The FUMIGATION with TORCHES. NIGHT, parent goddess, source of sweet repose, From whom at first both Gods and men arose, Hear, blessed Venus, deck'd with starry light, 3 In sleep's deep silence dwelling Ebon night! Dreams and soft case attend thy dusky train, Pleas'd with the length'ned gloom and feaftful strain. Dissolving anxious care, the friend of Mirth, With darkling coursers riding round the earth. Goddess of phantoms and of shadowy play, Whose drowsy pow'r divides the nat'ral day: By Fate's decree you constant send the light To deepest hell, remote from mortal sight For dire Necessity which nought withstands, Invests the world with adamantine bands. Be present, Goddess, to thy suppliant's pray'r, Desir'd by all, whom all alike revere, Blessed, benevolent, with friendly aid Dispell the fears of Twilight's dreadful shade.

(33) The fifteenth numbered major trump is called Le Diable, the Devil, and portrays a creature resembling Pan with the horns of a ram or deer, the arms and body of a man, and the legs and feet of a goat or dragon. The figure stands upon a cubic stone, to a ring in the front of which are chained two satyrs. For a scepter this so-called demon carries a lighted torch or candle. The entire figure is symbolic of the magic powers of the astral light, or universal mirror, in which the divine forces are reflected in an inverted, or infernal, state. The demon is winged like a bar, showing that it pertains to the nocturnal, or shadow inferior sphere. The animal natures of man, in the form of a male and a female elemental, are chained to its footstool. The torch is the false light which guides unillumined souls to their own undoing. In the pseudo-Egyptian Tarot appears Typhon--a winged creature composed of a hog, a man, a bat, a crocodile, and a hippopotamus--standing in the midst of its own destructiveness and holding aloft the firebrand of the incendiary. Typhon is created by man's own misdeeds, which, turning upon their maker, destroy him.

(35) The fifteenth to eighteenth chapters inclusive contain an account of seven angels (the Pleiades) who pour their vials upon the earth. The contents of their vials (the loosened energy of the Cosmic Bull) are called the seven last plagues. Here also is introduced a symbolic figure, termed "the harlot of Babylon, "which is described as a woman seated upon a scarlet-colored beast having seven heads and ten horns. The woman was arrayed in purple and scarlet and bedecked with gold, precious stones, and pearls, having in her hand a golden cup full of abominations. This figure may be an effort (probably interpolated) to vilify Cybele, or Artemis, the Great Mother goddess of antiquity. Because the pagans venerated the Mater Deorum through symbols appropriate to the feminine generative principle they were accused by the early Christians of worshiping a courtesan. As nearly all the ancient Mysteries included a test of the neophyte's moral character, the temptress (the animal soul) is here portrayed as a pagan goddess.

(20) Raguel, one of the holy angels who †takes vengeance on† the world of the luminaries.

The FUMIGATION from STORAX. Call Thesmophorus *, spermatic God, Of various names, who bears the leafy rod: Mises, ineffable, pure, sacred queen, Two-fold Iacchus, male and female seen: Illustr'ous, whether to rejoice is thine In incense offer'd, in the fane divine +; Or if in Phrygia most thy soul delights, Performing with thy mother sacred rites; Or if the land of Cyprus is thy care, Well pleas'd to dwell with Cytherea fair; Or if exulting in the fertile plains With thy dark mother Isis, where she reigns, 12 With nurses pure attended, near the flood Of sacred Egypt, thy divine abode: Wherever resident, blest pow'r attend, And with benignant mind these labours end.

(28) The twelfth chapter treats of a great wonder appearing in the heavens: a woman clothed with the sun, the moon under her feet, and upon her head a crown of twelve stars. This woman represents the constellation of Virgo and also the Egyptian Isis, who, about to be delivered of her son Horus, is attacked by Typhon, the latter attempting to destroy the child predestined by the gods to slay the

(15) The seven stars carried by this immense Being in his right hand are the Governors of the world; the flaming sword issuing from his mouth is the Creative Fiat, or Word of Power, by which the illusion of material permanence is slain. Here also is represented, in all his symbolic splendor, the hierophant of the Phrygian Mysteries, his various insignia emblematic of his divine attributes. Seven priests bearing lamps are his attendants and the stars carried in his hand are the seven schools of the Mysteries whose power he administers. As one born again out of spiritual darkness, into perfect wisdom, this archimagus is made to say: "I am he that liveth, and was dead; and, behold, I am alive forever more, Amen; and have the keys of hell and of death."

