(3) After the interruption due to Chapters 153 and 154, we revert to the series inaugurated by 151, the description of the chamber in which the mummy is deposited, and of the funeral equipment of the deceased, his amulets and ornaments. The papyrus III, 93 (Pb), of the Louvre, throws several of these Chapters into one, with the title: the description of the hidden things of the Tuat , and the vignette (Pl. LV) represents three figures of Chapter 151: the statuette, the torch or flame, and the Anubis; besides two Tat of different substances, one of them for the wall, and one to be put on the neck of the deceased, and a buckle

(6) Upon this side he fell down out of heaven; And all the land, that whilom here emerged, For fear of him made of the sea a veil, And came to our hemisphere; and peradventure To flee from him, what on this side appears Left the place vacant here, and back recoiled." A place there is below, from Beelzebub As far receding as the tomb extends, Which not by sight is known, but by the sound Of a small rivulet, that there descendeth Through chasm within the stone, which it has gnawed With course that winds about and slightly falls. The Guide and I into that hidden road Now entered, to return to the bright world; And without care of having any rest We mounted up, he first and I the second, Till I beheld through a round aperture Some of the beauteous things that Heaven doth bear; Thence we came forth to rebehold the stars.

(7) This is another of those chapters of which the antiquity is proved by the coffins of Horhotep and Queen Mentuhotep. And even in the early times to which these coffins belong it must have been extremely difficult to understand. In the translation here given I have adhered as closely as possible to the oldest texts, but these, as the variants show, are not entirely trustworthy

(50) This chapter is in itself most interesting, and it is one of the most important as illustrative of Egyptian mythology. It is impossible at present to explain every detail, but the general drift of the chapter is not to be mistaken. And the same drift is to be recognised in the whole course of Egyptian religious literature from the beginning

These reflections on the nothingness of outward form compared to spirit lead the poet to the corollary that often men whose outward forms are buried in the grave are greater benefactors to the poor and helpless than men still living in the body. This is illustrated by the story of the man who was maintained by the Prefect of Tabriz. This man incurred heavy debts on the credit of his pension, even as the Imam Ja'far Sadiq was able to capture a strong fort single-handed through the power of God assisting him. When the creditors became pressing the man journeyed to Tabriz to seek further aid; but on arriving there he found the Prefect was dead. On learning this he was much cast down, but eventually recognized that he had erred in looking to a creature instead of his Creator for aid, according to the text, "The infidels equalize others with their Lord." This obliquity of spiritual sight, causing him to see a mere human benefactor, where the real benefactor was God alone, is illustrated by anecdotes of a man buying bread at Kashan, of Sultan Khwarazm Shah deluded into disliking a fine horse by the interested advice of his Vazir, and of Joseph, who when imprisoned by Pharaoh was induced to trust for deliverance to the intercession of the chief butler rather than to God alone, for which cause "he remained several years in prison." A charitable person of Tabriz endeavoured to raise funds for the poor man, and appealed to the citizens to aid him, but only succeeded in collecting a very small sum. He then visited the Prefect's tomb, and implored assistance from him; and the same night the Prefect appeared to him in a dream, and gave him directions where to find a great treasure, and directed him to make over this treasure to the poor man. Thus the dead Prefect proved a more liberal benefactor than the citizens of Tabriz who were still living.

(8) The text which has been followed in the translation of this chapter is that of the Royal Tombs of Rameses IV and Rameses VI, called by M. Naville Chapter 127 A . The lost Busca papyrus, of which Lepsius had a tracing, furnishes a different text, (127 B ), and the text of the Turin Todtenbuch has been enlarged by means of numerous interpolations. M. Naville has called attention to the close relationship between this chapter and the second part of the “Solar Litany.”

(515) made of wood and stone and various materials, which appear over the wall? Some of them are talking, others silent. You have shown me a strange image, and they are strange prisoners. Like ourselves, I replied; and they see only their own shadows, or the shadows of one another, which the fire throws on the opposite wall of the cave? True, he said; how could they see anything but the shadows if they were never allowed to move their heads? And of the objects which are being carried in like manner they would only see the shadows? Yes, he said. And if they were able to converse with one another, would they not suppose that they were naming what was actually before them 1 ? Very true. And suppose further that the prison had an echo which came from the other side, would they not be sure to fancy when one of the passers-by spoke that the voice which they heard came from the passing shadow? No question, he replied. To them, I said, the truth would be literally nothing but the shadows of the images. That is certain. And now look again, and see what will naturally follow if the prisoners are released and disabused of their error. At first, when any of them is liberated and compelled suddenly to stand up and turn his neck round and walk and look towards the light, he will suffer sharp pains; the glare will distress him, and he will be unable to see the realities of

