do not pass from one sensation to the opposite; inviting objects are those which do; in this latter case the sense coming upon the object, whether at a distance or near, gives no more vivid idea of anything in particular than of its opposite. An illustration will make my meaning clearer:—here are three fingers—a little finger, a second finger, and a middle finger. Very good. You may suppose that they are seen quite close: And here comes the point. What is it? Each of them equally appears a finger, whether seen in the middle or at the extremity, whether white or black, or thick or thin—it makes no difference; a finger is a finger all the same. In these cases a man is not compelled to ask of thought the question what is a finger? for the sight never intimates to the mind that a finger is other than a finger. True. And therefore, I said, as we might expect, there is nothing here which invites or excites intelligence. There is not, he said. But is this equally true of the greatness and smallness of the fingers? Can sight adequately perceive them? and is no difference made by the circumstance that one of the fingers is in the middle and another at the extremity? And in like manner does the touch adequately perceive the qualities of thickness or thinness, of softness or hardness? And so of the other senses; do they give perfect intimations of such matters?
Seen from a distance, objects appear reduced and close together, however far apart they be: within easy range, their sizes and the distances that...
(1) Seen from a distance, objects appear reduced and close together, however far apart they be: within easy range, their sizes and the distances that separate them are observed correctly.
Distant objects show in this reduction because they must be drawn together for vision and the light must be concentrated to suit the size of the pupil; besides, as we are placed farther and farther away from the material mass under observation, it is more and more the bare form that reaches us, stripped, so to speak, of magnitude as of all other quality.
Or it may be that we appreciate the magnitude of an object by observing the salience and recession of its several parts, so that to perceive its true size we must have it close at hand.
Or again, it may be that magnitude is known incidentally from the observation of colour. With an object at hand we know how much space is covered by the colour; at a distance, only that something is coloured, for the parts, quantitatively distinct among themselves, do not give us the precise knowledge of that quantity, the colours themselves reaching us only in a blurred impression.
What wonder, then, if size be like sound- reduced when the form reaches us but faintly- for in sound the hearing is concerned only about the form; magnitude is not discerned except incidentally.
Well, in hearing magnitude is known incidentally; but how? Touch conveys a direct impression of a visible object; what gives us the same direct impression of an object of hearing?
The magnitude of a sound is known not by actual quantity but by degree of impact, by intensity- and this in no indirect knowledge; the ear appreciates a certain degree of force, exactly as the palate perceives by no indirect knowledge, a certain degree of sweetness. But the true magnitude of a sound is its extension; this the hearing may define to itself incidentally by deduction from the degree of intensity but not to the point of precision. The intensity is merely the definite effect at a particular spot; the magnitude is a matter of totality, the sum of space occupied.
Still the colours seen from a distance are faint; but they are not small as the masses are.
True; but there is the common fact of diminution. There is colour with its diminution, faintness; there is magnitude with its diminution, smallness; and magnitude follows colour diminishing stage by stage with it.
But, the phenomenon is more easily explained by the example of things of wide variety. Take mountains dotted with houses, woods and other land-marks; the observation of each detail gives us the means of calculating, by the single objects noted, the total extent covered: but, where no such detail of form reaches us, our vision, which deals with detail, has not the means towards the knowledge of the whole by measurement of any one clearly discerned magnitude. This applies even to objects of vision close at hand: where there is variety and the eye sweeps over all at one glance so that the forms are not all caught, the total appears the less in proportion to the detail which has escaped the eye; observe each single point and then you can estimate the volume precisely. Again, magnitudes of one colour and unbroken form trick the sense of quantity: the vision can no longer estimate by the particular; it slips away, not finding the stand-by of the difference between part and part.
It was the detail that prevented a near object deceiving our sense of magnitude: in the case of the distant object, because the eye does not pass stage by stage through the stretch of intervening space so as to note its forms, therefore it cannot report the magnitude of that space.
We undertook to discuss the question whether sight is possible in the absence of any intervening medium, such as air or some other form of what is...
(1) We undertook to discuss the question whether sight is possible in the absence of any intervening medium, such as air or some other form of what is known as transparent body: this is the time and place.
It has been explained that seeing and all sense-perception can occur only through the medium of some bodily substance, since in the absence of body the soul is utterly absorbed in the Intellectual Sphere. Sense-perception being the gripping not of the Intellectual but of the sensible alone, the soul, if it is to form any relationship of knowledge, or of impression, with objects of sense, must be brought in some kind of contact with them by means of whatever may bridge the gap.
The knowledge, then, is realized by means of bodily organs: through these, which are almost of one growth with it, being at least its continuations, it comes into something like unity with the alien, since this mutual approach brings about a certain degree of identity .
Admitting, then, that some contact with an object is necessary for knowing it, the question of a medium falls to the ground in the case of things identified by any form of touch; but in the case of sight- we leave hearing over for the present- we are still in doubt; is there need of some bodily substance between the eye and the illumined object?
No: such an intervening material may be a favouring circumstance, but essentially it adds nothing to seeing power. ! Dense bodies, such as clay, actually prevent sight; the less material the intervening substance is, the more clearly we see; the intervening substance, then, is a hindrance, or, if not that, at least not a help.
It will be objected that vision implies that whatever intervenes between seen and seer must first experience the object and be, as it were, shaped to it; we will be reminded that anyone facing to the object from the side opposite to ourselves sees it equally; we will be asked to deduce that if all the space intervening between seen and seer did not carry the impression of the object we could not receive it.