(7) This sorceress decks herself out in gorgeous and jewelled apparel and veils her face. Then she goes forth to seduce, men, too many of whom follow her to their own destruction. The Prophet has said that on the Judgment Day the world will appear in the form of a hideous witch with green eyes and projecting teeth. Men, beholding her, will say, "Mercy on us! who is this?" The angels will answer, "this is the world for whose sake you quarrelled and fought and embittered one another's lives." Then she will be cast into hell, whence she will cry out, "O Lord! where are those, my former lovers? God will then command that they be cast after her.

(39) As time passed on the historical Orpheus became hopelessly confounded with the doctrine he represented and eventually became the symbol of the Greek school of the ancient wisdom. Thus Orpheus was declared to be the son of Apollo, the divine and perfect truth, and Calliope, the Muse of harmony and rhythm. In other words, Orpheus is the secret doctrine (Apollo) revealed through music (Calliope). Eurydice is humanity dead from the sting of the serpent of false knowledge and imprisoned in the underworld of ignorance. In this allegory Orpheus signifies theology, which wins her from the king of the dead but fails to accomplish her resurrection because it falsely estimates and mistrusts the innate understanding within the human soul. The Ciconian women who tore Orpheus limb from limb symbolize the various contending theological factions which destroy the body of Truth. They cannot accomplish this, however, until their discordant cries drown out the harmony drawn by Orpheus from his magic lyre. The head of Orpheus signifies the esoteric doctrines of his cult. These doctrines continue to live and speak even after his body (the cult) has been destroyed. The lyre is the secret teaching of Orpheus; the seven strings are the seven divine truths which are the keys to universal knowledge. The differing accounts of his death represent the various means used to destroy the secret teachings: wisdom can die in many ways at the same time. The allegory of Orpheus incarnating in the white swan merely signifies that the spiritual truths he promulgated will continue and will be taught by the illumined initiates of all future ages. The swan is the symbol of the initiates of the Mysteries; it is a symbol also of the divine power which is the progenitor of the world.

(102) Thou know st Him not. Now He appears as fire, Dread force; as water now; and now as gloom; And in the beasts is dimly shadowed forth, In wind, and cloud, in lightning, thunder, rain; And minister to Him the seas and rocks, Each fountain and the water's floods and streams.

(47) The Egyptian Demon, Typhon, was symbolized as part crocodile and part: hog because these animals are gross and earthy in both appearance and temperament. Since the world began, living things have feared the darkness; those few creatures who use it as a shield for their maneuvers were usually connected with the Spirit of Evil. Consequently cats, bats, toads, and owls are associated with witchcraft. In certain parts of Europe it is still believed that at night black magicians assume the bodies of wolves and roam around destroying. From this notion originated the stories of the werewolves. Serpents, because they lived in the earth, were associated with the Spirit of Darkness. As the battle between Good and Evil centers around the use of the generative forces of Nature, winged serpents represent the regeneration of the animal nature of man or those Great Ones in whom this regeneration is complete. Among the Egyptians the sun's rays are often shown ending in human hands. Masons will find a connection between these hands and the well-known Paw of the Lion which raises all things to life with its grip.

(18) O nobly-born, from the north [will dawn] the Blue Wolf-Headed Wind-Goddess, waving a pennant in the hand; and the Red Ibex-Headed Woman-Goddess, holding a pointed stake in the hand; and the Black Sow-Headed Sow-Goddess, holding a noose of fangs in the hand; and the Red Crow-Headed Thunderbolt-Goddess, holding an infant corpse in the hand; and the Greenish-Black Elephant-Headed Big-Nosed Goddess, holding in the hand a big corpse and drinking blood from a skull; and the Blue Serpent-Headed Water-Goddess, holding in the hand a serpent noose: [these], the Six Yoginis of the North, issuing from within [the northern quarter of] thine own brain, will come to shine upon thee; fear that not.

(170) O security! the devil watcheth for thee. O high-mindedness! thou art a hellish fire. O beauty, pomp or bravery! thou art a dark valley. O potency of dominion! thou art a raging and a tearing of the hellish fire. O selfvindication or vengeance! thou art the fierce wrath of God.

(14) Again, that the Spring is called "flowery," from its nature; and Night "still," on account of rest; and the Moon" Gorgonian," on account of the face in it; and that the time in which it is necessary to sow is called Aphrodite by the "Theologian." In the same way, too, the Pythagoreans figuratively called the planets the "dogs of Persephone;" and to the sea they applied the metaphorical appellation of "the tears of Kronus." Myriads on myriads of enigmatical utterances by both poets and philosophers are to be found; and there are also whole books which present the mind of the writer veiled, as that of Heraclitus On Nature, who on this very account is called "Obscure." Similar to this book is the Theology of Pherecydes of Syrup; for Euphorion the poet, and the Causes of Callimachus, and the Alexandra of Lycophron, and the like, are proposed as an exercise in exposition to all the grammarians.

