(14) Yet, if one do not recognize them, the obscurations of evil deeds being too great, and flee from them through terror and awe, then, on the Tenth Day, the blood-drinking [deities] of the [Precious]-Gem Order will come to receive one. Thereupon the setting-face-to-face is, calling the deceased by name, thus: O nobly- born, listen. On the Tenth Day, the blood-drinking [deity] of the [Precious] -Gem Order named Ratna-Heruka, yellow of colour; [having] three faces, six hands, four feet firmly postured; the right [face] white, the left, red, the central darkish yellow; enhaloed in flames; in the first of the six hands holding a gem, in the middle [one], a trident-staff, in the last [one], a baton; in the first of the left [hands], a bell, in the middle [one], a skull-bowl, in the last [one], a trident-staff; his body embraced by the Mother Ratna-Krotishaurima, her right [hand] clinging to his neck, her left offering to his mouth a red shell [filled with blood], will issue from the southern quarter of thy brain and come to shine upon thee. Fear not. Be not terrified. Be not awed. Know them to be the embodiment of thine own intellect. [They] being thine own tutelary deity, be not terrified. In reality [they are] the Father-Mother

(42) Leaf 26. This page, which concludes that part of the Hermetic manuscript bearing the symbols of the Secret Work, contains a number of emblems not directly correlated. At the top is the head of the King--the most common of alchemical figures. To the right of the King is an alchemical vessel designated the Hermetic Seal. Below is the head of a ferocious bird, here designated a griffon. To the left of the King is a headless figure elevating a Sun, or spiritual face. This figure is the world, which must be headless, since its spiritual and rational part is not material and consequently, is invisible. Below is a circle unaccompanied by descriptive matter. Directly under the King's head is a vase of flowers, in which rises the golden plant of the Philosophers. At the bottom of the page is additional alchemical equipment, this also being termed a Hermetic Seal.

(1) "It came to pass then thereafter that I ascended to the veils of the thirteenth æon. It came to pass then, when I had arrived at their veils, that they drew apart of their own accord and opened themselves for me. I entered in into the thirteenth æon and found Pistis Sophia below the thirteenth æon all alone and no one of them with her. And she sat in that region grieving and mourning, because she had not been admitted into the thirteenth æon, her higher region. And she was moreover grieving because of the torments which Self-willed, who is one of the three triple-powers, had inflicted on her. But this,--when I shall come to speak with you respecting their expansion, I will tell you the mystery, how this befell her.

(35) The fifteenth to eighteenth chapters inclusive contain an account of seven angels (the Pleiades) who pour their vials upon the earth. The contents of their vials (the loosened energy of the Cosmic Bull) are called the seven last plagues. Here also is introduced a symbolic figure, termed "the harlot of Babylon, "which is described as a woman seated upon a scarlet-colored beast having seven heads and ten horns. The woman was arrayed in purple and scarlet and bedecked with gold, precious stones, and pearls, having in her hand a golden cup full of abominations. This figure may be an effort (probably interpolated) to vilify Cybele, or Artemis, the Great Mother goddess of antiquity. Because the pagans venerated the Mater Deorum through symbols appropriate to the feminine generative principle they were accused by the early Christians of worshiping a courtesan. As nearly all the ancient Mysteries included a test of the neophyte's moral character, the temptress (the animal soul) is here portrayed as a pagan goddess.

(18) O nobly-born on the Fourteenth Day, the Four Female Door-Keepers, also issuing from within thine own brain, will come to shine upon thee. Again recognize. From the east [quarter] of thy brain will come to shine the White Tiger-Headed Goad-Holding Goddess, bearing a blood-filled skull-bowl in her left [hand]; from the south, the Yellow Sow-Headed Noose-Holding Goddess; from the west, the Red Lion-Headed Iron-Chain-Holding Goddess; and from the north, the Green Serpent-Headed Bell- Holding Goddess. Thus, issue the Four Female Door-Keepers also from within thine own brain and come to shine upon thee; as tutelary deities, recognize them.

