(1) The heart of man has been so constituted by the Almighty that, like a flint, it contains a hidden fire which is evoked by music and harmony, and renders man beside himself with ecstasy. These harmonies are echoes of that higher world of beauty which we call the world of spirits; they remind man of his relationship to that world, and produce in him an emotion so deep and strange that he himself is powerless to explain it. The effect of music and dancing is deeper in proportion as the natures on which they act are simple and prone to motion; they fan into a flame whatever love is already dormant in the heart, whether It be earthly and sensual, or divine and spiritual.

(5) Whatever melody most sweetly soundeth On earth, and to itself most draws the soul, Would seem a cloud that, rent asunder, thunders, Compared unto the sounding of that lyre Wherewith was crowned the sapphire beautiful, Which gives the clearest heaven its sapphire hue. "I am Angelic Love, that circle round The joy sublime which breathes from out the womb That was the hostelry of our Desire; And I shall circle, Lady of Heaven, while Thou followest thy Son, and mak'st diviner The sphere supreme, because thou enterest there." Thus did the circulated melody Seal itself up; and all the other lights Were making to resound the name of Mary. The regal mantle of the volumes all Of that world, which most fervid is and living With breath of God and with his works and ways, Extended over us its inner border, So very distant, that the semblance of it There where I was not yet appeared to me. Therefore mine eyes did not possess the power Of following the incoronated flame, Which mounted upward near to its own seed.

(2) "Well, then," enquired Tzŭ Yu, "since the music of earth consists of nothing more than holes, and the music of man of pipes and flutes,—of what consists the music of Heaven?" "The effect of the wind upon these various apertures," replied Tzŭ Ch'i, "is not uniform. But what is it that gives to each the individuality, to all the potentiality, of sound? "Great knowledge embraces the whole: small knowledge, a part only. Great speech is universal: small speech is particular. "For whether when the mind is locked in sleep or whether when in waking hours the body is released, we are subject to daily mental perturbations,—indecision, want of penetration, concealment, fretting fear, and trembling terror. Now like a javelin the mind flies forth, the arbiter of right and wrong. Now like a solemn covenanter it remains firm, the guardian of rights secured. Then, as under autumn and winter's blight, comes gradual decay, a passing away, like the flow of water, never to return. Finally, the block when all is choked up like an old drain,—the failing mind which shall not see light again. "Joy and anger, sorrow and happiness, caution and remorse, come upon us by turns, with ever-changing mood. They come like music from hollowness, like mushrooms from damp. Daily and nightly they alternate within us, but we cannot tell whence they spring. Can we then hope in a moment to lay our finger upon their very Cause?

(2) The born lover, to whose degree the musician also may attain- and then either come to a stand or pass beyond- has a certain memory of beauty but, severed from it now, he no longer comprehends it: spellbound by visible loveliness he clings amazed about that. His lesson must be to fall down no longer in bewildered delight before some, one embodied form; he must be led, under a system of mental discipline, to beauty everywhere and made to discern the One Principle underlying all, a Principle apart from the material forms, springing from another source, and elsewhere more truly present. The beauty, for example, in a noble course of life and in an admirably organized social system may be pointed out to him- a first training this in the loveliness of the immaterial- he must learn to recognise the beauty in the arts, sciences, virtues; then these severed and particular forms must be brought under the one principle by the explanation of their origin. From the virtues he is to be led to the Intellectual-Principle, to the Authentic-Existent; thence onward, he treads the upward way.

(2) As for [true] Music,—to know this is naught else than to have knowledge of the order of all things, and whatsoe’er God’s Reason hath decreed. For that the order of each several thing when set together in one [key] for all, by means of skilful reason, will make, as ’twere, the sweetest and the truest harmony with God’s [own] Song. XIV

