Passages similar to: Secret Teachings of All Ages — Bacon, Shakspere, and the Rosicrucians
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Secret Teachings of All Ages
Bacon, Shakspere, and the Rosicrucians (22)
The tenor of the Shakespearian dramas politically is in harmony with the recognized viewpoints of Sir Francis Bacon, whose enemies are frequently caricatured in the plays. Likewise their religious, philosophic, and educational undercurrents all reflect his personal opinions. Not only do these marked similarities of style and terminology exist in Bacon's writings and the Shakespearian plays, but there are also certain historical and philosophical inaccuracies common to both, such as identical misquotations from Aristotle.
Neither are comic and tragic actors the same; yet all these things are but imitations. They are so. And human nature, Adeimantus, appears to have...
(395) Neither are comic and tragic actors the same; yet all these things are but imitations. They are so. And human nature, Adeimantus, appears to have been coined into yet smaller pieces, and to be as incapable of imitating many things well, as of performing well the actions of which the imitations are copies. Quite true, he replied. If then we adhere to our original notion and bear in mind that our guardians, setting aside every other business, are to dedicate themselves wholly to the maintenance of freedom in the State, making this their craft, and engaging in no work which does not bear on this end, they ought not to practise or imitate anything else; if they imitate at all, they should imitate from youth upward only those characters which are suitable to their profession—the courageous, temperate, holy, free, and the like; but they should not depict or be skilful at imitating any kind of illiberality or baseness, lest from imitation they should come to be what they imitate. Did you never observe how imitations, beginning in early youth and continuing far into life, at length grow into habits and become a second nature, affecting body, voice, and mind? Yes, certainly, he said. Then, I said, we will not allow those for whom we profess a care and of whom we say that they ought to be good men, to imitate a woman, whether young or old, quarrelling with her husband, or striving and vaunting against the gods in
Do you not remark, I said, how great is the evil which dialectic has introduced? What evil? he said. The students of the art are filled with...
(537) Do you not remark, I said, how great is the evil which dialectic has introduced? What evil? he said. The students of the art are filled with lawlessness. Quite true, he said. Do you think that there is anything so very unnatural or inexcusable in their case? or will you make allowance for them? In what way make allowance? I want you, I said, by way of parallel, to imagine a supposititious son who is brought up in great wealth; he is one of a great and numerous family, and has many flatterers. When he grows up to manhood, he learns that his alleged are not his real parents; but who the real are he is unable to discover. Can you guess how he will be likely to behave towards his flatterers and his supposed parents, first of all during the period when he is ignorant of the false relation, and then again when he knows? Or shall I guess for you? If you please. Then I should say, that while he is ignorant of the truth he will be likely to honour his father and his mother and his supposed relations more than the flatterers; he will be less inclined to neglect them when in need, or to do or say anything against them; and he will be less willing to disobey them in any important matter. He will. But when he has made the discovery, I should imagine that he would diminish his honour and regard for them, and would become more devoted to the flatterers; their influence over him would greatly increase; he would now live after
And which are these two sorts? he asked. Suppose, I answered, that a just and good man in the course of a narration comes on some saying or action of ...
(396) good man when he has anything to say, and that another sort will be used by a man of an opposite character and education. And which are these two sorts? he asked. Suppose, I answered, that a just and good man in the course of a narration comes on some saying or action of another good man,—I should imagine that he will like to personate him, and will not be ashamed of this sort of imitation: he will be most ready to play the part of the good man when he is acting firmly and wisely; in a less degree when he is overtaken by illness or love or drink, or has met with any other disaster. But when he comes to a character which is unworthy of him, he will not make a study of that; he will disdain such a person, and will assume his likeness, if at all, for a moment only when he is performing some good action; at other times he will be ashamed to play a part which he has never practised, nor will he like to fashion and frame himself after the baser models; he feels the employment of such an art, unless in jest, to be beneath him, and his mind revolts at it. So I should expect, he replied. Then he will adopt a mode of narration such as we have illustrated out of Homer, that is to say, his style will be both imitative and narrative; but there will be very little of the former, and a great deal of the latter. Do you agree? Certainly, he said; that is the model which such a speaker
That is very true, he said. All these things, then, will have to be carefully considered by us; and if only those whom we introduce to this vast syste...
