(4) But there are earlier and loftier beauties than these. In the sense-bound life we are no longer granted to know them, but the soul, taking no help from the organs, sees and proclaims them. To the vision of these we must mount, leaving sense to its own low place.

As it is not for those to speak of the graceful forms of the material world who have never seen them or known their grace- men born blind, let us suppose- in the same way those must be silent upon the beauty of noble conduct and of learning and all that order who have never cared for such things, nor may those tell of the splendour of virtue who have never known the face of Justice and of Moral-Wisdom beautiful beyond the beauty of Evening and of dawn.

Such vision is for those only who see with the Soul's sight- and at the vision, they will rejoice, and awe will fall upon them and a trouble deeper than all the rest could ever stir, for now they are moving in the realm of Truth.

This is the spirit that Beauty must ever induce, wonderment and a delicious trouble, longing and love and a trembling that is all delight. For the unseen all this may be felt as for the seen; and this the Souls feel for it, every soul in some degree, but those the more deeply that are the more truly apt to this higher love- just as all take delight in the beauty of the body but all are not stung as sharply, and those only that feel the keener wound are known as Lovers.

(605) which he represents some pitiful hero who is drawling out his sorrows in a long oration, or weeping, and smiting his breast—the best of us, you know, delight in giving way to sympathy, and are in raptures at the excellence of the poet who stirs our feelings most. Yes, of course I know. But when any sorrow of our own happens to us, then you may observe that we pride ourselves on the opposite quality—we would fain be quiet and patient; this is the manly part, and the other which delighted us in the recitation is now deemed to be the part of a woman. Very true, he said. Now can we be right in praising and admiring another who is doing that which any one of us would abominate and be ashamed of in his own person? No, he said, that is certainly not reasonable. Nay, I said, quite reasonable from one point of view. What point of view? If you consider, I said, that when in misfortune we feel a natural hunger and desire to relieve our sorrow by weeping and lamentation, and that this feeling which is kept under control in our own calamities is satisfied and delighted by the poets;—the better nature in each of us, not having been sufficiently trained by reason or habit, allows the sympathetic

(608) of noble States has implanted in us, and therefore we would have her appear at her best and truest; but so long as she is unable to make good her defence, this argument of ours shall be a charm to us, which we will repeat to ourselves while we listen to her strains; that we may not fall away into the childish love of her which captivates the many. At all events we are well aware 4 that poetry being such as we have described is not to be regarded seriously as attaining to the truth; and he who listens to her, fearing for the safety of the city which is within him, should be on his guard against her seductions and make our words his law. Yes, he said, I quite agree with you. Yes, I said, my dear Glaucon, for great is the issue at stake, greater than appears, whether a man is to be good or bad. And what will any one be profited if under the influence of honour or money or power, aye, or under the excitement of poetry, he neglect justice and virtue? Yes, he said; I have been convinced by the argument, as I believe that any one else would have been. And yet no mention has been made of the greatest prizes and rewards which await virtue. What, are there any greater still? If there are, they must be of an inconceivable greatness. Why, I said, what was ever great in a short time? The whole period of three score years and ten is surely but a little thing in comparison with eternity? Say rather ‘nothing,’ he replied. And should an immortal being seriously think of this little

(22) That light known, then indeed we are stirred towards those Beings in longing and rejoicing over the radiance about them, just as earthly love is not for the material form but for the Beauty manifested upon it. Every one of those Beings exists for itself but becomes an object of desire by the colour cast upon it from The Good, source of those graces and of the love they evoke. The soul taking that outflow from the divine is stirred; seized with a Bacchic passion, goaded by these goads, it becomes Love. Before that, even Intellectual-Principle with all its loveliness did not stir the soul; for that beauty is dead until it take the light of The Good, and the soul lies supine, cold to all, unquickened even to Intellectual-Principle there before it. But when there enters into it a glow from the divine, it gathers strength, awakens, spreads true wings, and however urged by its nearer environing, speeds its buoyant way elsewhere, to something greater to its memory: so long as there exists anything loftier than the near, its very nature bears it upwards, lifted by the giver of that love. Beyond Intellectual-Principle it passes but beyond The Good it cannot, for nothing stands above That. Let it remain in Intellectual-Principle and it sees the lovely and august, but it is not there possessed of all it sought; the face it sees is beautiful no doubt but not of power to hold its gaze because lacking in the radiant grace which is the bloom upon beauty.