But all the need is met when the impression reaches that which is adapted to receive it; there is no need for the intervening space to be impressed. If it is, the impression will be of quite another order: the rod between the fisher's hand and the torpedo fish is not affected in the same way as the hand that feels the shock. And yet there too, if rod and line did not intervene, the hand would not be affected- though even that may be questioned, since after all the fisherman, we are told, is numbed if the torpedo merely lies in his net.
The whole matter seems to bring us back to that sympathy of which we have treated. If a certain thing is of a nature to be sympathetically affected by another in virtue of some similitude between them, then anything intervening, not sharing in that similitude, will not be affected, or at least not similarly. If this be so, anything naturally disposed to be affected will take the impression more vividly in the absence of intervening substance, even of some substance capable, itself, of being affected.
Imagine that beyond the heavenly system there existed some solid mass, and that from this sphere there was directed to it a vision utterly unimpeded...
(8) Imagine that beyond the heavenly system there existed some solid mass, and that from this sphere there was directed to it a vision utterly unimpeded and unrestricted: it is a question whether that solid form could be perceived by what has no sympathetic relation with it, since we have held that sympathetic relation comes about in virtue of the nature inherent in some one living being.
Obviously, if the sympathetic relationship depends upon the fact that percipients and things perceived are all members of one living being, no acts of perception could take place: that far body could be known only if it were a member of this living universe of ours- which condition being met, it certainly would be. But what if, without being thus in membership, it were a corporeal entity, exhibiting light and colour and the qualities by which we perceive things, and belonging to the same ideal category as the organ of vision?
If our supposition is true, there would still be no perception- though we may be told that the hypothesis is clearly untenable since there is absurdity in supposing that sight can fail in grasping an illuminated object lying before it, and that the other senses in the presence of their particular objects remain unresponsive.
This absurdity shows that the hypothesis contains a contradiction which naturally leads to untenable results. In fact, under one and the same heading, it presents mind and no mind, it makes things kin and no kin, it confuses similar and dissimilar: containing these irreconcilable elements, it amounts to no hypothesis at all. At one and the same moment it postulates and denies a soul, it tells of an All that is partial, of a something which is at once distinct and not distinct, of a nothingness which is no nothingness, of a complete thing that is incomplete: the hypothesis therefore must be dismissed; no deduction is possible where a thesis cancels its own propositions.
If sight depends upon the linking of the light of vision with the light leading progressively to the illumined object, then, by the very hypothesis,...
(2) If sight depends upon the linking of the light of vision with the light leading progressively to the illumined object, then, by the very hypothesis, one intervening substance, the light, is indispensable: but if the illuminated body, which is the object of vision, serves as an agent operating certain changes, some such change might very well impinge immediately upon the eye, requiring no medium; this all the more, since as things are the intervening substance, which actually does exist, is in some degree changed at the point of contact with the eye .
Those who have made vision a forth-going act need not postulate an intervening substance- unless, indeed, to provide against the ray from the eye failing on its path- but this is a ray of light and light flies straight. Those who make vision depend upon resistance are obliged to postulate an intervening substance.
The champions of the image, with its transit through a void, are seeking the way of least resistance; but since the entire absence of intervenient gives a still easier path they will not oppose that hypothesis.
So, too, those that explain vision by sympathy must recognize that an intervening substance will be a hindrance as tending to check or block or enfeeble that sympathy; this theory, especially, requires the admission that any intervenient, and particularly one of kindred nature, must blunt the perception by itself absorbing part of the activity. Apply fire to a body continuous through and through, and no doubt the core will be less affected than the surface: but where we are dealing with the sympathetic parts of one living being, there will scarcely be less sensation because of the intervening substance, or, if there should be, the degree of sensation will still be proportionate to the nature of the separate part, with the intervenient acting merely as a certain limitation; this, though, will not be the case where the element introduced is of a kind to overleap the bridge.
But this is saying that the sympathetic quality of the universe depends upon its being one living thing, and that our amenability to experience depends upon our belonging integrally to that unity; would it not follow that continuity is a condition of any perception of a remote object?
The explanation is that continuity and its concomitant, the bridging substance, come into play because a living being must be a continuous thing, but that, none the less, the receiving of impression is not an essentially necessary result of continuity; if it were, everything would receive such impression from everything else, and if thing is affected by thing in various separate orders, there can be no further question of any universal need of intervening substance.
Why it should be especially requisite in the act of seeing would have to be explained: in general, an object passing through the air does not affect it beyond dividing it; when a stone falls, the air simply yields; nor is it reasonable to explain the natural direction of movement by resistance; to do so would bring us to the absurdity that resistance accounts for the upward movement of fire, which on the contrary, overcomes the resistance of the air by its own essentially quick energy. If we are told that the resistance is brought more swiftly into play by the very swiftness of the ascending body, that would be a mere accidental circumstance, not a cause of the upward motion: in trees the upthrust from the root depends on no such external propulsion; we, too, in our movements cleave the air and are in no wise forwarded by its resistance; it simply flows in from behind to fill the void we make.
If the severance of the air by such bodies leaves it unaffected, why must there be any severance before the images of sight can reach us?
And, further, once we reject the theory that these images reach us by way of some outstreaming from the objects seen, there is no reason to think of the air being affected and passing on to us, in a progression of impression, what has been impressed upon itself.
