(10) The sand painting here reproduced is part of the medicine series prepared far the healing of disease. In the healing ceremony the patient is placed upon the drawing, which is made in a consecrated hogan, and all outsiders excluded. The sacred swastika in the center of the drawing is perhaps the most nearly universal of religious emblems and represents the four corners of the world. The two hunchback god, at the right and left assume their appearance by reason of the great clouds borne upon their backs. In Navaho religious art, male divinities are always shown with circular heads and female divinities with square heads.

(10) Said also on a figure the middle part of which is that of a man; his arms are hanging down. The head of a ram is on his right shoulder, and another on his left shoulder. Thou wilt paint on one bandage the two figures of the god with raised arm, and put it across the chest of the deceased, so that the two painted figures may be on his breast

(2) The shaikh went out one day from his monastery in the company of his disciples, riding on his donkey while his companions followed walking. All at once the donkey broke wind with a loud noise, whereupon the shaikh gave a cry and tore his khirka. His disciples looked at him in surprise, and one of them asked him why he acted like this. He said: ' When I looked round and saw the number of my followers I thought to myself, ''Now am I really equal to Bayazid. Today, I am accompanied by many earnest disciples; so, tomorrow, I shall without doubt ride with glor)" and honour over the plain of the resurrection."' He added, Ht was then, when I presumed this to be my destiny, that my donkey made that seemingly incongruous noise you heard. By this he wished to say, "Here is the reply that an ass makes to him who has such pretensions, and thoughts so vain! " That is why the fire of repentance fell so suddenly on my soul.

and why my attitude has changed, and my imaginary position has fallen to pieces.'

O you who change with every moment, you are as Pharaoh to the roots of your hair. But if you destroy in yourself the ego for a single day, your darkness will be lighted up. Never say the word 'I'. You, because of your 'I's', are fallen into a hundred evils, and you will always be tempted of the devil.

(4) In the time of Moses there was a dervish who spent days and nights in a state of adoration, yet experienced no feeling for spiritual things. He had a beautiful long beard, and often while praying would stop to comb it. One day, seeing Moses, he went to him and said: 'O Pasha of Mount Sinai,

ask God, I pray you, to tell me why I experience neither spiritual satisfaction nor ecstasy.'

The next time Moses went up on Sinai he spoke to God about the dervish, and God said, in a tone of displeasure: 'Although this dervish has sought union with me, nevertheless he is constantly thinking about his long beard.' When Moses came down he told the Sufi what God had said. The Sufi thereupon began tearing out his beard, weeping bitterly. Gabriel then came along to Moses and said: ' Even now your Sufi is thinking about his beard. He thought of nothing else while praying, and is even more attached to it while he is tearing it out!'

O you who think you have ceased to be pre-occupied with your beard, you are plunged in an ocean of affliction. When you can regard it with detachment you will have a right to sail across this ocean. But if you plunge in with your beard you will have difficulty in getting out.

(10) "Let your nature be known, Hunahpú-Vuch, Hunahpú-Utiú, twice-mother, twice-father, NimAc, Nima-Tziís, the master of emeralds, the worker in jewels, the sculptor, the carver, the maker of beautiful plates, the maker of green gourds, the master of resin, the master Toltecat, grandmother of the sun, grandmother of dawn, as you will be called by our works and our creatures. "Cast the lot with your grains of corn and tzité. Do it thus and we shall know if we are to make, or carve his mouth and eyes out of wood." Thus the diviners were told.

(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(43) The three nails of the Passion have found their way into the symbolism of many races and faiths. There are many legends concerning these nails. One of these is to the effect that originally there were four nails, but one was dematerialized by a Hebrew Qabbalist and magician just as they were about to drive it through the foot of the Master. Hence it was necessary to cross the feet. Another legend relates that one of the nails was hammered into a crown and that it still exists as the imperial diadem of a European house. Still another story has it that the bit on the bridle of Constantine's horse was a Passion nail. It is improbable, however, that the nails were made of iron, for at that time it was customary to use sharpened wooden pegs. Hargrave Jennings, in his Rosicrucians, Their Rites and Mysteries, calls attention to the fact that the mark or sign used in England to designate royal property and called the broad arrow is nothing more nor less than the three nails of the crucifixion grouped together, and that by placing them point to point the ancient symbol of the Egyptian TAU cross is formed.

