(14) Of the corporeal thus brought into being by Nature the elemental materials of things are its very produce, but how do animal and vegetable forms stand to it?

Are we to think of them as containers of Nature present within them?

Light goes away and the air contains no trace of it, for light and air remain each itself, never coalescing: is this the relation of Nature to the formed object?

It is rather that existing between fire and the object it has warmed: the fire withdrawn, there remains a certain warmth, distinct from that in the fire, a property, so to speak, of the object warmed. For the shape which Nature imparts to what it has moulded must be recognized as a form quite distinct from Nature itself, though it remains a question to be examined whether besides this form there is also an intermediary, a link connecting it with Nature, the general principle.

The difference between Nature and the Wisdom described as dwelling in the All has been sufficiently dealt with.

(22) Now the Sun and the Stars [or Constellations] continually kindle the Tincture, for it is fiery; and the Tincture kindles the Body, with the Matrix of the Water, so that they are always boiling, [rising] and seething. The Stars [or Constellations] and the Sun are the Fire of the Tincture, and the Tincture is the Fire of the Body, and so all are seething. And therefore when the Sun is underneath, so that its Beams [or Shining] is no more [upon a Thing,] then the Tincture is weaker, for it has no Kindling from the Virtue of the Sun. And although the Virtue of the Stars and the quality are kindled from the Sun, yet all is too little, and so it becomes feeble, [or as it were dead.] And when the Tincture is feeble, then the Virtue in the Blood (which is the Tincture) is wholly weak, and sinks into a sweet Rest, as it were dead or overcome.

(3) And the soul includes a faculty peculiarly addressed to Beauty- one incomparably sure in the appreciation of its own, never in doubt whenever any lovely thing presents itself for judgement.

Or perhaps the soul itself acts immediately, affirming the Beautiful where it finds something accordant with the Ideal-Form within itself, using this Idea as a canon of accuracy in its decision.

But what accordance is there between the material and that which antedates all Matter?

On what principle does the architect, when he finds the house standing before him correspondent with his inner ideal of a house, pronounce it beautiful? Is it not that the house before him, the stones apart, is the inner idea stamped upon the mass of exterior matter, the indivisible exhibited in diversity?

So with the perceptive faculty: discerning in certain objects the Ideal-Form which has bound and controlled shapeless matter, opposed in nature to Idea, seeing further stamped upon the common shapes some shape excellent above the common, it gathers into unity what still remains fragmentary, catches it up and carries it within, no longer a thing of parts, and presents it to the Ideal-Principle as something concordant and congenial, a natural friend: the joy here is like that of a good man who discerns in a youth the early signs of a virtue consonant with the achieved perfection within his own soul.

The beauty of colour is also the outcome of a unification: it derives from shape, from the conquest of the darkness inherent in Matter by the pouring-in of light, the unembodied, which is a Rational-Principle and an Ideal-Form.

Hence it is that Fire itself is splendid beyond all material bodies, holding the rank of Ideal-Principle to the other elements, making ever upwards, the subtlest and sprightliest of all bodies, as very near to the unembodied; itself alone admitting no other, all the others penetrated by it: for they take warmth but this is never cold; it has colour primally; they receive the Form of colour from it: hence the splendour of its light, the splendour that belongs to the Idea. And all that has resisted and is but uncertainly held by its light remains outside of beauty, as not having absorbed the plenitude of the Form of colour.

And harmonies unheard in sound create the harmonies we hear, and wake the soul to the consciousness of beauty, showing it the one essence in another kind: for the measures of our sensible music are not arbitrary but are determined by the Principle whose labour is to dominate Matter and bring pattern into being.

Thus far of the beauties of the realm of sense, images and shadow-pictures, fugitives that have entered into Matter- to adorn, and to ravish, where they are seen.

