(36) The Truth in Symbols There are certain truths which cannot be well expressed in words, but which may be at least partially expressed in symbols. To those who feel a desire to penetrate rather more deeply into the Mystery of. the Three Higher Planes of Consciousness, we call attention to the symbol accompanying this particular chapter of this book. There is a wealth of knowledge and important information hidden in this symbol, undiscoverable to the many but at least partially discoverable by the few. To the Few, we offer the following suggestions concerning this Symbol.

(1) The mode however of teaching through symbols, was considered by Pythagoras as most necessary. For this form of erudition was cultivated by nearly all the Greeks, as being most ancient. But it was transcendently honored by the Egyptians, and adopted by them in the most diversified manner. Conformably to this, therefore, it will be found, that great attention was paid to it by Pythagoras, if any one clearly unfolds the significations and arcane conceptions of the Pythagoric symbols, and thus developes the great rectitude and truth they contain, and liberates them from their enigmatic form. For they are adapted according to a simple and uniform doctrine, to the great geniuses of these philosophers, and deify in a manner which surpasses human conception.

For those who came from this school, and especially the most ancient Pythagoreans, and also those young men who were the disciples of Pythagoras when he was an old man, viz. Philolaus and Eurytus, Charondas and Zaleucus, and Brysson, the elder Archytas also, and Aristæus, Lysis and Empedocles, Zanolxis and Epimenides, Milo and Leucippus, Alcmæon, Hippasus and Thymaridas, and all of that age, consisting of a multitude of learned men, and who were above measure excellent,—all these adopted this mode of teaching, in their discourses with each other, and in their commentaries and annotations. Their writings also, and all the books which they published, most of which have been preserved even to our time , were not composed by them in a popular and vulgar diction, and in a manner usual with all other writers, so as to be immediately understood, but in such a way as not to be easily apprehended by those that read them.

For they adopted that taciturnity which was instituted by Pythagoras as a law, in concealing after an arcane mode, divine mysteries from the uninitiated, and obscuring their writings and conferences with each other. Hence he who selecting these symbols does not unfold their meaning by an apposite exposition, will cause those who may happen to meet with them to consider them as ridiculous and inane, and as full of nugacity and garrulity. When, however, they are unfolded in a way conformable to these symbols, and become obvious and clear even to the multitude, instead of being obscure and dark, then they will be found to be analogous to prophetic sayings, and to the oracles of the Pythian Apollo. They will then also exhibit an admirable meaning, and will produce a divine afflatus in those who unite intellect with erudition.

Nor will it be improper to mention a few of them, in order that this mode of discipline may become more perspicuous: Enter not into a temple negligently, nor in short adore carelessly, not even though you should stand at the very doors themselves . Sacrifice and adore unshod. Declining from the public ways, walk in unfrequented paths. Speak not about Pythagoric concerns without light. And such are the outlines of the mode adopted by Pythagoras of teaching through symbols.

(3) And why should I linger over the barbarians, when I can adduce the Greeks as exceedingly addicted to the use of the method of concealment? Androcydes the Pythagorean says the far-famed so-called Ephesian letters were of the class of symbols. For he said that askion (shadowless) meant darkness, for it has no shadow; and katas kion (shadowy) light, since it casts with its rays the shadow; and lix if is the earth, according to an ancient' appellation; and tetras is the year, in reference to the seasons; and d amnameneus is the sun, which overpowers (damazwn); and ta aisia is the true voice. And then the symbol intimates that divine things have been arranged in harmonious order - darkness to light, the sun to the year, and the earth to nature's processes of production of every sort. Also Dionysius Thrax, the grammarian, in his book, Respecting the Exposition of the Symbolical Signification in Circles, says expressly, "Some signified actions not by words only, but also by symbols: by words, as is the case of what are called the Delphic maxims, 'Nothing in excess,' 'Know thyself,' and the like; and by symbols, as the wheel that is turned in the temples of the gods, derived from the Egyptians, and the branches that are given to the worshippers. For the Thracian Orpheus says: "Whatever works of branches are a care to men on earth, Not one has one fate in the mind, but all things Revolve around; and it is not lawful to stand at one point, But each one keeps an equal part of the race as they began."

