(13) Therefore also the Egyptians place Sphinxes before their temples, to signify that the doctrine respecting God is enigmatical and obscure; perhaps also that we ought both to love and fear the Divine Being: to love Him as gentle and benign to the pious; to fear Him as inexorably just to the impious; for the sphinx shows the image of a wild beast and of a man together.

(5) It was not any palace corridor There where we were, but dungeon natural, With floor uneven and unease of light. "Ere from the abyss I tear myself away, My Master," said I when I had arisen, "To draw me from an error speak a little; Where is the ice? and how is this one fixed Thus upside down? and how in such short time From eve to morn has the sun made his transit?" And he to me: "Thou still imaginest Thou art beyond the centre, where I grasped The hair of the fell worm, who mines the world. That side thou wast, so long as I descended; When round I turned me, thou didst pass the point To which things heavy draw from every side, And now beneath the hemisphere art come Opposite that which overhangs the vast Dry-land, and 'neath whose cope was put to death The Man who without sin was born and lived. Thou hast thy feet upon the little sphere Which makes the other face of the Judecca. Here it is morn when it is evening there; And he who with his hair a stairway made us Still fixed remaineth as he was before.

(6) Upon this side he fell down out of heaven; And all the land, that whilom here emerged, For fear of him made of the sea a veil, And came to our hemisphere; and peradventure To flee from him, what on this side appears Left the place vacant here, and back recoiled." A place there is below, from Beelzebub As far receding as the tomb extends, Which not by sight is known, but by the sound Of a small rivulet, that there descendeth Through chasm within the stone, which it has gnawed With course that winds about and slightly falls. The Guide and I into that hidden road Now entered, to return to the bright world; And without care of having any rest We mounted up, he first and I the second, Till I beheld through a round aperture Some of the beauteous things that Heaven doth bear; Thence we came forth to rebehold the stars.

(6) All of their coverings uplifted were, And from them issued forth such dire laments, Sooth seemed they of the wretched and tormented. And I: "My Master, what are all those people Who, having sepulture within those tombs, Make themselves audible by doleful sighs?" And he to me: "Here are the Heresiarchs, With their disciples of all sects, and much More than thou thinkest laden are the tombs. Here like together with its like is buried; And more and less the monuments are heated." And when he to the right had turned, we passed Between the torments and high parapets.

(3) After the interruption due to Chapters 153 and 154, we revert to the series inaugurated by 151, the description of the chamber in which the mummy is deposited, and of the funeral equipment of the deceased, his amulets and ornaments. The papyrus III, 93 (Pb), of the Louvre, throws several of these Chapters into one, with the title: the description of the hidden things of the Tuat , and the vignette (Pl. LV) represents three figures of Chapter 151: the statuette, the torch or flame, and the Anubis; besides two Tat of different substances, one of them for the wall, and one to be put on the neck of the deceased, and a buckle

(22) Each of the four walls had a small niche of the exact size of an amulet, which was lodged in it. We know it from the four oriented steles of Marseilles (Naville, Les quatre stèles orientées du Musée de Marseille ), where we find the text belonging to each wall, and also the niche cut in the stone for each amulet. On the North was a human figure, on the South a flame, on the East a jackal, on the West a Tat

(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(2) In ancient Egypt dwelt the great Adepts and Masters who have never been surpassed, and who seldom have been equaled, during the centuries that have taken their processional flight since the days of the Great Hermes. In Egypt was located the Great Lodge of Lodges of the Mystics. At the doors of her Temples entered the Neophytes who afterward, as Hierophants, Adepts, and Masters, traveled to the four corners of the earth, carrying with them the precious knowledge which they were ready, anxious, and willing to pass on to those who were ready to receive the same. All students of the Occult recognize the debt that they owe to these venerable Masters of that ancient land.

(24) The soul of the deceased is supposed to be in the chamber, and to worship the rising and the setting sun

(8) The text which has been followed in the translation of this chapter is that of the Royal Tombs of Rameses IV and Rameses VI, called by M. Naville Chapter 127 A . The lost Busca papyrus, of which Lepsius had a tracing, furnishes a different text, (127 B ), and the text of the Turin Todtenbuch has been enlarged by means of numerous interpolations. M. Naville has called attention to the close relationship between this chapter and the second part of the “Solar Litany.”

(1) Whence also the Egyptians did not entrust the mysteries they possessed to all and sundry, and did not divulge the knowledge of divine things to the profane; but only to those destined to ascend the throne, and those of the priests that were judged the worthiest, from their nurture, culture, and birth. Similar, then, to the Hebrew enigmas in respect to concealment, are those of the Egyptians also. Of the Egyptians, some show the sun on a ship, others on a crocodile. And they signify hereby, that the sun, making a passage through the delicious and moist air, generates time; which is symbolized by the crocodile in some other sacerdotal account. Further, at Diospolis in Egypt, on the temple called Pylon, there was figured a boy as the symbol of production, and an old man as that of decay. A hawk, on the other hand, was the symbol of God, as a fish of hate; and, according to a different symbolism, the crocodile; of impudence. The whole symbol, then, when put together, appears to teach this: "Oh ye who are born and die, God hates impudence."

The mysteries of truth are made known in symbols and images. The bedchamber is hidden, and it is the holy of the holy. At first the curtain concealed how God manages creation, but when the curtain is torn and what is inside appears, this building will be left deserted, or rather will be destroyed. And the whole godhead will flee from here but not into the holy of holies, for it cannot mingle with pure [light] and [perfect] fullness. Instead it will remain under the wings of the cross [and under] its arms. This ark will be salvation [for people] when floodwaters surge over them. Whoever belongs to the priestly order can go inside the curtain along with the high priest. For this reason the curtain was not torn only at the top, for then only the upper realm would have been opened. It was not torn only at the bottom, for then it would have revealed only the lower realm. No, it was torn from top to bottom. The upper realm was opened for us in the lower realm, that we might enter the hidden realm of truth. This is what is truly worthy and mighty, and we shall enter through symbols that are weak and insignificant. They are weak compared to perfect glory. There is glory that surpasses glory, there is power that surpasses power. Perfect things have opened to us, and hidden things of truth. The holy of holies was revealed, and the bedchamber invited us in.