Passages similar to: The Masnavi — The Lover who read Sonnets to his Mistress
Source passage
Sufi
The Masnavi
The Lover who read Sonnets to his Mistress (12-22)
He may be the house of the moon, but not the true moon; Or as the picture of a mistress, but not the living one. The mere Sufi is the " child of the season;" He clings to seasons as to a father, The pure one is drowned in the light cc that is not begotten," "What begets not and is not begotten" is God. Go I seek such love as this, if you are alive; If not, you are enslaved by varying seasons. Gaze not on your own pictures, fair or ugly, Gaze not at the sight of your own weakness or vileness, Gaze at object of your desire, O exalted one.
There was once a king of incomparable charm and beauty. The dawn was a flash of lightning from his countenance, the Angel Gabriel an emanation of his...
(3) There was once a king of incomparable charm and beauty. The dawn was a flash of lightning from his countenance, the Angel Gabriel an emanation of his fragrance and the kingdom of beauty was the Koran of his secrets. The whole world resounded with his fame, and his love was felt by every creature. When he rode through the city he covered his face with a crimson veil; but those who looked even at the veil lost their heads, and those who uttered his name at once cut out their tongues. Thousands died for love of him; others gave their lives believing it better to die at once than to live a hundred long lives away from him. An astonishing thing! They could neither endure his presence for long nor could they exist without him. However, to those who could endure it he showed himself; those who could not had to be content to hear his voice. In consequence, the king ordered a mirror to be made so that his face could be seen indirectly. The mirror was put up in his palace, and he went and looked in it, so that all could see his reflection.
So it is with you. If you cherish the beauty of your friend, understand that your heart is the mirror, see in it your king in the mansion of his glory. All appearances are nothing but the mysterious shadow of the Simurgh. If he had revealed his beauty to you, you would have recognized it in his shadow. Whether there were thirty birds, 'Si-murgh', or forty, you would only see his shadow. The Simurgh is not distinct from his shadow, to hold the contrary is to err; the one and the other exist together. Seek reunion; or better, leave the shadow
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and you will discover the Secret. With good fortune you will see the Sun in the shadow; but if you lose yourself in the shadow, how will you achieve union with the Simurgh?
Another bird said to the Hoopoe: 'O most eminent bird, I am the slave of a charming being who has taken possession of me and deprived me of my...
(1) Another bird said to the Hoopoe: 'O most eminent bird, I am the slave of a charming being who has taken possession of me and deprived me of my reason. The image of her dear face is a thief of the great Path; she has put fire to the harvest of my life, and when I am absent from her I have not a moment's peace. Since my heart is on fire with passion I do not see how I can set out on this journey. I should have to cross the valleys and go through a hundred trials. Can I be expected to forsake this beauty to travel through scorching heat and bitter cold? I am too weak to go without her; and I am but the dust on her road. Such is my state. What can Ido?'
The Hoopoe replied: 'You are attached to visible things, and are head and foot in the suffering which follows from this. Sensual love is a game. Love which is inspired by passing beauty is itself fleeting. You are always comparing a body of blood and moods to the beauty of the moon. What is uglier than a body composed of flesh and bones? True beauty is hidden. Seek it then, in the invisible world. If the veil which hides the mysteries from our eyes should fall, nothing would be left in the world. AU visible forms would be reduced to nothing.'
Concerning Music and Dancing as Aids to the Religious Life (8)
As regards the erotic poetry which is recited in Sufi gatherings, and to which people sometimes make objection, we must remember that, when in such...
(8) As regards the erotic poetry which is recited in Sufi gatherings, and to which people sometimes make objection, we must remember that, when in such poetry mention is made of separation from or union with the beloved, the Sufi, who is an adept in the love of God, applies such expressions to separation from or union with Him. Similarly, "dark locks" are taken to signify the darkness of unbelief; "the brightness of the face," the light of faith, and "drunkenness" the Sufi's ecstasy. Take, for instance, the verse: