Passages similar to: Chuang Tzu — The Circling Sky.
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Taoist
Chuang Tzu
The Circling Sky. (4)
followed by a thundering peal, without end and without beginning, now dying, now living, now sinking, now rising, on and on without a moment's break. And so you were afraid. "When I played again, it was the harmony of the Yin and Yang, lighted by the glory of sun and moon; now broken, now prolonged, now gentle, now severe, in one unbroken, unfathomable volume of sound. Filling valley and gorge, stopping the ears and dominating the senses, adapting itself to the capacities of things,—the sound whirled around on all sides, with shrill note and clear. The spirits of darkness kept to their domain. Sun, moon, and stars, pursued their appointed course. When the melody was exhausted I stopped; if the melody did not stop, I went on. You would have sympathised, but you could not understand. You would have looked, but you could not see. You would have pursued, but you could not overtake. You stood dazed in the middle of the wilderness, leaning against a tree and crooning, your eye conscious of exhausted vision, your strength failing for the pursuit, and so unable to overtake me. Your frame was but an empty shell. You were completely at a loss, and so you were amazed. "Then I played in sounds which produce no amazement, the melodious law of spontaneity, springing forth like nature's countless buds, in manifold but formless joy, as though poured forth to the dregs, in deep but soundless bass. Beginning nowhere, the melody rested in void; some would say dead, others alive, others real, others ornamental, as it scattered itself on all sides in never to be anticipated chords.
In the same manner as our trees (when downward Falls the great light, with that together mingled Which after the celestial Lasca shines) Begin to swel...
(3) And turning to the pole which he had dragged, He drew it close beneath the widowed bough, And what was of it unto it left bound. In the same manner as our trees (when downward Falls the great light, with that together mingled Which after the celestial Lasca shines) Begin to swell, and then renew themselves, Each one with its own colour, ere the Sun Harness his steeds beneath another star: Less than of rose and more than violet A hue disclosing, was renewed the tree That had erewhile its boughs so desolate. I never heard, nor here below is sung, The hymn which afterward that people sang, Nor did I bear the melody throughout. Had I the power to paint how fell asleep Those eyes compassionless, of Syrinx hearing, Those eyes to which more watching cost so dear, Even as a painter who from model paints I would portray how I was lulled asleep; He may, who well can picture drowsihood. Therefore I pass to what time I awoke, And say a splendour rent from me the veil Of slumber, and a calling: "Rise, what dost thou?"
We certainly will, he said, if we have the power. Then now, my friend, I said, that part of music or literary education which relates to the story or ...
(398) our souls’ health the rougher and severer poet or story-teller, who will imitate the style of the virtuous only, and will follow those models which we prescribed at first when we began the education of our soldiers. We certainly will, he said, if we have the power. Then now, my friend, I said, that part of music or literary education which relates to the story or myth may be considered to be finished; for the matter and manner have both been discussed. I think so too, he said. Next in order will follow melody and song. That is obvious. Every one can see already what we ought to say about them, if we are to be consistent with ourselves. I fear, said Glaucon, laughing, that the word ‘every one’ hardly includes me, for I cannot at the moment say what they should be; though I may guess. At any rate you can tell that a song or ode has three parts—the words, the melody, and the rhythm; that degree of knowledge I may presuppose? Yes, he said; so much as that you may. And as for the words, there will surely be no difference between words which are and which are not set to music; both will conform to the same laws, and these have been already determined by us? Yes. And the melody and rhythm will depend upon the words? Certainly. We were saying, when we spoke of the subject-matter, that we had no need of lamentation and strains of sorrow? True.
Eager already to search in and round The heavenly forest, dense and living-green, Which tempered to the eyes the new-born day, Withouten more delay I...
(1) Eager already to search in and round The heavenly forest, dense and living-green, Which tempered to the eyes the new-born day, Withouten more delay I left the bank, Taking the level country slowly, slowly Over the soil that everywhere breathes fragrance. A softly-breathing air, that no mutation Had in itself, upon the forehead smote me No heavier blow than of a gentle wind, Whereat the branches, lightly tremulous, Did all of them bow downward toward that side Where its first shadow casts the Holy Mountain; Yet not from their upright direction swayed, So that the little birds upon their tops Should leave the practice of each art of theirs; But with full ravishment the hours of prime, Singing, received they in the midst of leaves, That ever bore a burden to their rhymes, Such as from branch to branch goes gathering on Through the pine forest on the shore of Chiassi, When Eolus unlooses the Sirocco. Already my slow steps had carried me Into the ancient wood so far, that I Could not perceive where I had entered it.
