`; he is not chief of the evil gods (demons).

(73) This is the other open gate of the Deity, here thou must set thy eyes wide open, and rouse up or awaken the spirit in thy half dead heart: for this is not an obscure fiction, contrivance or phantasy. Observe:

(12) You honor me and whisper against me. You, the vanquished, judge those who vanquish you before they judge you, because in you the judge and partiality exist. If you are condemned by one, who will acquit you? If acquitted by him, who will arrest you? What is in you is outside, and one who fashions you on the outside shapes you inside. What you see outside you see within you. It is visible and your garment. Hear me, hearers, and find out about my words, you who know me. I am the hearing all can reach; I am speech undecipherable. I am the name of the sound and the sound of the name. I am the sign of the letter and the designation of the division. I . . . light . . . great power . . . will not move the name . . . to the one who created me. I will speak his name.

(153) Looking for the maker of this tabernacle, I shall have to run through a course of many births, so long as I do not find (him); and painful is birth again and again. But now, maker of the tabernacle, thou hast been seen; thou shalt not make up this tabernacle again. All thy rafters are broken, thy ridge-pole is sundered; the mind, approaching the Eternal (visankhâra, nirvâna), has attained to the extinction of all desires.

(15) The seven stars carried by this immense Being in his right hand are the Governors of the world; the flaming sword issuing from his mouth is the Creative Fiat, or Word of Power, by which the illusion of material permanence is slain. Here also is represented, in all his symbolic splendor, the hierophant of the Phrygian Mysteries, his various insignia emblematic of his divine attributes. Seven priests bearing lamps are his attendants and the stars carried in his hand are the seven schools of the Mysteries whose power he administers. As one born again out of spiritual darkness, into perfect wisdom, this archimagus is made to say: "I am he that liveth, and was dead; and, behold, I am alive forever more, Amen; and have the keys of hell and of death."

(27) With outspread wings, Ishtar, the daughter of Sin (the Moon), sweeps downward to the gates of death. The house of darkness--the dwelling of the god Irkalla--is described as "the place of no return." It is without light; the nourishment of those who dwell therein is dust and their food is mud. Over the bolts on the door of the house of Irkalla is scattered dust, and the keepers of the house are covered with feathers like birds. Ishtar demands that the keepers open the gates, declaring that if they do not she will shatter the doorposts and strike the hinges and raise up dead devourers of the living. The guardians of the gates beg her to be patient while they go to the queen of Hades from whom they secure permission to admit Ishtar, but only in the same manner as all others came to this dreary house. Ishtar thereupon descends through the seven gates which lead downward into the depths of the underworld. At the first gate the great crown is removed from her head, at the second gate the earrings from her ears, at the third gate the necklace from her neck, at the fourth gate the ornaments from her breast, at the fifth gate the girdle from her waist, at the sixth gate the bracelets from her hands and feet, and at the seventh gate the covering cloak of her body. Ishtar remonstrates as each successive article of apparel is taken from her, bur the guardian tells her that this is the experience of all who enter the somber domain of death. Enraged upon beholding Ishtar, the Mistress of Hades inflicts upon her all manner of disease and imprisons her in the underworld.

(12) Ananias! Arise, and go into the street which is called Straight, and inquire in the house of Judas for one called Saul of Tarsus: for, behold, he prayeth, and hath seen in a vision a man named Ananias coming in, and putting his hand on him, that he might receive his sight.

(2) These things saith he that is holy, he that is true, he that hath the key of David, he that openeth, and no man shutteth; and shutteth, and no man openeth; I know thy works: behold, I have set before thee an open door, and no man can shut it: for thou hast a little strength, and hast kept my word, and hast not denied my name.

(35) The fifteenth to eighteenth chapters inclusive contain an account of seven angels (the Pleiades) who pour their vials upon the earth. The contents of their vials (the loosened energy of the Cosmic Bull) are called the seven last plagues. Here also is introduced a symbolic figure, termed "the harlot of Babylon, "which is described as a woman seated upon a scarlet-colored beast having seven heads and ten horns. The woman was arrayed in purple and scarlet and bedecked with gold, precious stones, and pearls, having in her hand a golden cup full of abominations. This figure may be an effort (probably interpolated) to vilify Cybele, or Artemis, the Great Mother goddess of antiquity. Because the pagans venerated the Mater Deorum through symbols appropriate to the feminine generative principle they were accused by the early Christians of worshiping a courtesan. As nearly all the ancient Mysteries included a test of the neophyte's moral character, the temptress (the animal soul) is here portrayed as a pagan goddess.