(10) Said also on a figure the middle part of which is that of a man; his arms are hanging down. The head of a ram is on his right shoulder, and another on his left shoulder. Thou wilt paint on one bandage the two figures of the god with raised arm, and put it across the chest of the deceased, so that the two painted figures may be on his breast

(12) It is one of the twelve: he that dippeth his hand with me in the dish, the same shall betray me.

(29) The vignette of 153 A , in the papyrus III, 93, of the Louvre ( Pb ), shows a clap-net drawn by four men. Behind it comes the deceased, holding in his hand two instruments mentioned in the text: the and the , called or each of them consists of different parts having a distinct name

(1) should not have been placed among those of the Book of the Dead, it belongs to another book similar to the , the book engraved on the walls of the royal tombs. It describes gods and genii of the bounds in the Tuat who confer certain blessings on the deceased; such as this: “those who lift up their faces towards the sky at the prow of the boat of Rā, grant that Osiris N. may see Rā when he rises.” A vignette gives the appearance of the god or genius spoken of. Every one of them is followed by this sentence: “for the libation of a vase has been made on earth by Osiris N. who is (now) the lord of abundance, and goes round the garden of Hotepit.”

It was the custom of the men of Qazwin to have various devices tattooed upon their bodies. A certain coward went to the artist to have such a device tattooed on his back, and desired that it might be the figure of a lion. But when he felt the pricks of the needles he roared with pain, and said to the artist, "What part of the lion are you now painting?" The artist replied, "I am doing the tail." The patient cried, "Never mind the tail; go on with another part." The artist accordingly began in another part, but the patient again cried out and told him to try somewhere else. Wherever the artist applied his needles, the patient raised similar objections, till at last the artist dashed all his needles and pigments on the ground, and refused to proceed any further. The Prophet's counsels to 'Ali to follow the direction of the Pir or Spiritual Guide, and to endure his chastisements patiently.

(1) THE soldiers of the governor led Jesus into the common hall, called Pretorium. They stripped him, and clothed him with purple (put on him a scarlet robe): they platted a crown of thorns, and put it about his head.

(63) What is this? “Of unknown attributes, which Hemen hath given” is the name of the Funereal Chest. “The Witness of that which is lifted” is the name of the Shrine

(2) Between his legs were hanging down his entrails; His heart was visible, and the dismal sack That maketh excrement of what is eaten. While I was all absorbed in seeing him, He looked at me, and opened with his hands His bosom, saying: "See now how I rend me; How mutilated, see, is Mahomet; In front of me doth Ali weeping go, Cleft in the face from forelock unto chin; And all the others whom thou here beholdest, Disseminators of scandal and of schism While living were, and therefore are cleft thus. A devil is behind here, who doth cleave us Thus cruelly, unto the falchion's edge Putting again each one of all this ream, When we have gone around the doleful road; By reason that our wounds are closed again Ere any one in front of him repass. But who art thou, that musest on the crag, Perchance to postpone going to the pain That is adjudged upon thine accusations?" "Nor death hath reached him yet, nor guilt doth bring him," My Master made reply, "to be tormented; But to procure him full experience,

(3) After the interruption due to Chapters 153 and 154, we revert to the series inaugurated by 151, the description of the chamber in which the mummy is deposited, and of the funeral equipment of the deceased, his amulets and ornaments. The papyrus III, 93 (Pb), of the Louvre, throws several of these Chapters into one, with the title: the description of the hidden things of the Tuat , and the vignette (Pl. LV) represents three figures of Chapter 151: the statuette, the torch or flame, and the Anubis; besides two Tat of different substances, one of them for the wall, and one to be put on the neck of the deceased, and a buckle

(16) I know the name of the stake; the thigh of Nemu. Its point is the hand of Isis, its coil, the cord of the first-born god, its cordage the rope of Rā

(65) Because from these mysterious compositions comes life, That staff becomes a serpent and divides the Nile, Like the staff of Ha, Mim, by the grace of God. Its outward form resembles the outward forms of others, Yet the disk of a cake differs much from the moon's disk. The saint's weeping and laughter and speech Are not his own, but proceed from God. Whereas fools look only to outward appearances, These mysteries are totally hidden from them; Of necessity the real meaning is veiled from them,