(50) Thus the Birth gets an Essence that has Sharpness from the Harshness, and Sweetness, Thinness, and Expansion from the Light. And now when the Flash of Fire comes into its Mother, and finds her so sweet, thin, and light, P then it loses its own Propriety in the Qualification, and flies aloft no more, but continues in its Mother, and loses its fiery Right [or Propriety,] and trembles and rejoices in its Mother.

(29) But- keeping to our illustration, by which the body is warmed by soul and not merely illuminated by it- how is it that when the higher soul withdraws there is no further trace of the vital principle?

For a brief space there is; and, precisely, it begins to fade away immediately upon the withdrawal of the other, as in the case of warmed objects when the fire is no longer near them: similarly hair and nails still grow on the dead; animals cut to pieces wriggle for a good time after; these are signs of a life force still indwelling.

Besides, simultaneous withdrawal would not prove the identity of the higher and lower phases: when the sun withdraws there goes with it not merely the light emanating from it, guided by it, attached to it, but also at once that light seen upon obliquely situated objects, a light secondary to the sun's and cast upon things outside of its path ; the two are not identical and yet they disappear together.

But is this simultaneous withdrawal or frank obliteration?

The question applies equally to this secondary light and to the corporeal life, that life which we think of as being completely sunk into body.

No light whatever remains in the objects once illuminated; that much is certain; but we have to ask whether it has sunk back into its source or is simply no longer in existence.

How could it pass out of being, a thing that once has been?

But what really was it? We must remember that what we know as colour belongs to bodies by the fact that they throw off light, yet when corruptible bodies are transformed the colour disappears and we no more ask where the colour of a burned-out fire is than where its shape is.

Still: the shape is merely a configuration, like the lie of the hands clenched or spread; the colour is no such accidental but is more like, for example, sweetness: when a material substance breaks up, the sweetness of what was sweet in it, and the fragrance of what was fragrant, may very well not be annihilated, but enter into some other substance, passing unobserved there because the new habitat is not such that the entrant qualities now offer anything solid to perception.

May we not think that, similarly, the light belonging to bodies that have been dissolved remains in being while the solid total, made up of all that is characteristic, disappears?

It might be said that the seeing is merely the sequel to some law , so that what we call qualities do not actually exist in the substances.

But this is to make the qualities indestructible and not dependent upon the composition of the body; it would no longer be the Reason-Principles within the sperm that produce, for instance, the colours of a bird's variegated plumage; these principles would merely blend and place them, or if they produced them would draw also on the full store of colours in the sky, producing in the sense, mainly, of showing in the formed bodies something very different from what appears in the heavens.

But whatever we may think on this doubtful point, if, as long as the bodies remain unaltered, the light is constant and unsevered, then it would seem natural that, on the dissolution of the body, the light- both that in immediate contact and any other attached to that- should pass away at the same moment, unseen in the going as in the coming.

But in the case of the soul it is a question whether the secondary phases follow their priors- the derivatives their sources- or whether every phase is self-governing, isolated from its predecessors and able to stand alone; in a word, whether no part of the soul is sundered from the total, but all the souls are simultaneously one soul and many, and, if so, by what mode; this question, however, is treated elsewhere.

Here we have to enquire into the nature and being of that vestige of the soul actually present in the living body: if there is truly a soul, then, as a thing never cut off from its total, it will go with soul as soul must: if it is rather to be thought of as belonging to the body, as the life of the body, we have the same question that rose in the case of the vestige of light; we must examine whether life can exist without the presence of soul, except of course in the sense of soul living above and acting upon the remote object.

(26) And thirdly, you find in all Things a glorious Power and Virtue, which is the Life, Growing and Springing of every Thing, and you find that therein lies its Beauty and pleasant Welfare, from whence it stirs. Now look upon an Herb or Plant, and consider it, what is its Life which makes it grow? And you shall find in the Original, Harshness, Bitterness, Fire, and Water, and if you should separate these four Things one from another, and put them together again, yet you shall neither see nor find any Growing; but if it were severed from its own Mother that generated it at the Beginning, then it remains dead; much less can you bring the pleasant Smell, or Colours into it.