Even here we have to recognise that beauty is that which irradiates symmetry rather than symmetry itself and is that which truly calls out our love.

Why else is there more of the glory of beauty upon the living and only some faint trace of it upon the dead, though the face yet retains all its fulness and symmetry? Why are the most living portraits the most beautiful, even though the others happen to be more symmetric? Why is the living ugly more attractive than the sculptured handsome? It is that the one is more nearly what we are looking for, and this because there is soul there, because there is more of the Idea of The Good, because there is some glow of the light of The Good and this illumination awakens and lifts the soul and all that goes with it so that the whole man is won over to goodness, and in the fullest measure stirred to life.

(73) Now when the heaven was made for a distinction or partition between the light of God and the kindled corruption of the body of this world, then was the body of this world a dark valley, and had no light besides the heaven that could have shone forth in the outward body; all powers stood as it were captivated in death, and were in great anguish, till they had heated themselves in the midst or centre of the body.

(5) These Lovers, then, lovers of the beauty outside of sense, must be made to declare themselves.

What do you feel in presence of the grace you discern in actions, in manners, in sound morality, in all the works and fruits of virtue, in the beauty of souls? When you see that you yourselves are beautiful within, what do you feel? What is this Dionysiac exultation that thrills through your being, this straining upwards of all your Soul, this longing to break away from the body and live sunken within the veritable self?

These are no other than the emotions of Souls under the spell of love.

But what is it that awakens all this passion? No shape, no colour, no grandeur of mass: all is for a Soul, something whose beauty rests upon no colour, for the moral wisdom the Soul enshrines and all the other hueless splendour of the virtues. It is that you find in yourself, or admire in another, loftiness of spirit; righteousness of life; disciplined purity; courage of the majestic face; gravity; modesty that goes fearless and tranquil and passionless; and, shining down upon all, the light of god-like Intellection.

All these noble qualities are to be reverenced and loved, no doubt, but what entitles them to be called beautiful?

They exist: they manifest themselves to us: anyone that sees them must admit that they have reality of Being; and is not Real-Being, really beautiful?

But we have not yet shown by what property in them they have wrought the Soul to loveliness: what is this grace, this splendour as of Light, resting upon all the virtues?

Let us take the contrary, the ugliness of the Soul, and set that against its beauty: to understand, at once, what this ugliness is and how it comes to appear in the Soul will certainly open our way before us.

Let us then suppose an ugly Soul, dissolute, unrighteous: teeming with all the lusts; torn by internal discord; beset by the fears of its cowardice and the envies of its pettiness; thinking, in the little thought it has, only of the perish able and the base; perverse in all its the friend of unclean pleasures; living the life of abandonment to bodily sensation and delighting in its deformity.

What must we think but that all this shame is something that has gathered about the Soul, some foreign bane outraging it, soiling it, so that, encumbered with all manner of turpitude, it has no longer a clean activity or a clean sensation, but commands only a life smouldering dully under the crust of evil; that, sunk in manifold death, it no longer sees what a Soul should see, may no longer rest in its own being, dragged ever as it is towards the outer, the lower, the dark?

An unclean thing, I dare to say; flickering hither and thither at the call of objects of sense, deeply infected with the taint of body, occupied always in Matter, and absorbing Matter into itself; in its commerce with the Ignoble it has trafficked away for an alien nature its own essential Idea.

If a man has been immersed in filth or daubed with mud his native comeliness disappears and all that is seen is the foul stuff besmearing him: his ugly condition is due to alien matter that has encrusted him, and if he is to win back his grace it must be his business to scour and purify himself and make himself what he was.

So, we may justly say, a Soul becomes ugly- by something foisted upon it, by sinking itself into the alien, by a fall, a descent into body, into Matter. The dishonour of the Soul is in its ceasing to be clean and apart. Gold is degraded when it is mixed with earthy particles; if these be worked out, the gold is left and is beautiful, isolated from all that is foreign, gold with gold alone. And so the Soul; let it be but cleared of the desires that come by its too intimate converse with the body, emancipated from all the passions, purged of all that embodiment has thrust upon it, withdrawn, a solitary, to itself again- in that moment the ugliness that came only from the alien is stripped away.