(1) I do not know, O excellent Titus, whether the holy Timothy departed, deaf to some of the theological symbols which were explained by me. But, in the Symbolic Theology, we have thoroughly investigated for him all the expressions of the Oracles concerning God, which appear to the multitude to be monstrous. For they give a colour of incongruity dreadful to the uninitiated souls, when the Fathers of the unutterable wisdom explain the Divine and Mystical Truth, unapproachable by the profane, through certain, certainly hidden and daring enigmas. Wherefore also, the many discredit the expressions concerning the Divine Mysteries. For, we contemplate them only through the sensible symbols that have grown upon them. We must then strip them, and view them by themselves in their naked purity. For, thus contemplating them, we should reverence a fountain of Life flowing into Itself--viewing It even standing by Itself, and as a kind of single power, simple, self-moved, and self-worked, not abandoning Itself, but a knowledge surpassing every kind of knowledge, and always contemplating Itself, through Itself. We thought it necessary then, both for him and for others, that we should, as far as possible, unfold the varied forms of the Divine" representations of God in symbols. For, with what incredible and simulated monstrosities are its external, forms filled? For instance, with regard to the superessential Divine generation, representing a body of God corporally generating God; and describing a word flowing out into air from a man's heart, which eructates it, and a breath, breathed forth from a mouth; and celebrating God-bearing bosoms embracing a son of God, bodily; or representing these things after the manner of plants, and producing certain trees, and branches, and flowers and roots, as examples; or fountains of waters y, bubbling forth; or seductive light productions of reflected splendours; or certain other sacred representations which explain superessential descriptions of God; but with regard to the intelligible providences of Almighty God, either gifts, manifestations, or powers, or properties, or repose, or abidings, or progressions, or distinctions, or unions, clothing Almighty God in human form, and in the varied shape of wild beasts and other living creatures, and plants, and stones; and attributing to Him ornaments of women, or weapons of savages; and assigning working in clay, and in a furnace, as it were to a sort of artisan; and placing under Him, horses and chariots and thrones; and spreading before Him certain dainty meats delicately cooked; and representing Him as drinking, and drunken, and sleeping, and suffering from excess. What would any one say concerning the angers, the griefs, the various oaths, the repentances, the curses, the revenges, the manifold and dubious excuses for the failure of promises, the battle of giants in Genesis, during which He is said to scheme against those powerful and great men, and this when they were contriving the building, not with a view to injustice towards other people, but on behalf of their own safety? And that counsel devised in heaven to deceive and mislead Achab; and those mundane and meritricious passions of the Canticles; and all the other sacred compositions which appear in the description of God, which stick at nothing, as projections, and multiplications of hidden things, and divisions of things one and undivided, and formative and manifold forms of the shapeless and unformed; of which, if any one were able to see their inner hidden beauty, he will find every one of them mystical and Godlike, and filled with abundant theological light. For let us not think, that the appearances of the compositions have been formed for their own sake, but that they shield the science unutterable and invisible to the multitude, since things all-holy are not within the reach of the profane, but are manifested to those only who are genuine lovers of piety, who reject all childish fancy respecting the holy symbols, and are capable to pass with simplicity of mind, and aptitude of contemplative faculty, to the simple and supernatural and elevated truth of the symbols. Besides, we must also consider this, that the teaching, handed down by the Theologians is two-fold--one, secret and mystical--the other, open and better known--one, symbolical and initiative--the other, philosophic and demonstrative;--and the unspoken is intertwined with the spoken. The one persuades, and desiderates the truth of the things expressed, the other acts and implants in Almighty God, by instructions in mysteries not learnt by teaching. And certainly, neither our holy instructors, nor those of the law, abstain from the God-befitting symbols, throughout the celebrations of the most holy mysteries. Yea, we see even the most holy Angels, mystically advancing things Divine through enigmas; and Jesus Himself, speaking the word of God in parables, and transmitting the divinely wrought mysteries, through a typical spreading of a table. For, it was seemly, not only that the Holy of holies should be preserved undefiled by the multitude, but also that the Divine knowledge should illuminate the human life, which is at once indivisible and divisible, in a manner suitable to itself; and to limit the passionless part of the soul to the simple, and most inward visions of the most godlike images; but that its impassioned part should wait upon, and, at the same time, strive after, the most Divine coverings, through the pre-arranged representations of the typical symbols, as such (coverings) are, by nature, congenial to it. And all those who are hearers of a distinct theology without symbols, weave in themselves a sort of type, which conducts them to the conception of the aforesaid theology.