(5) With him go those who in such wise deceive; And this sufficient be of the first valley To know, and those that in its jaws it holds." We were already where the narrow path Crosses athwart the second dike, and forms Of that a buttress for another arch. Thence we heard people, who are making moan In the next Bolgia, snorting with their muzzles, And with their palms beating upon themselves The margins were incrusted with a mould By exhalation from below, that sticks there, And with the eyes and nostrils wages war. The bottom is so deep, no place suffices To give us sight of it, without ascending The arch's back, where most the crag impends. Thither we came, and thence down in the moat I saw a people smothered in a filth That out of human privies seemed to flow; And whilst below there with mine eye I search, I saw one with his head so foul with ordure, It was not clear if he were clerk or layman. He screamed to me: "Wherefore art thou so eager To look at me more than the other foul ones?" And I to him: "Because, if I remember,

(45) The Pyramid Texts furnish some interesting information not contained in the Book of the Dead. We are told that the approach to the Garden is over the Lake of Putrata (see chapter 40, ), that there is a great lake (? that of Konsit) in the middle of the Garden of Ḥotepit, upon which the great gods alight, and that the Achmiu Sekiu , the starry deities who never set, there feed the departed from the wood of life ( lignum vitæ ) “upon which they themselves live, in order that he too may live.” Shu and Tefnut are mentioned as divinities of this place. But perhaps the most remarkable fact is that Horus had enemies even here, who, however, were annihilated by the divine weapons at the disposal of the departed worthy, who was led there in order that “he might sit among the stars in heaven.”

(4) The oldest papyrus containing this chapter is that of Ani, and the translation is based upon it. But the text differs both from those written on the very ancient coffins of Heru and Set-Bastit, copied by M. Maspero, [34] and from the later texts

Notwithstanding the clear evidence of God's bounty, engendering these spiritual states in men, philosophers and learned men, wise in their own conceit, obstinately shut their eyes to it, and look afar off for what is really close to them, so that they incur the penalty of "being branded on the nostrils," adjudged against unbelievers. This is illustrated by the story of a poor Faqir who prayed to God that he might be fed without being obliged to work for his food. A divine voice came to him in his sleep and directed him to go to the house of a certain scribe and take a certain writing that he should find there. He did so, and on reading the writing found that it contained directions for finding a hidden treasure. The directions were as follows: "Go outside the city to the dome which covers the tomb of the martyr; turn your back to the tomb and your face towards Mecca, place an arrow in your bow, and where the arrow falls there dig for the treasure." But before the Faqir had time to commence the search the rumor of the writing and its contents had reached the king, who at once sent and took it away from the Faqir, and began to search for the treasure on his own account. After shooting many arrows and digging in all directions the king failed to find the treasure, and got weary of searching, and returned the writing to the Faqir. Then the Faqir tried what he could do, but failed altogether to hit the spot where the treasure was buried. At last, despairing of success by his own unaided efforts, he cast his care upon God, and implored the divine assistance. Then a voice from heaven came to him, saying, "You were directed to fix an arrow on your bow, but not to draw your bow with all your might, as you have been doing. Shoot as gently as possible, that the arrow may fall close to you, for the hidden treasure is indeed 'nearer to you than your neck-vein.' " Men overlook the spiritual treasures close to them, and for this reason it is that prophets have no honor in their own countries, as is illustrated by the cases of the saint Abu-'l-Hasan Khirqani and the Prophet Hud or Heber.

(22) Each of the four walls had a small niche of the exact size of an amulet, which was lodged in it. We know it from the four oriented steles of Marseilles (Naville, Les quatre stèles orientées du Musée de Marseille ), where we find the text belonging to each wall, and also the niche cut in the stone for each amulet. On the North was a human figure, on the South a flame, on the East a jackal, on the West a Tat

(5) It was not any palace corridor There where we were, but dungeon natural, With floor uneven and unease of light. "Ere from the abyss I tear myself away, My Master," said I when I had arisen, "To draw me from an error speak a little; Where is the ice? and how is this one fixed Thus upside down? and how in such short time From eve to morn has the sun made his transit?" And he to me: "Thou still imaginest Thou art beyond the centre, where I grasped The hair of the fell worm, who mines the world. That side thou wast, so long as I descended; When round I turned me, thou didst pass the point To which things heavy draw from every side, And now beneath the hemisphere art come Opposite that which overhangs the vast Dry-land, and 'neath whose cope was put to death The Man who without sin was born and lived. Thou hast thy feet upon the little sphere Which makes the other face of the Judecca. Here it is morn when it is evening there; And he who with his hair a stairway made us Still fixed remaineth as he was before.

(6) All of their coverings uplifted were, And from them issued forth such dire laments, Sooth seemed they of the wretched and tormented. And I: "My Master, what are all those people Who, having sepulture within those tombs, Make themselves audible by doleful sighs?" And he to me: "Here are the Heresiarchs, With their disciples of all sects, and much More than thou thinkest laden are the tombs. Here like together with its like is buried; And more and less the monuments are heated." And when he to the right had turned, we passed Between the torments and high parapets.