(536) And, again, in respect of temperance, courage, magnificence, and every other virtue, should we not carefully distinguish between the true son and the bastard? for where there is no discernment of such qualities states and individuals unconsciously err; and the state makes a ruler, and the individual a friend, of one who, being defective in some part of virtue, is in a figure lame or a bastard. That is very true, he said. All these things, then, will have to be carefully considered by us; and if only those whom we introduce to this vast system of education and training are sound in body and mind, justice herself will have nothing to say against us, and we shall be the saviours of the constitution and of the State; but, if our pupils are men of another stamp, the reverse will happen, and we shall pour a still greater flood of ridicule on philosophy than she has to endure at present. That would not be creditable. Certainly not, I said; and yet perhaps, in thus turning jest into earnest I am equally ridiculous. In what respect? I had forgotten, I said, that we were not serious, and spoke with too much excitement. For when I saw philosophy so undeservedly trampled under foot of men I could not help feeling a sort of indignation at the authors of her disgrace: and my anger made me too vehement. Indeed! I was listening, and did not think so. But I, who am the speaker, felt that I was. And now let me remind you that, although in our former selection we
Nothing, he said, can be more just than such a description of him. And will the love of a lie be any part of a philosopher’s nature? Will he not utter...
(490) which is an appearance only, but will go on—the keen edge will not be blunted, nor the force of his desire abate until he have attained the knowledge of the true nature of every essence by a sympathetic and kindred power in the soul, and by that power drawing near and mingling and becoming incorporate with very being, having begotten mind and truth, he will have knowledge and will live and grow truly, and then, and not till then, will he cease from his travail. Nothing, he said, can be more just than such a description of him. And will the love of a lie be any part of a philosopher’s nature? Will he not utterly hate a lie? He will. And when truth is the captain, we cannot suspect any evil of the band which he leads? Impossible. Justice and health of mind will be of the company, and temperance will follow after? True, he replied. Neither is there any reason why I should again set in array the philosopher’s virtues, as you will doubtless remember that courage, magnificence, apprehension, memory, were his natural gifts. And you objected that, although no one could deny what I then said, still, if you leave words and look at facts, the persons who are thus described are some of them manifestly useless, and the greater number utterly depraved; we were then led to enquire into the grounds of these accusations, and have now arrived at the point of asking why are the majority bad, which question of necessity brought us back to the examination and definition of the true philosopher.
Is not the noble that which subjects the beast to the man, or rather to the god in man; and the ignoble that which subjects the man to the beast?’ He...
(589) Is not the noble that which subjects the beast to the man, or rather to the god in man; and the ignoble that which subjects the man to the beast?’ He can hardly avoid saying Yes—can he now? Not if he has any regard for my opinion. But, if he agree so far, we may ask him to answer another question: ‘Then how would a man profit if he received gold and silver on the condition that he was to enslave the noblest part of him to the worst? Who can imagine that a man who sold his son or daughter into slavery for money, especially if he sold them into the hands of fierce and evil men, would be the gainer, however large might be the sum which he received? And will any one say that he is not a miserable caitiff who remorselessly sells his own divine being to that which is most godless and detestable? Eriphyle took the necklace as the price of her husband’s life, but he is taking a bribe in order to compass a worse ruin.’ Yes, said Glaucon, far worse—I will answer for him. Has not the intemperate been censured of old, because in him the huge multiform monster is allowed to be too much at large? Clearly. And men are blamed for pride and bad temper when the
Do you really think, as people so often say, that our youth are corrupted by Sophists, or that private teachers of the art corrupt them in any degree ...
(492) And our philosopher follows the same analogy—he is like a plant which, having proper nurture, must necessarily grow and mature into all virtue, but, if sown and planted in an alien soil, becomes the most noxious of all weeds, unless he be preserved by some divine power. Do you really think, as people so often say, that our youth are corrupted by Sophists, or that private teachers of the art corrupt them in any degree worth speaking of? Are not the public who say these things the greatest of all Sophists? And do they not educate to perfection young and old, men and women alike, and fashion them after their own hearts? When is this accomplished? he said. When they meet together, and the world sits down at an assembly, or in a court of law, or a theatre, or a camp, or in any other popular resort, and there is a great uproar, and they praise some things which are being said or done, and blame other things, equally exaggerating both, shouting and clapping their hands, and the echo of the rocks and the place in which they are assembled redoubles the sound of the praise or blame—at such a time will not a young man’s heart, as they say, leap within him? Will any private training enable him to stand firm against the overwhelming flood of popular opinion? or will he be carried away by the stream? Will he not have the notions of good and evil which the public in general have—he will do as they do, and as they are, such will he be?
