(1) Why, therefore, does the maker of images, who effects these things, desert himself, though he is better than these images, and consists of things of a more excellent nature, and confide in inanimate idols, which are inspired with the representation alone of life, contain a renovated harmony, and which is externally multiform, and are in reality diurnal? Shall we say that something genuine and true is inherent in them? Nothing, however, which is fashioned by human art is genuine and pure. But you will say, that simplicity and uniformity of energy predominate in the whole of their composition. This is very far from being the case. For the idol, according to its visible composition, is mingled from all-various and contrary qualities. Shall we say then, that a certain pure and perfect power is manifest in them? By no means. For a thing of this kind possesses an adventitious multitude of effluxions, collected from many places, and which shows itself to be imbecile and evanescent. But if these particulars, which we have enumerated, are not found to take place in images, is stability present with them, as it is said to be [by the patrons of these images]? By no means, likewise, is this the case. For these idols are extinguished with much greater rapidity than the images which are seen in mirrors.

(1) I do not know, O excellent Titus, whether the holy Timothy departed, deaf to some of the theological symbols which were explained by me. But, in the Symbolic Theology, we have thoroughly investigated for him all the expressions of the Oracles concerning God, which appear to the multitude to be monstrous. For they give a colour of incongruity dreadful to the uninitiated souls, when the Fathers of the unutterable wisdom explain the Divine and Mystical Truth, unapproachable by the profane, through certain, certainly hidden and daring enigmas. Wherefore also, the many discredit the expressions concerning the Divine Mysteries. For, we contemplate them only through the sensible symbols that have grown upon them. We must then strip them, and view them by themselves in their naked purity. For, thus contemplating them, we should reverence a fountain of Life flowing into Itself--viewing It even standing by Itself, and as a kind of single power, simple, self-moved, and self-worked, not abandoning Itself, but a knowledge surpassing every kind of knowledge, and always contemplating Itself, through Itself. We thought it necessary then, both for him and for others, that we should, as far as possible, unfold the varied forms of the Divine" representations of God in symbols. For, with what incredible and simulated monstrosities are its external, forms filled? For instance, with regard to the superessential Divine generation, representing a body of God corporally generating God; and describing a word flowing out into air from a man's heart, which eructates it, and a breath, breathed forth from a mouth; and celebrating God-bearing bosoms embracing a son of God, bodily; or representing these things after the manner of plants, and producing certain trees, and branches, and flowers and roots, as examples; or fountains of waters y, bubbling forth; or seductive light productions of reflected splendours; or certain other sacred representations which explain superessential descriptions of God; but with regard to the intelligible providences of Almighty God, either gifts, manifestations, or powers, or properties, or repose, or abidings, or progressions, or distinctions, or unions, clothing Almighty God in human form, and in the varied shape of wild beasts and other living creatures, and plants, and stones; and attributing to Him ornaments of women, or weapons of savages; and assigning working in clay, and in a furnace, as it were to a sort of artisan; and placing under Him, horses and chariots and thrones; and spreading before Him certain dainty meats delicately cooked; and representing Him as drinking, and drunken, and sleeping, and suffering from excess. What would any one say concerning the angers, the griefs, the various oaths, the repentances, the curses, the revenges, the manifold and dubious excuses for the failure of promises, the battle of giants in Genesis, during which He is said to scheme against those powerful and great men, and this when they were contriving the building, not with a view to injustice towards other people, but on behalf of their own safety? And that counsel devised in heaven to deceive and mislead Achab; and those mundane and meritricious passions of the Canticles; and all the other sacred compositions which appear in the description of God, which stick at nothing, as projections, and multiplications of hidden things, and divisions of things one and undivided, and formative and manifold forms of the shapeless and unformed; of which, if any one were able to see their inner hidden beauty, he will find every one of them mystical and Godlike, and filled with abundant theological light. For let us not think, that the appearances of the compositions have been formed for their own sake, but that they shield the science unutterable and invisible to the multitude, since things all-holy are not within the reach of the profane, but are manifested to those only who are genuine lovers of piety, who reject all childish fancy respecting the holy symbols, and are capable to pass with simplicity of mind, and aptitude of contemplative faculty, to the simple and supernatural and elevated truth of the symbols. Besides, we must also consider this, that the teaching, handed down by the Theologians is two-fold--one, secret and mystical--the other, open and better known--one, symbolical and initiative--the other, philosophic and demonstrative;--and the unspoken is intertwined with the spoken. The one persuades, and desiderates the truth of the things expressed, the other acts and implants in Almighty God, by instructions in mysteries not learnt by teaching. And certainly, neither our holy instructors, nor those of the law, abstain from the God-befitting symbols, throughout the celebrations of the most holy mysteries. Yea, we see even the most holy Angels, mystically advancing things Divine through enigmas; and Jesus Himself, speaking the word of God in parables, and transmitting the divinely wrought mysteries, through a typical spreading of a table. For, it was seemly, not only that the Holy of holies should be preserved undefiled by the multitude, but also that the Divine knowledge should illuminate the human life, which is at once indivisible and divisible, in a manner suitable to itself; and to limit the passionless part of the soul to the simple, and most inward visions of the most godlike images; but that its impassioned part should wait upon, and, at the same time, strive after, the most Divine coverings, through the pre-arranged representations of the typical symbols, as such (coverings) are, by nature, congenial to it. And all those who are hearers of a distinct theology without symbols, weave in themselves a sort of type, which conducts them to the conception of the aforesaid theology.

