(8) As regards the erotic poetry which is recited in Sufi gatherings, and to which people sometimes make objection, we must remember that, when in such poetry mention is made of separation from or union with the beloved, the Sufi, who is an adept in the love of God, applies such expressions to separation from or union with Him. Similarly, "dark locks" are taken to signify the darkness of unbelief; "the brightness of the face," the light of faith, and "drunkenness" the Sufi's ecstasy. Take, for instance, the verse:

(161) There the Bridegroom kisseth his bride: O gracious amiable blessedness and great love! how sweet art thou? How friendly and courteous art thou? How pleasant and lovely is thy relish and taste? How ravishingly sweet dost thou smell? O noble light and bright glory, who can apprehend thy exceeding beauty? How comely adorned is thy love? How curious and dainty are thy colours? And all this eternally! Who can express it?

(3) A lover, uneasy, troubled in his mind, and worn out with sighing, fell asleep on the mound of a grave. His mistress coming upon him and finding him asleep wrote a note and pinned it to his cloak. When he woke and read what she had written he groaned with anguish, for it said: 'O dumb man! rise up, and if you are a merchant, do business and get money; if you are an ascetic, wake at night and pray to God and be his slave. But if you are a lover, be ashamed of yourself. What has sleep to do with a lover's eyes? By day he measures the wind; at night his burning heart lights up his face with the brightness of the moon. As you are no such man, no longer boast of loving me. If a man can sleep elsewhere than in his shroud I may call him a lover - but, of himself.'