(10) Seeing then that the eternal Wisdom of God (viz. in the chaste Virgin of the divine Virtue) had discovered itself in the Principle of this World, in which Place the great Prince Lucifer stood in the Heaven, in the second Principle, therefore the same Discovering was eternal, and God desired to shed forth the Similitude out of the Essences, which the Fiat created according to the Kind of every Essence, that they should (after the Breaking [or Dissolution] of the outward Substance) be a Figure and Image in Paradise, and a Shadow of this Substance. 1 1. And that there should go nothing in Vain out of the Substance of God, therefore God created Beasts, Fowls, Fishes, Worms, Trees and Herbs out of all Essences; and besides [created] also figured Spirits out of the Quinta Essentia, in the Elements, that so, after the completing of the Time (when the Out-Birth [shall] go into the Ether) they should appear before him, and that his eternal Wisdom in his Works of Wonder might he known.

(20) For the Spirit of Knowledge intimates this, that there are Fruits and Things that grow in Paradise, as well as in this World, in such a Form or Figure, but not in such a Source [or Property,] and Palpability. For the Matter or Body of it is Power, and it grows in the heavenly yLimbus; its Root stands in the Matrix, wherein there is neither Earth nor Stone; for it is in another Principle. The Fire in that [Principle] is God the Father; and the Light is God the Son; and the Air is God the Holy Ghost; and the Virtue [or Power] out of which all springs is Heaven and Paradise.

(7) Also, the Word of God attributes to the Heavenly Beings a likeness to Brass, Electron, and many-coloured stones. Electron, as being partly like gold, partly like silver, denotes the incorruptible, as in gold, and unexpended, and undiminished, and spotless brilliancy, and the brightness, as in silver, and a luminous and heavenly radiance. But to the Brass, according to the reasons assigned, must be attributed either the likeness of fire or that of gold. We must consider that the many-coloured appearances of stones denote either as white, the luminous; or as red, the fiery; or as yellow, the golden; or as green, the youthful and the full grown; and within each likeness you will find an explanation which teaches the inner meaning of the typical images. But since, I think, according to our power, this has been sufficiently said, let us pass to the sacred explanation of the Divine representations of the Heavenly Minds through wild beasts. We must consider that the shape of a Lion signifies the leading, and robust, and indomitable, and the assimilation, as far as possible, to the unutterable Godhead, by the concealment of the intellectual footprints, and by the mystically modest covering of the path, leading to It, during Divine illumination.

(3) After these things, therefore, we shall define the reasons of the self-apparent statues [or images]. Hence, in the forms of the Gods which are seen by the eyes, the most clear spectacles of truth itself are perceived, which are also accurately splendid, and shine forth with an evolved light. The images of archangels present themselves to the view true and perfect; but those of angels preserve, indeed, the same form, but fail in plenitude of indication. The images of dæmons are obscure; and those of heroes are seen to be still inferior to these. With respect, also, to archons, the images of such as are mundane, are clear; but of such as are material, obscure. Both, however, are seen to be of an authoritative nature. And the images of souls appear to be of a shadowy form.