(11) And the cruciform seal manifests the inaction of all the impulses of the flesh, and the God-imitated life looking away unflinchingly to the manly most Divine life of Jesus, Who came even to Cross and death with a supremely Divine sinlessness, and stamped those who so live with the cruciform image of His own sinlessness as of the same likeness.

(10) Said also on a figure the middle part of which is that of a man; his arms are hanging down. The head of a ram is on his right shoulder, and another on his left shoulder. Thou wilt paint on one bandage the two figures of the god with raised arm, and put it across the chest of the deceased, so that the two painted figures may be on his breast

(1) O Simon Magus, O forlorn disciples, Ye who the things of God, which ought to be The brides of holiness, rapaciously For silver and for gold do prostitute, Now it behoves for you the trumpet sound, Because in this third Bolgia ye abide. We had already on the following tomb Ascended to that portion of the crag Which o'er the middle of the moat hangs plumb. Wisdom supreme, O how great art thou showest In heaven, in earth, and in the evil world, And with what justice doth thy power distribute! I saw upon the sides and on the bottom The livid stone with perforations filled, All of one size, and every one was round. To me less ample seemed they not, nor greater Than those that in my beautiful Saint John Are fashioned for the place of the baptisers, And one of which, not many years ago, I broke for some one, who was drowning in it; Be this a seal all men to undeceive. Out of the mouth of each one there protruded The feet of a transgressor, and the legs Up to the calf, the rest within remained.

(1) crucifixion, but now,--it came to pass, through the command of that mystery, that there should be sent me my Light-vesture, which it had given me from the beginning, and which I had left behind in the last mystery, that is the four-and-twentieth mystery from within without,--those which are in the orders of the second space of the First Mystery. That Vesture then I left behind in the last mystery, until the time should be completed to put it on, and I should begin to discourse with the race of men and reveal unto them all from the beginning of the Truth to its completion, and discourse with them from the interiors of the interiors to the exteriors of the exteriors and from the exteriors of the exteriors to the interiors of the interiors. Rejoice then and exult and rejoice more and more greatly, for to you it is given that I speak first with you from the beginning of the Truth to its completion.

(5) The second, tinct of deeper hue than perse, Was of a calcined and uneven stone, Cracked all asunder lengthwise and across. The third, that uppermost rests massively, Porphyry seemed to me, as flaming red As blood that from a vein is spirting forth. Both of his feet was holding upon this The Angel of God, upon the threshold seated, Which seemed to me a stone of diamond. Along the three stairs upward with good will Did my Conductor draw me, saying: "Ask Humbly that he the fastening may undo." Devoutly at the holy feet I cast me, For mercy's sake besought that he would open, But first upon my breast three times I smote. Seven P's upon my forehead he described With the sword's point, and, "Take heed that thou wash These wounds, when thou shalt be within," he said. Ashes, or earth that dry is excavated, Of the same colour were with his attire, And from beneath it he drew forth two keys.

(12) O nobly-born, the Great Glorious Buddha-Heruka, dark-brown of colour; with three heads, six hands, and four feet firmly postured; the right [face] being white, the left, red, the central, dark-brown; the body emitting flames of radiance; the nine eyes widely opened, in terrifying gaze; the eyebrows quivering like lightening; the protruding teeth glistening and set over one another; giving vent to sonorous utterances of 'a-la-la' and 'ha-ha', and piercing whistling sounds; the hair of a reddish-yellow colour, standing on end, and emitting radiance; the heads adorned with dried [human] skulls, and the [symbols of the] sun and moon; black serpents and raw [human] heads forming a garland for the body; the first of the right hands holding a wheel, the middle one, a sword, the last one, a battle-axe; the first of the left hands, a bell, the middle one, a skull-bowl, the last one, a ploughshare; his body embraced by the Mother, Buddha-Krotishaurima, her right hand clinging to his neck and her left putting to his mouth a red shell [filled with blood], [making] a palatal sound like a crackling [and] a clashing sound, and a rumbling sound as loud as thunder; [emanating from the two deities] radiant flames of wisdom, blazing from every hair-pore [of the body] and each containing a flaming dorje; [the two deities together thus], standing with [one] leg bent and [the other] straight and tense, on a dais supported by horned eagles, will come froth from within thine own brain and shine vividly upon thee. Fear that not. Be not awed. Know it to be the embodiment of thine own intellect. As it is thine own tutelary deity, be not terrified. Be not afraid, for in reality is it the Bhagavan Vairochana, the Father-Mother. Simultaneously with the recognition, liberation will be obtained: if they be recognized, merging [thyself], in at-one-ment, into the tutelary deity, Buddhahood in the Sambhoga-Kaya will be won.

(1) Subverting, therefore, in this manner the common absurd opinions concerning sacrifices, we shall introduce in their place true conceptions about them; omitting the particular discussion of each species of sacrifice, which the peculiar and distinct consideration of sacrifices requires, because this pertains to another inquiry, and because, at the same time, every one who is intelligent may be able to accomplish this from what has been already said, and from one thing may extend his reasoning power to many, and may easily know what is omitted from what has been discussed. And I, indeed, think that these things have been sufficiently explained, both in other respects and because the explanation pays attention in a becoming manner to the purity of the Gods. Because, however, it may perhaps appear to others to be incredible, and not sufficiently manifest, and the veracity of it may be suspected, as not exciting the discursive energy of reason, I wish to consider these things a little more fully; and, if possible, to add arguments more evident than those which have been adduced.