(4) Ayaz was afflicted with the evil eye, and had to leave the court of the Sultan Mahmud. In despair he fell into a state of despondency and lay on his bed and wept. When Mahmud heard about it he said to one of his attendants: 'Go to Ayaz and say, "I know that you are sad, but I also am in the same state. Though my body is far from you my spirit is near. O you who love me, I am not absent from you for a moment. The evil eye has indeed done ill in afflicting one so charming.'' ' He added to his attendant: 'Go at once, go like fire, go as the rushing water, go as the lightning before the thunder!'

The attendant set off like the wind and in no time reached Ayaz. But he found the Sultan already there, sitting before his slave. And trembling, he said to himself: 'What a misfortune to have to serve a king; no doubt my blood will be shed today.' Then he said to the Sultan: 'I assure you that I haven't stopped for a moment, sitting or standing; how then has the King got here before me? Does the King believe me? If I have been negligent in any way I acknowledge my fault.'

'You are not Mahram,' said Mahmud, 'how then should you be able to travel as I have? I came by a secret way. When I asked for news of Ayaz my spirit was already with him.'

(2) Between his legs were hanging down his entrails; His heart was visible, and the dismal sack That maketh excrement of what is eaten. While I was all absorbed in seeing him, He looked at me, and opened with his hands His bosom, saying: "See now how I rend me; How mutilated, see, is Mahomet; In front of me doth Ali weeping go, Cleft in the face from forelock unto chin; And all the others whom thou here beholdest, Disseminators of scandal and of schism While living were, and therefore are cleft thus. A devil is behind here, who doth cleave us Thus cruelly, unto the falchion's edge Putting again each one of all this ream, When we have gone around the doleful road; By reason that our wounds are closed again Ere any one in front of him repass. But who art thou, that musest on the crag, Perchance to postpone going to the pain That is adjudged upon thine accusations?" "Nor death hath reached him yet, nor guilt doth bring him," My Master made reply, "to be tormented; But to procure him full experience,

(3) Certainly Nature, when she left the making Of animals like these, did well indeed, By taking such executors from Mars; And if of elephants and whales she doth not Repent her, whosoever looketh subtly More just and more discreet will hold her for it; For where the argument of intellect Is added unto evil will and power, No rampart can the people make against it. His face appeared to me as long and large As is at Rome the pine-cone of Saint Peter's, And in proportion were the other bones; So that the margin, which an apron was Down from the middle, showed so much of him Above it, that to reach up to his hair Three Frieslanders in vain had vaunted them; For I beheld thirty great palms of him Down from the place where man his mantle buckles. "Raphael mai amech izabi almi," Began to clamour the ferocious mouth, To which were not befitting sweeter psalms. And unto him my Guide: "Soul idiotic, Keep to thy horn, and vent thyself with that, When wrath or other passion touches thee.

(18) On another occasion Bayazid said, "Were God to offer thee the intimacy with Himself of Abraham, the power in prayer of Moses, the spirituality of Jesus, yet keep thy face directed to Him only, for He has treasures surpassing even these." One day a friend said to him, "For thirty years I have fasted by day and prayed by night and have found none of that spiritual joy of which thou speakest." Bayazid answered, "If you fasted and prayed for three hundred years, you would never find it." "How is that?" asked the other. "Because," said Bayazid, "your selfishness is acting as a veil between you and God." "Tell me, then, the cure." "It is a cure which you cannot carry out." However, as his friend pressed him to reveal it, Bayazid said, "Go to the nearest barber and have your beard shaved; strip yourself of your clothes, with the exception of a girdle round your loins. Take a horse's nosebag full of walnuts, hang it round your neck, go into the bazaar and cry out, 'Any boy who gives me a slap on the nape of my neck shall have a walnut.' Then, in this manner, go where the Qadi and the doctors of the law are sitting." "Bless my soul!" said his friend, "I really can't do that, do suggest some other remedy." "This is the indispensable preliminary to a cure,' answered Bayazid, "but, as I told you, you are incurable."