(2) Accordingly there has been much dispute among theologians as to the lawfulness of music and dancing regarded as religious exercises. One sect, the Zahirites, holding that God is altogether incommensurable with man, deny the possibility of man's really feeling love to God, and say that he can only love those of his own species. If he does feel what he thinks is love to his Creator they say it is a mere projection, or shadow cast by his own fantasy, or a reflection of love to the creature; music and dancing, according to them, have only to do with creature love, and are therefore unlawful as religious exercises. If we ask them what is the meaning of that "love to God" which is enjoined by the religious law, they reply that it means obedience and worship. This is an error which we hope to confute in a later chapter dealing with the love of God. At present we content ourselves with saying that music and dancing do not put into the heart what is not there already, but only fan into a flame dormant emotions. Therefore if a man has in his heart that love to God which the law enjoins, it is perfectly lawful, nay, laudable in him to take part in exercises which promote it. On the other hand, if his heart is full of sensual desires, music and dancing will only increase them, and are therefore unlawful for him. While, if he listens to them merely as a matter of amusement, they are neither lawful nor unlawful, but indifferent. For the mere fact that they are pleasant does not make them unlawful any more than the pleasure of listening to the singing of birds or looking at green grass and running water is unlawful. The innocent character of music and dancing, regarded merely as a pastime, is also corroborated by an authentic tradition which we have from the Lady Ayesha, who narrates: "One festival day some Negroes were performing in a mosque. The Prophet said to me, 'Do you wish to see them?' I replied, 'Yes.' Accordingly he lifted me up with his own blessed hand, and I looked on so long that he said more than once, 'Have not you had enough of watching?"

(7) And sweet to us is such a deprivation, Because our good in this good is made perfect, That whatsoe'er God wills, we also will." After this manner by that shape divine, To make clear in me my short-sightedness, Was given to me a pleasant medicine; And as good singer a good lutanist Accompanies with vibrations of the chords, Whereby more pleasantness the song acquires, So, while it spake, do I remember me That I beheld both of those blessed lights, Even as the winking of the eyes concords, Moving unto the words their little flames.

(14) Music is then to be handled for the sake of the embellishment and composure of manners. For instance, at a banquet we pledge each other while the music is playing; soothing by song the eagerness of our desires, and glorifying God for the copious gift of human enjoyments, for His perpetual supply of the food necessary for the growth of the body and of the soul. But we must reject superfluous music, which enervates men's souls, and leads to variety, - now mournful, and then licentious and voluptuous, and then frenzied and frantic.

(5) For of a righteous will his own is made. He, sooth to say, for three months past has taken Whoever wished to enter with all peace; Whence I, who now had turned unto that shore Where salt the waters of the Tiber grow, Benignantly by him have been received. Unto that outlet now his wing is pointed, Because for evermore assemble there Those who tow'rds Acheron do not descend." And I: "If some new law take not from thee Memory or practice of the song of love, Which used to quiet in me all my longings, Thee may it please to comfort therewithal Somewhat this soul of mine, that with its body Hitherward coming is so much distressed." "Love, that within my mind discourses with me," Forthwith began he so melodiously, The melody within me still is sounding. My Master, and myself, and all that people Which with him were, appeared as satisfied As if naught else might touch the mind of any. We all of us were moveless and attentive Unto his notes; and lo! the grave old man, Exclaiming: "What is this, ye laggard spirits?

(28) The Pythagoreans believed that everything which existed had a voice and that all creatures were eternally singing the praise of the Creator. Man fails to hear these divine melodies because his soul is enmeshed in the illusion of material existence. When he liberates himself from the bondage of the lower world with its sense limitations, the music of the spheres will again be audible as it was in the Golden Age. Harmony recognizes harmony, and when the human soul regains its true estate it will not only hear the celestial choir but also join with it in an everlasting anthem of praise to that Eternal Good controlling the infinite number of parts and conditions of Being.

(4) And of them was the singing of those lights. Who takes not wings that he may fly up thither, The tidings thence may from the dumb await! As soon as singing thus those burning suns Had round about us whirled themselves three times, Like unto stars neighbouring the steadfast poles, Ladies they seemed, not from the dance released, But who stop short, in silence listening Till they have gathered the new melody. And within one I heard beginning: "When The radiance of grace, by which is kindled True love, and which thereafter grows by loving, Within thee multiplied is so resplendent That it conducts thee upward by that stair, Where without reascending none descends, Who should deny the wine out of his vial Unto thy thirst, in liberty were not Except as water which descends not seaward. Fain wouldst thou know with what plants is enflowered This garland that encircles with delight The Lady fair who makes thee strong for heaven. Of the lambs was I of the holy flock Which Dominic conducteth by a road Where well one fattens if he strayeth not.

(11) By this the writer means that the true delights of religion cannot be reached by way of formal instruction, but by felt attraction and desire. A man may converse much and write volumes concerning love, faith, piety, and so forth, and blacken paper to any extent, but till he himself possesses these attributes all this will do him no good. Thus, those who find fault with the Sufis for being powerfully affected, even to ecstasy, by these and similar verses, are merely shallow and uncharitable. Even camels are sometimes so powerfully affected by the Arab songs of their drivers that they will run rapidly, bearing heavy burdens, till they fall down in a state of exhaustion.