Yes, said Adeimantus, they give us plenty of them, and their complaints are so like themselves. And you know, I said, that the old servants also, who ...
(549) ill-treatment which women are so fond of rehearsing. Yes, said Adeimantus, they give us plenty of them, and their complaints are so like themselves. And you know, I said, that the old servants also, who are supposed to be attached to the family, from time to time talk privately in the same strain to the son; and if they see any one who owes money to his father, or is wronging him in any way, and he fails to prosecute them, they tell the youth that when he grows up he must retaliate upon people of this sort, and be more of a man than his father. He has only to walk abroad and he hears and sees the same sort of thing: those who do their own business in the city are called simpletons, and held in no esteem, while the busy-bodies are honoured and applauded. The result is that the young man, hearing and seeing all these things—hearing, too, the words of his father, and having a nearer view of his way of life, and making comparisons of him and others—is drawn opposite ways: while his father is watering and nourishing the rational principle in his soul, the others are encouraging the passionate and appetitive; and he being not originally of a bad nature, but having kept bad company, is at last brought by their joint influence to a middle point, and gives up the kingdom which is within him to the middle principle of contentiousness and passion, and becomes arrogant and ambitious. You seem to me to have described his origin perfectly.
Very true, he replied. Now what man answers to this form of government—how did he come into being, and what is he like? I think, said Adeimantus, that...
(548) execution was not required, for a sketch is enough to show the type of the most perfectly just and most perfectly unjust; and to go through all the States and all the characters of men, omitting none of them, would be an interminable labour. Very true, he replied. Now what man answers to this form of government—how did he come into being, and what is he like? I think, said Adeimantus, that in the spirit of contention which characterises him, he is not unlike our friend Glaucon. Perhaps, I said, he may be like him in that one point; but there are other respects in which he is very different. In what respects? He should have more of self-assertion and be less cultivated, and yet a friend of culture; and he should be a good listener, but no speaker. Such a person is apt to be rough with slaves, unlike the educated man, who is too proud for that; and he will also be courteous to freemen, and remarkably obedient to authority; he is a lover of power and a lover of honour; claiming to be a ruler, not because he is eloquent, or on any ground of that sort, but because he is a soldier and has performed feats of arms; he is also a lover of gymnastic exercises and of the chase. Yes, that is the type of character which answers to timocracy. Such an one will despise riches only when he is young;
Timaeus: the political administration also is evil, and the speech in the cities, both public and private, is evil; and when, moreover, no lessons...
(87) Timaeus: the political administration also is evil, and the speech in the cities, both public and private, is evil; and when, moreover, no lessons that would cure these evils are anywhere learnt from childhood,—thus it comes to pass that all of us who are wicked become wicked owing to two quite involuntary causes. And for these we must always blame the begetters more than the begotten, and the nurses more than the nurslings; yet each man must endeavor, as best he can, by means of nurture and by his pursuits and studies to flee the evil and to pursue the good. This, however, forms a separate subject of discussion.
Souls vary in worth; and the difference is due, among other causes, to an almost initial inequality; it is in reason that, standing to the...
(18) Souls vary in worth; and the difference is due, among other causes, to an almost initial inequality; it is in reason that, standing to the Reason-Principle, as parts, they should be unequal by the fact of becoming separate.
We must also remember that every Soul has its second grade and its third, and that, therefore, its expression may take any one of three main forms. But this point must be dealt with here again: the matter requires all possible elucidation.
We may perhaps think of actors having the right to add something to the poet's words: the drama as it stands is not perfectly filled in, and they are to supply where the Author has left blank spaces here and there; the actors are to be something else as well; they become parts of the poet, who on his side has a foreknowledge of the word they will add, and so is able to bind into one story what the actors bring in and what is to follow.