(20) The pupil has penetrated in his work into mysterious territory; but, if he does not know the method of melting, it is to be feared that the Elixir of Life will not be produced. Therefore the Master has revealed the secret strictly guarded by the former holy men. When the pupil keeps the crystallized spirit fixed within the cave of power, and, at the same time, lets greatest quietness hold sway, then out of the obscure darkness, a something develops out of the nothingness, that is, the Golden Flower of the Great One appears. At this time the conscious Light is differentiated from the Light of the essence. Therefore it is said: To move when stimulated by external things, leads to its going downward and outward and creating a man. That is conscious Light. If, at the time the true power has been copiously gathered together, the pupil does not let it low downward and outward, but allows it to flow backward, that is the Light of Life; the method of the turning of the waterwheel must be used. If one continues to turn, the true power returns to the roots, drop by drop. Then the water-wheel stops, the body is clean, the power is fresh. One single turning means one Heavenly cycle, that which Master Chiu has called a small Heavenly cycle. If one does not wait to use the power until it has been collected suflBciently, it is then too tender and weak, and the Elixir is not formed. If the power is there and not used, then it becomes too old and rigid, and also the Elixir of Life will hardly be produced. When it is neither too old nor too tender, then is the right time to use it with intention. This is what Buddha means when he says: The phenomenon flows into emptiness. This is the sublimation of the seed into power. If the pupil does not understand this principle, and lets the power stream away downward, then the power forms into seed; this is what is meant when it is said: Emptiness finally lows into the phenomenon. But every man who unites bodily with a woman feels pleasure first and then bitterness; when the seed has flowed out, the body is tired and the spirit languid. It is quite different when the adept lets spirit and power unite. That brings first purity and then freshness; when the seed is transformed, the body is healthy and free. There is a tradition that the old Master P'eng grew to be 880 years old because he made use of serving maids to nourish his life, but that is a misunderstanding. In reality, he used the method of sublimation of spirit and power. In the Elixirs of Life symbols are generally used, and in them the adhering fire (Li) is frequently compared to a bride, and the water of the abyss to the boy (puer aeternus). From this arose the misunderstanding about Master P'eng having restored his virility through femininity. These are mistakes that have forced their way in later.

(3) The Whiteness, therefore, in a human being is, clearly, to be classed not as a quality but as an activity- the act of a power which can make white; and similarly what we think of as qualities in the Intellectual Realm should be known as activities; they are activities which to our minds take the appearance of quality from the fact that, differing in character among themselves, each of them is a particularity which, so to speak, distinguishes those Realities from each other.

What, then, distinguishes Quality in the Intellectual Realm from that here, if both are Acts?

The difference is that these in the Supreme do not indicate the very nature of the Reality nor do they indicate variations of substance or of character; they merely indicate what we think of as Quality but in the Intellectual Realm must still be Activity.

In other words this thing, considered in its aspect as possessing the characteristic property of Reality is by that alone recognised as no mere Quality. But when our reason separates what is distinctive in these - not in the sense of abolishing them but rather as taking them to itself and making something new of them- this new something is Quality: reason has, so to speak, appropriated a portion of Reality, that portion manifest to it on the surface.

By this analogy, warmth, as a concomitant of the specific nature of fire, may very well be no quality in fire but an Idea-Form belonging to it, one of its activities, while being merely a Quality in other things than fire: as it is manifested in any warm object, it is not a mode of Reality but merely a trace, a shadow, an image, something that has gone forth from its own Reality- where it was an Act- and in the warm object is a quality.

All, then, that is accident and not Act; all but what is Idea-form of the Reality; all that merely confers pattern; all this is Quality: qualities are characteristics and modes other than those constituting the substratum of a thing.

But the Archetypes of all such qualities, the foundation in which they exist primarily, these are Activities of the Intellectual Beings.

And; one and the same thing cannot be both Quality and non-quality: the thing void of Real-Existence is Quality; but the thing accompanying Reality is either Form or Activity: there is no longer self-identity when, from having its being in itself, anything comes to be in something else with a fall from its standing as Form and Activity.

