(5) When they together had discoursed somewhat, They turned to me with signs of salutation, And on beholding this, my Master smiled; And more of honour still, much more, they did me, In that they made me one of their own band; So that the sixth was I, 'mid so much wit. Thus we went on as far as to the light, Things saying 'tis becoming to keep silent, As was the saying of them where I was. We came unto a noble castle's foot, Seven times encompassed with lofty walls, Defended round by a fair rivulet; This we passed over even as firm ground; Through portals seven I entered with these Sages; We came into a meadow of fresh verdure. People were there with solemn eyes and slow, Of great authority in their countenance; They spake but seldom, and with gentle voices. Thus we withdrew ourselves upon one side Into an opening luminous and lofty, So that they all of them were visible. There opposite, upon the green enamel, Were pointed out to me the mighty spirits, Whom to have seen I feel myself exalted.

(24) The soul of the deceased is supposed to be in the chamber, and to worship the rising and the setting sun

(3) After the interruption due to Chapters 153 and 154, we revert to the series inaugurated by 151, the description of the chamber in which the mummy is deposited, and of the funeral equipment of the deceased, his amulets and ornaments. The papyrus III, 93 (Pb), of the Louvre, throws several of these Chapters into one, with the title: the description of the hidden things of the Tuat , and the vignette (Pl. LV) represents three figures of Chapter 151: the statuette, the torch or flame, and the Anubis; besides two Tat of different substances, one of them for the wall, and one to be put on the neck of the deceased, and a buckle

(515) made of wood and stone and various materials, which appear over the wall? Some of them are talking, others silent. You have shown me a strange image, and they are strange prisoners. Like ourselves, I replied; and they see only their own shadows, or the shadows of one another, which the fire throws on the opposite wall of the cave? True, he said; how could they see anything but the shadows if they were never allowed to move their heads? And of the objects which are being carried in like manner they would only see the shadows? Yes, he said. And if they were able to converse with one another, would they not suppose that they were naming what was actually before them 1 ? Very true. And suppose further that the prison had an echo which came from the other side, would they not be sure to fancy when one of the passers-by spoke that the voice which they heard came from the passing shadow? No question, he replied. To them, I said, the truth would be literally nothing but the shadows of the images. That is certain. And now look again, and see what will naturally follow if the prisoners are released and disabused of their error. At first, when any of them is liberated and compelled suddenly to stand up and turn his neck round and walk and look towards the light, he will suffer sharp pains; the glare will distress him, and he will be unable to see the realities of

(1) the Tomb is opened to the Soul and to the Shade of the person, that he may come forth by day and may have mastery of his feet

(6) All of their coverings uplifted were, And from them issued forth such dire laments, Sooth seemed they of the wretched and tormented. And I: "My Master, what are all those people Who, having sepulture within those tombs, Make themselves audible by doleful sighs?" And he to me: "Here are the Heresiarchs, With their disciples of all sects, and much More than thou thinkest laden are the tombs. Here like together with its like is buried; And more and less the monuments are heated." And when he to the right had turned, we passed Between the torments and high parapets.

(30) Summary The student must not fall into the error of supposing that man really has seven separate and distinct souls, either tied together like a bundle of twigs, or else worn as one would wear seven overcoats, one over the other. The symbol is only figurative, and must not be construed literally. There are not seven selves in man—but only One Self concealed by seven veils, each of which while serving to conceal the real nature of the Self yet serves to disclose the presence and power thereof to some degree. It is as if seven planes of variously colored glass, ranging from the darkest to the almost-transparent and colorless, were to be placed before a brilliant light. The darker glass would almost entirely obscure the Light, though yet revealing its presence in some of its rays; the next lighter would reveal more, and obscure less; and so on to the last in which the obscuration was but slight, and the revelation almost perfect. All illustrations of this ineffable fact of the Eternal are, by the very nature of things, imperfect, faulty, and misleading if taken too literally.

(22) Each of the four walls had a small niche of the exact size of an amulet, which was lodged in it. We know it from the four oriented steles of Marseilles (Naville, Les quatre stèles orientées du Musée de Marseille ), where we find the text belonging to each wall, and also the niche cut in the stone for each amulet. On the North was a human figure, on the South a flame, on the East a jackal, on the West a Tat

(6) Upon this side he fell down out of heaven; And all the land, that whilom here emerged, For fear of him made of the sea a veil, And came to our hemisphere; and peradventure To flee from him, what on this side appears Left the place vacant here, and back recoiled." A place there is below, from Beelzebub As far receding as the tomb extends, Which not by sight is known, but by the sound Of a small rivulet, that there descendeth Through chasm within the stone, which it has gnawed With course that winds about and slightly falls. The Guide and I into that hidden road Now entered, to return to the bright world; And without care of having any rest We mounted up, he first and I the second, Till I beheld through a round aperture Some of the beauteous things that Heaven doth bear; Thence we came forth to rebehold the stars.

(65) And such a house also the whole space or extent of this world came to be, when the Deity, in the seven spirits, had hidden itself from the horrible devils.