(11) "Do you not know that those who keep tigers do not venture to give them live animals as food, for fear of exciting their fury when killing the prey? Also, that whole animals are not given, for fear of exciting the tigers' fury when rending them? The periods of hunger and repletion are carefully watched in order to prevent such outbursts. The tiger is of a different species from man; but the latter too is manageable if properly managed, unmanageable if excited to fury. "Those who are fond of horses surround them with various conveniences. Sometimes mosquitoes or flies trouble them; and then, unexpectedly to the animal, a groom will brush them off, the result being that the horse breaks his bridle, and hurts his head and chest. The intention is good, but there is a want of real care for the horse. Against this you must be on your guard." A certain artisan was travelling to the Ch'i State. On reaching Ch'ü-yüan, he saw a sacred li tree, large enough to hide an ox behind it, a hundred spans in girth, towering up ten cubits over the hill top, and carrying behind it branches, many tens of the smallest of which were of a size for boats. Crowds stood gazing at it, but our artisan took no notice, and went on his way with out even casting a look behind. His apprentice however gazed his fill, and when he caught up his master, said, "Ever since I have handled an adze in your service, I have never seen such a splendid piece of timber as that. How was it that you, sir, did not care to stop and look at it?"

(14) Possibly as a result of his lonely periods of meditation, Mohammed seemingly was subject to ecstatic swoons. On the occasions when the various suras of the Koran were dictated he is said to have fallen unconscious, and, regardless of the chill of the surrounding air, to have been covered with beads of perspiration. Often these attacks came without warning; at other times he would sit wrapped in a blanket to prevent a chill from the copious perspiration, and while apparently unconscious would dictate the various passages which a small circle of trusted friends would either commit to memory or reduce to writing. On one occasion in later life when Abu Bekr referred to the gray hairs in his beard, Mohammed, lifting the end of his beard and looking at it, declared its whiteness to be due to the physical agony attendant upon his periods of inspiration.

(27) Among the curious misconceptions arising from the false practice of associating darkness with evil is one by which several early nations used the right hand for all constructive labors and the left hand for only those purposes termed unclean and unfit for the sight of the gods. For the same reason black magic was often referred to as the left-hand path, and heaven was said to be upon the right and hell upon the left. Some philosophers further declared that there were two methods of writing: one from left to right, which was considered the exoteric method; the other from right to left, which was considered esoteric. The exoteric writing was that which was done out or away from the heart, while the esoteric writing was that which--like the ancient Hebrew--was written toward the heart.

(3) My mother placed me servant to a lord, For she had borne me to a ribald knave, Destroyer of himself and of his things. Then I domestic was of good King Thibault; I set me there to practise barratry, For which I pay the reckoning in this heat." And Ciriatto, from whose mouth projected, On either side, a tusk, as in a boar, Caused him to feel how one of them could rip. Among malicious cats the mouse had come; But Barbariccia clasped him in his arms, And said: "Stand ye aside, while I enfork him." And to my Master he turned round his head; "Ask him again," he said, "if more thou wish To know from him, before some one destroy him." The Guide: "Now tell then of the other culprits; Knowest thou any one who is a Latian, Under the pitch?" And he: "I separated Lately from one who was a neighbour to it; Would that I still were covered up with him, For I should fear not either claw nor hook!" And Libicocco: "We have borne too much;" And with his grapnel seized him by the arm, So that, by rending, he tore off a tendon.

(4) A poor dendsh once fell in love with Ayaz, and the news soon spread. When Ayaz rode through the street, perfumed with musk, this spiritual wanton would wait and run out to see him, and would stare at him as a polo player fixes his eye on the ball. At last they told Mahmud about this beggar being in love with Ayaz. One day, when Ayaz was riding with the sultan, the latter stopped and looked at this dervish and he saw that the soul of Ayaz was as a grain of barley and the face of the man as a ball of dough which encloses it.