(23) "I approached to the confines of death, and having trod on the threshold of Proserpine I, returned from it, being carried through all the elements. At midnight I saw the sun shining with a splendid light; and I manifestly drew near to, the gods beneath, and the gods above, and proximately adored them."

(31) But since Thence come the beauty and light in all, it is Thence that Intellectual-Principle took the brilliance of the Intellectual Energy which flashed Nature into being; Thence soul took power towards life, in virtue of that fuller life streaming into it. Intellectual-Principle was raised thus to that Supreme and remains with it, happy in that presence. Soul too, that soul which as possessing knowledge and vision was capable, clung to what it saw; and as its vision so its rapture; it saw and was stricken; but having in itself something of that principle it felt its kinship and was moved to longing like those stirred by the image of the beloved to desire of the veritable presence. Lovers here mould themselves to the beloved; they seek to increase their attraction of person and their likeness of mind; they are unwilling to fall short in moral quality or in other graces lest they be distasteful to those possessing such merit- and only among such can true love be. In the same way the soul loves the Supreme Good, from its very beginnings stirred by it to love. The soul which has never strayed from this love waits for no reminding from the beauty of our world: holding that love- perhaps unawares- it is ever in quest, and, in its longing to be borne Thither, passes over what is lovely here and with one glance at the beauty of the universe dismisses all; for it sees that all is put together of flesh and Matter, befouled by its housing, made fragmentary by corporal extension, not the Authentic Beauty which could never venture into the mud of body to be soiled, annulled.

By only noting the flux of things it knows at once that from elsewhere comes the beauty that floats upon them and so it is urged Thither, passionate in pursuit of what it loves: never- unless someone robs it of that love- never giving up till it attain.

There indeed all it saw was beautiful and veritable; it grew in strength by being thus filled with the life of the True; itself becoming veritable Being and attaining veritable knowledge, it enters by that neighbouring into conscious possession of what it has long been seeking.

(398) our souls’ health the rougher and severer poet or story-teller, who will imitate the style of the virtuous only, and will follow those models which we prescribed at first when we began the education of our soldiers. We certainly will, he said, if we have the power. Then now, my friend, I said, that part of music or literary education which relates to the story or myth may be considered to be finished; for the matter and manner have both been discussed. I think so too, he said. Next in order will follow melody and song. That is obvious. Every one can see already what we ought to say about them, if we are to be consistent with ourselves. I fear, said Glaucon, laughing, that the word ‘every one’ hardly includes me, for I cannot at the moment say what they should be; though I may guess. At any rate you can tell that a song or ode has three parts—the words, the melody, and the rhythm; that degree of knowledge I may presuppose? Yes, he said; so much as that you may. And as for the words, there will surely be no difference between words which are and which are not set to music; both will conform to the same laws, and these have been already determined by us? Yes. And the melody and rhythm will depend upon the words? Certainly. We were saying, when we spoke of the subject-matter, that we had no need of lamentation and strains of sorrow? True.

(102) For when the heat is so anxious in the cold in the astringent quality, that the light kindleth itself through the hidden heaven of the heart in the corporeity, then the anxious death in the wrath of God is terrified, and departeth as a crack or flash from the light, and climbeth upwards very terribly, trembling, and timorously; and the light of the heart hasteneth after it, and affecteth or possesseth it, and then it remaineth at a standstill.

(3) And now when we consider our Mind, in the Light of Nature, and what that is, which makes us zealous [or earnest,] which burns there [in] as a Light, and is desirous [thirsty or covetous] like Fire, which desires to receive from that Place where it has not sown, and would reap in that Country where the Body is not at Home [or dwells not,] then the precious Virgin of the Wisdom of God meets us, in the middlemost Seat in the Center of the Light of Life, and says; The Light is mine, and the [Power or] Virtue and Glory is mine, also the Gate of Knowledge is mine, I live in the Light of Nature, and without me you can neither see, know, nor understand any Thing of my Virtue, [or Power.] I am thy Bridegroom in the Light; and thy Desire [or Longing] after my Virtue [or Power] is my Attracting in myself; I sit in my Throne, but thou knowest me not; I am in thee, and thy Body is not in me. I distinguish [or separate,] and thou seest it not. I am the Light of the Senses, and the Root of the Senses is not in me, but near me. I am the Bridegroom of the Root, but she has put on a rough Coat. I [will] not lay myself in her Arms till she puts that off, and then I will rest eternally in her Arms, and adorn the Root with my Virtue [and Power,] and give her my beautiful Form, and will espouse myself to her with my Pearl.

