(1) The amorous Nightingale first came forward almost beside himself with passion. He poured emotion into each of the thousand notes of his song; and in each was to be found a world of secrets. When he sang of these mysteries the birds became silent. 'The secrets of love are known to me,' he said. 'All night I repeat my songs of love. Is there no unhappy David to whom I can sing the yearning psalms of love? The flute's sweet wailing is because of me, and the lamenting of the lute. I create a tumult among the roses as well as in the hearts of lovers. Always I teach new mysteries, at each instant I repeat new songs of sadness. When love overpowers my soul my singing is as the sighing sea. Who hears me forsakes his reason, though he be among the wise. If I am parted from my dear Rose I am desolate, I cease my singing and tell my secrets to none. Mv secrets are not known to everyone; only to the Rose are they known with certainty. So deep in love am I with the Rose that I do not even think of my own existence; but only of the Rose and

the coral of her petals. The journey to the Simurgh is beyond my strength; the love of the Rose is enough for the Nightingale. It is for me that she flowers with her hundred petals; what more then can I wish! The Rose which blooms today is full of longing, and for me smiles joyously. When she shows her face under the veil I know that it is for me. How then can the Nightingale remain a single night deprived of the love of this enchantress?'

(1) Already on my Lady's face mine eyes Again were fastened, and with these my mind, And from all other purpose was withdrawn; And she smiled not; but "If I were to smile," She unto me began, "thou wouldst become Like Semele, when she was turned to ashes. Because my beauty, that along the stairs Of the eternal palace more enkindles, As thou hast seen, the farther we ascend, If it were tempered not, is so resplendent That all thy mortal power in its effulgence Would seem a leaflet that the thunder crushes. We are uplifted to the seventh splendour, That underneath the burning Lion's breast Now radiates downward mingled with his power. Fix in direction of thine eyes the mind, And make of them a mirror for the figure That in this mirror shall appear to thee." He who could know what was the pasturage My sight had in that blessed countenance, When I transferred me to another care, Would recognize how grateful was to me Obedience unto my celestial escort, By counterpoising one side with the other.

(1) That Sun, which erst with love my bosom warmed, Of beauteous truth had unto me discovered, By proving and reproving, the sweet aspect. And, that I might confess myself convinced And confident, so far as was befitting, I lifted more erect my head to speak. But there appeared a vision, which withdrew me So close to it, in order to be seen, That my confession I remembered not. Such as through polished and transparent glass, Or waters crystalline and undisturbed, But not so deep as that their bed be lost, Come back again the outlines of our faces So feeble, that a pearl on forehead white Comes not less speedily unto our eyes; Such saw I many faces prompt to speak, So that I ran in error opposite To that which kindled love 'twixt man and fountain. As soon as I became aware of them, Esteeming them as mirrored semblances, To see of whom they were, mine eyes I turned, And nothing saw, and once more turned them forward Direct into the light of my sweet Guide, Who smiling kindled in her holy eyes.

(1) Another bird said to the Hoopoe: 'O most eminent bird, I am the slave of a charming being who has taken possession of me and deprived me of my reason. The image of her dear face is a thief of the great Path; she has put fire to the harvest of my life, and when I am absent from her I have not a moment's peace. Since my heart is on fire with passion I do not see how I can set out on this journey. I should have to cross the valleys and go through a hundred trials. Can I be expected to forsake this beauty to travel through scorching heat and bitter cold? I am too weak to go without her; and I am but the dust on her road. Such is my state. What can Ido?'

The Hoopoe replied: 'You are attached to visible things, and are head and foot in the suffering which follows from this. Sensual love is a game. Love which is inspired by passing beauty is itself fleeting. You are always comparing a body of blood and moods to the beauty of the moon. What is uglier than a body composed of flesh and bones? True beauty is hidden. Seek it then, in the invisible world. If the veil which hides the mysteries from our eyes should fall, nothing would be left in the world. AU visible forms would be reduced to nothing.'

(5) A young man, brave and impetuous as a lion, was for five years in love with a woman. In one of the eyes of this beauty was a small speck, but the man, when gazing on the beauty of his mistress, never saw it. How could a man, so much in love, notice a tiny flaw? However, in time, his love began to dwindle and he regained his power over himself. It was then that he noticed the speck, and asked her

how it had come about. She said: 'It appeared at the time when your love began to cool. When your love for me became defective my eye became so for you.'

O blind of heart! how long will you continue to look for the faults of others? Strive to be aware of those things you hide so carefully. When you see your faults in all their ugliness you will not bother so much about those of others.