He saw that the back of the beggar was curved like a mallet, and his head was turning every way at once like the ball in polo. Mahmud said: 'Miserable beggar, do you expect to drink from the same cup as the Sultan?' 'Although you call me a beggar,' replied the dervish, 'I am not inferior to you in the play of love. Love and poverty go together. You are the sovereign, and your heart is luminous; but for love, a burning heart like mine is necessary. Your love is commonplace. I suffer from the pain of absence. You are with the beloved; but in love one must know how to endure the pain of absence.' The sultan said: 'O you who have withdrawn from ordinary existence, love to you is as a game of polo?' 'It is,' replied the beggar, 'because the ball is always in movement, as I am, and I as the ball. The ball and I have heads that turn, though we have neither hands nor feet. We can speak together about the suffering that the mallet causes us; but the ball is happier than I, for the pony touches it from time to time with its feet. The ball receives the blows of the mallet on his body, but I feel them in my heart.'

'Poor Dervish!' said the sultan, 'you boast of your poverty, but where is your evidence?'

'If I sacrifice everything for love,' replied the derdsh, 'that is a token of my spiritual poverty. And if you, O Mahmud, ever have the experience of real love, sacrifice your life for it; if not you have no right to speak of love.'

So saying, he died, and the world became dark for Mahmud.

(3) A holy man who had found prosperity in God gave himself up to worship and adoration for forty years. He had fled from the world, but since God was intimately united to him he was satisfied. This dervish had enclosed a plot of ground in the desert; in the middle of it was a tree, and in the tree a bird had made its nest. The song of the bird was sweet to hear for in each of its notes were a hundred secrets. The servant of God was enchanted. But God told a seer about this state of things in these words: 'Tell this Sufi I am astonished that after so many years of devotion he has ended by selling me for a bird. It is true that this bird is admirable, but its song has caught him in a snare. I have bought him, and he has sold me.'

(3) Rabi'ah, although a woman, was the crown of men. She once spent eight years making a pilgrimage to the Ka'aba by measuring her length on the ground. When at last she reached the door of the sacred temple she thought: ' Now at last, have I performed my task.' On the consecrated day, when she was to go in to the Ka'aba, her women deserted her. So Rabi'ah retraced her steps and said: 'O God, possessor of glory, for eight years I have measured the way with the length of my body, and now, when the longed-for day has come in answer to my prayers, you put thorns in my way!'

To understand the importance of such an incident it is necessary to discover a lover of God like Rabi'ah. So long as you float on the deep ocean of the world its waves will receive and repel you, turn by tura At times you will be admitted into the Ka'aba, sometimes you will sigh in a pagoda. If you succeed in withdrawing from the attachments of the world you will enjoy felicity; but if you

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remain attached your head will turn like the grindstone of a mill. Not for a moment will you be tranquil; you will be upset by a single fly.

(4) A Sufi was sauntering leisurely along when he was struck from behind. He turned round and said to the rogue who had hit him: ' He whom you struck has been dead more than thirty years.' The rogue replied: 'How can a dead man speak? Be ashamed, you are not united to God. If you are separated from him even by one hair it is as if you were a hundred worlds away.'

i 26)

When you are reduced to ashes, including your baggage, you will have not the least feeling of existence; but if there remains to you, as to Jesus, only a simple needle, a hundred thieves will lie in wait for you on the road. Although Jesus had thrown down his baggage, the needle was still able to scratch his face.

When existence disappears, neither riches nor empire, honours nor dignity, have any meaning.

(2) Khorassan was in a state of prosperity because of the wise rule of Prince Amid. He was attended by a hundred Turkish slaves whose countenances shone like the full moon, their bodies were slender cypresses, their legs as silver, and their breath was musk. They wore ear-rings of pearl whose reflection lighted up the night and made it seem as day; their turbans were of the finest brocade, and round their necks were collars of gold; their breasts were covered with silver cloth, and their belts enriched with precious stones. All were mounted on white horses. Whoever looked at one of them lost his heart at once. By chance, a Sufi, clothed in rags and baiefoot, saw this body of young men in the distance, and asked: 'What is this cavalcade of houris?' He was told, 'These young men are the pages of Amid, the prince of this city.' WTen the idiot of God heard this, the vapour of folly went to his head and he cried: 'O God, the possessor of the glorious canopy, teach Amid to take care of his servants.'

If you are like this idiot, have also his boldness; lift yourself up like a slender tree; but if you have no leaves do not be daring and do not jest. The daring of the fools of God is a good thing. They cannot tell if the way is good or bad, they only know how to act.