Passages similar to: The Six Enneads — How the Multiplicity of the Ideal-forms Came Into Being: and Upon the Good
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Neoplatonic
The Six Enneads
How the Multiplicity of the Ideal-forms Came Into Being: and Upon the Good (22)
That light known, then indeed we are stirred towards those Beings in longing and rejoicing over the radiance about them, just as earthly love is not for the material form but for the Beauty manifested upon it. Every one of those Beings exists for itself but becomes an object of desire by the colour cast upon it from The Good, source of those graces and of the love they evoke. The soul taking that outflow from the divine is stirred; seized with a Bacchic passion, goaded by these goads, it becomes Love. Before that, even Intellectual-Principle with all its loveliness did not stir the soul; for that beauty is dead until it take the light of The Good, and the soul lies supine, cold to all, unquickened even to Intellectual-Principle there before it. But when there enters into it a glow from the divine, it gathers strength, awakens, spreads true wings, and however urged by its nearer environing, speeds its buoyant way elsewhere, to something greater to its memory: so long as there exists anything loftier than the near, its very nature bears it upwards, lifted by the giver of that love. Beyond Intellectual-Principle it passes but beyond The Good it cannot, for nothing stands above That. Let it remain in Intellectual-Principle and it sees the lovely and august, but it is not there possessed of all it sought; the face it sees is beautiful no doubt but not of power to hold its gaze because lacking in the radiant grace which is the bloom upon beauty. Even here we have to recognise that beauty is that which irradiates symmetry rather than symmetry itself and is that which truly calls out our love. Why else is there more of the glory of beauty upon the living and only some faint trace of it upon the dead, though the face yet retains all its fulness and symmetry? Why are the most living portraits the most beautiful, even though the others happen to be more symmetric? Why is the living ugly more attractive than the sculptured handsome? It is that the one is more nearly what we are looking for, and this because there is soul there, because there is more of the Idea of The Good, because there is some glow of the light of The Good and this illumination awakens and lifts the soul and all that goes with it so that the whole man is won over to goodness, and in the fullest measure stirred to life.
This Good is celebrated by the sacred theologians, both as beautiful and as Beauty, and as Love, and as Beloved; and all the other Divine Names which...
(7) This Good is celebrated by the sacred theologians, both as beautiful and as Beauty, and as Love, and as Beloved; and all the other Divine Names which beseem the beautifying and highly-favoured comeliness. But the beautiful and Beauty are not to be divided, as regards the Cause which has embraced the whole in one. For, with regard to all created things, by dividing them into participations and participants, we call beautiful that which participates in Beauty; but beauty, the participation of the beautifying Cause of all the beautiful things. But, the superessential Beautiful is called Beauty, on account of the beauty communicated from Itself to all beautiful things, in a manner appropriate to each, and as Cause of the good harmony and brightness of all things which flashes like light to all the beautifying distributions of its fontal ray, and as calling (καλοῦν) all things to Itself (whence also it is called Beauty) (κάλλος), and as collecting all in all to Itself. (And it is called) Beautiful, as (being) at once beautiful and super-beautiful, and always being under the same conditions and in the same manner beautiful, and neither coming into being nor perishing, neither waxing nor waning; neither in this beautiful, nor in that ugly, nor at one time beautiful, and at another not; nor in relation to one thing beautiful, and in relation to another ugly, nor here, and not there, as being beautiful to some, and not beautiful to others; but as Itself, in Itself, with Itself, uniform, always being beautiful, and as having beforehand in Itself pre-eminently the fontal beauty of everything beautiful. For, by the simplex and supernatural nature of all beautiful things, all beauty, and everything beautiful, pre-existed uniquely as to Cause. From this Beautiful (comes) being to all existing things,--that each is beautiful in its own proper order; and by reason of the Beautiful are the adaptations of all things, and friendships, and inter-communions, and by the Beautiful all things are made one, and the Beautiful is origin of all things, as a creating Cause, both by moving the whole and holding it together by the love of its own peculiar Beauty; and end of all things, and beloved, as final Cause (for all things exist for the sake of the Beautiful) and exemplary (Cause), because all things are determined according to It. Wherefore, also, the Beautiful is identical with the Good, because all things aspire to the Beautiful and Good, on every account, and there is no existing thing which does not participate in the Beautiful and the Good. Yea, reason will dare to say even this, that even the non-existing participates in the Beautiful and Good. For then even it is beautiful and good, when in God it is celebrated superessentially to the exclusion of all. This, the one Good and Beautiful, is uniquely Cause of all the many things beautiful and good. From this are all the substantial beginnings of things existing, the unions, the distinctions, the identities, the diversities, the similarities, the dissimilarities, the communions of the contraries, the commingling of things unified, the providences of the superior, the mutual cohesions of those of the same rank; the attentions of the more needy, the protecting and immoveable abidings and stabilities of their whole selves and, on the other hand, the communions of all things among all, in a manner peculiar to each, and adaptations and unmingled friendships and harmonies of the whole, the blendings in the whole, and the undissolved connections of existing things, the never-failing successions of the generations, all rests and movements, of the minds, of the souls, of the bodies. For, that which is established above every rest, and every movement, and moves each thing in the law of its own being to its proper movement, is a rest and movement to all.
