(63) "Take in the NAME of the Lord, of thy Paradisiacal Water, of heavenly Water of Mercury, as much as thou wilt, put it into a glass to dissolve, and set it in a slow heat of Ashes, that it may just feel the warmth, then have ready well purified Gold for the Red, or Silver for the White Elixir, for in both the Processes are the same. Let your Gold or Silver be beaten as thin as leaf Gold, cast it by degrees into your dissolving Glass, that contains your blessed Water, as you did in the beginning with your Salt, and it will melt like Ice in Warm Water, and continue so to do till your Gold or Silver lie therein four days without dissolving, then it has received its due Pondus. Then put this dissolution as before into a round Glass, fill it two thirds parts full, seal it hermetically as before, let your Sigillum be well dried. Set it in the furnace of Balneum Vapori, make a fire and let it remain forty days, as before, then will the Gold or Silver be dissolved radically and will turn of the deepest black in the world, which as soon as you see, have your other drying furnace in readiness."

(2) "The first thought hath arisen in me concerning the word which thou hast spoken: 'Now, therefore, the soul giveth the apology and seal unto all the rulers who are in the region of the king, the Adamas, and giveth the apology and the honour and the glory of all their seals and the songs of praise to the region of the Light,'--concerning this word then thou hast spoken unto us aforetime, when they brought thee the piece of money and thou didst see that it was of silver and copper and didst ask: 'Whose is this image?' They said: 'The king's.' And when thou sawest that it was of silver and copper mixed, thou saidst: 'Give therefore the king's unto the king and God's unto God,'--that is: If the soul receiveth mysteries, it giveth the apology to all the rulers and to the region of the king, the Adamas; and the soul giveth the honour and the glory to all those of the region of the Light. And the word: 'It hath glistened, when thou didst see that it is made up of silver and copper,'--it is the type thereof, that in it [ sc. the soul] is the power of the Light, which is the refined silver, and that in it is the counterfeiting spirit, which is the material copper. This, my Lord, is the first thought.

(58) "When you see it black set your glass as before to coagulate and when it begins to be of a grayish color and whitish, set it in a third time to putrefy, and coagulate to the fifth time, until you see that your water in its dissolution is clean, pellucid and clear, and that it appears in its Calcination of a fine white like Snow. Then it is prepared and becomes a Salt fixed which will melt on hot Silver plate like wax; but before you set this your Salt out, set it again [in] the furnace of putrefaction that it may dissolve of itself, then let it cool, open your Glass and you will find your Matter lessened a third part. But instead of your former Salt Water you will have a fine Sweet and very penetrating Water which the Philosophers have hid under very wonderful Names--It is the Mercury of all true Philosophers, the Water out of which comes Gold and Silver, for they say its Father is Gold and its Mother is Silver. Thus hast thou the strength of both these Luminaries conjoined in this Water, most true, in its right Pondus.

(82) But silver and gold in the dead palpability or tangibility are but as a dark stone, in comparison with the root of the heavenly generating; but I set it down here only that thou may know from whence it has its original.

(97) In this sixth melting I hold to be the greatest danger for [al]chymists about the preparing of their silver and gold. For there belongeth to it, and is required for it, a very subtile fire, and it may soon be burnt or made dead or deaf; and it becometh very dim or blind if the fire be too cold.

(66) "With this Powder--You may as follows project on metals. Take five parts of fine Gold or Silver according as you work, and melt it in a Crucible. Wrap up your Medicine in Wax, cast it therein, give a strong fire for an hour, then take the Crucible out, as it were, calcined, then cast one part on ten parts of imperfect metals, be it what it will, and the same will be immediately changed into purer Metal, than what is brought out of the Mines and produced by Melting; and when you augment it in strength and virtue by resolving and coagulating, the fifth time it will resolve itself in three days and be coagulated in twenty-four hours time, to an incredible and most highly pellucid Stone or Red Shining burning Coal. For the white work it will become like a white stream of Lightning.