For, in the All, the sequences, including what follows upon wickedness, become Reason-Principles, and therefore in right reason. Thus: from adultery and the violation of prisoners the process of nature will produce fine children, to grow, perhaps, into fine men; and where wicked violence has destroyed cities, other and nobler cities may rise in their place.
But does not this make it absurd to introduce Souls as responsible causes, some acting for good and some for evil? If we thus exonerate the Reason-Principle from any part in wickedness do we not also cancel its credit for the good? Why not simply take the doings of these actors for representative parts of the Reason-Principle as the doings of stage-actors are representative parts of the stage-drama? Why not admit that the Reason-Principle itself includes evil action as much as good action, and inspires the precise conduct of all its representatives? Would not this be all the more Plausible in that the universal drama is the completer creation and that the Reason-Principle is the source of all that exists?
But this raises the question: "What motive could lead the Logos to produce evil?"
The explanation, also, would take away all power in the Universe from Souls, even those nearest to the divine; they would all be mere parts of a Reason-Principle.
And, further- unless all Reason-Principles are Souls- why should some be souls and others exclusively Reason-Principles when the All is itself a Soul?
Not oftentimes upriseth through the branches The probity of man; and this He wills Who gives it, so that we may ask of Him. Eke to the large-nosed...
(6) Not oftentimes upriseth through the branches The probity of man; and this He wills Who gives it, so that we may ask of Him. Eke to the large-nosed reach my words, no less Than to the other, Pier, who with him sings; Whence Provence and Apulia grieve already The plant is as inferior to its seed, As more than Beatrice and Margaret Costanza boasteth of her husband still. Behold the monarch of the simple life, Harry of England, sitting there alone; He in his branches has a better issue. He who the lowest on the ground among them Sits looking upward, is the Marquis William, For whose sake Alessandria and her war Make Monferrat and Canavese weep."
Can a man help imitating that with which he holds reverential converse? Impossible. And the philosopher holding converse with the divine order, become...
(500) to be filled with malice and envy, contending against men; his eye is ever directed towards things fixed and immutable, which he sees neither injuring nor injured by one another, but all in order moving according to reason; these he imitates, and to these he will, as far as he can, conform himself. Can a man help imitating that with which he holds reverential converse? Impossible. And the philosopher holding converse with the divine order, becomes orderly and divine, as far as the nature of man allows; but like every one else, he will suffer from detraction. Of course. And if a necessity be laid upon him of fashioning, not only himself, but human nature generally, whether in States or individuals, into that which he beholds elsewhere, will he, think you, be an unskilful artificer of justice, temperance, and every civil virtue? Anything but unskilful. And if the world perceives that what we are saying about him is the truth, will they be angry with philosophy? Will they disbelieve us, when we tell them that no State can be happy which is not designed by artists who imitate the heavenly pattern? They will not be angry if they understand, he said. But
Herein doth living Justice sweeten so Affection in us, that for evermore It cannot warp to any iniquity. Voices diverse make up sweet melodies; So in...
(6) Herein doth living Justice sweeten so Affection in us, that for evermore It cannot warp to any iniquity. Voices diverse make up sweet melodies; So in this life of ours the seats diverse Render sweet harmony among these spheres; And in the compass of this present pearl Shineth the sheen of Romeo, of whom The grand and beauteous work was ill rewarded. But the Provencals who against him wrought, They have not laughed, and therefore ill goes he Who makes his hurt of the good deeds of others. Four daughters, and each one of them a queen, Had Raymond Berenger, and this for him Did Romeo, a poor man and a pilgrim; And then malicious words incited him To summon to a reckoning this just man, Who rendered to him seven and five for ten. Then he departed poor and stricken in years, And if the world could know the heart he had, In begging bit by bit his livelihood, Though much it laud him, it would laud him more."
Chapter II: The Subject of Plagiarisms Resumed. the Greeks Plagiarized From One Another. (34)
For Alcmaeon of Crotona having said, "It is easier to guard against a man who is an enemy than a friend," Sophocles wrote in the Antigone: "For what s...
(34) And in order that we may see that philosophy and history, and even rhetoric, are not free of a like reproach, it is right to adduce a few instances from them. For Alcmaeon of Crotona having said, "It is easier to guard against a man who is an enemy than a friend," Sophocles wrote in the Antigone: "For what sore more grievous than a bad friend?"