Broke the deep lethargy within my head A heavy thunder, so that I upstarted, Like to a person who by force is wakened; And round about I moved my...
(1) Broke the deep lethargy within my head A heavy thunder, so that I upstarted, Like to a person who by force is wakened; And round about I moved my rested eyes, Uprisen erect, and steadfastly I gazed, To recognise the place wherein I was. True is it, that upon the verge I found me Of the abysmal valley dolorous, That gathers thunder of infinite ululations. Obscure, profound it was, and nebulous, So that by fixing on its depths my sight Nothing whatever I discerned therein. "Let us descend now into the blind world," Began the Poet, pallid utterly; "I will be first, and thou shalt second be." And I, who of his colour was aware, Said: "How shall I come, if thou art afraid, Who'rt wont to be a comfort to my fears?" And he to me: "The anguish of the people Who are below here in my face depicts That pity which for terror thou hast taken. Let us go on, for the long way impels us." Thus he went in, and thus he made me enter The foremost circle that surrounds the abyss.
All waters that on earth most limpid are Would seem to have within themselves some mixture Compared with that which nothing doth conceal, Although it ...
(2) And lo! my further course a stream cut off, Which tow'rd the left hand with its little waves Bent down the grass that on its margin sprang. All waters that on earth most limpid are Would seem to have within themselves some mixture Compared with that which nothing doth conceal, Although it moves on with a brown, brown current Under the shade perpetual, that never Ray of the sun lets in, nor of the moon. With feet I stayed, and with mine eyes I passed Beyond the rivulet, to look upon The great variety of the fresh may. And there appeared to me (even as appears Suddenly something that doth turn aside Through very wonder every other thought) A lady all alone, who went along Singing and culling floweret after floweret, With which her pathway was all painted over. "Ah, beauteous lady, who in rays of love Dost warm thyself, if I may trust to looks, Which the heart's witnesses are wont to be, May the desire come unto thee to draw Near to this river's bank," I said to her, "So much that I might hear what thou art singing.
Singing like unto an enamoured lady She, with the ending of her words, continued: "Beati quorum tecta sunt peccata." And even as Nymphs, that...
(1) Singing like unto an enamoured lady She, with the ending of her words, continued: "Beati quorum tecta sunt peccata." And even as Nymphs, that wandered all alone Among the sylvan shadows, sedulous One to avoid and one to see the sun, She then against the stream moved onward, going Along the bank, and I abreast of her, Her little steps with little steps attending. Between her steps and mine were not a hundred, When equally the margins gave a turn, In such a way, that to the East I faced. Nor even thus our way continued far Before the lady wholly turned herself Unto me, saying, "Brother, look and listen!" And lo! a sudden lustre ran across On every side athwart the spacious forest, Such that it made me doubt if it were lightning. But since the lightning ceases as it comes, And that continuing brightened more and more, Within my thought I said, "What thing is this?" And a delicious melody there ran Along the luminous air, whence holy zeal Made me rebuke the hardihood of Eve;
Remember, Reader, if e'er in the Alps A mist o'ertook thee, through which thou couldst see Not otherwise than through its membrane mole, How, when...
(1) Remember, Reader, if e'er in the Alps A mist o'ertook thee, through which thou couldst see Not otherwise than through its membrane mole, How, when the vapours humid and condensed Begin to dissipate themselves, the sphere Of the sun feebly enters in among them, And thy imagination will be swift In coming to perceive how I re-saw The sun at first, that was already setting. Thus, to the faithful footsteps of my Master Mating mine own, I issued from that cloud To rays already dead on the low shores. O thou, Imagination, that dost steal us So from without sometimes, that man perceives not, Although around may sound a thousand trumpets, Who moveth thee, if sense impel thee not? Moves thee a light, which in the heaven takes form, By self, or by a will that downward guides it. Of her impiety, who changed her form Into the bird that most delights in singing, In my imagining appeared the trace; And hereupon my mind was so withdrawn Within itself, that from without there came Nothing that then might be received by it.
After the truth against the present life Of miserable mortals was unfolded By her who doth imparadise my mind, As in a looking-glass a taper's flame...
