(15) For He who prohibited the making of a graven image, would never Himself have made an image in the likeness of holy things. Nor is there at all any composite thing, and creature endowed with sensation, of the sort in heaven. But the face is a symbol of the rational soul, and the wings are the lofty ministers and energies of powers fight and left; and the voice is delightsome glory in ceaseless contemplation. Let it suffice that the mystic interpretation has advanced so far.

(13) And those golden figures, each of them with six wings, signify either the two bears, as some will have it, or rather the two hemispheres. And the name cherubim meant "much knowledge." But both together have twelve wings, and by the zodiac and time, which moves on it, point out the world of sense. It is of them, I think, that Tragedy, discoursing of Nature, says: "Unwearied Time circles full in perennial flow, Producing itself. And the twin-bears On the swift wandering motions of their wings, Keep the Atlantean pole."

(5) And she, who saw the dubious meditations Within my mind, "The primal circles," said, "Have shown thee Seraphim and Cherubim. Thus rapidly they follow their own bonds, To be as like the point as most they can, And can as far as they are high in vision. Those other Loves, that round about them go, Thrones of the countenance divine are called, Because they terminate the primal Triad. And thou shouldst know that they all have delight As much as their own vision penetrates The Truth, in which all intellect finds rest. From this it may be seen how blessedness Is founded in the faculty which sees, And not in that which loves, and follows next; And of this seeing merit is the measure, Which is brought forth by grace, and by good will; Thus on from grade to grade doth it proceed. The second Triad, which is germinating In such wise in this sempiternal spring, That no nocturnal Aries despoils, Perpetually hosanna warbles forth With threefold melody, that sounds in three Orders of joy, with which it is intrined.

(113) Now their foot does stay upon the seventh spirit of God, which is solid like a cloud, and clear and bright as a crystalline sea, wherein they walk upward and downward, which way soever they please. For their agility or nimbleness is as swift as the divine power itself, yet one angel is more swift than another, and that according to the quality of each.

(4) And I beheld the flamelets onward go, Leaving behind themselves the air depicted, And they of trailing pennons had the semblance, So that it overhead remained distinct With sevenfold lists, all of them of the colours Whence the sun's bow is made, and Delia's girdle. These standards to the rearward longer were Than was my sight; and, as it seemed to me, Ten paces were the outermost apart. Under so fair a heaven as I describe The four and twenty Elders, two by two, Came on incoronate with flower-de-luce. They all of them were singing: "Blessed thou Among the daughters of Adam art, and blessed For evermore shall be thy loveliness." After the flowers and other tender grasses In front of me upon the other margin Were disencumbered of that race elect, Even as in heaven star followeth after star, There came close after them four animals, Incoronate each one with verdant leaf. Plumed with six wings was every one of them, The plumage full of eyes; the eyes of Argus If they were living would be such as these.

(1) Moreover, in the manifestations there is an indication of the order which the powers that are seen possess. For the Gods are surrounded by either Gods or angels; but archangels have angels either preceding or coarranged with them, or following them behind, or are accompanied by a certain other multitude of angels, who attend on them as guards. Angels exhibit, together with themselves, the peculiar works of the order to which they belong. Good dæmons permit us to survey, in conjunction with themselves, their own works, and the benefits which they impart; but avenging dæmons exhibit the species of punishments [which they inflict]; and such other dæmons as are depraved are surrounded by certain noxious, blood-devouring, and fierce wild beasts. Archons [of the first rank] exhibit, together with themselves, certain portions of the world; but other archons attract to themselves the inordination and confusion of matter. With respect to soul, if it ranks as a whole, and does not belong to any particular species, it presents to the view a formless fire, extended through the whole world, which is indicative of the total, one, indivisible, and formless soul of the universe; but a purified soul exhibits a fiery form, and a pure and unmingled fire. Then, also, the most inward light of it is seen, and an undefiled and stable form, and it most willingly and joyfully follows its elevating leader, and unfolds, by its works, its own appropriate order.

(28) For as the seven spirits of God had, before the time of the wrath, generated themselves infinitely by their rising up and by their influences, (whence rose up so many several varieties of figures and heavenly ideas or vegetations), so also the holy God figured his old body of this corrupted nature into as many and various powers as ever stood in the birth or geniture in the holiness. Understand this high Thing rightly.

(6) The three Divine are in this hierarchy, First the Dominions, and the Virtues next; And the third order is that of the Powers. Then in the dances twain penultimate The Principalities and Archangels wheel; The last is wholly of angelic sports. These orders upward all of them are gazing, And downward so prevail, that unto God They all attracted are and all attract. And Dionysius with so great desire To contemplate these Orders set himself, He named them and distinguished them as I do. But Gregory afterwards dissented from him; Wherefore, as soon as he unclosed his eyes Within this heaven, he at himself did smile. And if so much of secret truth a mortal Proffered on earth, I would not have thee marvel, For he who saw it here revealed it to him, With much more of the truth about these circles."

(2) Every existing creature manifests some aspect of the intelligence or power of the Eternal One, who can never be known save through a study and appreciation of His numbered but inconceivable parts. When a creature is chosen, therefore, to symbolize to the concrete human mind some concealed abstract principle it is because its characteristics demonstrate this invisible principle in visible action. Fishes, insects, animals, reptiles, and birds appear in the religious symbolism of nearly all nations, because the forms and habits of these creatures and the media in which they exist closely relate them to the various generative and germinative powers of Nature, which were considered as prima-facie evidence of divine omnipresence.

(115) Antiquity has represented the angels in pictures like men with wings, but they have no need of any wings, yet they have hands and feet as men have, but after a heavenly manner and kind.

(40) Of these fifteen triads Kircher writes: "The figures differ from each other in eight highly important respects, i. e., according to form, position, gesture, act, raiment, headdress, staff, and, lastly, according to the hieroglyphics placed around them, whether these be flowers, shrubs, small letters or animals." These eight symbolic methods of portraying the secret powers of the figures are subtle reminders of the eight spiritual senses of cognition by means of which the Real Self in man may be comprehended. To express this spiritual truth the Buddhists used the wheel with eight spokes and raised their consciousness by means of the noble eightfold path. The ornamented border enclosing the three main panels of the Table contains many symbols consisting of birds, animals, reptiles, human beings, and composite forms. According to one reading of the Table, this border represents the four elements; the creatures are elemental beings. According to another interpretation, the border represents the archetypal spheres, and in its frieze of composite figures are the patterns of those forms which in various combinations will subsequently manifest themselves in the material world. The four flowers at the corners of the Table are those which, because their blossoms always face the sun and follow its course across the sky, are sacred emblems of that finer part of man's nature which delights in facing its Creator.