If our perception is to depend upon previous impressions made upon the air, then we have no direct knowledge of the object of vision, but know it only as through an intermediary, in the same way as we are aware of warmth where it is not the distant fire itself that warms us, but the warmed intervening air. That is a matter of contact; but sight is not produced by contact: the application of an object to the eye would not produce sight; what is required is the illumination of the intervening medium; for the air in itself is a dark substance: If it were not for this dark substance there would probably be no reason for the existence of light: the dark intervening matter is a barrier, and vision requires that it be overcome by light. Perhaps also the reason why an object brought close to the eye cannot be seen is that it confronts us with a double obscuration, its own and that of the air.
We come to the same result by examining the sense of pain. We say there is pain in the finger: the trouble is doubtless in the finger, but our...
(7) We come to the same result by examining the sense of pain. We say there is pain in the finger: the trouble is doubtless in the finger, but our opponents must admit that the sensation of the pain is in the centre of consciousness. The suffering member is one thing, the sense of suffering is another: how does this happen?
By transmission, they will say: the psychic pneuma stationed at the finger suffers first; and stage by stage the trouble is passed on until at last it reaches the centre of consciousness.
But on this theory, there must be a sensation in the spot first suffering pain, and another sensation at a second point of the line of transmission, another in the third and so on; many sensations, in fact an unlimited series, to deal with one pain; and at the last moment the centre of consciousness has the sensation of all these sensations and of its own sensation to boot. Or to be exact, these serial sensations will not be of the pain in the finger: the sensation next in succession to the suffering finger will be of pain at the joint, a third will tell of a pain still higher up: there will be a series of separate pains: The centre of consciousness will not feel the pain seated at the finger, but only that impinging upon itself: it will know this alone, ignore the rest and so have no notion that the finger is in pain.
Thus: Transmission would not give sensation of the actual condition at the affected spot: it is not in the nature of body that where one part suffers there should be knowledge in another part; for body is a magnitude, and the parts of every magnitude are distinct parts; therefore we need, as the sentient, something of a nature to be identical to itself at any and every spot; this property can belong only to some other form of being than body.
A first principle is that the knowing of sensible objects is an act of the soul, or of the living conjoint, becoming aware of the quality of certain...
(23) A first principle is that the knowing of sensible objects is an act of the soul, or of the living conjoint, becoming aware of the quality of certain corporeal entities, and appropriating the ideas present in them.
This apprehension must belong either to the soul isolated, self-acting, or to soul in conjunction with some other entity.
Isolated, self-acting, how is it possible? Self-acting, it has knowledge of its own content, and this is not perception but intellection: if it is also to know things outside itself it can grasp them only in one of two ways: either it must assimilate itself to the external objects, or it must enter into relations with something that has been so assimilated.
Now as long as it remains self-centred it cannot assimilate: a single point cannot assimilate itself to an external line: even line cannot adapt itself to line in another order, line of the intellectual to line of the sensible, just as fire of the intellectual and man of the intellectual remain distinct from fire and man of the sensible. Even Nature, the soul-phase which brings man into being, does not come to identity with the man it shapes and informs: it has the faculty of dealing with the sensible, but it remains isolated, and, its task done, ignores all but the intellectual as it is itself ignored by the sensible and utterly without means of grasping it.
Suppose something visible lying at a distance: the soul sees it; now, admitting to the full that at first only the pure idea of the thing is seized- a total without discerned part- yet in the end it becomes to the seeing soul an object whose complete detail of colour and form is known: this shows that there is something more here than the outlying thing and the soul; for the soul is immune from experience; there must be a third, something not thus exempt; and it is this intermediate that accepts the impressions of shape and the like.
This intermediate must be able to assume the modifications of the material object so as to be an exact reproduction of its states, and it must be of the one elemental-stuff: it, thus, will exhibit the condition which the higher principle is to perceive; and the condition must be such as to preserve something of the originating object, and yet not be identical with it: the essential vehicle of knowledge is an intermediary which, as it stands between the soul and the originating object, will, similarly, present a condition midway between the two spheres, of sense and the intellectual-linking the extremes, receiving from one side to exhibit to the other, in virtue of being able to assimilate itself to each. As an instrument by which something is to receive knowledge, it cannot be identical with either the knower or the known: but it must be apt to likeness with both- akin to the external object by its power of being affected, and to the internal, the knower, by the fact that the modification it takes becomes an idea.
If this theory of ours is sound, bodily organs are necessary to sense-perception, as is further indicated by the reflection that the soul entirely freed of body can apprehend nothing in the order of sense.
The organ must be either the body entire or some member set apart for a particular function; thus touch for one, vision for another. The tools of craftsmanship will be seen to be intermediaries between the judging worker and the judged object, disclosing to the experimenter the particular character of the matter under investigation: thus a ruler, representing at once the straightness which is in the mind and the straightness of a plank, is used as an intermediary by which the operator proves his work.
Some questions of detail remain for consideration elsewhere: Is it necessary that the object upon which judgement or perception is to take place should be in contact with the organ of perception, or can the process occur across space upon an object at a distance? Thus, is the heat of a fire really at a distance from the flesh it warms, the intermediate space remaining unmodified; is it possible to see colour over a sheer blank intervening between the colour and the eye, the organ of vision reaching to its object by its own power?
For the moment we have one certainty, that perception of things of sense belongs to the embodied soul and takes place through the body.
Now, firstly: since the intervening air is not necessary- unless in the purely accidental sense that air may be necessary to light- the light that act...
