(44) As an illustration of the fact just stated, we may consider the two opposites known as Hot and Cold, respectively; surely there can be no two qualities apparently more distinct and separate from each other—more diametrically different from each other. But careful examination shows us that the two contrasting things are really but degrees, conditions, and states of the same thing. There is no such thing as an "absolute hot," or an "absolute cold." There are merely different degrees of this Hot-Cold pair of opposites, which for convenience we call "Heat." We cannot point out a place on the thermometer where Hot ceases and Cold begins, or vice versa. The two states or conditions blend into each other, and any statement regarding them is found to be merely comparative. If we place one hand in a bowl of very hot water, and the other in a bowl of ice-cold water, and then suddenly withdraw both hands and plunge them into a bowl of lukewarm water, what happens d Simply this, that we find that the hot-water hand feels a sensation of coolness, while the cold-water hand feels a sensation of heat—each experience resulting from the comparison with the previous experience.

(40) We may see evidences of Polarity in any direction toward which we may turn in our search. There is always an up and a down; a top and a bottom; a. high and a low; a right and a left; a forward and a backward. There is always a past and a future; a now and a then; a before and an after; a day and a night; a time and an eternity. There is always a fast and a slow; a motion and a rest; a hot and a cold; a good and a bad; a light and a dark; a conscious and an unconscious; an active and an inactive; an involution and an evolution; an analysis and a synthesis; a thesis and an antithesis; a male and a female; a positive and a negative; a youth and an age; a health and a disease; a building-up and a tearing-down; a birth and a death; a coming and a going; a life and a death; material and an immaterial; a heavy and a light; an abstract and a concrete; a long and a short; a broad and a narrow; a large and a small; a north and a south; an east and a west; a love and a hate; a courage and a fear; a faith and a doubt; a belief and a disbelief; a truth and an error; and so on, ad infinitum.

(46) Sometimes there is a rapid change and shift on the scale of the opposites. Love is quickly transmuted to hate; the best friends and most ardent lovers become the bitterest enemies. And, on the other hand, persons who originally detest each other frequently become ardent lovers after a time; and old enemies, when reconciled, frequently become the closest friends. The swing is often as far in one direction as was its former swing in the opposite direction. Up changes to down, as the earth revolves; and hot becomes cold when the vibrations are changed. This also applies to hard and soft, tenuous and solid, etc., the conditions depending entirely upon the rate of vibrations and relative positions of the particles of the matter of which the things are composed. Moreover, constant emphasis or activity of one opposite frequently leads to a manifestation of the other opposite. We often fly to the other extreme of feeling and action, when we have over-emphasized the former emotional states. We get tired and disgusted with one set or condition of things, and feel a desire to fly to the opposite condition or set. Too much of a good thing often causes us to dislike it. Likewise, if we travel far enough west, we finally reach the extreme east, and vice versa. If we travel far enough north, we pass the pole and find ourselves proceeding south. At the North Pole, no matter in what direction we may travel, we always find ourselves travelling south; while at the South Pole, we can travel north only, no matter which way we may step out.

(16) Thus we have the following familiar Opposites: Hard and Soft, Hot and Cold, Large and Small, Far and Near, Up and Down, Day and Night, Light and Darkness, Long and Short, etc. Even where our language fails to supply a definite term for the Opposite of a discovered quality, property, or attribute, the Opposite may be expressed by prefixing the term "Not" to the observed quality, property, or attribute.

(45) We may consider the emotional states of Love and Hate as another illustration of the same principle; surely these two emotions seem irreconcilable and impossible to harmonize. But let us see! At the one end of the emotional scale of Love-Hate we find intense love, then descending on the scale we find varying and gradually lessening degrees of love. Then we find the balanced point of indifference, which seems to be neither love nor hate, but which in reality is the subtle balancing of the two emotions. Then descending the scale we find a faint degree of aversion or dislike; then a series of gradually increasing degrees of dislike, until finally real hate is met with, and so on until we reach the degree of intense and extreme hate. Yet all are seen to be but degrees on the same emotional scale of Love-Hate.

(41) In The Principles of Light and Color, Edwin D. Babbitt confirms the correspondence of the color and musical scales: "As C is at the bottom of the musical scale and made with the coarsest waves of air, so is red at the bottom of the chromatic scale and made with the coarsest waves of luminous ether. As the musical note B [the seventh note of the scale] requires 45 vibrations of air every time the note C at the lower end of the scale requires 24, or but little over half as many, so does extreme violet require about 300 trillions of vibrations of ether in a second, while extreme red requires only about 450 trillions, which also are but little more than half as many. When one musical octave is finished another one commences and progresses with just twice as many vibrations as were used in the first octave, and so the same notes are repeated on a finer scale. In the same way when the scale of colors visible to the ordinary eye is completed in the violet, another octave of finer invisible colors, with just twice as many vibrations, will commence and progress on precisely the same law."