(4) But there are earlier and loftier beauties than these. In the sense-bound life we are no longer granted to know them, but the soul, taking no help from the organs, sees and proclaims them. To the vision of these we must mount, leaving sense to its own low place.

As it is not for those to speak of the graceful forms of the material world who have never seen them or known their grace- men born blind, let us suppose- in the same way those must be silent upon the beauty of noble conduct and of learning and all that order who have never cared for such things, nor may those tell of the splendour of virtue who have never known the face of Justice and of Moral-Wisdom beautiful beyond the beauty of Evening and of dawn.

Such vision is for those only who see with the Soul's sight- and at the vision, they will rejoice, and awe will fall upon them and a trouble deeper than all the rest could ever stir, for now they are moving in the realm of Truth.

This is the spirit that Beauty must ever induce, wonderment and a delicious trouble, longing and love and a trembling that is all delight. For the unseen all this may be felt as for the seen; and this the Souls feel for it, every soul in some degree, but those the more deeply that are the more truly apt to this higher love- just as all take delight in the beauty of the body but all are not stung as sharply, and those only that feel the keener wound are known as Lovers.

(3) There was once a king of incomparable charm and beauty. The dawn was a flash of lightning from his countenance, the Angel Gabriel an emanation of his fragrance and the kingdom of beauty was the Koran of his secrets. The whole world resounded with his fame, and his love was felt by every creature. When he rode through the city he covered his face with a crimson veil; but those who looked even at the veil lost their heads, and those who uttered his name at once cut out their tongues. Thousands died for love of him; others gave their lives believing it better to die at once than to live a hundred long lives away from him. An astonishing thing! They could neither endure his presence for long nor could they exist without him. However, to those who could endure it he showed himself; those who could not had to be content to hear his voice. In consequence, the king ordered a mirror to be made so that his face could be seen indirectly. The mirror was put up in his palace, and he went and looked in it, so that all could see his reflection.

So it is with you. If you cherish the beauty of your friend, understand that your heart is the mirror, see in it your king in the mansion of his glory. All appearances are nothing but the mysterious shadow of the Simurgh. If he had revealed his beauty to you, you would have recognized it in his shadow. Whether there were thirty birds, 'Si-murgh', or forty, you would only see his shadow. The Simurgh is not distinct from his shadow, to hold the contrary is to err; the one and the other exist together. Seek reunion; or better, leave the shadow

(30

and you will discover the Secret. With good fortune you will see the Sun in the shadow; but if you lose yourself in the shadow, how will you achieve union with the Simurgh?

(31) But since Thence come the beauty and light in all, it is Thence that Intellectual-Principle took the brilliance of the Intellectual Energy which flashed Nature into being; Thence soul took power towards life, in virtue of that fuller life streaming into it. Intellectual-Principle was raised thus to that Supreme and remains with it, happy in that presence. Soul too, that soul which as possessing knowledge and vision was capable, clung to what it saw; and as its vision so its rapture; it saw and was stricken; but having in itself something of that principle it felt its kinship and was moved to longing like those stirred by the image of the beloved to desire of the veritable presence. Lovers here mould themselves to the beloved; they seek to increase their attraction of person and their likeness of mind; they are unwilling to fall short in moral quality or in other graces lest they be distasteful to those possessing such merit- and only among such can true love be. In the same way the soul loves the Supreme Good, from its very beginnings stirred by it to love. The soul which has never strayed from this love waits for no reminding from the beauty of our world: holding that love- perhaps unawares- it is ever in quest, and, in its longing to be borne Thither, passes over what is lovely here and with one glance at the beauty of the universe dismisses all; for it sees that all is put together of flesh and Matter, befouled by its housing, made fragmentary by corporal extension, not the Authentic Beauty which could never venture into the mud of body to be soiled, annulled.

By only noting the flux of things it knows at once that from elsewhere comes the beauty that floats upon them and so it is urged Thither, passionate in pursuit of what it loves: never- unless someone robs it of that love- never giving up till it attain.

There indeed all it saw was beautiful and veritable; it grew in strength by being thus filled with the life of the True; itself becoming veritable Being and attaining veritable knowledge, it enters by that neighbouring into conscious possession of what it has long been seeking.

(3) A lover, uneasy, troubled in his mind, and worn out with sighing, fell asleep on the mound of a grave. His mistress coming upon him and finding him asleep wrote a note and pinned it to his cloak. When he woke and read what she had written he groaned with anguish, for it said: 'O dumb man! rise up, and if you are a merchant, do business and get money; if you are an ascetic, wake at night and pray to God and be his slave. But if you are a lover, be ashamed of yourself. What has sleep to do with a lover's eyes? By day he measures the wind; at night his burning heart lights up his face with the brightness of the moon. As you are no such man, no longer boast of loving me. If a man can sleep elsewhere than in his shroud I may call him a lover - but, of himself.'