Of these three motions then in everything perceptible here below, and much more of the abidings and repose and fixity of each, the Beautiful and...
(10) Of these three motions then in everything perceptible here below, and much more of the abidings and repose and fixity of each, the Beautiful and Good, which is above all repose and movement, is Cause and Bond and End; by reason of which, and from which, and in which, and towards which, and for sake of which, is every repose and movement. For, both from It and through It is both Essence and every life, and both of mind and soul and every nature, the minutiae, the equalities, the magnitudes, all the standards and the analogies of beings, and harmonies and compositions; the entireties, the parts, every one thing, and multitude, the connections of parts, the unions of every multitude, the perfections of the entireties, the quality, the weight, the size, the infinitude, the compounds, the distinctions, every infinitude, every term, all the bounds, the orders, the pre-eminences, the elements, the forms, every essence, every power, every energy, every condition, every sensible perception, every reason, every conception, every contact, every science, every union, and in one word, all things existing are from the Beautiful and Good, and in the Beautiful and Good, and turn themselves to the Beautiful and Good. Moreover, all things whatever, which are and come to being, are and come to being by reason of the Beautiful and Good; and to It all things look, and by It are moved and held together, and for the sake of It, and by reason of It, and in It, is every source exemplary, final, creative, formative, elemental, and in one word, every beginning, every bond, every term, or to speak summarily, all things existing are from the Beautiful and Good; and all things non-existing are superessentially in the Beautiful and Good; and it is of all, beginning and term, above beginning and above term, because from It, and through It, and in It, and to It, are all things, as says the Sacred Word. By all things, then, the Beautiful and Good is desired and beloved and cherished; and, by reason of It, and for the sake of It, the less love the greater suppliantly; and those of the same rank, their fellows brotherly; and the greater, the less considerately; and these severally love the things of themselves continuously; and all things by aspiring to the Beautiful and Good, do and wish all things whatever they do and wish. Further, it may be boldly said with truth, that even the very Author of all things, by reason of overflowing Goodness, loves all, makes all, perfects all, sustains all, attracts all; and even the Divine Love is Good of Good, by reason of the Good. For Love itself, the benefactor of things that be, pre-existing overflowingly in the Good, did not permit itself to remain unproductive in itself, but moved itself to creation, as befits the overflow which is generative of all.
It is, then, possible to frame in one's mind good contemplations from everything, and to depict, from things material, the aforesaid dissimilar...
(4) It is, then, possible to frame in one's mind good contemplations from everything, and to depict, from things material, the aforesaid dissimilar similitudes, both for the intelligible and the intelligent; since the intelligent hold in a different fashion things which are attributed to things sensible differently. For instance, appetite, in the irrational creatures, takes its rise in the passions, and their movement, which takes the form of appetite, is full of all kinds of unreasonableness. But with regard to the intelligent, we must think of the appetite in another fashion, as denoting, according to my judgment, their manly style, and their determined persistence in their Godlike and unchangeable steadfastness. In like manner we say, with regard to the irrational creatures, that lust is a certain uncircumspect and earthly passionate attachment, arising incontinently from an innate movement, or intimacy in things subject to change, and the irrational supremacy of the bodily desire, which drives the whole organism towards the object of sensual inclination. But when we attribute "lust" to spiritual beings, by clothing them with dissimilar similitudes, we must think that it is a Divine love of the immaterial, above expression and thought, and the inflexible and determined longing for the supernally pure and passionless contemplation, and for the really perpetual and intelligible fellowship in that pure and most exalted splendour, and in the abiding and beautifying comeliness. And 'incontinence' we may take for the persistent and inflexible, which nothing can repulse, on account of the pure and changeless love for the Divine beauty, and the whole tendency towards the really desired. But with regard to the irrational living beings, or soulless matter, we appropriately call their irrationality and want of sensible perception a deprivation of reason and sensible perception. And with regard to the immaterial and intelligent beings, we reverently acknowledge their superiority, as supermundane beings, over our discursive and bodily reason, and the material perception of the senses which is alien to the incorporeal Minds. It is, then, permissible to depict forms, which are not discordant, to the celestial beings, even from portions of matter which are the least honourable, since even it, having had its beginning from the Essentially Beautiful, has throughout the whole range of matter some echoes of the intellectual comeliness; and it is possible through these to be led to the immaterial archetypes--things most similar being taken, as has been said, dissimilarly, and the identities being denned, not in the same way, but harmoniously, and appropriately, as regards the intellectual and sensible beings.