(38) A writer has said of this: "The Ego may convert the circle of its life-motion into an advancing and rising spiral, which while carrying him around the life circle will at the same time raise him a stage higher at each turn. The Mountain of Attainment, around which winds the Spiral Path, is travelled only in this way. Around and around the Pilgrims travel, seemingly retracing their steps but in reality constantly mounting upward. By advancing the Central Point, by means of the Will , the wise and the strong convert the Circles into Spirals, and thus advance and attain. This, indeed, as the old aphorism states, 'is one of the highest forms of Mental Alchemy.'" The further the student penetrates in his investigations, along the lines of the physical, the mental, or the spiritual, the more will he become convinced of the truth of the ancient occult axiom that "Everything proceeds in circles." VI. The Principle of Polarity The Principle of Polarity manifests that universal fact of "the pairs of opposites," or "the antinomies," which is apparent in all the manifested world, from its highest to its lowest manifestation. The spirit of this principle was expressed in the ancient occult axiom: "Everything has its Opposite, which is the other pole of its manifestation." The Principle of Polarity may be stated as follows: "All phenomena manifest polarity, or opposite and contrasted sets of qualities, properties, or powers, operating in opposite and contrasted directions." The ancient philosophers made this one of the chief features of their teachings, under the name of "The Opposites," "The Pairs of Opposites," or "The Antinomies," according to the usage of the respective schools. They held that every phenomenal thing possesses and manifests these pairs of opposite qualities, properties, and powers. They also held that each and every set of polarized opposites constitutes a unity consisting of a reconciliation and balancing of the opposing poles. They also held that every phenomenal thing, itself, is one of a pair of polarized opposites which, together, constitute a greater unity; and so on, either to infinity or until the opposites find final reconciliation and harmony in an Infinite Reality.

Light and darkness, life and death, and right and left are siblings of one another, and inseparable. For this reason the good are not good, the bad are not bad, life is not life, death is not death. Each will dissolve into its original nature, but what is superior to the world cannot be dissolved, for it is eternal.

(15) The First Aphorism further states: "The Pairs of Opposites there were not: for there were no Things to manifest Polarity." As every student of philosophy knows, or should know, every Thing manifests a combination of qualities, properties, or attributes. Each quality, property, or attribute, is one of a Pair of Opposites—one Pole of the Two Poles of Qualities which are ever found present. Given one quality, property, or attribute of Thingness, it necessarily follows that there is in existence in other Things an Opposite, or "Other Pole"—its antithesis. There is no exception to this rule, and though the Opposite may at first appear to be absent, diligent search will surely reveal it, and its necessary existence must be logically predicated.

(20) We have to ascertain whether there is not to every quality a contrary. In the case of virtue and vice, even the mean appears to be contrary to the extremes.

But when we turn to colours, we do not find the intermediates so related. If we regard the intermediates as blendings of the extremes, we must not posit any contrariety other than that between black and white, but must show that all other colours are combinations of these two. Contrariety however demands that there be some one distinct quality in the intermediates, though this quality may be seen to arise from a combination.

It may further be suggested that contraries not only differ from each other, but also entail the greatest possible difference. But "the greatest possible difference" would seem to presuppose that intermediates have already been established: eliminate the series, and how will you define "the greatest possible"? Sight, we may be told, will reveal to us that grey is nearer than black to white; and taste may be our judge when we have hot, cold and no intermediate.

That we are accustomed to act upon these assumptions is obvious enough; but the following considerations may perhaps commend themselves:

White and yellow are entirely different from each other- a statement which applies to any colour whatsoever as compared with any other; they are accordingly contrary qualities. Their contrariety is independent of the presence of intermediates: between health and disease no intermediate intrudes, and yet they are contraries.

It may be urged that the products of a contrariety exhibit the greatest diversity. But "the greatest diversity" is clearly meaningless, unless we can point to lower degrees of diversity in the means. Thus, we cannot speak of "the greatest diversity" in reference to health and disease. This definition of contrariety is therefore inadmissible.

Suppose that we say "great diversity" instead of "the greatest": if "great" is equivalent to greater and implies a less, immediate contraries will again escape us; if, on the other hand, we mean strictly "great" and assume that every quality shows a great divergence from every other, we must not suppose that the divergence can be measured by a comparative.

Nonetheless, we must endeavour to find a meaning for the term "contrary." Can we accept the principle that when things have a certain similarity which is not generic nor in any sense due to admixture, but a similarity residing in their forms- if the term be permitted- they differ in degree but are not contraries; contraries being rather those things which have no specific identity? It would be necessary to stipulate that they belong to the same genus, Quality, in order to cover those immediate contraries which have nothing conducing to similarity, inasmuch as there are no intermediates looking both ways, as it were, and having a mutual similarity to each other; some contraries are precluded by their isolation from similarity.

If these observations be sound, colours which have a common ground will not be contraries. But there will be nothing to prevent, not indeed every colour from being contrary to every other, but any one colour from being contrary to any other; and similarly with tastes. This will serve as a statement of the problem.

As for Degree , it was given as our opinion that it exists in the objects participating in Quality, though whether it enters into qualities as such- into health and justice- was left open to question. If indeed these qualities possess an extension quite apart from their participants, we must actually ascribe to them degrees: but in truth they belong to a sphere where each entity is the whole and does not admit of degree.