(65) And the lord drew nigh, he gazed upon the inward parts of Tiamat

(12) At this point I have just recollected the following. In the end of the Timoeus he says: "You must necessarily assimilate that which perceives to that which is perceived, according to its original nature; and it is by so assimilating it that you attain to the end of the highest life proposed by the gods to men, for the present or the future time." For those have equal power with these. He, who seeks, will not stop till he find; and having found, he will wonder; and wondering, he will reign; and reigning, he will rest. And what? Were not also those expressions of Thales derived from these? The fact that God is glorified for ever, and that He is expressly called by us the Searcher of hearts, he interprets. For Thales being asked, What is the divinity? said, What has neither beginning nor end. And on another asking, "If a man could elude the knowledge of the Divine Being while doing aught?" said, "How could he who cannot do so while thinking?"

(24) "The sistrum is designed * * * to represent to us, that every thing must be kept in continual agitation, and never cease from motion; that they ought to be mused and well-shaken, whenever they begin to grow drowsy as it were, and to droop in their motion. For, say they, the sound of these sistra averts and drives away Typho; meaning hereby, that as corruption clogs and puts a stop to the regular course of nature; so generation, by the means of motion, loosens it again, and restores it to its former vigour. Now the outer surface of this instrument is of a convex figure, as within its circumference are contained those four chords or bars [only three shown], which make such a rattling when they are shaken--nor is this without its meaning; for that part of the universe which is subject to generation and corruption is contained within the sphere of the moon; and whatever motions or changes may happen therein, they are all effected by the different combinations of the four elementary bodies, fire, earth, water, and air--moreover, upon the upper part of the convex surface of the sistrum is carved the effigies of a cat with a human visage, as on the lower edge of it, under those moving chords, is engraved on the one side the face of Isis, and on the other that of Nephthys--by the faces symbolically representing generation and corruption (which, as has been already observed, is nothing but the motion and alteration of the four elements one amongst another),"

(4) And even as birds uprisen from the shore, As in congratulation o'er their food, Make squadrons of themselves, now round, now long, So from within those lights the holy creatures Sang flying to and fro, and in their figures Made of themselves now D, now I, now L. First singing they to their own music moved; Then one becoming of these characters, A little while they rested and were silent. O divine Pegasea, thou who genius Dost glorious make, and render it long-lived, And this through thee the cities and the kingdoms, Illume me with thyself, that I may bring Their figures out as I have them conceived! Apparent be thy power in these brief verses! Themselves then they displayed in five times seven Vowels and consonants; and I observed The parts as they seemed spoken unto me. 'Diligite justitiam,' these were First verb and noun of all that was depicted; 'Qui judicatis terram' were the last. Thereafter in the M of the fifth word Remained they so arranged, that Jupiter Seemed to be silver there with gold inlaid.

