(1) The simple letters are twelve, namely: He, Vau, Zain, Heth, Teth, Yod, Lamed, Nun, Samech, Oin, Tzaddi, and Quoph; they represent the fundamental properties, eight, hearing, smell, speech, desire for food, the sexual appetite, movement, anger, mirth, thought, sleep, and work. These symbolize also twelve directions in space: northeast, southeast, the east above, the east below, the northwest, southwest, the west above, the west below, the upper south, the lower south, the upper north, the lower north. These diverge to all eternity, and an as the arms of the universe.

(44) Now the heaven, the stars, and the whole deep between the stars, together with the earth, signify the Father.

(2) These seven double letters point out the dimensions, East, West, height, depth, North, South, with the holy temple in the middle, sustaining all things.

(43) Now consider further the circle or sphere of the stars, they denote the various powers and wisdom of the Father, and they also are made by the power and wisdom of the Father.

(3) These seven double letters He formed, designed, created, and combined into the Stars of the Universe, the days of the week, the orifices of perception in man; and from them he made seven heavens, and seven planets, all from nothingness, and, moreover, he has preferred and blessed the sacred Heptad.

(72) All the stars which men see, and those which they do not see, they all signify the power of God the Father; and out of these stars is generated the sun, which is the heart of all the stars.

(36) The Truth in Symbols There are certain truths which cannot be well expressed in words, but which may be at least partially expressed in symbols. To those who feel a desire to penetrate rather more deeply into the Mystery of. the Three Higher Planes of Consciousness, we call attention to the symbol accompanying this particular chapter of this book. There is a wealth of knowledge and important information hidden in this symbol, undiscoverable to the many but at least partially discoverable by the few. To the Few, we offer the following suggestions concerning this Symbol.

(3) Three mothers, seven double and twelve simple, these are the twenty-two letters with which I H V H Tetragrammaton, that is our Lord of Hosts, exalted, and existed in the ages, whose name is Holy, created three fathers, fire and spirit and water, progressing beyond them, seven heavens with their armies of angels; and twelve limits of the universe.

(47) It enlighteneth also the heaven, the stars, and the deep above the earth, working in all things that are in this world, and is the king and the heart of all things of this world, and so rightly signifieth the Son of God.

(1) Let him imagine, who would well conceive What now I saw, and let him while I speak Retain the image as a steadfast rock, The fifteen stars, that in their divers regions The sky enliven with a light so great That it transcends all clusters of the air; Let him the Wain imagine unto which Our vault of heaven sufficeth night and day, So that in turning of its pole it fails not; Let him the mouth imagine of the horn That in the point beginneth of the axis Round about which the primal wheel revolves,— To have fashioned of themselves two signs in heaven, Like unto that which Minos' daughter made, The moment when she felt the frost of death; And one to have its rays within the other, And both to whirl themselves in such a manner That one should forward go, the other backward; And he will have some shadowing forth of that True constellation and the double dance That circled round the point at which I was; Because it is as much beyond our wont, As swifter than the motion of the Chiana Moveth the heaven that all the rest outspeeds.

(3) The Symbol is interpreted as follows: (1) The Infinite Unmanifest manifests itself in the Elemental Soul; (2) the Elemental Soul takes upon itself the outward form of Mineral Substance; (3) The Mineral Soul evolves from itself the Plant Soul; (4) the Plant Soul evolves from itself the Animal Soul; (5) the Animal Soul evolves from itself the Human Soul; (6) the Human Soul unfolds into the Soul of the Demi-Gods; (7) the Soul of the Demi-Gods unfolds into the Soul of the Gods; and finally, the Soul of the Gods once more is resolved into Pure Spirit, which is represented by the blank space at the centre of the symbol. This statement will be more clearly apprehended by those who have carefully studied the preceding chapters conveying instruction concerning the Seven Planes of Consciousness, and much of the information contained in those chapters is to be taken into consideration in the study of the present chapter.

(45) And the seven planets signify the seven spirits of God, or the princes of the angels, among which also lord LUCIFER was one before his fall; all [these] were made out of the Father in the beginning of the creation of angels, before the time of this world.

