(8) The seven senses (prâna) also spring from him, the seven lights (acts of sensation), the seven kinds of fuel (objects by which the senses are lighted), the seven sacrifices (results of sensation), these seven worlds (the places of the senses, the worlds determined by the senses) in which the senses move, which rest in the cave (of the heart), and are placed there seven and seven.

(19) The first form is darkness, the second desire, the third ignorance, the fourth is the excitement of death, the fifth is the kingdom of the flesh, the sixth is the foolish wisdom of flesh, the seventh is the wrathful wisdom. These are the seven powers of wrath.

(2) These things saith he that hath the seven Spirits of God, and the seven stars; I know thy works, that thou hast a name that thou livest, and art dead. Be watchful, and strengthen the things which remain, that are ready to die: for I have not found thy works perfect before God.

(8) And as is mentioned before, these seven Forms divide themselves again every one in itself into an Infinity of Forms, according to the Discovery of the Spirit, and therein stands the Essence of all Essences, and it is all a great Wonder; and our whole Teaching does but aim at this, that we Men might enter into the light holy Wonders; for at the End of this Time all shall be manifested, and every Thing shall stand in that wherein it is grown; and then when that Substance (which at present it possesses and brings forth) perishes, then it is all an Eternity.

(30) Summary The student must not fall into the error of supposing that man really has seven separate and distinct souls, either tied together like a bundle of twigs, or else worn as one would wear seven overcoats, one over the other. The symbol is only figurative, and must not be construed literally. There are not seven selves in man—but only One Self concealed by seven veils, each of which while serving to conceal the real nature of the Self yet serves to disclose the presence and power thereof to some degree. It is as if seven planes of variously colored glass, ranging from the darkest to the almost-transparent and colorless, were to be placed before a brilliant light. The darker glass would almost entirely obscure the Light, though yet revealing its presence in some of its rays; the next lighter would reveal more, and obscure less; and so on to the last in which the obscuration was but slight, and the revelation almost perfect. All illustrations of this ineffable fact of the Eternal are, by the very nature of things, imperfect, faulty, and misleading if taken too literally.

(31) "On a seven-stringed lyre we shall sing new hymns," writes a poet of note, teaching us that the ancient lyre was seven-toned. The organs of the senses situated on our face are also seven - two eyes, two passages of hearing, two nostrils, and the seventh the mouth. And that the changes in the periods of life take place by sevens, the Elegies of Solan teach thus: "The child, while still an infant, in seven years, Produces and puts forth its fence of teeth; And when God seven years more completes, He shows of puberty's approach the signs; And in the third, the beard on growing cheek With down o'erspreads the bloom of changing skin; And in the fourth septenniad, at his best In strength, of manliness he shows the signs; And in the fifth, of marriage, now mature, And of posterity, the man bethinks; Nor does he yet desire vain works to see.

(18) When the soul had overcome the third power, it went upwards and saw the fourth power, which took seven forms.

(10) But observe it well: the first of the six Forms generates but one P Source like itself, after the Similitude of its own Fountain- Spirit, and not like the first Mother the Harshness, but as one Twig or Branch in a Tree puts forth another Sprout out of itself. For in every Fountain-Spirit there is but one Center, wherein the Fire-Source or Fountain rises, and the Light arises out of the Flash of the Fire, and the first six-fold Form is in the

(17) In such wise than, as I have said, the generation of these seven came to pass. Earth was as woman, her Water filled with longing; ripeness she took from Fire, spirit from Aether. Nature thus brought forth frames to suit the form of Man. And Man from Light and Life changed into soul and mind - from Life to soul, from Light to mind. And thus continued all the sense-world's parts until the period of their end and new beginnings.

(10) On the Seventh Day, the Knowledge-Holding Deities, from the holy paradise realms, come to receive on. Simultaneously, the pathway to the brute world, produced by the obscuring passion, stupidity, also cometh to receive one. The setting-face-to-face at that time is, calling the deceased by name, thus: O nobly-born, listen undistractedly. On the Seventh Day the vari-coloured radiance of the purified propensities will come to shine. Simultaneously, the Knowledge-Holding Deities, from the holy paradise realms, will come to receive one.

(3) The “Thirty-six,” who have the name of Horoscopes, are in the [self] same space as the Fixed Stars; of these the essence-chief, or prince, is he whom they call Pantomorph, or Omniform, who fashioneth the various forms for various species. The “Seven” who are called spheres, have essence-chiefs, that is, [have each] their proper rulers, whom they call [all together] Fortune and Heimarmenē, whereby all things are changed by nature’s law; perpetual stability being varied with incessant motion. The Air, moreover, is the engine, or machine, through which all things are made—(there is, however, an essence-chief of this, a second [Air])—mortal from mortal things and things like these.