(2) Naked of me short while the flesh had been, Before within that wall she made me enter, To bring a spirit from the circle of Judas; That is the lowest region and the darkest, And farthest from the heaven which circles all. Well know I the way; therefore be reassured. This fen, which a prodigious stench exhales, Encompasses about the city dolent, Where now we cannot enter without anger." And more he said, but not in mind I have it; Because mine eye had altogether drawn me Tow'rds the high tower with the red-flaming summit, Where in a moment saw I swift uprisen The three infernal Furies stained with blood, Who had the limbs of women and their mien, And with the greenest hydras were begirt; Small serpents and cerastes were their tresses, Wherewith their horrid temples were entwined. And he who well the handmaids of the Queen Of everlasting lamentation knew, Said unto me: "Behold the fierce Erinnys. This is Megaera, on the left-hand side; She who is weeping on the right, Alecto; Tisiphone is between;" and then was silent.

(91) This Animastic Spirit which blessed men have called the Pneumatic Soul, becometh a god, an all-various Dæmon, and an Image (disembodied), and in this form of Soul suffereth her punishments The Oracles, too, accord with this account; for they assimilate the employment of the Soul in Hades, to the delusive visions of a dream.

(28) After being vanquished by Apollo, the spirit of Python remained at Delphi as the representative of his conqueror, and it was with the aid of his effluvium that the priestess was able to become en rapport with the god. The fumes rising from the fissure of the oracle were supposed to come from the decaying body of Python. The name Pythoness, or Pythia, given to the female hierophant of the oracle, means literally one who has been thrown into a religious frenzy by inhaling fumes rising from decomposing matter. It is of further interest to note that the Greeks believed the oracle of Delphi to be the umbilicus of the earth, thus proving that they considered the planet an immense human being. The connection between the principle of oracular revelation and the occult significance of the navel is an important secret belonging to the ancient Mysteries.

HEAV'NLY, illustrious, laughter-loving queen, Sea-born, night-loving, of an awful mien; Crafty, from whom necessity first came, Producing, nightly, all-connecting dame: 'Tis thine the world with harmony to join, For all things spring from thee, O pow'r divine. The triple Fates are rul'd by thy decree, And all productions yield alike to thee: Whate'er the heav'ns, encircling all contain, Earth fruit-producing, and the stormy main, Thy sway confesses, and obeys thy nod, Awful attendant of the brumal God: Goddess of marriage, charming to the sight, Mother of Loves, whom banquetings delight; Source of persuasion, secret, fav'ring queen, Illustrious born, apparent and unseen: Spousal, lupercal, and to men inclin'd, Prolific, most-desir'd, life-giving., kind: Great sceptre-bearer of the Gods, 'tis thine, Mortals in necessary bands to join; And ev'ry tribe of savage monsters dire In magic chains to bind, thro' mad desire. Come, Cyprus-born, and to my pray'r incline, Whether exalted in the heav'ns you shine, Or pleas'd in Syria's temple to preside, Or o'er th' Egyptian plains thy car to guide, Fashion'd of gold; and near its sacred flood, Fertile and fam'd to fix thy blest abode; Or if rejoicing in the azure shores, Near where the sea with foaming billows roars, The circling choirs of mortals, thy delight, Or beauteous nymphs, with eyes cerulean bright, Pleas'd by the dusty banks renown'd of old, To drive thy rapid, two-yok'd car of gold; Or if in Cyprus with thy mother fair, Where married females praise thee ev'ry year, And beauteous virgins in the chorus join, Adonis pure to sing and thee divine; Come, all-attractive to my pray'r inclin'd, For thee, I call, with holy, reverent mind.