(4) But there is the question of the linked light that must relate the visual organ to its object.
Now, firstly: since the intervening air is not necessary- unless in the purely accidental sense that air may be necessary to light- the light that acts as intermediate in vision will be unmodified: vision depends upon no modification whatever. This one intermediate, light, would seem to be necessary, but, unless light is corporeal, no intervening body is requisite: and we must remember that intervenient and borrowed light is essential not to seeing in general but to distant vision; the question whether light absolutely requires the presence of air we will discuss later. For the present one matter must occupy us:
If, in the act of vision, that linked light becomes ensouled, if the soul or mind permeates it and enters into union with it, as it does in its more inward acts such as understanding- which is what vision really is- then the intervening light is not a necessity: the process of seeing will be like that of touch; the visual faculty of the soul will perceive by the fact of having entered into the light; all that intervenes remains unaffected, serving simply as the field over which the vision ranges.
This brings up the question whether the sight is made active over its field by the sheer presence of a distance spread before it, or by the presence of a body of some kind within that distance.
If by the presence of such a body, then there will be vision though there be no intervenient; if the intervenient is the sole attractive agent, then we are forced to think of the visible object as being a Kind utterly without energy, performing no act. But so inactive a body cannot be: touch tells us that, for it does not merely announce that something is by and is touched: it is acted upon by the object so that it reports distinguishing qualities in it, qualities so effective that even at a distance touch itself would register them but for the accidental that it demands proximity.
We catch the heat of a fire just as soon as the intervening air does; no need to wait for it to be warmed: the denser body, in fact, takes in more warmth than the air has to give; in other words, the air transmits the heat but is not the source of our warmth.
When on the one side, that of the object, there is the power in any degree of an outgoing act, and on the other, that of the sight, the capability of being acted upon, surely the object needs no medium through which to be effective upon what it is fully equipped to affect: this would be needing not a help but a hindrance.
Or, again, consider the Dawn: there is no need that the light first flood the air and then come to us; the event is simultaneous to both: often, in fact, we see when the light is not as yet round our eyes at all but very far off, before, that is, the air has been acted upon: here we have vision without any modified intervenient, vision before the organ has received the light with which it is to be linked.
It is difficult to reconcile with this theory the fact of seeing stars or any fire by night.
If the percipient mind or soul remains within itself and needs the light only as one might need a stick in the hand to touch something at a distance, then the perception will be a sort of tussle: the light must be conceived as something thrusting, something aimed at a mark, and similarly, the object, considered as an illuminated thing, must be conceived to be resistant; for this is the normal process in the case of contact by the agency of an intervenient.
Besides, even on this explanation, the mind must have previously been in contact with the object in the entire absence of intervenient; only if that has happened could contact through an intervenient bring knowledge, a knowledge by way of memory, and, even more emphatically, by way of reasoned comparison : but this process of memory and comparison is excluded by the theory of first knowledge through the agency of a medium.
Finally, we may be told that the impinging light is modified by the thing to be seen and so becomes able to present something perceptible before the visual organ; but this simply brings us back to the theory of an intervenient changed midway by the object, an explanation whose difficulties we have already indicated.
We have to ascertain whether there is not to every quality a contrary. In the case of virtue and vice, even the mean appears to be contrary to the...
(20) We have to ascertain whether there is not to every quality a contrary. In the case of virtue and vice, even the mean appears to be contrary to the extremes.
But when we turn to colours, we do not find the intermediates so related. If we regard the intermediates as blendings of the extremes, we must not posit any contrariety other than that between black and white, but must show that all other colours are combinations of these two. Contrariety however demands that there be some one distinct quality in the intermediates, though this quality may be seen to arise from a combination.
It may further be suggested that contraries not only differ from each other, but also entail the greatest possible difference. But "the greatest possible difference" would seem to presuppose that intermediates have already been established: eliminate the series, and how will you define "the greatest possible"? Sight, we may be told, will reveal to us that grey is nearer than black to white; and taste may be our judge when we have hot, cold and no intermediate.
That we are accustomed to act upon these assumptions is obvious enough; but the following considerations may perhaps commend themselves:
White and yellow are entirely different from each other- a statement which applies to any colour whatsoever as compared with any other; they are accordingly contrary qualities. Their contrariety is independent of the presence of intermediates: between health and disease no intermediate intrudes, and yet they are contraries.
It may be urged that the products of a contrariety exhibit the greatest diversity. But "the greatest diversity" is clearly meaningless, unless we can point to lower degrees of diversity in the means. Thus, we cannot speak of "the greatest diversity" in reference to health and disease. This definition of contrariety is therefore inadmissible.
Suppose that we say "great diversity" instead of "the greatest": if "great" is equivalent to greater and implies a less, immediate contraries will again escape us; if, on the other hand, we mean strictly "great" and assume that every quality shows a great divergence from every other, we must not suppose that the divergence can be measured by a comparative.
Nonetheless, we must endeavour to find a meaning for the term "contrary." Can we accept the principle that when things have a certain similarity which is not generic nor in any sense due to admixture, but a similarity residing in their forms- if the term be permitted- they differ in degree but are not contraries; contraries being rather those things which have no specific identity? It would be necessary to stipulate that they belong to the same genus, Quality, in order to cover those immediate contraries which have nothing conducing to similarity, inasmuch as there are no intermediates looking both ways, as it were, and having a mutual similarity to each other; some contraries are precluded by their isolation from similarity.