(5) Wishing to express Sun in writing, they make a circle; and Moon, a figure like the Moon, like its proper shape. But in using the figurative style, by transposing and transferring, by changing and by transforming in many ways as suits them, they draw characters. In relating the praises of the kings in theological myths, they write in anaglyphs. Let the following stand as a specimen of the third species - the Enigmatic. For the rest of the stars, on account of their oblique course, they have figured like the bodies of serpents; but the sun, like that of a beetle, because it makes a round figure of ox-dung, and rolls it before its face. And they say that this creature lives six months under ground, and the other division of the year above ground, and emits its seed into the ball, and brings forth; and that there is not a female beetle. All then, in a word, who have spoken of divine things, both Barbarians and Greeks, have veiled the first principles of things, and delivered the truth in enigmas, and symbols, and allegories, and metaphors, and such like tropes. Such also are the oracles among the Greeks. And the Pythian Apollo is called Loxias. Also the maxims of those among the Greeks called wise men, in a few sayings indicate the unfolding of matter of considerable importance. Such certainly is that maxim, "Spare Time:" either because life is short, and we ought not to expend this time in vain; or, on the other hand, it bids you spare your personal expenses; so that, though you live many years, necessaries may not fail you. Similarly also the maxim "Know thyself" shows many things; both that thou art mortal, and that thou wast born a human being; and also that, in comparison with the other excellences of life, thou art of no account, because thou sayest that thou art rich or renowned; or, on the other hand, that, being rich or renowned, you are not honoured on account of your advantages alone. And it says, Know for what thou wert born, and whose image thou art; and what is thy essence, and what thy creation, and what thy relation to God, and the like. And the Spirit says by Isaiah the prophet, "I will give thee treasures, hidden, dark." Now wisdom, hard to hunt, is the treasures of God and unfailing riches. But those, taught in theology by those prophets, the poets, philosophize much by way of a hidden sense. I mean Orpheus, Linus, Musaeus, Homer, and Hesiod, and those in this fashion wise. The persuasive style of poetry is for them a veil for the many.

(5) Very useful, then, is the mode of symbolic interpretation for many purposes; and it is helpful to the right theology, and to piety, and to the display of intelligence, and the practice of brevity, and the exhibition of wisdom. "For the use of symbolical speech is characteristic of the wise man," appositely remarks the grammarian Didymus, "and the explanation of what is signified by it." And indeed the most elementary instruction of children embraces the interpretation of the four elements; for it is said that the Phrygians call water Bedu, as also Orpheus says: - "And bright water is poured down, the Bedu of the nymphs."

(1) Whence also the Egyptians did not entrust the mysteries they possessed to all and sundry, and did not divulge the knowledge of divine things to the profane; but only to those destined to ascend the throne, and those of the priests that were judged the worthiest, from their nurture, culture, and birth. Similar, then, to the Hebrew enigmas in respect to concealment, are those of the Egyptians also. Of the Egyptians, some show the sun on a ship, others on a crocodile. And they signify hereby, that the sun, making a passage through the delicious and moist air, generates time; which is symbolized by the crocodile in some other sacerdotal account. Further, at Diospolis in Egypt, on the temple called Pylon, there was figured a boy as the symbol of production, and an old man as that of decay. A hawk, on the other hand, was the symbol of God, as a fish of hate; and, according to a different symbolism, the crocodile; of impudence. The whole symbol, then, when put together, appears to teach this: "Oh ye who are born and die, God hates impudence."