(93) Now when the wrath of these four spirits is killed, then the mineral orey Salitter stands in the water, like a tough matter, and looketh like that spirit which is predominant in the mineral ore; and the light which stands in the fire coloureth [tinctureth] it according to its own quality, be it silver or gold.

(56) "Now in the Name of God, take of this Dew-water as much as thou wilt, put in a clean dissolving glass, then cast a little of your forementioned powdered salt into it to be dissolved, and continue to put it in till your Dew-water will dissolve no more or till the salt lies in it four days without being dissolved, then it has enough, and unto your Dew is given its proper powder. Of this compounded water, take as much as thou wilt, I took about a pound and a half, and put it into a round vial with a short neck, fill it with out water and lute it with a good lute, a cover and stopple that fits it well, that the subtle and living spirit of the dew may not fume away, for if they should the soul of the salt will never be stirred up, nor the work ever brought to a right end. Let the lute dry very well of itself, and set it in the furnace of B. M. to putrefy. Make a slow fire and let it digest for forty days or fifty, and that the fume of the water be continually round about it, and you will see your matter grow black, which is a token of its putrefaction.

(48) Of which you have a similitude in the precious gold ore, or a goldstone unseparated. First there is the matter, that is, the Salitter and Mercurius, which is the mother or the whole stone, which generateth the gold everywhere in the whole stone; and in the gold is the glorious power or virtue of the stone.

(182) According to Solomon Trismosin, the stages through which matter passes in its journey towards perfection are divided into twenty-two parts, each of which is represented by an appropriate drawing. There is an important connection between the twenty-two emblems of Trismosin, the twenty-two major cards of the Tarot, and the twenty-two letters of the Hebrew alphabet. These mysterious Tarot cards are themselves an alchemical formula, if properly interpreted. As if to substantiate the claims of mediæval philosophers that King Solomon was a master of alchemy, Dr. Franz Hartmann has noted that the much-abused and misunderstood Song of Solomon is in reality an alchemical formula. The student of natural philosophy will immediately recognize the "dark maid of Jerusalem," not as a person but as a material sacred to the sages. Dr. Hartmann writes: "The 'Song of Solomon,' in the Old Testament, is a description of the processes of Alchemy. In this Song the Subjectum is described in Cant. i., 5; the Lilium artis in C. ii., 1; the Preparation and Purification in C. ii., 4; the Fire in C. ii., 7, and C. iv., 16, the Putrefaction in C. iii., 1; Sublimation and Distillation in C. iii., 6, Coagulation and Change of Colors, C. v., 9 to 14; Fixation, C. ii., 12, and C. viii., 4; Multiplication, C. vi., 7; Augmentation and Projection, C. viii., 8, etc., etc."

(31) Leaf 17. The verse at the top of the page reads: "Not only must this material be fixed, but it must be allowed to enter into everything so that this material may be well completed and have infinite virtue. Then by making it thick, it becomes at once all white, sublimation from white it becomes shining." Above the sun are the words: "God and Nature do nothing in vain." The man on the left is a mediæval conception of Hermes, the great Egyptian philosopher; the one on the right is Christopher, the philosopher of Paris. Above the latter is written: "If the Stone is black, it is not useless." The words over the retort are: "There is air, fire, water, and earth." Below is added: "A dissolution of the body is the first step. " The curious chemical apparatus must be considered purely symbolic in this work and, as its author himself says, is intended to give only a hint of the "Art."

(81) The metals have the same substance, condition and birth or geniture as the vegetables upon the earth. For the metals or mineral ores, at the time of the kindling of the wrath in the innate, wheel of the seventh nature-spirit, stood in the fabric, work or operation of the love, wherein the meek beneficence or welldoing generateth itself behind the fire-flash; wherein the holy heaven stands, which in this birth or geniture, when the love is predominant, presents or sheweth forth itself in such a gracious, amiable and blessed clarity or brightness, and in such beauteous colours, like gold, silver and precious stones.