Finally, anything which is never Form but always accidental to something else is Quality unmixed and nothing more.

(4) Besides, if rarity were of this dimness The cause thou askest, either through and through This planet thus attenuate were of matter, Or else, as in a body is apportioned The fat and lean, so in like manner this Would in its volume interchange the leaves. Were it the former, in the sun's eclipse It would be manifest by the shining through Of light, as through aught tenuous interfused. This is not so; hence we must scan the other, And if it chance the other I demolish, Then falsified will thy opinion be. But if this rarity go not through and through, There needs must be a limit, beyond which Its contrary prevents the further passing, And thence the foreign radiance is reflected, Even as a colour cometh back from glass, The which behind itself concealeth lead. Now thou wilt say the sunbeam shows itself More dimly there than in the other parts, By being there reflected farther back. From this reply experiment will free thee If e'er thou try it, which is wont to be The fountain to the rivers of your arts.

(1) Some Existents remain at rest while their Hypostases, or Expressed-Idea, come into being; but, in our view, the Soul generates by its motion, to which is due the sensitive faculty- that in any of its expression-forms- Nature and all forms of life down to the vegetable order. Even as it is present in human beings the Soul carries its Expression-form with it, but is not the dominant since it is not the whole man (humanity including the Intellectual Principal, as well): in the vegetable order it is the highest since there is nothing to rival it; but at this phase it is no longer reproductive, or, at least, what it produces is of quite another order; here life ceases; all later production is lifeless.

What does this imply?

Everything the Soul engenders down to this point comes into being shapeless, and takes form by orientation towards its author and supporter: therefore the thing engendered on the further side can be no image of the Soul, since it is not even alive; it must be an utter Indetermination. No doubt even in things of the nearer order there was indetermination, but within a form; they were undetermined not utterly but only in contrast with their perfect state: at this extreme point we have the utter lack of determination. Let it be raised to its highest degree and it becomes body by taking such shape as serves its scope; then it becomes the recipient of its author and sustainer: this presence in body is the only example of the boundaries of Higher Existents running into the boundary of the Lower.

(27) Thus you see that there is an eternal Root which affords this; and if you could bring the Colours and Vegetation or Growing into it, yet you could not bring the Smell and Virtue into it; and thus you will find in the Original of the Smell and of the Taste there must be another Principle, which the Stock itself is not, for that Principle has its Original from the Light of Nature.

(2) Earth hath, moreover, always many changes in its species;—both when she brings forth fruits, and when she also nourishes her bringings-forth with the return of all the fruits; the diverse qualities and quantities of air, its stoppings and its flowings ; and before all the qualities of trees, of flowers, and berries, of scents, of savours—species. Fire [also] brings about most numerous conversions, and divine. For these are all-formed images of Sun and Moon ; they’re, as it were, like our own mirrors, which with their emulous resplendence give us back the likenesses of our own images.

(30) But the Sweetness is like Oil or Fire, wherein the Flash continually kindles itself, so that it shines: But the Oil being sweet, and mingled with the Matrix of the Water, therefore the shining Light is steady, [constant and fixed,] and sweet: But seeing it cannot, in the Nature of the Water, continue to be an Oil only (because of the Infection of the Water) therefore it becomes thick; and the [Nature or] Kind of the Fire colours it red; and this is the Blood and the Tincture in a Creature, wherein the noble Life stands. Of the Death and of the Dying. The Gate of Affliction and of Misery.

(16) And the Fire generates now also a Fire, according to the Property of every Quality; in the tart Spirit it is tart; in the Bitter, bitter; in the Love, it is a very hearty Yearning, Kindling of the Love, a total, fervent, or burning Kindling, and causes very vehement Desires; in the Sound it is a very shrill tanging and where the Sound in all Qualities tells or expresses, as it were with the Lips or Tongue, whatsoever is in all the Fountain-Spirits, what Joy, Virtue, or Power, Essence, Substance, or Property [they have,] and in the Water it is a very drying Fire.

