Passages similar to: The Masnavi — The Elephant in a Dark Room
Source passage
Sufi
The Masnavi
The Elephant in a Dark Room (72-81)
Ugliness of the picture is not ugliness of the painter, Not so, for he erases ugly pictures. The ability of the painter is shown in this, If I should pursue this argument properly, So that questions and answers should be prolonged, The unction of the mystery of love would escape me, The picture of obedience would become another picture." Bewilderment from intense love of God puts A certain man whose hair was half gray came in haste To a barber who was a friend of his,
In the time of Moses there was a dervish who spent days and nights in a state of adoration, yet experienced no feeling for spiritual things. He had a...
(4) In the time of Moses there was a dervish who spent days and nights in a state of adoration, yet experienced no feeling for spiritual things. He had a beautiful long beard, and often while praying would stop to comb it. One day, seeing Moses, he went to him and said: 'O Pasha of Mount Sinai,
ask God, I pray you, to tell me why I experience neither spiritual satisfaction nor ecstasy.'
The next time Moses went up on Sinai he spoke to God about the dervish, and God said, in a tone of displeasure: 'Although this dervish has sought union with me, nevertheless he is constantly thinking about his long beard.' When Moses came down he told the Sufi what God had said. The Sufi thereupon began tearing out his beard, weeping bitterly. Gabriel then came along to Moses and said: ' Even now your Sufi is thinking about his beard. He thought of nothing else while praying, and is even more attached to it while he is tearing it out!'
O you who think you have ceased to be pre-occupied with your beard, you are plunged in an ocean of affliction. When you can regard it with detachment you will have a right to sail across this ocean. But if you plunge in with your beard you will have difficulty in getting out.
Concerning Music and Dancing as Aids to the Religious Life (8)
As regards the erotic poetry which is recited in Sufi gatherings, and to which people sometimes make objection, we must remember that, when in such...
(8) As regards the erotic poetry which is recited in Sufi gatherings, and to which people sometimes make objection, we must remember that, when in such poetry mention is made of separation from or union with the beloved, the Sufi, who is an adept in the love of God, applies such expressions to separation from or union with Him. Similarly, "dark locks" are taken to signify the darkness of unbelief; "the brightness of the face," the light of faith, and "drunkenness" the Sufi's ecstasy. Take, for instance, the verse:
There was once a king of incomparable charm and beauty. The dawn was a flash of lightning from his countenance, the Angel Gabriel an emanation of his...
(3) There was once a king of incomparable charm and beauty. The dawn was a flash of lightning from his countenance, the Angel Gabriel an emanation of his fragrance and the kingdom of beauty was the Koran of his secrets. The whole world resounded with his fame, and his love was felt by every creature. When he rode through the city he covered his face with a crimson veil; but those who looked even at the veil lost their heads, and those who uttered his name at once cut out their tongues. Thousands died for love of him; others gave their lives believing it better to die at once than to live a hundred long lives away from him. An astonishing thing! They could neither endure his presence for long nor could they exist without him. However, to those who could endure it he showed himself; those who could not had to be content to hear his voice. In consequence, the king ordered a mirror to be made so that his face could be seen indirectly. The mirror was put up in his palace, and he went and looked in it, so that all could see his reflection.
So it is with you. If you cherish the beauty of your friend, understand that your heart is the mirror, see in it your king in the mansion of his glory. All appearances are nothing but the mysterious shadow of the Simurgh. If he had revealed his beauty to you, you would have recognized it in his shadow. Whether there were thirty birds, 'Si-murgh', or forty, you would only see his shadow. The Simurgh is not distinct from his shadow, to hold the contrary is to err; the one and the other exist together. Seek reunion; or better, leave the shadow
(30
and you will discover the Secret. With good fortune you will see the Sun in the shadow; but if you lose yourself in the shadow, how will you achieve union with the Simurgh?
Another bird said to the Hoopoe: 'O most eminent bird, I am the slave of a charming being who has taken possession of me and deprived me of my...
(1) Another bird said to the Hoopoe: 'O most eminent bird, I am the slave of a charming being who has taken possession of me and deprived me of my reason. The image of her dear face is a thief of the great Path; she has put fire to the harvest of my life, and when I am absent from her I have not a moment's peace. Since my heart is on fire with passion I do not see how I can set out on this journey. I should have to cross the valleys and go through a hundred trials. Can I be expected to forsake this beauty to travel through scorching heat and bitter cold? I am too weak to go without her; and I am but the dust on her road. Such is my state. What can Ido?'
The Hoopoe replied: 'You are attached to visible things, and are head and foot in the suffering which follows from this. Sensual love is a game. Love which is inspired by passing beauty is itself fleeting. You are always comparing a body of blood and moods to the beauty of the moon. What is uglier than a body composed of flesh and bones? True beauty is hidden. Seek it then, in the invisible world. If the veil which hides the mysteries from our eyes should fall, nothing would be left in the world. AU visible forms would be reduced to nothing.'
Chapter 8: A good declaring of certain doubts that may fall in this work, treated by question, in destroying of a man’s own curiosity, of cunning, and of natural wit, and in distinguishing of the degrees and the parts of active living and contemplative (6)
For why, love may reach to God in this life, but not knowing. And all the whiles that the soul dwelleth in this deadly body, evermore is the sharpness...