(4) That they exist there only in belief, Upon the which is founded the high hope, And hence it takes the nature of a substance. And it behoveth us from this belief To reason without having other sight, And hence it has the nature of evidence." Then heard I: "If whatever is acquired Below by doctrine were thus understood, No sophist's subtlety would there find place." Thus was breathed forth from that enkindled love; Then added: "Very well has been gone over Already of this coin the alloy and weight; But tell me if thou hast it in thy purse?" And I: "Yes, both so shining and so round That in its stamp there is no peradventure." Thereafter issued from the light profound That there resplendent was: "This precious jewel, Upon the which is every virtue founded, Whence hadst thou it?" And I: "The large outpouring Of Holy Spirit, which has been diffused Upon the ancient parchments and the new, A syllogism is, which proved it to me With such acuteness, that, compared therewith, All demonstration seems to me obtuse."

(8) "It is not then the only coin that mortals have, that which is white silver or golden, but virtue too," as Sophocles says.

(41) Inside they are precious pearls, big and little. These men also resemble the musk deer's bag; Outside it is blood, but inside pure musk; Yet, say not that outside 'twas mere blood, Nor say that outside the alembic 'twas mere copper, And becomes gold inside, when mixed with elixir. In you freewill and compulsion are vain fancies, On the table bread is a mere lifeless thing, This transmutation occurs not in the table's heart,

(7) Woe unto you, scribes and Pharisees, hypocrites! for ye pay tithe of mint and anise and cummin, and have omitted the weightier matters

(27) Leaf 14. The three words at the top of the left page are translated: "The man that digs." Above the birds it is declared that none but the cocks of Hermes, the two Mercuries, shall put hand to the plow, and only after irrigation will the earth bring forth her fruits. The seated man is Count Bernard of Treviso, who says: "Work the earth with Mercury." (See chapter on Alchemy and Its Exponents.) The three sentences to the Count's left read: "Go to the fire and with Mercury, thy brother, await me for a month. Crumble the stone I gave thee and I shall go to the fire. Thy death, my life. I shall net die but, living, tell of the works of this, my master." Bernard of Treviso in his alchemical speculation emphasized the necessity of meditation upon the philosophical writings of the great adepts rather than chemical experimentation. He ultimately discovered the "Stone."

(15) But the heat in the astringent spirit chiefly helped to make the hardness; but where that [hardness] came to be, there it [the heat] generated the noblest and most precious Salitter in the earth, as gold, silver, and precious stones.

(50) Timaeus: by far the safest reply, in point of truth, would be that it is gold; but as for the triangle and all the other figures which were formed in it, one should never describe them as “being” seeing that they change even while one is mentioning them; rather one should be content if the figure admits of even the title “suchlike” being applied to it with any safety. And of the substance which receives all bodies

(20) This plate, which is the key to mystic Christian alchemy, is missing from almost every copy of the Theatrum Chemicum Britannicum, a work compiled by Elias Ashmole and containing about a score of pieces by English poets treating of the Philosopher's Stone and the Hermetic mysteries. In view of the consistent manner in which the plate disappeared, it is possible that the diagram was purposely removed because it revealed too plainly the Rosicrucian arcana. Worthy of notice also is the care with which owners' names have been effaced from early books pertaining to alchemy and Hermeticism. The original names are usually rendered illegible being covered with heavy ink lines, the procedure often seriously defacing the volume, While an occasional exception is found, in practically every instance the mutilated books either deal with Rosicrucianism or contain cryptic writings of suspected Rosicrucian origin. It is presumed that this Practice of obliterating the owners names was to prevent the early Rosicrucians and Hermetists from being discovered through the volumes composing their libraries. Elias Ashmole's plate shows the analogies between the life of Christ and the four grand divisions of the alchemical process. Herein is also revealed the teaching that the Philosopher's Stone itself is a macrocosm and a microcosm, embodying the principles of astronomy and cosmogony, both universal and human.