(56) Here now stood the kindled bride in the seventh nature-spirit, like a proud beast; now she supposed she was beyond or above God, nothing was like her now: Love grew cold, the Heart of God could not touch it, for there was a contrary will or opposition between them. The Heart of God moved very meekly and lovingly, and the heart of the angel moved very darkly, hard, cold and fiery.

(27) One of the most beautiful women at: the court of Aragon was Donna Ambrosia Eleanora Di Castello, whose virtue and beauty had brought her great renown. She was at that time married and was not particularly pleased to discover that young Lully was rapidly developing a passion for her. Wherever she went Raymond followed, and at last over a trivial incident he wrote some very amorous verses to her, which produced an effect quite different from what he had expected. He received a message inviting him to visit the lady. He responded with alacrity. She told him that it was only fair that he should behold more of the beauty concerning which he wrote such appealing poems and, drawing aside part of her garments, disclosed that one side of her body was nearly eaten away by a cancer. Raymond never recovered from the shock. It turned the entire course of his life. He renounced the frivolities of the court and became a recluse.

(2) But let us leave the arts and consider those works produced by Nature and admitted to be naturally beautiful which the creations of art are charged with imitating, all reasoning life and unreasoning things alike, but especially the consummate among them, where the moulder and maker has subdued the material and given the form he desired. Now what is the beauty here? It has nothing to do with the blood or the menstrual process: either there is also a colour and form apart from all this, or there is nothing unless sheer ugliness or a bare recipient, as it were the mere Matter of beauty.

Whence shone forth the beauty of Helen, battle-sought; or of all those women like in loveliness to Aphrodite; or of Aphrodite herself; or of any human being that has been perfect in beauty; or of any of these gods manifest to sight, or unseen but carrying what would be beauty if we saw?

In all these is it not the Idea, something of that realm but communicated to the produced from within the producer just as in works of art, we held, it is communicated from the arts to their creations? Now we can surely not believe that, while the made thing and the Idea thus impressed upon Matter are beautiful, yet the Idea not so alloyed but resting still with the creator- the Idea primal, immaterial, firmly a unity- is not Beauty.

If material extension were in itself the ground of beauty, then the creating principle, being without extension, could not be beautiful: but beauty cannot be made to depend upon magnitude since, whether in a large object or a small, the one Idea equally moves and forms the mind by its inherent power. A further indication is that as long as the object remains outside us we know nothing of it; it affects us by entry; but only as an Idea can it enter through the eyes which are not of scope to take an extended mass: we are, no doubt, simultaneously possessed of the magnitude which, however, we take in not as mass but by an elaboration upon the presented form.

Then again the principle producing the beauty must be, itself, ugly, neutral or beautiful: ugly, it could not produce the opposite; neutral, why should its product be the one rather than the other? The Nature, then, which creates things so lovely must be itself of a far earlier beauty; we, undisciplined in discernment of the inward, knowing nothing of it, run after the outer, never understanding that it is the inner which stirs us; we are in the case of one who sees his own reflection but not realizing whence it comes goes in pursuit of it.

But that the thing we are pursuing is something different and that the beauty is not in the concrete object is manifest from the beauty there is in matters of study, in conduct and custom; briefly in soul or mind. And it is precisely here that the greater beauty lies, perceived whenever you look to the wisdom in a man and delight in it, not wasting attention on the face, which may be hideous, but passing all appearance by and catching only at the inner comeliness, the truly personal; if you are still unmoved and cannot acknowledge beauty under such conditions, then looking to your own inner being you will find no beauty to delight you and it will be futile in that state to seek the greater vision, for you will be questing it through the ugly and impure.

This is why such matters are not spoken of to everyone; you, if you are conscious of beauty within, remember.