(9) That sacrifice is inclined towards the north (in the right way) in which there is a Brahman priest who knows this. And with regard to such a Brahman priest there is the following Gâthâ : 'Whereever it falls back, thither the man goes,'--viz. the Brahman only, as one of the Ritvig priests. 'He saves the Kurus as a mare' (viz. a Brahman priest who knows this, saves the sacrifice, the sacrificer, and all the other priests). Therefore let a man make him who knows this his Brahman priest, not one who does not know it, who does not know it.

(1) should not have been placed among those of the Book of the Dead, it belongs to another book similar to the , the book engraved on the walls of the royal tombs. It describes gods and genii of the bounds in the Tuat who confer certain blessings on the deceased; such as this: “those who lift up their faces towards the sky at the prow of the boat of Rā, grant that Osiris N. may see Rā when he rises.” A vignette gives the appearance of the god or genius spoken of. Every one of them is followed by this sentence: “for the libation of a vase has been made on earth by Osiris N. who is (now) the lord of abundance, and goes round the garden of Hotepit.”

(11) And there they crucified Jesus: him and the two malefactors: one on the right hand, and the other on the left, and Jesus in the midst. Then said Jesus,

(17) Differently, the stones might be the various phases of salvation; some occupying the upper, some the lower parts of the entire body saved. The three hundred and sixty bells, suspended from the robe, is the space of a year, "the acceptable year of the Lord," proclaiming and resounding the stupendous manifestation of the Saviour. Further, the broad gold mitre indicates the regal power of the Lord, "since the Head of the Church" is the Savour. The mitre that is on it [i.e., the head] is, then, a sign of most princely rule; and otherwise we have heard it said, "The Head of Christ is the God and Father of our Lord Jesus Christ." Moreover, there was the breastplate, comprising the ephod, which is the symbol of work, and the oracle logion; and this indicated the Word logos by which it was framed, and is the symbol of heaven, made by the Word, and subjected to Christ, the Head of all things, inasmuch as it moves in the same way, and in a like manner. The luminous emerald stones, therefore, in the ephod, signify the sun and moon, the helpers of nature. The shoulder, I take it, is the commencement of the hand.

(13) It is not claimed, however, that in the pages of this book are given all the Secret Teachings of the Rosicrucians, such as their Formulas and Methods of Mental Alchemy, and Spiritual Transmutation. Such information cannot be cast broadcast, for reasons which will be apparent to every earnest and intelligent student. But, on the other hand, such information cannot be withheld from those who are ready to receive it , and who are moved by the proper motives in seeking to acquire the secret knowledge. When the student learns how to give "The Right Knock," then will he find proven the old promise: "Knock, and it shall be opened unto you." The Symbol of the Rosy Cross The well-known Symbol of the Rosicrucians—"The Rosy Cross"—appears in several forms, as for instance: The Cross surmounted by the Rose; the Sword (the Cross handle) attached to the Rose; the Cross surmounted by the Crown; a modification of the Phallic Cross, etc. The explanation of the general Symbol is Sevenfold—the three highest being reserved for Initiates of a certain rank, only, and therefore cannot be stated here. Below follow several of the meanings which we are permitted to translate and explain here: (1) The Cross Surmounted by the Rose , indicates that the "Rose" (the mystic symbol of the Divine) can be attained only by the suffering of mortal life (symbolized by the Cross).

(10) To the east of that Circle, the deity called the Earth- Abiding Knowledge-Holder, white of colour, with radiant smiling countenance, embraced by the White DdkinT, the [Divine] Mother, [he] holding a crescent knife and a skull [filled] with blood, dancing and making the mudra of fascination, [with his right hand held] aloft, will come to shine.

(7) Mahmud and his army discovered at Somnat an idol named Lat, which Mahmud decided to destroy. The Hindus, to save it, offered ten times its weight in gold, but Mahmud refused and ordered a great fire to be made to burn the idol. Then one of his officers permitted himself to say: 'Would it not be better. Sire, to accept the gold and not to burn the idol?' 'I should think,' said Mahmud, 'that on the day of supreme reckoning the Creator would say to the assembled universe: "Listen to what Azaz and Mahmud have done - the first fashioned idols, the second sold them!"'

They say that when the idol of the fire-worshippers was burning a hundred maunds of precious stones fell out, so Mahmud obtained treasure as well. He said: 'Lat has got what he deserved and God has rcwaraed me.'

(11) By having meditated on the description of these blood-drinking deities, while in the human world, and by having performed some worship or praise of them; or, at least, by having seen their painted likenesses and their images, upon witnessing the dawning of the deities at this stage, recognition of them will result, and liberation. In this lieth the art.

(63) What is this? “Of unknown attributes, which Hemen hath given” is the name of the Funereal Chest. “The Witness of that which is lifted” is the name of the Shrine

(24) Early Christian Writings is copyright © Peter Kirby < E-Mail Follow @mrpeterkirby MLA Style Kirby, Peter. "Historical Jesus Theories."

(11) Early Christian Writings is copyright © Peter Kirby < E-Mail Follow @mrpeterkirby MLA Style Kirby, Peter. "Historical Jesus Theories."

(39) Early Christian Writings is copyright © Peter Kirby < E-Mail Follow @mrpeterkirby MLA Style Kirby, Peter. "Historical Jesus Theories."