(21) Apuleius describes her as follows: "In the first place, then, her most copious and long hairs, being gradually intorted, and promiscuously scattered on her divine neck, were softly defluous. A multiform crown, consisting of various flowers, bound the sublime summit of her head. And in the middle of the crown, just on her forehead, there was a smooth orb resembling a mirror, or rather a white refulgent light, which indicated that she was the moon. Vipers rising up after the manner of furrows, environed the crown on the right hand and on the left, and Cerealian ears of corn were also extended from above. Her garment was of many colours, and woven from the finest flax, and was at one time lucid with a white splendour, at another yellow from the flower of crocus, and at another flaming with a rosy redness. But that which most excessively dazzled my sight, was a very black robe, fulgid with a dark splendour, and which, spreading round and passing under her right side, and ascending to her left shoulder, there rose protuberant like the center of a shield, the dependent part of the robe falling in many folds, and having small knots of fringe, gracefully flowing in its extremities. Glittering stars were dispersed through the embroidered border of the robe, and through the whole of its surface: and the full moon, shining in the middle of the stars, breathed forth flaming fires. Nevertheless, a crown, wholly consisting of flowers and fruits of every kind, adhered with indivisible connexion to the border of that conspicuous robe, in all its undulating motions. What she carried in her hands also consisted of things of a very different nature. For her right hand, indeed, bore a brazen rattle [sistrum] through the narrow lamina of which bent like a belt, certain rods passing, produced a sharp triple sound, through the vibrating motion of her arm. An oblong vessel, in the shape of a boat, depended from her left hand, on the handle of which, in that part in which it was conspicuous, an asp raised its erect head and largely swelling neck. And shoes woven from the leaves of the victorious palm tree covered her immortal feet."

(18) The second numbered major trump is called La Papesse, the Female Pope, and has been associated with a curious legend of the only woman who ever sat in the pontifical chair. Pope Joan is supposed to have accomplished this by masquerading in malt attire, and was stoned to death when her subterfuge was discovered. This card portrays a seated woman crowned with a tiara surmounted by a lunar crescent. In her lap is the Tora, or book of the Law (usually partly closed), and in her left hand are the keys to the secret doctrine, one gold and the other silver. Behind her rise two pillars (Jachin and Boaz) with a multicolored veil stretched between. Her throne stands upon a checker-hoard floor. A figure called Juno is occasionally substituted for La Papesse. like the female hierophant of the Mysteries of Cybele, this symbolic figure personifies the Shekinah, or Divine Wisdom. In the pseudo-Egyptian Tarot the priestess is veiled, a reminder that the full countenance truth is not revealed to uninitiated man. A veil also covers one-half of her book, thus intimating that but one-half of the mystery of being can be comprehended.

(15) The seven stars carried by this immense Being in his right hand are the Governors of the world; the flaming sword issuing from his mouth is the Creative Fiat, or Word of Power, by which the illusion of material permanence is slain. Here also is represented, in all his symbolic splendor, the hierophant of the Phrygian Mysteries, his various insignia emblematic of his divine attributes. Seven priests bearing lamps are his attendants and the stars carried in his hand are the seven schools of the Mysteries whose power he administers. As one born again out of spiritual darkness, into perfect wisdom, this archimagus is made to say: "I am he that liveth, and was dead; and, behold, I am alive forever more, Amen; and have the keys of hell and of death."

(28) The twelfth chapter treats of a great wonder appearing in the heavens: a woman clothed with the sun, the moon under her feet, and upon her head a crown of twelve stars. This woman represents the constellation of Virgo and also the Egyptian Isis, who, about to be delivered of her son Horus, is attacked by Typhon, the latter attempting to destroy the child predestined by the gods to slay the

(98) The Oracles delivered by the Gods celebrate the essential fountain of every Soul; the Empyrean, the Ethereal and the Material. This fountain they separate from (Zoogonothea) the vivifying Goddess (Rhea), from whom (suspending the whole of Fate) they make two series or orders; the one animastic, or belonging to the Soul, and the other belonging to Fate. They assert that the Soul is derived from the animastic series, but that sometimes it becometh subservient to Fate, when passing into an irrational condition of being,: it becometh subject to Fate instead of to Providence.