(607) the vain talk of fools,’ and ‘the mob of sages circumventing Zeus,’ and the ‘subtle thinkers who are beggars after all’; and there are innumerable other signs of ancient enmity between them. Notwithstanding this, let us assure our sweet friend and the sister arts of imitation, that if she will only prove her title to exist in a well-ordered State we shall be delighted to receive her—we are very conscious of her charms; but we may not on that account betray the truth. I dare say, Glaucon, that you are as much charmed by her as I am, especially when she appears in Homer? Yes, indeed, I am greatly charmed. Shall I propose, then, that she be allowed to return from exile, but upon this condition only—that she make a defence of herself in lyrical or some other metre? Certainly. And we may further grant to those of her defenders who are lovers of poetry and yet not poets the permission to speak in prose on her behalf: let them show not only that she is pleasant but also useful to States and to human life, and we will listen in a kindly spirit; for if this can be proved we shall surely be the gainers—I mean, if there is a use in poetry as well as a delight? Certainly, he said, we shall be the gainers. If her defence fails, then, my dear friend, like other persons who are enamoured of something, but put a restraint upon themselves when they think their desires are opposed to their interests, so too must we after the manner of lovers give her up, though not without a struggle. We too are inspired by that love of poetry which the education

(28) Who knows his manhood's strength, Yet still his female feebleness maintains; As to one channel flow the many drains, All come to him, yea, all beneath the sky. Thus he the constant excellence retains; The simple child again, free from all stains. Who knows how white attracts, Yet always keeps himself within black's shade, The pattern of humility displayed, Displayed in view of all beneath the sky; He in the unchanging excellence arrayed, Endless return to man's first state has made. Who knows how glory shines, Yet loves disgrace, nor e'er for it is pale; Behold his presence in a spacious vale, To which men come from all beneath the sky. The unchanging excellence completes its tale; The simple infant man in him we hail. The unwrought material, when divided and distributed, forms vessels. The sage, when employed, becomes the Head of all the Officers (of government); and in his greatest regulations he employs no violent measures.

(401) But shall our superintendence go no further, and are the poets only to be required by us to express the image of the good in their works, on pain, if they do anything else, of expulsion from our State? Or is the same control to be extended to other artists, and are they also to be prohibited from exhibiting the opposite forms of vice and intemperance and meanness and indecency in sculpture and building and the other creative arts; and is he who cannot conform to this rule of ours to be prevented from practising his art in our State, lest the taste of our citizens be corrupted by him? We would not have our guardians grow up amid images of moral deformity, as in some noxious pasture, and there browse and feed upon many a baneful herb and flower day by day, little by little, until they silently gather a festering mass of corruption in their own soul. Let our artists rather be those who are gifted to discern the true nature of the beautiful and graceful; then will our youth dwell in a land of health, amid fair sights and sounds, and receive the good in everything; and beauty, the effluence of fair works, shall flow into the eye and ear, like a health-giving breeze from a purer region, and insensibly draw the soul from earliest years into likeness and sympathy with the beauty of reason. There can be no nobler training than that, he replied. And therefore, I said, Glaucon, musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul, on which they mightily fasten, imparting grace, and making the soul of him who is rightly educated graceful, or of him who

(14) But now, what this is, my Pen cannot describe. I rather long after it, to comprehend it more in Perfection, and to live therein; which we here in the Light of Nature (in the Gate of the Deep) hknow and behold; but we cannot raise our threefold Mind into it, till our i rough Garment be put off, and then we shall behold it without Molestation.

(2) A king, whose empire stretched to the far horizons, had a daughter as beautiful as the moon. Before her loveliness even the fairies were abashed. Her dimpled chin resembled the well of Joseph, and the locks of her hair wounded a hundred hearts. Her eyebrows were twin bows, and when she loosed their arrows the space between sang her praise. Her eyes, languorous as the narcissus, threw thorns of her eyelashes in the path of the wise. Her face was as the sun when he took the moon's virginity. The Angel Gabriel could not tear his eyes from the pearls and rubies of her mouth. A smile of her

lips dried up the water of life in the beholder, who yet begged alms from these same lips. Whoever glanced at her chin fell headlong into a spring of bubbling water.

The king also had a slave, a youth, so handsome that the sun grew pale and the light of the moon diminished. When he walked in the streets and market-place crowds stopped to gaze at him.