(1) Since, however, every part of the heavens, every sign of the zodiac, all the motion of the heavens, every period of time according to which the world is moved, and all things contained in the wholes of the universe, receive the powers which descend from the sun, some of which are complicated with these wholes, but others transcend a commixture with them, the symbolical mode of signification represents these also, indicating “ that the sun is diversified according to the signs of the zodiac, and that every hour he changes his form .” At the same time, also, it indicates his immutable, stable, never failing, and at once collected communication of good to the whole world. But since the recipients of the impartible gift of the God are variously affected towards it, and receive multiform powers, from the sun, according to their peculiar motions, hence the symbolical doctrine evinces through the multitude of the gifts, that the God is one, and exhibits his one power through multiform powers.

(16) Now the high priest's robe is the symbol of the world of sense. The seven planets are represented by the five stones and the two carbuncles, for Saturn and the Moon. The former is southern, and moist, and earthy, and heavy; the latter aerial, whence she is called by some Artemis, as if Aerotomos (cutting the air); and the air is cloudy. And cooperating as they did in the production of things here below, those that by Divine Providence are set over the planets are rightly represented as placed on the breast and shoulders; and by them was the work of creation, the first week. And the breast is the seat of the heart and soul.

(63) This description sheweth that the first writer did not know what the stars are, though he was capable of understanding the right or law of God, and has taken hold on the Deity at the heart, and looked upon or had respect to the heart, to consider what the heart and kernel of this creation is; though the spirit kept the astral and outermost dead birth or geniture hidden from him, and did only drive him in faith to the heart of the Deity.

(46) The whole body to the neck signifieth and is the round circle or sphere of the stars, as also the deep within or between the stars, wherein the planets and elements reign.

(3) In b the central object is the Sun setting in the West . He is saluted by three hawk-headed and by three jackal-headed divinities, the Spirits of Pu and of Nechen. Below this scene the Sun of Yesterday and the Sun of To-day in lion forms are saluted by Isis and Nephthys

(5) Wishing to express Sun in writing, they make a circle; and Moon, a figure like the Moon, like its proper shape. But in using the figurative style, by transposing and transferring, by changing and by transforming in many ways as suits them, they draw characters. In relating the praises of the kings in theological myths, they write in anaglyphs. Let the following stand as a specimen of the third species - the Enigmatic. For the rest of the stars, on account of their oblique course, they have figured like the bodies of serpents; but the sun, like that of a beetle, because it makes a round figure of ox-dung, and rolls it before its face. And they say that this creature lives six months under ground, and the other division of the year above ground, and emits its seed into the ball, and brings forth; and that there is not a female beetle. All then, in a word, who have spoken of divine things, both Barbarians and Greeks, have veiled the first principles of things, and delivered the truth in enigmas, and symbols, and allegories, and metaphors, and such like tropes. Such also are the oracles among the Greeks. And the Pythian Apollo is called Loxias. Also the maxims of those among the Greeks called wise men, in a few sayings indicate the unfolding of matter of considerable importance. Such certainly is that maxim, "Spare Time:" either because life is short, and we ought not to expend this time in vain; or, on the other hand, it bids you spare your personal expenses; so that, though you live many years, necessaries may not fail you. Similarly also the maxim "Know thyself" shows many things; both that thou art mortal, and that thou wast born a human being; and also that, in comparison with the other excellences of life, thou art of no account, because thou sayest that thou art rich or renowned; or, on the other hand, that, being rich or renowned, you are not honoured on account of your advantages alone. And it says, Know for what thou wert born, and whose image thou art; and what is thy essence, and what thy creation, and what thy relation to God, and the like. And the Spirit says by Isaiah the prophet, "I will give thee treasures, hidden, dark." Now wisdom, hard to hunt, is the treasures of God and unfailing riches. But those, taught in theology by those prophets, the poets, philosophize much by way of a hidden sense. I mean Orpheus, Linus, Musaeus, Homer, and Hesiod, and those in this fashion wise. The persuasive style of poetry is for them a veil for the many.

(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(2) All things being undefined and yet unwrought, the light things were assigned unto the height, the heavy ones had their foundations laid down underneath the moist part of Dry Space, the universal things being bounded off by Fire and hanged in Breath to keep them up. And Heaven was seen in seven circles; its Gods were visible in forms of stars with all their signs; while Nature had her members made articulate together with the Gods in her. And [Heaven's] periphery revolved in cyclic course, borne on by Breath of God.