(2) For, let “ ignorance and deception be error and impiety ,” yet it does not follow that, on this account, things which are offered to the Gods, and divine works, are false. For a conception of the mind does not conjoin theurgists with the Gods; since, if this were the case, what would hinder those who philosophize theoretically, from having a theurgic union with the Gods? Now, however, in reality, this is not the case. For the perfect efficacy of ineffable works, which are divinely performed in a way surpassing all intelligence, and the power of inexplicable symbols, which are known only to the Gods, impart theurgic union. Hence, we do not perform these things through intellectual perception; since, if this were the case, the intellectual energy of them would be imparted by us; neither of which is true. For when we do not energize intellectually, the synthemata themselves perform by themselves their proper work, and the ineffable power of the Gods itself knows, by itself, its own images. It does not, however, know them, as if excited by our intelligence; for neither is it natural that things which comprehend should be excited by those that are comprehended, nor perfect by imperfect natures, nor wholes by parts. Hence, neither are divine causes precedaneously called into energy by our intellections; but it is requisite to consider these, and all the best dispositions of the soul, and also the purity pertaining to us, as certain concauses; the things which properly excite the divine will being divine synthemata themselves. And thus, things pertaining to the Gods, are moved by themselves, and do not receive from any inferior nature a certain principle in themselves of their own proper energy.

(4) Will not, therefore, he who surveys this conspicuous statue of the Gods, thus united to itself, be ashamed to have a different opinion of the Gods, who are the causes of it, so as to introduce among them sections, and separations, and corporeal-formed circumscriptions? I, indeed, should think, that every one would be thus disposed. For if there is no ratio, no habitude of symmetry, no communion of essence, nor a connexion either in capacity or in energy, between that which is adorned and the adorning cause; if this be the case, there will neither be found in the world a certain extension according to interval, nor local comprehension, nor partible interception, nor any other such like connascent equalization in the presence of the Gods [with mundane natures]. For in things which are of a kindred nature, according to essence and power, or which are, in a certain respect, of the same species, or homogeneous, a certain comprehension, or conservation, may be discovered. But in such things as are entirely exempt from all mundane wholes, what opposing circumstance, or transition through all things, or partible circumscription, or local comprehension, or any thing else of this kind can justly be perceived? I think, therefore, that the several participants of the divinities are of such a nature, that some partake of them etherially, others aerially, and others aquatically; which also, the art of divine works perceiving, employs adaptations and invocations, conformable to such a division. And thus much concerning the distribution of the more excellent genera into the world.

(381) Then everything which is good, whether made by art or nature, or both, is least liable to suffer change from without? True. But surely God and the things of God are in every way perfect? Of course they are. Then he can hardly be compelled by external influence to take many shapes? He cannot. But may he not change and transform himself? Clearly, he said, that must be the case if he is changed at all. And will he then change himself for the better and fairer, or for the worse and more unsightly? If he change at all he can only change for the worse, for we cannot suppose him to be deficient either in virtue or beauty. Very true, Adeimantus; but then, would any one, whether God or man, desire to make himself worse? Impossible. Then it is impossible that God should ever be willing to change; being, as is supposed, the fairest and best that is conceivable, every God remains absolutely and for ever in his own form. That necessarily follows, he said, in my judgment. Then, I said, my dear friend, let none of the poets tell us that ‘The gods, taking the disguise of strangers from other lands, walk up and down cities in all sorts of forms 13 ;’ and let no one slander Proteus and Thetis, neither let any one, either in tragedy or in any other kind of poetry, introduce Here disguised in the likeness of a priestess asking an alms ‘For the life-giving daughters of Inachus the river of Argos;’

(1) As much as 'twixt the close of the third hour And dawn of day appeareth of that sphere Which aye in fashion of a child is playing, So much it now appeared, towards the night, Was of his course remaining to the sun; There it was evening, and 'twas midnight here; And the rays smote the middle of our faces, Because by us the mount was so encircled, That straight towards the west we now were going When I perceived my forehead overpowered Beneath the splendour far more than at first, And stupor were to me the things unknown, Whereat towards the summit of my brow I raised my hands, and made myself the visor Which the excessive glare diminishes. As when from off the water, or a mirror, The sunbeam leaps unto the opposite side, Ascending upward in the selfsame measure That it descends, and deviates as far From falling of a stone in line direct, (As demonstrate experiment and art,) So it appeared to me that by a light Refracted there before me I was smitten; On which account my sight was swift to flee.