By chance one day the princess saw this slave, and in a moment her heart slipped from her hand. Reason forsook her and love took possession. Her soul, sweet as Shirin, turned bitter. Withdrawing from her companions she mused, and musing and reflecting, began to burn. Then she called her ten young maids of honour. They were excellent musicians and played on the shawms and pipes; their voices wxre those of nightingales, and their singing, which tore the soul, was worthy of David. Gathering them around her she told them about her state, saying that she was ready to sacrifice her name, her honour, and her life for the love of this youth; for when one is deep in love one is good for nothing else. 'But,' she said, 'if I tell him of my love no doubt he will do something rash. If it becomes known that I have been intimate with a slave both he and I will suffer. On the other hand, if he does not possess me, I shall die lamenting behind the curtain of the harem. I have read a hundred books on patience and still I am without it. What can I do! I must find a way to enjoy the love of this slender cypress, so that the desire of my body shall accord with the longing of my soul - and this must be done without his knowing.'

Then the sweet-voiced maids said: 'Do not grieve. Tonight we will bring him here unknown to anyone, and even he will know nothing about it.'

Soon, one of the young girls went in secret to the slave and asked him, as if to play with him, to bring two cups of wine. Into one cup she threw a drug, contriving that he should drink it. He at once fell asleep, so that she was able

to carry out her plan, and the youth of the silver breast remained without news of the two worlds.

When night came the maids of honour went softly to where he lay and put him on a litter and carried him to the princess. Then they sat him on a golden throne and placed a coronet of pearls on his head. At midnight, still a little drugged, he opened his eyes and saw a palace as fair as paradise, and around him were golden seats. The place was lighted by ten great candles perfumed with amber, and sweet aloe wood burned in pans. The maidens began to sing, but in such sweet strains that reason bade farewell to the spirit, and the soul to the body. Then the sun of wine went round to the light of the candles. Bewildered with the joy of his surroundings and dazzled by the beauty of the princess, the youth lost his wits. He was no longer really in this world nor was he in the other. With a heart full of love, and a body possessed with desire, amid these delights he fell into a state of ecstasy. His eyes were fastened on her beauty and his ears to the sound of the reed pipes. His nostrils took in the perfume of amber and the wine in his mouth became like liquid fire. The princess kissed him, and he shed tears of joy while she mingled hers with his. Sometimes she pressed sweet kisses on his mouth, sometimes they were tinged with salt; sometimes she ruffled his long hair, sometimes she lost herself in his eyes. He possessed her; and so they passed the time until the dawn appeared in the East. When morning Zephyr breathed the young slave became sad; but they sent him to sleep again and took him back to his quarters.

When he of the silver breast came to himself, without knowing why, he began to weep. One might say the thing was finished, so what was the good of crying out. He tore his clothes, pulled his hair and put earth on his head. Those about him asked why he was doing this, and what had happened. He said: Ht is impossible to describe what I have

I

seen, no one else can ever see it except in a dream, for what has happened to me can never have happened to anyone before. Never was there a more astonishing mystery.'

Another said: 'Wake up, and tell us at least one of the hundred things that happened.' He replied: 'lam in a tumult because what I have seen has happened to me in another body. While hearing nothing I have heard everything, while seeing nothing I have seen everything.'

Another said: 'Have you lost your wits or have you just been dreaming?' 'Ah,' he said, 'I don't know if I was drunk or sober. What can be more puzzling than something which is neither revealed nor hidden. What I have seen I can never forget, yet I have no idea where it happened. For one whole night I revelled with a beauty who is without equal. Who and what she is I do not know. Only love remains, and that is all. But God knows the truth.'

(10) And she would fain return again into her Place to her Bridegroom, if the earthly Flesh, with the earthly Mind and Senses [or Thoughts did not hinder, or] were not in the Way, for the Virgin does not go into them, she will not be bound [-to, or] in the earthly Center; she finishes the whole Time (while the Woman lives in her Stead) of her Speculation with Longing and much Calling, Admonishing and hearty Seeking: But [to] the Regenerate she appears in a high triumphing Manner, in the Center of the Mind; [she] also often dives into the Tincture of the Blood of the Heart, whereby the Body with the Mind and Senses comes to tremble and triumph so highly, as if it were in Paradise; it also presently gets a paradisical Will.