(2) In this Seventh Aphorism of Creation, the Rosicrucian is directed to apply his attention to the concept of the Sevenfold Soul—One in essence—of Man; which in the figurative language of the mystic constitutes the seven veils which conceal from (yet reveal to) Man his real Self. This concept is represented by the Rosicrucians by means of the symbol of the figure of a man surrounded by seven outlined shapes—the man, himself in his essence, is represented by the blank space disclosed by the inmost outline, and each one of the "concealing but revealing veils" is represented by an outlined figure, each being but one of the series of seven. The series of outlines, be it noted, is enclosed in the circle representing the Infinite Unmanifest.

(21) In the central foreground, St. John the Divine is kneeling before the apparition of the Alpha and Omega standing in the midst of the seven lights and surrounded by an aureole of flames and smoke. In the heavens above the twenty-four elders with their harps and censers bow before the throne of the Ancient One, from whose hand the Lamb is taking the book sealed with seven seals. The seven spirit, of God, in the form of cups from which issue tongues of fire, surround the head of the Ancient One, and the four beasts (the cherubim) kneel at the corners of His throne. In the upper left-hand corner are shown the seven angels bearing the trumpets and also the altar of God and the angel with the censer. In the upper right are the spirits of the winds; below them is the virgin clothed wit h the sun, to whom wings were given that she might fly into the wilderness. To her right is a scene representing the spirits of God hurling the evil serpent into the bottomless pit. At the lower left St. John is shown receiving from the angelic figure, whose legs are pillars of fire and whose face is a shining sun, the little book which he is told to eat if he would understand the mysteries of the spiritual life.

(42) And their State, [Condition, Jurisdiction, or Authority,] is founded in the Originality of the Essence of all Essences, where God in the Beginning created the Thrones, according to his eternal Wisdom; where then (both in Heaven and also in Hell) there are according to the seven Spirits of the eternal Nature, of which here much ought not to be said, for the World holds it impossible to know such Things; whereas yet a Spirit born in God searches into the Kingdom of Heaven.

(22) Oh ye Seven Divine Masters, who are the arms of the Balance on the Night wherein the Eye is fixed; ye who strike off the heads and cleave the necks, who seize the hearts and drag forth the whole hearts, and accomplish the slaughter in the Tank of Flame: ye whom I know and whose names I know, know you me as I know your names

(32) to the creative word. By the Word of God the material universe was fabricated, and the seven creative powers, or vowel sounds--which had been brought into existence by the speaking of the Word--became the seven Elohim or Deities by whose power and ministration the lower world was organized. Occasionally the Deity is symbolized by an eye, an ear, a nose, or a mouth. By the first, Divine awareness is signified; by the second, Divine interest; by the third, Divine vitality; and by the fourth, Divine command.

(81) Your souls, void of substance, rest still in forms. If the form of man were all that made man, A painting on a wall resembles a man, 'Tis life that is lacking to that mere semblance of man. Go! seek for that pearl it never will find. The heads of earth's lions were bowed down When God gave might to the Seven Sleepers' dog. What mattered its despised form When its soul was drowned in the sea of light?" Human wisdom, the manifestation of divine.

(4) From two letters, or forms He composed two dwellings; from three, six; from four, twenty-four; from five, one hundred and twenty; from six, seven hundred and twenty; from seven, five thousand and forty; and from thence their numbers increase in a manner beyond counting; and are incomprehensible. These seven are Planets of the Universe, the Sun, Venus, Mercury, Moon, Saturn, Jupiter, and Mars; the seven days are the days of creation; and these an the seven gateways of a man, two eyes, two ears, two nostrils and a mouth, through which he perceives by his senses.

(5) But the different, since Almighty God is present to all providentially, and becomes all in all, for the sake of the preservation of all, resting upon Himself, and His own identity within Himself, standing, as beseems an energy, one and ceaseless, and imparting Himself with an unbending power, for deification of those turned to Him. And we must suppose that the difference of the manifold shapes of Almighty God, during the multiform visions, signifies that certain things are different from the phenomena under which they appear. For, as when language depicts the soul itself, under a bodily form, and fashions bodily members around the memberless, we think differently of the members attributed to it, as befits the soul's memberless condition; and we call the mind head, and opinion neck,--as intermediate between rational and irrational--and anger, breast; and lust, belly; and the constitution, legs and feet; using the names of the members as symbols of the powers. Much more then, as respects Him, Who is beyond all, is it necessary to make clear the difference of forms and shapes by reverent and God-becoming, and mystic explanations. And if you wish to apply the threefold shapes of bodies to the impalpable and shapeless God, you must say, that the Progression of Almighty God, which spreads out to all things, is a Divine extension; and length, the power extending itself over the whole; and depth, the hiddenness and imperception incomprehensible to all creatures. But, that we may not forget ourselves, in our explanation, of the different shapes and forms, by confounding the incorporeal Divine Names with those given through symbols of objects of sense, we have for this reason spoken concerning these things in the Symbolic Theology. But now, let us suppose the Divine difference, as really not a sort of change from the super-immovable identity, but as the single multiplication of itself, and the uniform progressions of its fecundity to all.

(9) These are the ten emanations of number. One is the Spirit of the Living God, blessed and more than blessed be the name of the Living God of Ages. The Holy Spirit is his Voice, his Spirit, and his Word.