(3) Since, however, a contrary is receptive of a contrary, according to a mutation and departure from itself, and that which is allied to another thing, and familiar with it through similitude, is capable of receiving it, hence the illuminators receive darkness as a cooperator, and employ in illuminating the light of the sun, or of the moon, or, in short, of the air. Sometimes, likewise, they use collocations of such things as are adapted to the Gods that are about to descend, or they employ incantations or compositions, and these appropriately prepared for the reception, presence, and manifestation of the Gods. And again, sometimes they introduce light through water, because this being diaphanous, is aptly disposed to the reception of light. But at other times, they cause light to shine forth on a wall, having previously prepared the wall for the reception of light in the best manner by the sacred descriptions of characters; and, at the same time, they fix the light in a certain solid place, so that it may not be widely diffused.

(11) Now all that is engendered is imperfect, it is divisible, to increase subject and to decrease; but with the Perfect [One] none of these things doth hold. Now that which is increasable increases from the Oneness, but succumbs through its own feebleness when it no longer can contain the One. And now, O Tat, God's Image hath been sketched for thee, as far as it can be; and if thou wilt attentively dwell on it and observe it with thine heart's eyes, believe me, son, thou'lt find the Path that leads above; nay, that Image shall become thy Guide itself, because the Sight [Divine] hath this peculiar [charm], it holdeth fast and draweth unto it those who succeed in opening their eyes, just as, they say, the magnet [draweth] iron.

(4) But of this water it behoves thee drink Before so great a thirst in thee be slaked." Thus said to me the sunshine of mine eyes; And added: "The river and the topazes Going in and out, and the laughing of the herbage, Are of their truth foreshadowing prefaces; Not that these things are difficult in themselves, But the deficiency is on thy side, For yet thou hast not vision so exalted." There is no babe that leaps so suddenly With face towards the milk, if he awake Much later than his usual custom is, As I did, that I might make better mirrors Still of mine eyes, down stooping to the wave Which flows that we therein be better made. And even as the penthouse of mine eyelids Drank of it, it forthwith appeared to me Out of its length to be transformed to round. Then as a folk who have been under masks Seem other than before, if they divest The semblance not their own they disappeared in, Thus into greater pomp were changed for me The flowerets and the sparks, so that I saw Both of the Courts of Heaven made manifest.

(6) And by the second seemed the first reflected As Iris is by Iris, and the third Seemed fire that equally from both is breathed. O how all speech is feeble and falls short Of my conceit, and this to what I saw Is such, 'tis not enough to call it little! O Light Eterne, sole in thyself that dwellest, Sole knowest thyself, and, known unto thyself And knowing, lovest and smilest on thyself! That circulation, which being thus conceived Appeared in thee as a reflected light, When somewhat contemplated by mine eyes, Within itself, of its own very colour Seemed to me painted with our effigy, Wherefore my sight was all absorbed therein.

(91) If this be rightly considered, which, indeed, cannot be done without a special illumination of the holy God, then, before he finds anything else, a man findeth the astringent, cold and austere birth or geniture, which is the cause of the corporeal nature, or of the imaging, fashioning or framing of a thing.