(4) And the more people thitherward aspire, More are there to love well, and more they love there, And, as a mirror, one reflects the other. And if my reasoning appease thee not, Thou shalt see Beatrice; and she will fully Take from thee this and every other longing. Endeavour, then, that soon may be extinct, As are the two already, the five wounds That close themselves again by being painful." Even as I wished to say, "Thou dost appease me," I saw that I had reached another circle, So that my eager eyes made me keep silence. There it appeared to me that in a vision Ecstatic on a sudden I was rapt, And in a temple many persons saw; And at the door a woman, with the sweet Behaviour of a mother, saying: "Son, Why in this manner hast thou dealt with us? Lo, sorrowing, thy father and myself Were seeking for thee;"—and as here she ceased, That which appeared at first had disappeared. Then I beheld another with those waters Adown her cheeks which grief distils whenever From great disdain of others it is born,

(6) My own affection is not so profound As to suffice in rendering grace for grace; Let Him, who sees and can, thereto respond. Well I perceive that never sated is Our intellect unless the Truth illume it, Beyond which nothing true expands itself. It rests therein, as wild beast in his lair, When it attains it; and it can attain it; If not, then each desire would frustrate be. Therefore springs up, in fashion of a shoot, Doubt at the foot of truth; and this is nature, Which to the top from height to height impels us. This doth invite me, this assurance give me With reverence, Lady, to inquire of you Another truth, which is obscure to me. I wish to know if man can satisfy you For broken vows with other good deeds, so That in your balance they will not be light." Beatrice gazed upon me with her eyes Full of the sparks of love, and so divine, That, overcome my power, I turned my back And almost lost myself with eyes downcast.

(1) An end had put unto his reasoning The lofty Teacher, and attent was looking Into my face, if I appeared content; And I, whom a new thirst still goaded on, Without was mute, and said within: "Perchance The too much questioning I make annoys him." But that true Father, who had comprehended The timid wish, that opened not itself, By speaking gave me hardihood to speak. Whence I: "My sight is, Master, vivified So in thy light, that clearly I discern Whate'er thy speech importeth or describes. Therefore I thee entreat, sweet Father dear, To teach me love, to which thou dost refer Every good action and its contrary." "Direct," he said, "towards me the keen eyes Of intellect, and clear will be to thee The error of the blind, who would be leaders. The soul, which is created apt to love, Is mobile unto everything that pleases, Soon as by pleasure she is waked to action. Your apprehension from some real thing An image draws, and in yourselves displays it So that it makes the soul turn unto it.

(5) These Lovers, then, lovers of the beauty outside of sense, must be made to declare themselves.

What do you feel in presence of the grace you discern in actions, in manners, in sound morality, in all the works and fruits of virtue, in the beauty of souls? When you see that you yourselves are beautiful within, what do you feel? What is this Dionysiac exultation that thrills through your being, this straining upwards of all your Soul, this longing to break away from the body and live sunken within the veritable self?

These are no other than the emotions of Souls under the spell of love.

But what is it that awakens all this passion? No shape, no colour, no grandeur of mass: all is for a Soul, something whose beauty rests upon no colour, for the moral wisdom the Soul enshrines and all the other hueless splendour of the virtues. It is that you find in yourself, or admire in another, loftiness of spirit; righteousness of life; disciplined purity; courage of the majestic face; gravity; modesty that goes fearless and tranquil and passionless; and, shining down upon all, the light of god-like Intellection.

All these noble qualities are to be reverenced and loved, no doubt, but what entitles them to be called beautiful?

They exist: they manifest themselves to us: anyone that sees them must admit that they have reality of Being; and is not Real-Being, really beautiful?

But we have not yet shown by what property in them they have wrought the Soul to loveliness: what is this grace, this splendour as of Light, resting upon all the virtues?

Let us take the contrary, the ugliness of the Soul, and set that against its beauty: to understand, at once, what this ugliness is and how it comes to appear in the Soul will certainly open our way before us.

Let us then suppose an ugly Soul, dissolute, unrighteous: teeming with all the lusts; torn by internal discord; beset by the fears of its cowardice and the envies of its pettiness; thinking, in the little thought it has, only of the perish able and the base; perverse in all its the friend of unclean pleasures; living the life of abandonment to bodily sensation and delighting in its deformity.