(17) 12. The Bracement. “Hand of Isis, stanching the blood of the Eye of Horus,” is thy name

(17) Differently, the stones might be the various phases of salvation; some occupying the upper, some the lower parts of the entire body saved. The three hundred and sixty bells, suspended from the robe, is the space of a year, "the acceptable year of the Lord," proclaiming and resounding the stupendous manifestation of the Saviour. Further, the broad gold mitre indicates the regal power of the Lord, "since the Head of the Church" is the Savour. The mitre that is on it [i.e., the head] is, then, a sign of most princely rule; and otherwise we have heard it said, "The Head of Christ is the God and Father of our Lord Jesus Christ." Moreover, there was the breastplate, comprising the ephod, which is the symbol of work, and the oracle logion; and this indicated the Word logos by which it was framed, and is the symbol of heaven, made by the Word, and subjected to Christ, the Head of all things, inasmuch as it moves in the same way, and in a like manner. The luminous emerald stones, therefore, in the ephod, signify the sun and moon, the helpers of nature. The shoulder, I take it, is the commencement of the hand.

(65) This is one of the interesting chapters of the Book of the Dead. It is more frequently met with than the other ones, and it generally constitutes the end of the Theban papyri. It is the chapter of the various domains which the deceased has to reach, and in which he enjoys special privileges

(7) Save that at this 'tis broken, and does not bridge it; You will be able to mount up the ruin, That sidelong slopes and at the bottom rises." The Leader stood awhile with head bowed down; Then said: "The business badly he recounted Who grapples with his hook the sinners yonder." And the Friar: "Many of the Devil's vices Once heard I at Bologna, and among them, That he's a liar and the father of lies." Thereat my Leader with great strides went on, Somewhat disturbed with anger in his looks; Whence from the heavy-laden I departed After the prints of his beloved feet.

(3) No feathers had they, but as of a bat Their fashion was; and he was waving them, So that three winds proceeded forth therefrom. Thereby Cocytus wholly was congealed. With six eyes did he weep, and down three chins Trickled the tear-drops and the bloody drivel. At every mouth he with his teeth was crunching A sinner, in the manner of a brake, So that he three of them tormented thus. To him in front the biting was as naught Unto the clawing, for sometimes the spine Utterly stripped of all the skin remained. "That soul up there which has the greatest pain," The Master said, "is Judas Iscariot; With head inside, he plies his legs without. Of the two others, who head downward are, The one who hangs from the black jowl is Brutus; See how he writhes himself, and speaks no word. And the other, who so stalwart seems, is Cassius. But night is reascending, and 'tis time That we depart, for we have seen the whole." As seemed him good, I clasped him round the neck, And he the vantage seized of time and place, And when the wings were opened wide apart,

(10) The Logos uses him as a hand, to beautify and work on the things below, and he uses him as a mouth, to say the things which will be prophesied.

(4) The well-known esoteric symbol, the "Swastica" (see illustration) consists of a modified Cross, conceived as a "whirling wheel" (something like the familiar spinning "pin wheel" of the boys’ fireworks.) The whirling Cross of the Swastica, when seen in rapid motion, presents the appearance of a Circle enclosing a Cross .

(1) O Simon Magus, O forlorn disciples, Ye who the things of God, which ought to be The brides of holiness, rapaciously For silver and for gold do prostitute, Now it behoves for you the trumpet sound, Because in this third Bolgia ye abide. We had already on the following tomb Ascended to that portion of the crag Which o'er the middle of the moat hangs plumb. Wisdom supreme, O how great art thou showest In heaven, in earth, and in the evil world, And with what justice doth thy power distribute! I saw upon the sides and on the bottom The livid stone with perforations filled, All of one size, and every one was round. To me less ample seemed they not, nor greater Than those that in my beautiful Saint John Are fashioned for the place of the baptisers, And one of which, not many years ago, I broke for some one, who was drowning in it; Be this a seal all men to undeceive. Out of the mouth of each one there protruded The feet of a transgressor, and the legs Up to the calf, the rest within remained.