(1) After the truth against the present life Of miserable mortals was unfolded By her who doth imparadise my mind, As in a looking-glass a taper's flame He sees who from behind is lighted by it, Before he has it in his sight or thought, And turns him round to see if so the glass Tell him the truth, and sees that it accords Therewith as doth a music with its metre, In similar wise my memory recollecteth That I did, looking into those fair eyes, Of which Love made the springes to ensnare me. And as I turned me round, and mine were touched By that which is apparent in that volume, Whenever on its gyre we gaze intent, A point beheld I, that was raying out Light so acute, the sight which it enkindles Must close perforce before such great acuteness. And whatsoever star seems smallest here Would seem to be a moon, if placed beside it. As one star with another star is placed. Perhaps at such a distance as appears A halo cincturing the light that paints it, When densest is the vapour that sustains it,
Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost. Ah me! how hard a thing it is...
(1) Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost. Ah me! how hard a thing it is to say What was this forest savage, rough, and stern, Which in the very thought renews the fear. So bitter is it, death is little more; But of the good to treat, which there I found, Speak will I of the other things I saw there. I cannot well repeat how there I entered, So full was I of slumber at the moment In which I had abandoned the true way. But after I had reached a mountain's foot, At that point where the valley terminated, Which had with consternation pierced my heart, Upward I looked, and I beheld its shoulders, Vested already with that planet's rays Which leadeth others right by every road. Then was the fear a little quieted That in my heart's lake had endured throughout The night, which I had passed so piteously. And even as he, who, with distressful breath, Forth issued from the sea upon the shore, Turns to the water perilous and gazes;
When they became aware I gave no place For passage of the sunshine through my body, They changed their song into a long, hoarse "Oh!" And two of...
(2) When they became aware I gave no place For passage of the sunshine through my body, They changed their song into a long, hoarse "Oh!" And two of them, in form of messengers, Ran forth to meet us, and demanded of us, "Of your condition make us cognisant." And said my Master: "Ye can go your way And carry back again to those who sent you, That this one's body is of very flesh. If they stood still because they saw his shadow, As I suppose, enough is answered them; Him let them honour, it may profit them." Vapours enkindled saw I ne'er so swiftly At early nightfall cleave the air serene, Nor, at the set of sun, the clouds of August, But upward they returned in briefer time, And, on arriving, with the others wheeled Tow'rds us, like troops that run without a rein. "This folk that presses unto us is great, And cometh to implore thee," said the Poet; "So still go onward, and in going listen." "O soul that goest to beatitude With the same members wherewith thou wast born," Shouting they came, "a little stay thy steps,
It was the hour when the diurnal heat No more can warm the coldness of the moon, Vanquished by earth, or peradventure Saturn, When geomancers their...
(1) It was the hour when the diurnal heat No more can warm the coldness of the moon, Vanquished by earth, or peradventure Saturn, When geomancers their Fortuna Major See in the orient before the dawn Rise by a path that long remains not dim, There came to me in dreams a stammering woman, Squint in her eyes, and in her feet distorted, With hands dissevered and of sallow hue. I looked at her; and as the sun restores The frigid members which the night benumbs, Even thus my gaze did render voluble Her tongue, and made her all erect thereafter In little while, and the lost countenance As love desires it so in her did colour. When in this wise she had her speech unloosed, She 'gan to sing so, that with difficulty Could I have turned my thoughts away from her. "I am," she sang, "I am the Siren sweet Who mariners amid the main unman, So full am I of pleasantness to hear. I drew Ulysses from his wandering way Unto my song, and he who dwells with me Seldom departs so wholly I content him."
To run o'er better waters hoists its sail The little vessel of my genius now, That leaves behind itself a sea so cruel; And of that second kingdom...
(1) To run o'er better waters hoists its sail The little vessel of my genius now, That leaves behind itself a sea so cruel; And of that second kingdom will I sing Wherein the human spirit doth purge itself, And to ascend to heaven becometh worthy. But let dead Poesy here rise again, O holy Muses, since that I am yours, And here Calliope somewhat ascend, My song accompanying with that sound, Of which the miserable magpies felt The blow so great, that they despaired of pardon. Sweet colour of the oriental sapphire, That was upgathered in the cloudless aspect Of the pure air, as far as the first circle, Unto mine eyes did recommence delight Soon as I issued forth from the dead air, Which had with sadness filled mine eyes and breast. The beauteous planet, that to love incites, Was making all the orient to laugh, Veiling the Fishes that were in her escort. To the right hand I turned, and fixed my mind Upon the other pole, and saw four stars Ne'er seen before save by the primal people.