If these observations be sound, colours which have a common ground will not be contraries. But there will be nothing to prevent, not indeed every colour from being contrary to every other, but any one colour from being contrary to any other; and similarly with tastes. This will serve as a statement of the problem.
As for Degree , it was given as our opinion that it exists in the objects participating in Quality, though whether it enters into qualities as such- into health and justice- was left open to question. If indeed these qualities possess an extension quite apart from their participants, we must actually ascribe to them degrees: but in truth they belong to a sphere where each entity is the whole and does not admit of degree.
No one will pretend that these forms are reproduced upon the darkness and come to us in linked progression; if the fire thus rayed out its own form, t...
(3) For the most convincing proof that vision does not depend upon the transmission of impressions of any kind made upon the air, we have only to consider that in the darkness of night we can see a fire and the stars and their very shapes.
No one will pretend that these forms are reproduced upon the darkness and come to us in linked progression; if the fire thus rayed out its own form, there would be an end to the darkness. In the blackest night, when the very stars are hidden and show no gleam of their light, we can see the fire of the beacon-stations and of maritime signal-towers.
Now if, in defiance of all that the senses tell us, we are to believe that in these examples the fire traverses the air, then, in so far as anything is visible, it must be that dimmed reproduction in the air, not the fire itself. But if an object can be seen on the other side of some intervening darkness, much more would it be visible with nothing intervening.
We may hold one thing certain: the impossibility of vision without an intervening substance does not depend upon that absence in itself: the sole reason is that, with the absence, there would be an end to the sympathy reigning in the living whole and relating the parts to each other in an existent unity.
Perception of every kind seems to depend on the fact that our universe is a whole sympathetic to itself: that it is so, appears from the universal participation in power from member to member, and especially in remote power.
No doubt it would be worth enquiry- though we pass it for the present- what would take place if there were another kosmos, another living whole having no contact with this one, and the far ridges of our heavens had sight: would our sphere see that other as from a mutually present distance, or could there be no dealing at all from this to that?
To return; there is a further consideration showing that sight is not brought about by this alleged modification of the intervenient.
Any modification of the air substance would necessarily be corporeal: there must be such an impression as is made upon sealing wax. But this would require that each part of the object of vision be impressed on some corresponding portion of the intervenient: the intervenient, however, in actual contact with the eye would be just that portion whose dimensions the pupil is capable of receiving. But as a matter of fact the entire object appears before the pupil; and it is seen entire by all within that air space for a great extent, in front, sideways, close at hand, from the back, as long as the line of vision is not blocked. This shows that any given portion of the air contains the object of vision, in face view so to speak, and, at once, we are confronted by no merely corporeal phenomena; the facts are explicable only as depending upon the greater laws, the spiritual, of a living being one and self-sensitive.
The next question is whether perception is concerned only with need. The soul, isolated, has no sense-perception; sensations go with the body;...
(24) The next question is whether perception is concerned only with need.
The soul, isolated, has no sense-perception; sensations go with the body; sensation itself therefore must occur by means of the body to which the sensations are due; it must be something brought about by association with the body.
Thus either sensation occurs in a soul compelled to follow upon bodily states- since every graver bodily experience reaches at last to soul- or sensation is a device by which a cause is dealt with before it becomes so great as actually to injure us or even before it has begun to make contact.
At this, sense-impressions would aim at utility. They may serve also to knowledge, but that could be service only to some being not living in knowledge but stupefied as the result of a disaster, and the victim of a Lethe calling for constant reminding: they would be useless to any being free from either need or forgetfulness. This This reflection enlarges the enquiry: it is no longer a question of earth alone, but of the whole star-system, all the heavens, the kosmos entire. For it would follow that, in the sphere of things not exempt from modification, sense-perception would occur in every part having relation to any other part: in a whole, however- having relation only to itself, immune, universally self-directed and self-possessing- what perception could there be?
Granted that the percipient must act through an organ and that this organ must be different from the object perceived, then the universe, as an All, can have no organ distinct from object: it can have self-awareness, as we have; but sense-perception, the constant attendant of another order, it cannot have.
Our own apprehension of any bodily condition apart from the normal is the sense of something intruding from without: but besides this, we have the apprehension of one member by another; why then should not the All, by means of what is stationary in it, perceive that region of itself which is in movement, that is to say the earth and the earth's content?
Things of earth are certainly affected by what passes in other regions of the All; what, then, need prevent the All from having, in some appropriate way, the perception of those changes? In addition to that self-contemplating vision vested in its stationary part, may it not have a seeing power like that of an eye able to announce to the All-Soul what has passed before it? Even granted that it is entirely unaffected by its lower, why, still, should it not see like an eye, ensouled as it is, all lightsome?
Still: "eyes were not necessary to it," we read. If this meant simply that nothing is left to be seen outside of the All, still there is the inner content, and there can be nothing to prevent it seeing what constitutes itself: if the meaning is that such self-vision could serve to no use, we may think that it has vision not as a main intention for vision's sake but as a necessary concomitant of its characteristic nature; it is difficult to conceive why such a body should be incapable of seeing.
(25) But the organ is not the only requisite to vision or to perception of any kind: there must be a state of the soul inclining it towards the sphere of sense.