(6) And for this reason it is that I bid thee put down such a sharp subtle thought, and cover him with a thick cloud of forgetting, be he never so holy nor promise he thee never so well for to help thee in thy purpose. For why, love may reach to God in this life, but not knowing. And all the whiles that the soul dwelleth in this deadly body, evermore is the sharpness of our understanding in beholding of all ghostly things, but most specially of God, mingled with some manner of fantasy; for the which our work should be unclean. And unless more wonder were, it should lead us into much error.
Well was I ware it was of lofty laud, Because there came to me, "Arise and conquer!" As unto him who hears and comprehends not. So much enamoured I be...
(6) So from the lights that there to me appeared Upgathered through the cross a melody, Which rapt me, not distinguishing the hymn. Well was I ware it was of lofty laud, Because there came to me, "Arise and conquer!" As unto him who hears and comprehends not. So much enamoured I became therewith, That until then there was not anything That e'er had fettered me with such sweet bonds. Perhaps my word appears somewhat too bold, Postponing the delight of those fair eyes, Into which gazing my desire has rest; But who bethinks him that the living seals Of every beauty grow in power ascending, And that I there had not turned round to those, Can me excuse, if I myself accuse To excuse myself, and see that I speak truly: For here the holy joy is not disclosed, Because ascending it becomes more pure.
I was as one who still retains the feeling Of a forgotten vision, and endeavours In vain to bring it back into his mind, When I this invitation...
(3) I was as one who still retains the feeling Of a forgotten vision, and endeavours In vain to bring it back into his mind, When I this invitation heard, deserving Of so much gratitude, it never fades Out of the book that chronicles the past. If at this moment sounded all the tongues That Polyhymnia and her sisters made Most lubrical with their delicious milk, To aid me, to a thousandth of the truth It would not reach, singing the holy smile And how the holy aspect it illumed. And therefore, representing Paradise, The sacred poem must perforce leap over, Even as a man who finds his way cut off; But whoso thinketh of the ponderous theme, And of the mortal shoulder laden with it, Should blame it not, if under this it tremble. It is no passage for a little boat This which goes cleaving the audacious prow, Nor for a pilot who would spare himself. "Why doth my face so much enamour thee, That to the garden fair thou turnest not, Which under the rays of Christ is blossoming?
An end had put unto his reasoning The lofty Teacher, and attent was looking Into my face, if I appeared content; And I, whom a new thirst still...
(1) An end had put unto his reasoning The lofty Teacher, and attent was looking Into my face, if I appeared content; And I, whom a new thirst still goaded on, Without was mute, and said within: "Perchance The too much questioning I make annoys him." But that true Father, who had comprehended The timid wish, that opened not itself, By speaking gave me hardihood to speak. Whence I: "My sight is, Master, vivified So in thy light, that clearly I discern Whate'er thy speech importeth or describes. Therefore I thee entreat, sweet Father dear, To teach me love, to which thou dost refer Every good action and its contrary." "Direct," he said, "towards me the keen eyes Of intellect, and clear will be to thee The error of the blind, who would be leaders. The soul, which is created apt to love, Is mobile unto everything that pleases, Soon as by pleasure she is waked to action. Your apprehension from some real thing An image draws, and in yourselves displays it So that it makes the soul turn unto it.
In grace do us the grace that thou unveil Thy face to him, so that he may discern The second beauty which thou dost conceal." O splendour of the livin...
(7) "Turn, Beatrice, O turn thy holy eyes," Such was their song, "unto thy faithful one, Who has to see thee ta'en so many steps. In grace do us the grace that thou unveil Thy face to him, so that he may discern The second beauty which thou dost conceal." O splendour of the living light eternal! Who underneath the shadow of Parnassus Has grown so pale, or drunk so at its cistern, He would not seem to have his mind encumbered Striving to paint thee as thou didst appear, Where the harmonious heaven o'ershadowed thee, When in the open air thou didst unveil?
A young man, brave and impetuous as a lion, was for five years in love with a woman. In one of the eyes of this beauty was a small speck, but the...
(5) A young man, brave and impetuous as a lion, was for five years in love with a woman. In one of the eyes of this beauty was a small speck, but the man, when gazing on the beauty of his mistress, never saw it. How could a man, so much in love, notice a tiny flaw? However, in time, his love began to dwindle and he regained his power over himself. It was then that he noticed the speck, and asked her
how it had come about. She said: 'It appeared at the time when your love began to cool. When your love for me became defective my eye became so for you.'
O blind of heart! how long will you continue to look for the faults of others? Strive to be aware of those things you hide so carefully. When you see your faults in all their ugliness you will not bother so much about those of others.
"O holy sister mine, who us implorest With such devotion, by thine ardent love Thou dost unbind me from that beautiful sphere!" Thereafter, having sto...
(2) Therefore the pen skips, and I write it not, Since our imagination for such folds, Much more our speech, is of a tint too glaring. "O holy sister mine, who us implorest With such devotion, by thine ardent love Thou dost unbind me from that beautiful sphere!" Thereafter, having stopped, the blessed fire Unto my Lady did direct its breath, Which spake in fashion as I here have said. And she: "O light eterne of the great man To whom our Lord delivered up the keys He carried down of this miraculous joy, This one examine on points light and grave, As good beseemeth thee, about the Faith By means of which thou on the sea didst walk. If he love well, and hope well, and believe, From thee 'tis hid not; for thou hast thy sight There where depicted everything is seen. But since this kingdom has made citizens By means of the true Faith, to glorify it 'Tis well he have the chance to speak thereof." As baccalaureate arms himself, and speaks not Until the master doth propose the question, To argue it, and not to terminate it,