(5) We come now to the purely religious use of music and dancing: such is that of who by this means stir up in themselves greater love towards God, and, by means of music, often obtain spiritual visions and ecstasies, their heart becoming in this condition as clean as silver in the flame of a furnace, and attaining a degree of purity which could never be attained by any amount of mere outward austerities. The Sufi then becomes so keenly aware of his relationship to the spiritual world that he loses all consciousness of this world, and often falls down senseless.

(4) But this may I say thee of those sounds and of those sweetnesses, that come in by the windows of thy wits, the which may be both good and evil. Use thee continually in this blind and devout and this Misty stirring of love that I tell thee: and then I have no doubt, that it shall not well be able to tell thee of them. And if thou yet be in part astonished of them at the first time, and that is because that they be uncouth, yet this shall it do thee: it shall bind thine heart so fast, that thou shalt on nowise give full great credence to them, ere the time be that thou be either certified of them within wonderfully by the Spirit of God, or else without by counsel of some discreet father.

(4) Passing over the cases where music and dancing rouse into a flame evil desires already dormant in the heart, we come to those cases where they are quite lawful. Such are those of the pilgrims who celebrate the glories of the House of God at Mecca in song, and thus incite others to go on pilgrimage, and of minstrels whose music and songs stir up martial ardour in the breasts of their auditors and incite them to fight against infidels. Similarly, mournful music which excites sorrow for sin and failure in religious life is lawful; of this nature was the music of David. But dirges which increase sorrow for the dead are not lawful, for it is written in the Koran, "Despair not over what you have lost." On the other hand, joyful music at weddings and feasts and on such occasions as a circumcision or the return from a journey is lawful.

(39) If you should in this world bring many thousand sorts of musical instruments together, and all should be tuned in the best manner, most artificially, and the most skilful masters of music should play on them in concert together, all would be no more than the holdings and barkings of dogs, in comparison with the divine music, which riseth up through the divine sound and tunes from eternity to eternity.

(2) Whoso lamenteth him that here we die That we may live above, has never there Seen the refreshment of the eternal rain. The One and Two and Three who ever liveth, And reigneth ever in Three and Two and One, Not circumscribed and all things circumscribing, Three several times was chanted by each one Among those spirits, with such melody That for all merit it were just reward; And, in the lustre most divine of all The lesser ring, I heard a modest voice, Such as perhaps the Angel's was to Mary, Answer: "As long as the festivity Of Paradise shall be, so long our love Shall radiate round about us such a vesture. Its brightness is proportioned to the ardour, The ardour to the vision; and the vision Equals what grace it has above its worth. When, glorious and sanctified, our flesh Is reassumed, then shall our persons be More pleasing by their being all complete; For will increase whate'er bestows on us Of light gratuitous the Good Supreme, Light which enables us to look on Him;

(34) This is heavenly music, for here every one singeth according to the voice of his quality, and the prince leadeth the choir or chorus, as a chanter or singing-master with his scholars; and the king rejoiceth and jubilateth with his angels, to the honour of the great God, and to the increasing and multiplying of the heavenly joys, and that is in the heart of God as a holy sport or scene; and to that end also are they created for the joy and honour of God.

(2) We must rather, therefore, say, that sounds and melodies are appropriately consecrated to the Gods. There is, also, an alliance in these sounds and melodies to the proper orders and powers of the several Gods, to the motions in the universe itself, and to the harmonious sounds which proceed from the motions. Conformably, therefore, to such like adaptations of melodies to the Gods, the Gods themselves become present. For there is not any thing which intercepts; so that whatever has but a casual similitude to, directly participates of, them . A perfect possession, likewise, immediately takes place, and a plenitude of a more excellent essence and power. Not that the body and the soul are in each other, and sympathize, and are copassive with the melodies; but because the inspiration of the Gods is not separated from divine harmony, but is originally adapted and allied to it, on this account it is participated by it in appropriate measures. Hence also, it is excited and restrained according to the several orders of the Gods. But this inspiration must by no means be called an ablation, purgation, or medicine. For it is not primarily implanted in us from a certain disease, or excess, or redundance; but the whole principle and participation of it are supernally derived from the Gods.

(36) Now, that qualifying or fountain spirit in the Deity which does shew itself then specially or more distinctly with its rising up and love-wrestling, as if it had become the prince or chief of them, that very angelprince belonging to it beginneth instantly his heavenly music with his own legions, according to his quality, with singing, ringing forth piping melody, and in all the manners of heavenly skill and art, which riseth up in the spirits of God.