Now it is the soul's character to be ever in the Intellectual sphere, and even though it were apt to sense-perception, this could not accompany that intention towards the highest; to ourselves when absorbed in the Intellectual, vision and the other acts of sense are in abeyance for the time; and, in general, any special attention blurs every other. The desire of apprehension from part to part- a subject examining itself- is merely curiosity even in beings of our own standing, and, unless for some definite purpose, is waste of energy: and the desire to apprehend something external- for the sake of a pleasant sight- is the sign of suffering or deficiency.
Smelling, tasting flavours may perhaps be described as mere accessories, distractions of the soul, while seeing and hearing would belong to the sun and the other heavenly bodies as incidentals to their being. This would not be unreasonable if seeing and hearing are means by which they apply themselves to their function.
But if they so apply themselves, they must have memory; it is impossible that they should have no remembrance if they are to be benefactors, their service could not exist without memory.
Perceptions are no imprints, we have said, are not to be thought of as seal-impressions on soul or mind: accepting this statement, there is one...
(1) Perceptions are no imprints, we have said, are not to be thought of as seal-impressions on soul or mind: accepting this statement, there is one theory of memory which must be definitely rejected.
Memory is not to be explained as the retaining of information in virtue of the lingering of an impression which in fact was never made; the two things stand or fall together; either an impression is made upon the mind and lingers when there is remembrance, or, denying the impression, we cannot hold that memory is its lingering. Since we reject equally the impression and the retention we are obliged to seek for another explanation of perception and memory, one excluding the notions that the sensible object striking upon soul or mind makes a mark upon it, and that the retention of this mark is memory.
If we study what occurs in the case of the most vivid form of perception, we can transfer our results to the other cases, and so solve our problem.
In any perception we attain by sight, the object is grasped there where it lies in the direct line of vision; it is there that we attack it; there, then, the perception is formed; the mind looks outward; this is ample proof that it has taken and takes no inner imprint, and does not see in virtue of some mark made upon it like that of the ring on the wax; it need not look outward at all if, even as it looked, it already held the image of the object, seeing by virtue of an impression made upon itself. It includes with the object the interval, for it tells at what distance the vision takes place: how could it see as outlying an impression within itself, separated by no interval from itself? Then, the point of magnitude: how could the mind, on this hypothesis, define the external size of the object or perceive that it has any- the magnitude of the sky, for instance, whose stamped imprint would be too vast for it to contain? And, most convincing of all, if to see is to accept imprints of the objects of our vision, we can never see these objects themselves; we see only vestiges they leave within us, shadows: the things themselves would be very different from our vision of them. And, for a conclusive consideration, we cannot see if the living object is in contact with the eye, we must look from a certain distance; this must be more applicable to the mind; supposing the mind to be stamped with an imprint of the object, it could not grasp as an object of vision what is stamped upon itself. For vision demands a duality, of seen and seeing: the seeing agent must be distinct and act upon an impression outside it, not upon one occupying the same point with it: sight can deal only with an object not inset but outlying.
(2) But if perception does not go by impression, what is the process?
The mind affirms something not contained within it: this is precisely the characteristic of a power- not to accept impression but, within its allotted sphere, to act.
Besides, the very condition of the mind being able to exercise discrimination upon what it is to see and hear is not, of course, that these objects be equally impressions made upon it; on the contrary, there must be no impressions, nothing to which the mind is passive; there can be only acts of that in which the objects become known.
Our tendency is to think of any of the faculties as unable to know its appropriate object by its own uncompelled act; to us it seems to submit to its environment rather than simply to perceive it, though in reality it is the master, not the victim.
As with sight, so with hearing. It is the air which takes the impression, a kind of articulated stroke which may be compared to letters traced upon it by the object causing the sound; but it belongs to the faculty, and the soul-essence, to read the imprints thus appearing before it, as they reach the point at which they become matter of its knowledge.
In taste and smell also we distinguish between the impressions received and the sensations and judgements; these last are mental acts, and belong to an order apart from the experiences upon which they are exercised.
The knowing of the things belonging to the Intellectual is not in any such degree attended by impact or impression: they come forward, on the contrary, as from within, unlike the sense-objects known as from without: they have more emphatically the character of acts; they are acts in the stricter sense, for their origin is in the soul, and every concept of this Intellectual order is the soul about its Act.
Whether, in this self-vision, the soul is a duality and views itself as from the outside- while seeing the Intellectual-Principal as a unity, and itself with the Intellectual-Principle as a unity- this question is investigated elsewhere.
This procedure, if approved, will entail a distinction between psychic and bodily qualities, the latter belonging specifically to body. If we decide...
(17) This procedure, if approved, will entail a distinction between psychic and bodily qualities, the latter belonging specifically to body.
If we decide to refer all souls to the higher, we are still at liberty to perform for Sensible qualities a division founded upon the senses themselves- the eyes, the ears, touch, taste, smell; and if we are to look for further differences, colours may be subdivided according to varieties of vision, sounds according to varieties of hearing, and so with the other senses: sounds may also be classified qualitatively as sweet, harsh, soft.
Here a difficulty may be raised: we divide the varieties of Substance and their functions and activities, fair or foul or indeed of any kind whatsoever, on the basis of Quality, Quantity rarely, if ever, entering into the differences which produce species; Quantity, again, we divide in accordance with qualities of its own: how then are we to divide Quality itself into species? what differences are we to employ, and from what genus shall we take them? To take them from Quality itself would be no less absurd than setting up substances as differences of substances.
How, then, are we to distinguish black from white? how differentiate colours in general from tastes and tangible qualities? By the variety of sense-organs? Then there will be no difference in the objects themselves.