(3) Such, therefore, as the truth is, such also it is requisite to unfold it to others. It must be said, then, that the maker of images neither uses the celestial circulations, nor the powers which are inherent in them, nor those powers which are naturally established about them; nor, in short, is it possible to come into contact with them. But he artificially, and not theurgically, applies himself to the last effluxions which openly proceed from the nature of them, about the last part of the universe. For these effluxions, I think, being mingled with a partial matter, are capable of being changed and transformed differently at different times. They likewise receive the transposition, from some things to others, of the powers which are in partial natures. The variety, however, of such like energies, and the composition of a multitude of material powers, are not only entirely separated from divine fabrication, but also from natural production. For nature produces her proper works collectively, and at once, and accomplishes all things by simple and incomposite energies. Hence it remains that a commixture of this kind, about the last and manifest celestial effluxion, and about the things which are moved by a celestial nature, is artificial.

(7) "And moreover by commandment of myself, the First Mystery which looketh without, the light-stream which surrounded Pistis Sophia on all her sides, shone most exceedingly, and Pistis Sophia abode in the midst of the light, a great light being on her left and on her right, and on all her sides, forming a wreath round her head. And all the emanations of Self-willed [could] not change their face again, nor could they bear the shock of the great light of the stream, which was a wreath round her head. And all the emanations of Self-willed,--many of them fell at her right, because she shone most exceedingly, and many others fell at her left, and were not able at all to draw nigh unto Pistis Sophia because of the great light; but they fell all one on another, or they all came near one another, and they could not inflict any ill on Pistis Sophia, because she had trusted in the Light.

(1) Already on my Lady's face mine eyes Again were fastened, and with these my mind, And from all other purpose was withdrawn; And she smiled not; but "If I were to smile," She unto me began, "thou wouldst become Like Semele, when she was turned to ashes. Because my beauty, that along the stairs Of the eternal palace more enkindles, As thou hast seen, the farther we ascend, If it were tempered not, is so resplendent That all thy mortal power in its effulgence Would seem a leaflet that the thunder crushes. We are uplifted to the seventh splendour, That underneath the burning Lion's breast Now radiates downward mingled with his power. Fix in direction of thine eyes the mind, And make of them a mirror for the figure That in this mirror shall appear to thee." He who could know what was the pasturage My sight had in that blessed countenance, When I transferred me to another care, Would recognize how grateful was to me Obedience unto my celestial escort, By counterpoising one side with the other.

(3) That which Timaeus argues of the soul Doth not resemble that which here is seen, Because it seems that as he speaks he thinks. He says the soul unto its star returns, Believing it to have been severed thence Whenever nature gave it as a form. Perhaps his doctrine is of other guise Than the words sound, and possibly may be With meaning that is not to be derided. If he doth mean that to these wheels return The honour of their influence and the blame, Perhaps his bow doth hit upon some truth. This principle ill understood once warped The whole world nearly, till it went astray Invoking Jove and Mercury and Mars. The other doubt which doth disquiet thee Less venom has, for its malevolence Could never lead thee otherwhere from me. That as unjust our justice should appear In eyes of mortals, is an argument Of faith, and not of sin heretical. But still, that your perception may be able To thoroughly penetrate this verity, As thou desirest, I will satisfy thee.

(1) You adduce, however, as a thing by no means to be despised, “ the artificers of efficacious images .” But I should wonder if these were admitted by any one of the theurgists who survey the true forms of the Gods. For why should any one exchange truly existing beings for images, and descend from the first to the last of things? Or do we not know that all things effected by an adumbration of this kind, have an obscure subsistence, are the phantasms only of that which is true, and appear to be good, but in no respect are so? Other things, also, of this kind that accede, are borne along in a flowing condition of being; but obtain nothing genuine, or perfect, or manifest. But this is evident from the mode of their production: for not divinity, but man is the maker of them. Nor are they produced from uniform and intelligible essences, but from matter, which is assumed for this purpose. What good, therefore, can germinate from matter, and from the material and corporeal-formed powers which are in bodies? Or is not that which derives its subsistence from human art, more imbecile than men themselves, who impart existence to it? By what kind of art, likewise, is this image fashioned? For it is said, indeed, to be fashioned by demiurgic art; but this is effective of true essences, and not of certain images. Hence the image-producing art is distant by a great interval from the seminal production of realities. Besides, neither does it preserve a certain analogy with divine fabrication.