What must we think but that all this shame is something that has gathered about the Soul, some foreign bane outraging it, soiling it, so that, encumbered with all manner of turpitude, it has no longer a clean activity or a clean sensation, but commands only a life smouldering dully under the crust of evil; that, sunk in manifold death, it no longer sees what a Soul should see, may no longer rest in its own being, dragged ever as it is towards the outer, the lower, the dark?

An unclean thing, I dare to say; flickering hither and thither at the call of objects of sense, deeply infected with the taint of body, occupied always in Matter, and absorbing Matter into itself; in its commerce with the Ignoble it has trafficked away for an alien nature its own essential Idea.

If a man has been immersed in filth or daubed with mud his native comeliness disappears and all that is seen is the foul stuff besmearing him: his ugly condition is due to alien matter that has encrusted him, and if he is to win back his grace it must be his business to scour and purify himself and make himself what he was.

So, we may justly say, a Soul becomes ugly- by something foisted upon it, by sinking itself into the alien, by a fall, a descent into body, into Matter. The dishonour of the Soul is in its ceasing to be clean and apart. Gold is degraded when it is mixed with earthy particles; if these be worked out, the gold is left and is beautiful, isolated from all that is foreign, gold with gold alone. And so the Soul; let it be but cleared of the desires that come by its too intimate converse with the body, emancipated from all the passions, purged of all that embodiment has thrust upon it, withdrawn, a solitary, to itself again- in that moment the ugliness that came only from the alien is stripped away.

(4) A poor dendsh once fell in love with Ayaz, and the news soon spread. When Ayaz rode through the street, perfumed with musk, this spiritual wanton would wait and run out to see him, and would stare at him as a polo player fixes his eye on the ball. At last they told Mahmud about this beggar being in love with Ayaz. One day, when Ayaz was riding with the sultan, the latter stopped and looked at this dervish and he saw that the soul of Ayaz was as a grain of barley and the face of the man as a ball of dough which encloses it.

He saw that the back of the beggar was curved like a mallet, and his head was turning every way at once like the ball in polo. Mahmud said: 'Miserable beggar, do you expect to drink from the same cup as the Sultan?' 'Although you call me a beggar,' replied the dervish, 'I am not inferior to you in the play of love. Love and poverty go together. You are the sovereign, and your heart is luminous; but for love, a burning heart like mine is necessary. Your love is commonplace. I suffer from the pain of absence. You are with the beloved; but in love one must know how to endure the pain of absence.' The sultan said: 'O you who have withdrawn from ordinary existence, love to you is as a game of polo?' 'It is,' replied the beggar, 'because the ball is always in movement, as I am, and I as the ball. The ball and I have heads that turn, though we have neither hands nor feet. We can speak together about the suffering that the mallet causes us; but the ball is happier than I, for the pony touches it from time to time with its feet. The ball receives the blows of the mallet on his body, but I feel them in my heart.'

'Poor Dervish!' said the sultan, 'you boast of your poverty, but where is your evidence?'

'If I sacrifice everything for love,' replied the derdsh, 'that is a token of my spiritual poverty. And if you, O Mahmud, ever have the experience of real love, sacrifice your life for it; if not you have no right to speak of love.'

So saying, he died, and the world became dark for Mahmud.

(6) And there are those whom injury seems to chafe, So that it makes them greedy for revenge, And such must needs shape out another's harm. This threefold love is wept for down below; Now of the other will I have thee hear, That runneth after good with measure faulty. Each one confusedly a good conceives Wherein the mind may rest, and longeth for it; Therefore to overtake it each one strives. If languid love to look on this attract you, Or in attaining unto it, this cornice, After just penitence, torments you for it. There's other good that does not make man happy; 'Tis not felicity, 'tis not the good Essence, of every good the fruit and root. The love that yields itself too much to this Above us is lamented in three circles; But how tripartite it may be described, I say not, that thou seek it for thyself."

(6) And she to me: "There is no greater sorrow Than to be mindful of the happy time In misery, and that thy Teacher knows. But, if to recognise the earliest root Of love in us thou hast so great desire, I will do even as he who weeps and speaks. One day we reading were for our delight Of Launcelot, how Love did him enthral. Alone we were and without any fear. Full many a time our eyes together drew That reading, and drove the colour from our faces; But one point only was it that o'ercame us. When as we read of the much-longed-for smile Being by such a noble lover kissed, This one, who ne'er from me shall be divided, Kissed me upon the mouth all palpitating. Galeotto was the book and he who wrote it. That day no farther did we read therein." And all the while one spirit uttered this, The other one did weep so, that, for pity, I swooned away as if I had been dying, And fell, even as a dead body falls.