But, what would any one say of the very ray of the sun? For the light is from the Good, and an image of the Goodness, wherefore also the Good is celeb...
(4) But what slipped from our view in the midst of our discourse, the Good is Cause of the celestial movements in their commencements and terminations, of their not increasing, not diminishing, and completely changeless, course, and of the noiseless movements, if one may so speak, of the vast celestial transit, and of the astral orders, and the beauties and lights, and stabilities, and the progressive swift motion of certain stars, and of the periodical return of the two luminaries, which the Oracles call "great," from the same to the same quarter, after which our days and nights being marked, and months and years being measured, mark and number and arrange and comprehend the circular movements of time and things temporal. But, what would any one say of the very ray of the sun? For the light is from the Good, and an image of the Goodness, wherefore also the Good is celebrated under the name of Light; as in a portrait the original is manifested. For, as the goodness of the Deity, beyond all, permeates from the highest and most honoured substances even to the lowest, and yet is above all, neither the foremost outstripping its superiority, nor the things below eluding its grasp, but it both enlightens all that are capable, and forms and enlivens, and grasps, and perfects, and is measure of things existing, and age, and number, and order, and grasp, and cause, and end; so, too, the brilliant likeness of the Divine Goodness, this our great sun, wholly bright and ever luminous, as a most distant echo of the Good, both enlightens whatever is capable of participating in it, and possesses the light in the highest degree of purity, unfolding to the visible universe, above and beneath, the splendours of its own rays, and if anything does not participate in them, this is not owing to the inertness or deficiency of its distribution of light, but is owing to the inaptitude for light-reception of the things which do not unfold themselves for the participation of light. No doubt the ray passing over many things in such condition, enlightens the things after them, and there is no visible thing which it does not reach, with the surpassing greatness of its own splendour. Further also, it contributes to the generation of sensible bodies, and moves them to life, and nourishes, and increases, and perfects, and purifies and renews; and the light is both measure and number of hours, days, and all our time. For it is the light itself, even though it was then without form, which the divine Moses declared to have fixed that first Triad of our days. And, just as Goodness turns all things to Itself, and is chief collector of things scattered, as One-springing and One-making Deity, and all things aspire to It, as Source and Bond and End, and it is the Good, as the Oracles say, from Which all things subsisted, and are being brought into being by an all-perfect Cause; and in Which all things consisted, as guarded and governed in an all-controlling route; and to Which all things are turned, as to their own proper end; and to Which all aspire --the intellectual and rational indeed, through knowledge, and the sensible through the senses, and those bereft of sensible perception by the innate movement of the aspiration after life, and those without life, and merely being, by their aptitude for mere substantial participation; after the same method of its illustrious original, the light also collects and turns to itself all things existing--things with sight -- things with motion--things enlightened--things heated--things wholly held together by its brilliant splendours--whence also, Helios, because it makes all things altogether (ἀολλῆ), and collects things scattered. And all creatures, endowed with sensible perceptions, aspire to it, as aspiring either to see, or to be moved and enlightened, and heated, and to be wholly held together by the light. By no means do I affirm, after the statement of antiquity, that as being God and Creator of the universe, the sun, by itself, governs the luminous world, but that the invisible things of God are clearly seen from the foundation of the world, being understood by the things that are made, even His eternal power and Deity.
In addition also to these peculiarities, divine beauty, indeed, shines with an immense splendour as it were, fixes the spectators in astonishment, imp...
(4) [Sidenote A: Morphe pertains to the colour, figure, and magnitude of superficies.] the heroic, but at the same time are less than these. In addition also to these peculiarities, divine beauty, indeed, shines with an immense splendour as it were, fixes the spectators in astonishment, imparts a divine joy, presents itself to the view with ineffable symmetry, and is exempt from all other species of pulchritude. But the blessed spectacles of archangels have indeed themselves the greatest beauty, yet are not so ineffable and admirable as those of the Gods. Those of angels divide, in a partible manner, the beauty which they receive from archangels. But the dæmoniacal and heroical self-visive spirits, have both of them beauty in definite forms, yet the former is adorned in reasons which define the essence, and the latter exhibits fortitude. The phasmata of archons may be divided in a twofold respect. For some of them exhibit a beauty which is spontaneous, and of a ruling characteristic; but others, an elegance of form which is fictitious and renovated. And the phasmata of souls are, indeed, adorned in definite reasons, but these reasons are more divided than those in heroes, are partibly circumscribed, and are vanquished by one form. If, however, it be requisite to define all of them in common, I say that each participates of beauty according to its arrangement, the peculiar nature which it possesses, and its allotment.