But, waiving this objection, how deal with qualities perceived by the same sense-organ? We may be told that some colours integrate, others disintegrate the vision, that some tastes integrate, others disintegrate the tongue: we reply that, first, it is the actual experiences that we are discussing and it is to these that the notions of integration and disintegration must be applied; secondly, a means of differentiating these experiences has not been offered.
It may be suggested that we divide them by their powers, and this suggestion is so far reasonable that we may well agree to divide the non-sensuous qualities, the sciences for example, on this basis; but we see no reason for resorting to their effects for the division of qualities sensuous. Even if we divide the sciences by their powers, founding our division of their processes upon the faculties of the mind, we can only grasp their differences in a rational manner if we look not only to their subject-matter but also to their Reason-Principles.
But, granted that we may divide the arts by their Reason-Principles and theorems, this method will hardly apply to embodied qualities. Even in the arts themselves an explanation would be required for the differences between the Reason-Principles themselves. Besides, we have no difficulty in seeing that white differs from black; to account for this difference is the purpose of our enquiry.
(18) These problems at any rate all serve to show that, while in general it is necessary to look for differences by which to separate things from each other, to hunt for differences of the differences themselves is both futile and irrational. We cannot have substances of substances, quantities of quantities, qualities of qualities, differences of differences; differences must, where possible, be found outside the genus, in creative powers and the like: but where no such criteria are present, as in distinguishing dark-green from pale-green, both being regarded as derived from white and black, what expedient may be suggested?
Sense-perception and intelligence may be trusted to indicate diversity but not to explain it: explanation is outside the province of sense-perception, whose function is merely to produce a variety of information; while, as for intelligence, it works exclusively with intuitions and never resorts to explanations to justify them; there is in the movements of intelligence a diversity which separates one object from another, making further differentiation unnecessary.
Do all qualities constitute differentiae, or not? Granted that whiteness and colours in general and the qualities dependent upon touch and taste can, even while they remain species , become differentiae of other things, how can grammar and music serve as differentiae? Perhaps in the sense that minds may be distinguished as grammatical and musical, especially if the qualities are innate, in which case they do become specific differentiae.
It remains to decide whether there can be any differentia derived from the genus to which the differentiated thing belongs, or whether it must of necessity belong to another genus? The former alternative would produce differentiae of things derived from the same genus as the differentiae themselves- for example, qualities of qualities. Virtue and vice are two states differing in quality: the states are qualities, and their differentiae qualities- unless indeed it be maintained that the state undifferentiated is not a quality, that the differentia creates the quality.
But consider the sweet as beneficial, the bitter as injurious: then bitter and sweet are distinguished, not by Quality, but by Relation. We might also be disposed to identify the sweet with the thick, and the Pungent with the thin: "thick" however hardly reveals the essence but merely the cause of sweetness- an argument which applies equally to pungency.
We must therefore reflect whether it may be taken as an invariable rule that Quality is never a differentia of Quality, any more than Substance is a differentia of Substance, or Quantity of Quantity.
Surely, it may be interposed, five differs from three by two. No: it exceeds it by two; we do not say that it differs: how could it differ by a "two" in the "three"? We may add that neither can Motion differ from Motion by Motion. There is, in short, no parallel in any of the other genera.
In the case of virtue and vice, whole must be compared with whole, and the differentiation conducted on this basis. As for the differentia being derived from the same genus as themselves, namely, Quality, and from no other genus, if we proceed on the principle that virtue is bound up with pleasure, vice with lust, virtue again with the acquisition of food, vice with idle extravagance, and accept these definitions as satisfactory, then clearly we have, here too, differentiae which are not qualities.
Perhaps we are to understand the process thus: the air is modified by the first movement; layer by layer it is successively acted upon by the object c...
(5) But some doubt arises when we consider the phenomena of hearing.
Perhaps we are to understand the process thus: the air is modified by the first movement; layer by layer it is successively acted upon by the object causing the sound: it finally impinges in that modified form upon the sense, the entire progression being governed by the fact that all the air from starting point to hearing point is similarly affected.
Perhaps, on the other hand, the intervenient is modified only by the accident of its midway position, so that, failing any intervenient, whatsoever sound two bodies in clash might make would impinge without medium upon our sense?
Still air is necessary; there could be no sound in the absence of the air set vibrating in the first movement, however different be the case with the intervenient from that onwards to the perception point.
The air would thus appear to be the dominant in the production of sound: two bodies would clash without even an incipient sound, but that the air, struck in their rapid meeting and hurled outward, passes on the movement successively till it reaches the ears and the sense of hearing.
But if the determinant is the air, and the impression is simply of air-movements, what accounts for the differences among voices and other sounds? The sound of bronze against bronze is different from that of bronze against some other substance: and so on; the air and its vibration remain the one thing, yet the difference in sounds is much more than a matter of greater or less intensity.
If we decide that sound is caused by a percussion upon the air, then obviously nothing turning upon the distinctive nature of air is in question: it sounds at a moment in which it is simply a solid body, until it is sent pulsing outwards: thus air in itself is not essential to the production of sound; all is done by clashing solids as they meet and that percussion, reaching the sense, is the sound. This is shown also by the sounds formed within living beings not in air but by the friction of parts; for example, the grinding of teeth and the crunching of bones against each other in the bending of the body, cases in which the air does not intervene.
But all this may now be left over; we are brought to the same conclusion as in the case of sight; the phenomena of hearing arise similarly in a certain co-sensitiveness inherent in a living whole.