Concerning Music and Dancing as Aids to the Religious Life (1)
The heart of man has been so constituted by the Almighty that, like a flint, it contains a hidden fire which is evoked by music and harmony, and...
(1) The heart of man has been so constituted by the Almighty that, like a flint, it contains a hidden fire which is evoked by music and harmony, and renders man beside himself with ecstasy. These harmonies are echoes of that higher world of beauty which we call the world of spirits; they remind man of his relationship to that world, and produce in him an emotion so deep and strange that he himself is powerless to explain it. The effect of music and dancing is deeper in proportion as the natures on which they act are simple and prone to motion; they fan into a flame whatever love is already dormant in the heart, whether It be earthly and sensual, or divine and spiritual.
Although the keenness of the recollection has worn off, there remains a certain memory which long afterward proves a source of comfort and strength to...
(25) "These experiences, when they have come to one, have left him in a new state of mind, and he has never been the same man afterward. Although the keenness of the recollection has worn off, there remains a certain memory which long afterward proves a source of comfort and strength to him, especially when he feels faint of faith and is shaken like a reed by the winds of conflicting opinions and speculations. The memory of such an experience is a source of renewed strength—a haven of refuge to which the weary soul flies for shelter from the outside world which understands it not. From the writings of the ancient philosophers of all races, from the songs of the great poets of all peoples, from the preachings of the prophets of all religions and times we can gather traces of this illumination which has come to them—this unfoldment of spiritual consciousness. One tells the story in one way, the other in other terms, but all tell practically the same essential story. All who have recognized this illumination, even in a faint degree, recognize the like experience in the tale, song, or preaching of another, though centuries may roll between them. It is the song of the Soul, which when once heard is never forgotten. Though it be sounded by the crude instruments of the semi-barbarous races, or the finished instruments of the talented musician of today, its strains are plainly recognized. From Old Egypt comes the song—from India of all ages—from Ancient Greece and Rome—from the early Christian saint—from the Quaker Friend—from the Catholic monasteries —from the Mohammedan Mosque—from the Chinese Philosopher—from the legends of the American Indian hero-prophet—it is always the same strain, and it is swelling louder and louder, as many more are taking it up and adding their voices or the sounds of their instruments to the grand chorus." The student must remember that in the experiences noted above, the individual simply has flashes, or period of dawning consciousness on this Sixth Plane of Consciousness, and is not to be regarded as having entered fully and completely into its manifestations, much less as having evolved into a state in which he functions normally and habitually on this high plane. There are beings—once men—who have evolved into the higher state in which they function normally and habitually on this plane of conscious being; but these individuals are no more than mere men, and have earned the right to be called "Demi-Gods." But, even as they once were men, so all men become as they now are by the unfoldment of this higher region of Self. These flashes of consciousness from this high plane are prophetic signs and messages indicating the awakening of the higher faculties, and giving assurance of further growth and unfoldment.
From the first day that I beheld her face In this life, to the moment of this look, The sequence of my song has ne'er been severed; But now perforce t...
(2) For as the sun the sight that trembles most, Even so the memory of that sweet smile My mind depriveth of its very self. From the first day that I beheld her face In this life, to the moment of this look, The sequence of my song has ne'er been severed; But now perforce this sequence must desist From following her beauty with my verse, As every artist at his uttermost. Such as I leave her to a greater fame Than any of my trumpet, which is bringing Its arduous matter to a final close, With voice and gesture of a perfect leader She recommenced: "We from the greatest body Have issued to the heaven that is pure light; Light intellectual replete with love, Love of true good replete with ecstasy, Ecstasy that transcendeth every sweetness. Here shalt thou see the one host and the other Of Paradise, and one in the same aspects Which at the final judgment thou shalt see." Even as a sudden lightning that disperses The visual spirits, so that it deprives The eye of impress from the strongest objects,
What you afterwards say is as follows: “ That some of those who suffer a mental alienation, energize enthusiastically on hearing cymbals or drums, or...
(1) What you afterwards say is as follows: “ That some of those who suffer a mental alienation, energize enthusiastically on hearing cymbals or drums, or a certain modulated sound, such as those who are Corybantically inspired, those who are possessed by Sabazius, and those who are inspired by the mother of the Gods .” It is necessary, therefore, to discuss the causes of these things, and to show how they are definitely produced. That music, therefore, is of a motive nature, and is adapted to excite the affections, and that the melody of pipes produces or heals the disordered passions of the soul, changes the temperaments or dispositions of the body, and by some melodies causes a Bacchic fury, but by others occasions this fury to cease; and, likewise, how the differences of these accord with the several dispositions of the soul, and that an unstable and variable melody is adapted to ecstasies, such as are the melodies of Olympus, and others of the like kind; all these appear to me to be adduced in a way foreign to enthusiasm. For they are physical and human, and the work of our art; but nothing whatever of a divine nature in them presents itself to the view.
