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Passages similar to: The Six Enneads — How the Multiplicity of the Ideal-forms Came Into Being: and Upon the Good
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Neoplatonic
The Six Enneads
How the Multiplicity of the Ideal-forms Came Into Being: and Upon the Good (22)
That light known, then indeed we are stirred towards those Beings in longing and rejoicing over the radiance about them, just as earthly love is not for the material form but for the Beauty manifested upon it. Every one of those Beings exists for itself but becomes an object of desire by the colour cast upon it from The Good, source of those graces and of the love they evoke. The soul taking that outflow from the divine is stirred; seized with a Bacchic passion, goaded by these goads, it becomes Love. Before that, even Intellectual-Principle with all its loveliness did not stir the soul; for that beauty is dead until it take the light of The Good, and the soul lies supine, cold to all, unquickened even to Intellectual-Principle there before it. But when there enters into it a glow from the divine, it gathers strength, awakens, spreads true wings, and however urged by its nearer environing, speeds its buoyant way elsewhere, to something greater to its memory: so long as there exists anything loftier than the near, its very nature bears it upwards, lifted by the giver of that love. Beyond Intellectual-Principle it passes but beyond The Good it cannot, for nothing stands above That. Let it remain in Intellectual-Principle and it sees the lovely and august, but it is not there possessed of all it sought; the face it sees is beautiful no doubt but not of power to hold its gaze because lacking in the radiant grace which is the bloom upon beauty. Even here we have to recognise that beauty is that which irradiates symmetry rather than symmetry itself and is that which truly calls out our love. Why else is there more of the glory of beauty upon the living and only some faint trace of it upon the dead, though the face yet retains all its fulness and symmetry? Why are the most living portraits the most beautiful, even though the others happen to be more symmetric? Why is the living ugly more attractive than the sculptured handsome? It is that the one is more nearly what we are looking for, and this because there is soul there, because there is more of the Idea of The Good, because there is some glow of the light of The Good and this illumination awakens and lifts the soul and all that goes with it so that the whole man is won over to goodness, and in the fullest measure stirred to life.
Christian Mysticism
The Works of Dionysius the Areopagite
On Divine Names, Caput IV (7)
This Good is celebrated by the sacred theologians, both as beautiful and as Beauty, and as Love, and as Beloved; and all the other Divine Names which...
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Christian Mysticism
The Works of Dionysius the Areopagite
On Divine Names, Caput IV (10)
Of these three motions then in everything perceptible here below, and much more of the abidings and repose and fixity of each, the Beautiful and...
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Christian Mysticism
The Works of Dionysius the Areopagite
The Celestial Hierarchy, Caput II (4)
It is, then, possible to frame in one's mind good contemplations from everything, and to depict, from things material, the aforesaid dissimilar...
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Christian Mysticism
The Works of Dionysius the Areopagite
On Divine Names, Caput IV (4)
But, what would any one say of the very ray of the sun? For the light is from the Good, and an image of the Goodness, wherefore also the Good is celeb...
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Neoplatonic
II, Chapter III (4)
In addition also to these peculiarities, divine beauty, indeed, shines with an immense splendour as it were, fixes the spectators in astonishment, imp...
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