(4) I do not think her mother loves me more, Since she has laid aside her wimple white, Which she, unhappy, needs must wish again. Through her full easily is comprehended How long in woman lasts the fire of love, If eye or touch do not relight it often. So fair a hatchment will not make for her The Viper marshalling the Milanese A-field, as would have made Gallura's Cock." In this wise spake he, with the stamp impressed Upon his aspect of that righteous zeal Which measurably burneth in the heart. My greedy eyes still wandered up to heaven, Still to that point where slowest are the stars, Even as a wheel the nearest to its axle. And my Conductor: "Son, what dost thou gaze at Up there?" And I to him: "At those three torches With which this hither pole is all on fire." And he to me: "The four resplendent stars Thou sawest this morning are down yonder low, And these have mounted up to where those were." As he was speaking, to himself Sordello Drew him, and said, "Lo there our Adversary!" And pointed with his finger to look thither.

(12) Knowing demands the organ fitted to the object; eyes for one kind, ears for another: similarly some things, we must believe, are to be known by the Intellectual-Principle in us. We must not confuse intellection with hearing or seeing; this would be trying to look with the ears or denying sound because it is not seen. Certain people, we must keep in mind, have forgotten that to which, from the beginning onwards, their longing and effort are pointed: for all that exists desires and aspires towards the Supreme by a compulsion of nature, as if all had received the oracle that without it they cannot be.

The perception of Beauty and the awe and the stirring of passion towards it are for those already in some degree knowing and awakened: but the Good, as possessed long since and setting up a natural tendency, is inherently present to even those asleep and brings them no wonder when some day they see it, since it is no occasional reminiscence but is always with them though in their drowse they are not aware of it: the love of Beauty on the contrary sets up pain when it appears, for those that have seen it must pursue. This love of Beauty then is later than the love of Good and comes with a more sophisticated understanding; hence we know that Beauty is a secondary: the more primal appetition, not patent to sense, our movement towards our good, gives witness that The Good is the earlier, the prior.

Again; all that have possessed themselves of The Good feel it sufficient: they have attained the end: but Beauty not all have known and those that have judge it to exist for itself and not for them, as in the charm of this world the beauty belongs only to its possessor.

Then, too, it is thought enough to appear loveable whether one is so or not: but no one wants his Good in semblance only. All are seeking The First as something ranking before aught else, but they struggle venomously for beauty as something secondary like themselves: thus some minor personage may perhaps challenge equal honour with the King's right-hand man on pretext of similar dependence, forgetting that, while both owe their standing to the monarch, the other holds the higher rank.

The source of the error is that while both The Good and The Beautiful participate in the common source, The One precedes both; and that, in the Supreme also, The Good has no need of The Beautiful, while the Beautiful does need The Good.

The Good is gentle and friendly and tender, and we have it present when we but will. Beauty is all violence and stupefaction; its pleasure is spoiled with pain, and it even draws the thoughtless away from The Good as some attraction will lure the child from the father's side: these things tell of youth. The Good is the older- not in time but by degree of reality- and it has the higher and earlier power, all power in fact, for the sequent holds only a power subordinate and delegated of which the prior remains sovereign.

Not that God has any need of His derivatives: He ignores all that produced realm, never necessary to Him, and remains identically what He was before He brought it into being. So too, had the secondary never existed, He would have been unconcerned, exactly as He would not have grudged existence to any other universe that might spring into being from Him, were any such possible; of course no other such could be since there is nothing that has not existence once the All exists.

But God never was the All; that would make Him dependent upon the universe: transcending all, He was able at once to make all things and to leave them to their own being, He above.

(95) In brief, the simple plain man must be his fool, whereas he himself is indeed a proud angel, and is in his love but a dead man. This sort of party also will have its looking-glass in the following chapter. III.

(4) A soldier was in love. Even if not on guard he could never rest. At last, a friend begged him to have a few hours' sleep. The soldier said: ' I am a sentinel, and I am in love. How can I rest? A soldier on duty must not sleep, so it is an advantage to him to be in love. Each night love puts me to the test, and thus I can stay awake and keep watch on the fort. This love is a friend to the sentinel, for wakefulness becomes part of him; he who reaches this state will ever be on the watch.'

Do not sleep, O man, if you are striving for knowledge of yourself. Guard well the fortress of your heart, for there are thieves everywhere. Do not let brigands steal the jewel you carry. True knowledge will come to him who can stay awake. He who patiently keeps watch will be aware when God comes near him. True lovers who wish to surrender themselves to the intoxication of love go apart together. He who has spiritual love holds in his hand the keys of the two worlds. If one is a woman one becomes a man; and if one is a man one becomes a deep ocean.

("o)