(23) The ancients gave the name Isis to one of their occult medicines; therefore the description here given relates somewhat to chemistry. Her black drape also signifies that the moon, or the lunar humidity--the sophic universal mercury and the operating substance of Nature in alchemical terminology--has no light of its own, but receives its light, its fire, and its vitalizing force from the sun. Isis was

The FUMIGATION from MANNA. Hear me, Jove's daughter, celebrated queen, Bacchian and Titan, of a noble mien: In darts rejoicing and on all to shine, Torch-bearing Goddess, Dictynna divine; O'er births presiding, and thyself a maid, To labour-pangs imparting ready aid: Dissolver of the zone and wrinkl'd care, Fierce huntress, glorying in the Sylvan war: Swift in the course, in dreadful arrows skill'd, Wandering by night, rejoicing in the field: Of manly form, erect, of bounteous mind, Illustrious dæmon, nurse of human kind: Immortal, earthly, bane of monsters fell, 'Tis thine; blest maid, on woody hills to dwell: Foe of the stag, whom woods and dogs delight, In endless youth who flourish fair and bright. O, universal queen, august, divine, A various form, Cydonian pow'r, is thine: Dread guardian Goddess, with benignant mind Auspicious, come to mystic rites inclin'd Give earth a store of beauteous fruits to bear, Send gentle Peace, and Health with lovely hair, And to the mountains drive Disease and Care.

(2) Naked of me short while the flesh had been, Before within that wall she made me enter, To bring a spirit from the circle of Judas; That is the lowest region and the darkest, And farthest from the heaven which circles all. Well know I the way; therefore be reassured. This fen, which a prodigious stench exhales, Encompasses about the city dolent, Where now we cannot enter without anger." And more he said, but not in mind I have it; Because mine eye had altogether drawn me Tow'rds the high tower with the red-flaming summit, Where in a moment saw I swift uprisen The three infernal Furies stained with blood, Who had the limbs of women and their mien, And with the greenest hydras were begirt; Small serpents and cerastes were their tresses, Wherewith their horrid temples were entwined. And he who well the handmaids of the Queen Of everlasting lamentation knew, Said unto me: "Behold the fierce Erinnys. This is Megaera, on the left-hand side; She who is weeping on the right, Alecto; Tisiphone is between;" and then was silent.

The FUMIGATION from FRANKINCENSE and MANNA. HEAR golden Titan, whose eternal eye With broad survey, illumines all the sky. Self-born, unwearied in diffusing light, And to all eyes the mirrour of delight: Lord of the seasons, with thy fiery car And leaping coursers, beaming light from far: With thy right hand the source of morning light, 7 And with thy left the father of the night. Agile and vig'rous, venerable Sun, Fiery and bright around the heav'ns you run. Foe to the wicked, but the good man's guide, O'er all his steps propitious you preside: With various founding, golden lyre, 'tis mine To fill the world with harmony divine. Father of ages, guide of prosp'rous deeds, The world's commander, borne by lucid steeds, Immortal Jove, all-searching, bearing light, 17 Source of existence, pure and fiery bright Bearer of fruit, almighty lord of years, Agil and warm, whom ev'ry pow'r reveres. Great eye of Nature and the starry skies, Doom'd with immortal flames to set and rise Dispensing justice, lover of the stream, The world's great despot, and o'er all supreme. Faithful defender, and the eye of right, Of steeds the ruler, and of life the light: With founding whip four fiery steeds you guide, When in the car of day you glorious ride. Propitious on these mystic labours shine, And bless thy suppliants with a life divine.

(9) For the holy Element continually longs, [or groans] through the four Elements, to be released from the Vanity of the four Elements; in like Manner also the Qualifying [or Influence] of the grim [Constellations or] Stars [labours;] and therefore it drives Man to seek such wonderful Forms [or Ways,] that the eternal Wonders of God might be manifested, which (in the Breaking of the World) shall stand all (in the P Figure) in the Shadow.

(42) The Egyptian devil, Typhon, was often symbolized by the Set monster whose identity is obscure. It has a queer snoutlike nose and pointed ears, and may have been a conventional hyena. The Set monster lived in the sand storms and wandered about the world promulgating evil. The Egyptians related the howling of the desert winds with the moaning cry of the hyena. Thus when in the depths of the night the hyena sent forth its doleful wail it sounded like the last despairing cry of a lost soul in the clutches of Typhon. Among the duties of this evil creature was that of protecting the Egyptian dead against: grave robbers.