Chapter XII: The True Gnostic Is Beneficent, Continent, and Despises Worldly Things. (19)
Whenever, then, one is righteous, not from necessity or out of fear or hope, but from free choice, this is called the royal road, which the royal...
(19) Whenever, then, one is righteous, not from necessity or out of fear or hope, but from free choice, this is called the royal road, which the royal race travel. But the byways are slippery and precipitous. If, then, one take away fear and honour, I do not know if the illustrious among the philosophers, who use such freedom of speech, will any longer endure afflictions.
In saying this, I intended to imply that we must come to an understanding about the mimetic art,—whether the poets, in narrating their stories, are...
(394) In saying this, I intended to imply that we must come to an understanding about the mimetic art,—whether the poets, in narrating their stories, are to be allowed by us to imitate, and if so, whether in whole or in part, and if the latter, in what parts; or should all imitation be prohibited? You mean, I suspect, to ask whether tragedy and comedy shall be admitted into our State? Yes, I said; but there may be more than this in question: I really do not know as yet, but whither the argument may blow, thither we go. And go we will, he said. Then, Adeimantus, let me ask you whether our guardians ought to be imitators; or rather, has not this question been decided by the rule already laid down that one man can only do one thing well, and not many; and that if he attempt many, he will altogether fail of gaining much reputation in any? Certainly. And this is equally true of imitation; no one man can imitate many things as well as he would imitate a single one? He cannot. Then the same person will hardly be able to play a serious part in life, and at the same time to be an imitator and imitate many other parts as well; for even when two species of imitation are nearly allied, the same persons cannot succeed in both, as, for example, the writers of tragedy and comedy—did you not just now call them imitations? Yes, I did; and you are right in thinking that the same persons cannot succeed in both. Any more than they can be rhapsodists and actors at once? True.
To be sure we shall, he replied. But if you admit that I am right in this, then I shall maintain that you have implied the principle for which we have...
(392) about men poets and story-tellers are guilty of making the gravest misstatements when they tell us that wicked men are often happy, and the good miserable; and that injustice is profitable when undetected, but that justice is a man’s own loss and another’s gain—these things we shall forbid them to utter, and command them to sing and say the opposite. To be sure we shall, he replied. But if you admit that I am right in this, then I shall maintain that you have implied the principle for which we have been all along contending. I grant the truth of your inference. That such things are or are not to be said about men is a question which we cannot determine until we have discovered what justice is, and how naturally advantageous to the possessor, whether he seem to be just or not. Most true, he said. Enough of the subjects of poetry: let us now speak of the style; and when this has been considered, both matter and manner will have been completely treated. I do not understand what you mean, said Adeimantus. Then I must make you understand; and perhaps I may be more intelligible if I put the matter in this way. You are aware, I suppose, that all mythology and poetry is a narration of events, either past, present, or to come? Certainly, he replied. And narration may be either simple narration, or imitation, or a union of the two? That again, he said, I do not quite understand. I fear that I must be a ridiculous teacher when I have so much difficulty in making myself apprehended. Like a bad speaker, therefore, I will not take the whole of the subject,
Very right, he said. Neither must they represent slaves, male or female, performing the offices of slaves? They must not. And surely not bad men, whet...
(395) conceit of her happiness, or when she is in affliction, or sorrow, or weeping; and certainly not one who is in sickness, love, or labour. Very right, he said. Neither must they represent slaves, male or female, performing the offices of slaves? They must not. And surely not bad men, whether cowards or any others, who do the reverse of what we have just been prescribing, who scold or mock or revile one another in drink or out of drink, or who in any other manner sin against themselves and their neighbours in word or deed, as the manner of such is. Neither should they be trained to imitate the action or speech of men or women who are mad or bad; for madness, like vice, is to be known but not to be practised or imitated. Very true, he replied. Neither may they imitate smiths or other artificers, or oarsmen, or boatswains, or the like? How can they, he said, when they are not allowed to apply their minds to the callings of any of these? Nor may they imitate the neighing of horses, the bellowing of bulls, the murmur of rivers and roll of the ocean, thunder, and all that sort of thing? Nay, he said, if madness be forbidden, neither may they copy the behaviour of madmen. You mean, I said, if I understand you aright, that there is one sort of narrative style which may be employed by a truly