(47) The discovery that "opposites are identical," in the sense of being but the two contrasting poles of the same thing, opens up a wonderful field of mastery to the occultist who has acquainted himself with the law of Polarization, in its phases of Transmutation and Balance.

(40) There are numerous arbitrary arrangements setting forth the mutual relationships of the planets, the colors, and the musical notes. The most satisfactory system is that based upon the law of the octave. The sense of hearing has a much wider scope than that of sight, for whereas the ear can register from nine to eleven octaves of sound the eye is restricted to the cognition of but seven fundamental color tones, or one tone short of the octave. Red, when posited as the lowest color tone in the scale of chromatics, thus corresponds to do, the first note of the musical scale. Continuing the analogy, orange corresponds to re, yellow to mi, green to fa, blue to sol, indigo to la, and violet to si (ti). The eighth color tone necessary to complete the scale should be the higher octave of red, the first color tone. The accuracy of the above arrangement is attested by two striking facts: (1) the three fundamental notes of the musical scale--the first, the third, and the fifth--correspond with the three primary colors--red, yellow, and blue; (2) the seventh, and least perfect, note of the musical scale corresponds with purple, the least perfect tone of the color scale.

(25) In symbolism the body is divided vertically into halves, the right half being considered as light and the left half as darkness. By those unacquainted with the true meanings of light and darkness the light half was denominated spiritual and the left half material. Light is the symbol of objectivity; darkness of subjectivity. Light is a manifestation of life and is therefore posterior to life. That which is anterior to light is darkness, in which light exists temporarily but darkness permanently. As life precedes light, its only symbol is darkness, and darkness is considered as the veil which must eternally conceal the true nature of abstract and undifferentiated Being.

(43) One of the most surprising features of this discovery is that we finally perceive that the two contrasting sets of qualities are really but two aspects or phases of the whole thing—the real thing, or thing in itself—the unity of the two, instead of being two separated and distinct things. Or, stating it in other words, we discover that the two opposing sets of characteristics are merely relative to each other, and together form a correlated unity and balanced whole.

(48) The understanding of the Principle of Polarity enables the occultist to transmute one mental state into another, along the lines of Polarization. Things belonging to different classes cannot be transmuted into each other, but the opposing poles of the same thing may be so changed—that is, may have a change in their polarity effected and thus be transmuted one into the other. Thus, love can never become east or west, or red or violet; but love may be changed into hate, or hate into love, by a shifting of polarity. Courage may be transmuted into fear, or fear into courage; hard may be changed into soft, dull into sharp, hot into cold, and so on, the transmutation always being between things of the same kind. The fearful man may shift his polarity and by thus changing his emotional vibrations may become filled with courage. Likewise, the slothful man may shift his polarity into activity and energetic action. The key lies in the fact that in this process of transmutation there is not an actual change of one thing into another distinct thing, but rather a shifting of the centre of polar force from one extreme of the scale to the other, just as one would shift the carriage of his typewriter from 1 to 70, or change the focus of an opera glass.

(14) Again: "The Pairs of Opposites spring into being. " As all Thingness is accompanied by the presence of the Pairs of Opposites—the contrasting sets of qualities, it follows that from the first faint breath of the World Spirit differentiation begins, and the polarity of qualities exhibit themselves.

(39) The simplest and yet the most characteristic of the many examples and illustrations of Polarity is seen in the presence and activity of the two opposite and contrasting poles of the magnet—the positive and negative poles. The magnet is one—a unity consisting of a balance and a reconciliation of the two opposing poles and their respective activities and powers. The illustration is typical, and fully illustrates the general principle.

(4) "Dialecticians of the day," replied the Spirit of the River, "all say that the infinitesimally small has no form, and that the infinitesimally great is beyond all measurement. Is that so?" "If we regard greatness as compared with that which is small," said the Spirit of the Ocean, "there is no limit to it; and if we regard smallness as compared with that which is great, it eludes our sight. The infinitesimal is a subdivision of the small; the colossal is an extension of the great. In this sense the two fall into different categories. "Both small and great things must equally possess form. The mind cannot picture to itself a thing without form, nor conceive a form of unlimited dimensions. The greatness of anything may be a topic of discussion, or the smallness of anything may be mentally realized. But that which can be neither a topic of discussion nor be realized mentally, can be neither great nor small.

(131) The opposite of light shows what is light, God created pain and grief for this purpose, To wit, to manifest happiness by its opposites. Hidden things are manifested by their opposites; But, as God has no opposite. He remains hidden. God's light has no opposite in the range of creation Perforce "Our eyes see not Him, though He sees us." Discern form from substance, as lion from desert, The sound and speech arise from the thought;

(121) Outward colors arise from the light of sun and stars, The light that lights the eye is also the heart's Light; The eye's light proceeds from the Light of the heart. But the light that lights the heart is the Light of God, At night there is no light, and colors are not seen; Hence we know what light is by its opposite, darkness. At night no colors are visible, for light is lacking. How can color be the attribute of dark blackness? Looking on light is the same as looking on colors; Opposite shows up opposite, as a Frank a Negro.