We were upon the summit of the stairs, Where for the second time is cut away The mountain, which ascending shriveth all. There in like manner doth a...
(1) We were upon the summit of the stairs, Where for the second time is cut away The mountain, which ascending shriveth all. There in like manner doth a cornice bind The hill all round about, as does the first, Save that its arc more suddenly is curved. Shade is there none, nor sculpture that appears; So seems the bank, and so the road seems smooth, With but the livid colour of the stone. "If to inquire we wait for people here," The Poet said, "I fear that peradventure Too much delay will our election have." Then steadfast on the sun his eyes he fixed, Made his right side the centre of his motion, And turned the left part of himself about. "O thou sweet light! with trust in whom I enter Upon this novel journey, do thou lead us," Said he, "as one within here should be led. Thou warmest the world, thou shinest over it; If other reason prompt not otherwise, Thy rays should evermore our leaders be!" As much as here is counted for a mile, So much already there had we advanced In little time, by dint of ready will;
Come speak to us, if no one interdicts it." As turtle-doves, called onward by desire, With open and steady wings to the sweet nest Fly through the air...
(4) And I began: "O Poet, willingly Speak would I to those two, who go together, And seem upon the wind to be so light." And, he to me: "Thou'lt mark, when they shall be Nearer to us; and then do thou implore them By love which leadeth them, and they will come." Soon as the wind in our direction sways them, My voice uplift I: "O ye weary souls! Come speak to us, if no one interdicts it." As turtle-doves, called onward by desire, With open and steady wings to the sweet nest Fly through the air by their volition borne, So came they from the band where Dido is, Approaching us athwart the air malign, So strong was the affectionate appeal. "O living creature gracious and benignant, Who visiting goest through the purple air Us, who have stained the world incarnadine, If were the King of the Universe our friend, We would pray unto him to give thee peace, Since thou hast pity on our woe perverse. Of what it pleases thee to hear and speak, That will we hear, and we will speak to you, While silent is the wind, as it is now.
When he who all the world illuminates Out of our hemisphere so far descends That on all sides the daylight is consumed, The heaven, that erst by him...
(1) When he who all the world illuminates Out of our hemisphere so far descends That on all sides the daylight is consumed, The heaven, that erst by him alone was kindled, Doth suddenly reveal itself again By many lights, wherein is one resplendent. And came into my mind this act of heaven, When the ensign of the world and of its leaders Had silent in the blessed beak become; Because those living luminaries all, By far more luminous, did songs begin Lapsing and falling from my memory. O gentle Love, that with a smile dost cloak thee, How ardent in those sparks didst thou appear, That had the breath alone of holy thoughts! After the precious and pellucid crystals, With which begemmed the sixth light I beheld, Silence imposed on the angelic bells, I seemed to hear the murmuring of a river That clear descendeth down from rock to rock, Showing the affluence of its mountain-top. And as the sound upon the cithern's neck Taketh its form, and as upon the vent Of rustic pipe the wind that enters it,
We must rather, therefore, say, that sounds and melodies are appropriately consecrated to the Gods. There is, also, an alliance in these sounds and...
(2) We must rather, therefore, say, that sounds and melodies are appropriately consecrated to the Gods. There is, also, an alliance in these sounds and melodies to the proper orders and powers of the several Gods, to the motions in the universe itself, and to the harmonious sounds which proceed from the motions. Conformably, therefore, to such like adaptations of melodies to the Gods, the Gods themselves become present. For there is not any thing which intercepts; so that whatever has but a casual similitude to, directly participates of, them . A perfect possession, likewise, immediately takes place, and a plenitude of a more excellent essence and power. Not that the body and the soul are in each other, and sympathize, and are copassive with the melodies; but because the inspiration of the Gods is not separated from divine harmony, but is originally adapted and allied to it, on this account it is participated by it in appropriate measures. Hence also, it is excited and restrained according to the several orders of the Gods. But this inspiration must by no means be called an ablation, purgation, or medicine. For it is not primarily implanted in us from a certain disease, or excess, or redundance; but the whole principle and participation of it are supernally derived from the Gods.