(2) There is, obviously, no question here of hands or feet, of any implement borrowed or inherent: Nature needs simply the Matter which it is to work upon and bring under Form; its productivity cannot depend upon mechanical operation. What driving or hoisting goes to produce all that variety of colour and pattern?

The wax-workers, whose methods have been cited as parallel to the creative act of Nature, are unable to make colours; all they can do to impose upon their handicraft colours taken from elsewhere. None the less there is a parallel which demands attention: in the case of workers in such arts there must be something locked within themselves, an efficacy not going out from them and yet guiding their hands in all their creation; and this observation should have indicated a similar phenomenon in Nature; it should be clear that this indwelling efficacy, which makes without hands, must exist in Nature, no less than in the craftsman- but, there, as a thing completely inbound. Nature need possess no outgoing force as against that remaining within; the only moved thing is Matter; there can be no moved phase in this Nature-Principle; any such moved phase could not be the primal mover; this Nature-Principle is no such moved entity; it is the unmoved Principle operating in the Kosmos.

We may be answered that the Reason-Principle is, no doubt, unmoved, but that the Nature-Principle, another being, operates by motion.

But, if Nature entire is in question here, it is identical with the Reason-Principle; and any part of it that is unmoved is the Reason-Principle. The Nature-Principle must be an Ideal-Form, not a compound of Form and Matter; there is no need for it to possess Matter, hot and cold: the Matter that underlies it, on which it exercises its creative act, brings all that with it, or, natively without quality, becomes hot and cold, and all the rest, when brought under Reason: Matter, to become fire, demands the approach not of fire but of a Reason-Principle.

This is no slight evidence that in the animal and vegetable realms the Reason-Principles are the makers and that Nature is a Reason-Principle producing a second Reason-Principle, its offspring, which, in turn, while itself, still, remaining intact, communicates something to the underlie, Matter.

The Reason-Principle presiding over visible Shape is the very ultimate of its order, a dead thing unable to produce further: that which produces in the created realm is the living Reason-Principle- brother no doubt, to that which gives mere shape, but having life-giving power.

(54) In the first Principle is the Fire-flash; and in the Tincture thereof is the terrible Light of the Sun, which has its Original very sharply out of the eternal Originality, out of the first Principle, with its Root out of the fifth Essence, through the Element, which may be explained in another Place, it would be too long to do it here. And besides it should be hidden; he that knows it, will conceal it, as he would also [conceal] the Springing-up of the Stars and Planets. For the cornered Cap will needs have it under the Jurisdiction of his School-learning, though indeed he apprehends little or nothing at all in the Light of Nature. Let it remain [hidden] till the Time of the Lily, there it stands all open: And the Tincture is [then] the Light of the World.

(57) Now you may well perceive that the Birth of the Sun takes its Original in the Fire, and attains his Personality and Name in the Kindling of the soft, white, and clear Light, which is Himself; and Himself makes the pleasant Smell, Taste, and Satisfaction [or Reconciliation and Well-pleasing] in the Father, and is rightly the Father's Heart, and another Person; for he opens and produces the second Principle in the Father; and his own Essence is the Power or Virtue and the Light; and therefore his is rightly called the Power or Virtue of the Father.

(18) The general meaning of this section is that the protection of the centre is important for the circular course of the light. The last section dealt with the theme that the human body is a very valuable possession when the primordial spirit is master. But when it is used by the conscious spirit, the latter brings it about that, day and night, the primordial spirit is scattered and wasted. When it is completely worn out, the body dies. The method is described whereby the conscious spirit can be subjected and the primordial spirit guarded; that is impossible if one does not begin by making the Light circulate. It is like this: if a splendid house is to be built, a fine foundation must irst be found. When the foundation is strong, then only can the work proceed and the base of the walls be deeply and solidly grounded, and the posts and walls built up. If a foundation is not laid in this way, how can the house be completed? The way of cultivating life is exactly like that. The circulation of the Light is to be compared with the foundation of the building. When the foundation stands firm, how quickly it can be built upon! To protect the yellow middle with the fire of the spirit, that is the work of building. Therefore the Master makes especially clear the method by which one enters in the cultivation of life, and bids people look with both eyes at the end of the nose, to lower the lids, to look within, sit quietly with upright body, and fix the heart on the centre in the midst of the conditions.