The mysteries of truth are made known in symbols and images. The bedchamber is hidden, and it is the holy of the holy. At first the curtain concealed how God manages creation, but when the curtain is torn and what is inside appears, this building will be left deserted, or rather will be destroyed. And the whole godhead will flee from here but not into the holy of holies, for it cannot mingle with pure [light] and [perfect] fullness. Instead it will remain under the wings of the cross [and under] its arms. This ark will be salvation [for people] when floodwaters surge over them. Whoever belongs to the priestly order can go inside the curtain along with the high priest. For this reason the curtain was not torn only at the top, for then only the upper realm would have been opened. It was not torn only at the bottom, for then it would have revealed only the lower realm. No, it was torn from top to bottom. The upper realm was opened for us in the lower realm, that we might enter the hidden realm of truth. This is what is truly worthy and mighty, and we shall enter through symbols that are weak and insignificant. They are weak compared to perfect glory. There is glory that surpasses glory, there is power that surpasses power. Perfect things have opened to us, and hidden things of truth. The holy of holies was revealed, and the bedchamber invited us in.

(2) The purpose of this work is not the enunciation of any special philosophy or doctrine, but rather is to give to the students a statement of the Truth that will serve to reconcile the many bits of occult knowledge that they may have acquired, but which are apparently opposed to each other and which often serve to discourage and disgust the beginner in the study. Our intent is not to erect a new Temple of Knowledge, but rather to place in the hands of the student a Master-Key with which he may open the many inner doors in the Temple of Mystery through the main portals he has already entered.

(4) It will be noted that while these Seven Veils serve to conceal the Real Self—in the sense of imposing limitations and shape to it, yet at the same time it reveals the presence of Spirit by means of its outlines. The ancient teachers were wont to illustrate this concealing-revealment by means of a bit of thin gauzy drapery suspended across the space of an open door or open window into which the breeze is blowing. The drapery covers (and thus conceals) the moving wind, yet at the same time it shows a form representing the movement and presence of the wind, and thus reveals the latter. Another favorite illustration was that of an invisible hand, of itself impossible of being perceived, but upon which was placed seven gloves, one over the other. The gloves were filled, and the presence of the hand revealed; but each glove, in turn, is mistaken for the hand itself. The hand is able to feel but faintly, and to act clumsily when the gloves are all on it, but as each glove is taken off it feels more sensitively, and performs more delicate actions; but without at least one of the gloves it is not apparent at all, even to the eyes of its owner.

(7) The seventh pylon: the shroud which enwrappeth the dead; the monster who seeks to hide the body. The name of the doorkeeper is: Akesti

(4) Nearer approached we, and were in such place, That there, where first appeared to me a rift Like to a crevice that disparts a wall, I saw a portal, and three stairs beneath, Diverse in colour, to go up to it, And a gate-keeper, who yet spake no word. And as I opened more and more mine eyes, I saw him seated on the highest stair, Such in the face that I endured it not. And in his hand he had a naked sword, Which so reflected back the sunbeams tow'rds us, That oft in vain I lifted up mine eyes. "Tell it from where you are, what is't you wish?" Began he to exclaim; "where is the escort? Take heed your coming hither harm you not!" "A Lady of Heaven, with these things conversant," My Master answered him, "but even now Said to us, 'Thither go; there is the portal.'" "And may she speed your footsteps in all good," Again began the courteous janitor; "Come forward then unto these stairs of ours." Thither did we approach; and the first stair Was marble white, so polished and so smooth, I mirrored myself therein as I appear.

(1) should not have been placed among those of the Book of the Dead, it belongs to another book similar to the , the book engraved on the walls of the royal tombs. It describes gods and genii of the bounds in the Tuat who confer certain blessings on the deceased; such as this: “those who lift up their faces towards the sky at the prow of the boat of Rā, grant that Osiris N. may see Rā when he rises.” A vignette gives the appearance of the god or genius spoken of. Every one of them is followed by this sentence: “for the libation of a vase has been made on earth by Osiris N. who is (now) the lord of abundance, and goes round the garden of Hotepit.”

(4) The oldest papyrus containing this chapter is that of Ani, and the translation is based upon it. But the text differs both from those written on the very ancient coffins of Heru and Set-Bastit, copied by M. Maspero, [34] and from the later texts

(22) are two versions of the same text. They are the chapter of the arrival of the deceased to the of the house of Osiris. It is difficult to know what these really are. Renouf translates the word by pylon . At the same time he says they are not mere gates, but keeps or holds. I shall use his word pylon; but the word which seems to me to convey most exactly the meaning is a cell , since each of the has an inhabitant. There are various versions of these chapters. The oldest, No. 146, is found in several papyri, and has been translated from Lc. (Leyden), the only one which has the chapter complete. It consists of 21 paragraphs, each of which begins with a sentence giving the names of the pylon. It is followed by that of the , which I translate, with Renouf, the porter or doorkeeper though I should prefer, he who is within the door, since the vignettes show that the so-called porter or doorkeeper is the god who occupies the cell. There are 21 pylons, out of which the papyri give us a certain number. Brugsch finds in their names those of some of the hours of night or day; but the fact of their being 21, absolutely precludes the idea of these pylons being the hours

(20) With Chapter 151 begins a series of texts written either on the walls of the funeral chamber or on the mummy cloth, or on various amulets. This series goes as far as 160, with the exception of 152 and 153, which have been inserted there without any apparent reason

(2) Now concealment is evinced in the reference of the seven circuits around the temple, which are made mention of among the Hebrews; and the equipment on the robe, indicating by the various symbols, which had reference to visible objects, the agreement which from heaven reaches down to earth. And the covering and the veil were variegated with blue, and purple, and scarlet, and linen. And so it was suggested that the nature of the elements contained the revelation of God.