(39) As time passed on the historical Orpheus became hopelessly confounded with the doctrine he represented and eventually became the symbol of the Greek school of the ancient wisdom. Thus Orpheus was declared to be the son of Apollo, the divine and perfect truth, and Calliope, the Muse of harmony and rhythm. In other words, Orpheus is the secret doctrine (Apollo) revealed through music (Calliope). Eurydice is humanity dead from the sting of the serpent of false knowledge and imprisoned in the underworld of ignorance. In this allegory Orpheus signifies theology, which wins her from the king of the dead but fails to accomplish her resurrection because it falsely estimates and mistrusts the innate understanding within the human soul. The Ciconian women who tore Orpheus limb from limb symbolize the various contending theological factions which destroy the body of Truth. They cannot accomplish this, however, until their discordant cries drown out the harmony drawn by Orpheus from his magic lyre. The head of Orpheus signifies the esoteric doctrines of his cult. These doctrines continue to live and speak even after his body (the cult) has been destroyed. The lyre is the secret teaching of Orpheus; the seven strings are the seven divine truths which are the keys to universal knowledge. The differing accounts of his death represent the various means used to destroy the secret teachings: wisdom can die in many ways at the same time. The allegory of Orpheus incarnating in the white swan merely signifies that the spiritual truths he promulgated will continue and will be taught by the illumined initiates of all future ages. The swan is the symbol of the initiates of the Mysteries; it is a symbol also of the divine power which is the progenitor of the world.

(37) Crowned with a triple tower-like tiara and her form adorned with symbolic creatures representative of her spiritual powers, Diana stood for the source of that imperishable doctrine which, flowing from the bosom of the Great Multimammia, is the spiritual food of those aspiring men and women who have consecrated their lives to the contemplation of reality. As the physical body of man receives its nutriment from the Great Earth Mother, so the spiritual nature of man is fed from the never failing fountains of Truth pouring outward from the invisible worlds.

(2) And from on high come forth and down descend, I saw two Angels with two flaming swords, Truncated and deprived of their points. Green as the little leaflets just now born Their garments were, which, by their verdant pinions Beaten and blown abroad, they trailed behind. One just above us came to take his station, And one descended to the opposite bank, So that the people were contained between them. Clearly in them discerned I the blond head; But in their faces was the eye bewildered, As faculty confounded by excess. "From Mary's bosom both of them have come," Sordello said, "as guardians of the valley Against the serpent, that will come anon." Whereupon I, who knew not by what road, Turned round about, and closely drew myself, Utterly frozen, to the faithful shoulders. And once again Sordello: "Now descend we 'Mid the grand shades, and we will speak to them; Right pleasant will it be for them to see you." Only three steps I think that I descended, And was below, and saw one who was looking Only at me, as if he fain would know me.

(3) Thou hast at length arrived at Purgatory; See there the cliff that closes it around; See there the entrance, where it seems disjoined. Whilom at dawn, which doth precede the day, When inwardly thy spirit was asleep Upon the flowers that deck the land below, There came a Lady and said: 'I am Lucia; Let me take this one up, who is asleep; So will I make his journey easier for him.' Sordello and the other noble shapes Remained; she took thee, and, as day grew bright, Upward she came, and I upon her footsteps. She laid thee here; and first her beauteous eyes That open entrance pointed out to me; Then she and sleep together went away." In guise of one whose doubts are reassured, And who to confidence his fear doth change, After the truth has been discovered to him, So did I change; and when without disquiet My Leader saw me, up along the cliff He moved, and I behind him, tow'rd the height. Reader, thou seest well how I exalt My theme, and therefore if with greater art I fortify it, marvel not thereat.

(5) Sitting in the chair of philosophy previously occupied by her father, Theon the mathematician, the immortal Hypatia was for many years the central figure in the Alexandrian School of Neo-Platonism. Famed alike for the depth of her learning and the charm of her person, beloved by the citizens of Alexandria, and frequently consulted by the magistrates of that city, this noble woman stands out from the

(3) Dion, too, the philosopher, tells that a certain woman Lysidica, through excess of modesty, bathed in her clothes; and that Philotera, when she was to enter the bath, gradually drew back her tunic as the water covered the naked parts; and then rising by degrees, put it on. And did not Lesena of Attica manfully bear the torture? She being privy to the conspiracy of Harmodius and Aristogeiton against Hipparchus, uttered not a word, though severely tortured.