(15) Now the objects attracting the sun-rays to themselves- illuminated by a fire of the sense-order- are necessarily of the sense-order; there is perceptibility because there has been a union of things at once external to each other and continuous, contiguous, in direct contact, two extremes in one line. But the Reason-Principle operating upon Matter is external to it only in a very different mode and sense: exteriority in this case is amply supplied by contrariety of essence and can dispense with any opposite ends ; or, rather, the difference is one that actually debars any local extremity; sheer incongruity of essence, the utter failure in relationship, inhibits admixture .

The reason, then, of the immutability of Matter is that the entrant principle neither possesses it nor is possessed by it. Consider, as an example, the mode in which an opinion or representation is present in the mind; there is no admixture; the notion that came goes in its time, still integrally itself alone, taking nothing with it, leaving nothing after it, because it has not been blended with the mind; there is no "outside" in the sense of contact broken, and the distinction between base and entrant is patent not to the senses but to the reason.

In that example, no doubt, the mental representation- though it seems to have a wide and unchecked control- is an image, while the Soul is in its nature not an image : none the less the Soul or Mind certainly stands to the concept as Matter, or in some analogous relation. The representation, however, does not cover the Mind over; on the contrary it is often expelled by some activity there; however urgently it presses in, it never effects such an obliteration as to be taken for the Soul; it is confronted there by indwelling powers, by Reason-Principles, which repel all such attack.

Matter- feebler far than the Soul for any exercise of power, and possessing no phase of the Authentic Existents, not even in possession of its own falsity- lacks the very means of manifesting itself, utter void as it is; it becomes the means by which other things appear, but it cannot announce its own presence. Penetrating thought may arrive at it, discriminating it from Authentic Existence; then, it is discerned as something abandoned by all that really is, by even the dimmest semblants of being, as a thing dragged towards every shape and property and appearing to follow- yet in fact not even following.

(38) Whatever springs automatically from the All out of that distinctive life of its own, and, in addition to that self-moving activity, whatever is due to some specific agency- for example, to prayers, simple or taking the form of magic incantations- this entire range of production is to be referred, not to each such single cause, but to the nature of the thing produced .

All that forwards life or some other useful purpose is to be ascribed to the transmission characteristic of the All; it is something flowing from the major of an integral to its minor. Where we think we see the transmission of some force unfavourable to the production of living beings, the flaw must be found in the inability of the subject to take in what would serve it: for what happens does not happen upon a void; there is always specific form and quality; anything that could be affected must have an underlying nature definite and characterized. The inevitable blendings, further, have their constructive effect, every element adding something contributory to the life. Then again some influence may come into play at the time when the forces of a beneficent nature are not acting: the co-ordination of the entire system of things does not always allow to each several entity everything that it needs: and further we ourselves add a great deal to what is transmitted to us.

None the less all entwines into a unity: and there is something wonderful in the agreement holding among these various things of varied source, even of sources frankly opposite; the secret lies in a variety within a unity. When by the standard of the better kind among things of process anything falls short- the reluctance of its material substratum having prevented its perfect shaping under idea- it may be thought of as being deficient in that noble element whose absence brings to shame: the thing is a blend, something due to the high beings, an alloy from the underlying nature, something added by the self.

Because all is ever being knit, all brought to culmination in unity, therefore all events are indicated; but this does not make virtue a matter of compulsion; its spontaneity is equally inwoven into the ordered system by the general law that the things of this sphere are pendant from the higher, that the content of our universe lies in the hands of the diviner beings in whom our world is participant.