(11) For although many thousand several Herbs stand one by another in one and the same Meadow, and one of them is fairer and has more Virtue than another, yet one of them does not grudge at the Form of another, but there is a pleasant Refreshment in one Mother: So also there is a distinct Variety in Paradise, where every Creature has its greatest Joy in the Virtue and Beauty of another; and the eternal Virtue and Wisdom of God is without Number and End; as you found before in the third Chapter concerning the Opening of the Centers of the eternal Life. You shall find no Book wherein the divine Wisdom may be more searched into, and found, than when you walk in a flowery fresh springing Meadow, there you shall see, smell, and taste the wonderful Power and Virtue of God; though this be but material; and God has manifested himself in a Similitude. But [this Similitude] is a loving Schoolmaster to him that seeks, he shall there find many of them.

(26) And thirdly, you find in all Things a glorious Power and Virtue, which is the Life, Growing and Springing of every Thing, and you find that therein lies its Beauty and pleasant Welfare, from whence it stirs. Now look upon an Herb or Plant, and consider it, what is its Life which makes it grow? And you shall find in the Original, Harshness, Bitterness, Fire, and Water, and if you should separate these four Things one from another, and put them together again, yet you shall neither see nor find any Growing; but if it were severed from its own Mother that generated it at the Beginning, then it remains dead; much less can you bring the pleasant Smell, or Colours into it.

(28) Now since there are Varieties of Growth, according to the Essences of the Stars, and yet the Seed of God (which was sown in the Beginning) is in the Ground, and so they grow together, should God now therefore cast away the whole Crop because all have not the same Essences? Does it not all stand in his Wonders? And is it not the Joy of his Life, and the Quickening of his Tincture? [This is] spoke by Way of Similitude.

(5) That the disturbance which below is made By exhalations of the land and water, (Which far as may be follow after heat,) Might not upon mankind wage any war, This mount ascended tow'rds the heaven so high, And is exempt, from there where it is locked. Now since the universal atmosphere Turns in a circuit with the primal motion Unless the circle is broken on some side, Upon this height, that all is disengaged In living ether, doth this motion strike And make the forest sound, for it is dense; And so much power the stricken plant possesses That with its virtue it impregns the air, And this, revolving, scatters it around; And yonder earth, according as 'tis worthy In self or in its clime, conceives and bears Of divers qualities the divers trees; It should not seem a marvel then on earth, This being heard, whenever any plant Without seed manifest there taketh root. And thou must know, this holy table-land In which thou art is full of every seed, And fruit has in it never gathered there.

(1) After the body of the universe, also, many things are generated by the nature of it. For the concord of similars, and the contrariety of dissimilars, effect not a few things. Farther still, the assemblage of many things into the one animal of the universe, and the powers in the world, whatever the number and quality of them may be, effect, in short, one thing in wholes and another in parts, on account of the divided imbecility of parts. Thus, for instance, the friendship, love, and contention which subsist in energy in the universe, become passions in the partial natures by which they are participated. Those things, likewise, that are preestablished in forms and pure reasons in the nature of wholes, participate of a certain material indigence, and privation of morphe , in things which subsist according to a part. And things which are conjoined to each other in wholes are separated in parts. Hence partible natures, which participate of wholes in conjunction with matter, degenerate from them in all things, and also from what is beautiful and perfect. But some parts are corrupted, in order that wholes may be preserved in a condition conformable to nature. Sometimes, likewise, parts are compressed and weighed down, though at the same time wholes remain impassive to a molestation of this kind.

(2) Art therefore, perceiving this innate desire thus implanted by nature, and distributed about it (art itself also being multiformly distributed about nature), variously attracts and derives it as through a channel. Hence it transfers that which in itself is orderly and arranged into the privation of order, and fills that which is beautiful and commensurate with deformity. But the venerable end in each particular thing, which is connascent with union, it transfers to another indecorous plenitude, which is an assemblage of different things according to a common passion. It likewise imparts a matter from itself, which is unadapted to the whole generation of what is beautiful, either because it does not entirely receive it, or because it transfers it to other things. It also mingles many different physical powers, which it manages as it pleases for the purposes of generation. Hence we have universally shown, that the apparatus of a venereal connexion of this kind proceeds from a certain human art, and not from a certain dæmoniacal or divine necessity.