How the Multiplicity of the Ideal-forms Came Into Being: and Upon the Good (29)
Suppose, however, that pleasure did not result from the good but there were something preceding pleasure and accounting for it, would not this be a...
(29) Suppose, however, that pleasure did not result from the good but there were something preceding pleasure and accounting for it, would not this be a thing to be embraced?
But when we say "to be embraced" we say "pleasure."
But what if accepting its existence, we think of that existence as leaving still the possibility that it were not a thing to be embraced?
This would mean the good being present and the sentient possessor failing, nonetheless, to perceive it.
It would seem possible, however, to perceive and yet be unmoved by the possession; this is quite likely in the case of the wiser and least dependent- and indeed it is so with the First, immune not merely because simplex, but because pleasure by acquisition implies lack.
But all this will become clear on the solution of our remaining difficulties and the rebuttal of the argument brought up against us. This takes the form of the question: "What gain is there in the Good to one who, fully conscious, feels nothing when he hears of these things, whether because he has no grasp of them but takes merely the words or because he holds to false values, perhaps being all in search of sense, finding his good in money or such things?"
The answer is that even in his disregard of the good proposed he is with us in setting a good before him but fails to see how the good we define fits into his own conception. It is impossible to say "Not that" if one is utterly without experience or conception of the "That"; there will generally have been, even, some inkling of the good beyond Intellection. Besides, one attaining or approaching the good, but not recognising it, may assure himself in the light of its contraries; otherwise he will not even hold ignorance an evil though everyone prefers to know and is proud of knowing so that our very sensations seek to ripen into knowledge.
If the knowing principle- and specially primal Intellectual-Principle- is valuable and beautiful, what must be present to those of power to see the Author and Father of Intellect? Anyone thinking slightingly of this principle of Life and Being brings evidence against himself and all his state: of course, distaste for the life that is mingled with death does not touch that Life Authentic.
How do you form the concept of any absence of quality? What is the Act of the Intellect, what is the mental approach, in such a case? The secret is In...
(10) But how can I form the conception of the sizelessness of Matter?
How do you form the concept of any absence of quality? What is the Act of the Intellect, what is the mental approach, in such a case?
The secret is Indetermination.
Likeness knows its like: the indeterminate knows the indeterminate. Around this indefinite a definite conception will be realized, but the way lies through indefiniteness.
All knowledge comes by Reason and the Intellectual Act; in this case Reason conveys information in any account it gives, but the act which aims at being intellectual is, here, not intellection but rather its failure: therefore the representation of Matter must be spurious, unreal, something sprung of the Alien, of the unreal, and bound up with the alien reason.
This is Plato's meaning where he says that Matter is apprehended by a sort of spurious reasoning.
What, then, is this indetermination in the Soul? Does it amount to an utter absence of Knowledge, as if the Soul or Mind had withdrawn?
No: the indeterminate has some footing in the sphere of affirmation. The eye is aware of darkness as a base capable of receiving any colour not yet seen against it: so the Mind, putting aside all attributes perceptible to sense- all that corresponds to light- comes upon a residuum which it cannot bring under determination: it is thus in the state of the eye which, when directed towards darkness, has become in some way identical with the object of its spurious vision.
There is vision, then, in this approach of the Mind towards Matter?
Some vision, yes; of shapelessness, of colourlessness, of the unlit, and therefore of the sizeless. More than this would mean that the Soul is already bestowing Form.
But is not such a void precisely what the Soul experiences when it has no intellection whatever?
No: in that case it affirms nothing, or rather has no experience: but in knowing Matter, it has an experience, what may be described as the impact of the shapeless; for in its very consciousness of objects that have taken shape and size it knows them as compounds for they appear as things that have accepted colour and other quality.
It knows, therefore, a whole which includes two components; it has a clear Knowledge or perception of the overlie but only a dim awareness of the underlie, the shapeless which is not an Ideal-Principle.
With what is perceptible to it there is presented something else: what it can directly apprehend it sets on one side as its own; but the something else which Reason rejects, this, the dim, it knows dimly, this, the dark, it knows darkly, this it knows in a sort of non-knowing.
And just as even Matter itself is not stably shapeless but, in things, is always shaped, the Soul also is eager to throw over it the thing-form; for the Soul recoils from the indefinite, dreads, almost, to be outside of reality, does not endure to linger about Non-Being.
How far is it true that equality and inequality are characteristic of Quantity? Triangles, it is significant, are said to be similar rather than...
(15) How far is it true that equality and inequality are characteristic of Quantity?
Triangles, it is significant, are said to be similar rather than equal. But we also refer to magnitudes as similar, and the accepted connotation of similarity does not exclude similarity or dissimilarity in Quantity. It may, of course, be the case that the term "similarity" has a different sense here from that understood in reference to Quality.
Furthermore, if we are told that equality and inequality are characteristic of Quantity, that is not to deny that similarity also may be predicated of certain quantities. If, on the contrary, similarity and dissimilarity are to be confined to Quality, the terms as applied to Quantity must, as we have said, bear a different meaning.
But suppose similarity to be identical in both genera; Quantity and Quality must then be expected to reveal other properties held in common.
May the truth be this: that similarity is predicable of Quantity only in so far as Quantity possesses differences? But as a general rule differences are grouped with that of which they are differences, especially when the difference is a difference of that thing alone. If in one case the difference completes the substance and not in another, we inevitably class it with that which it completes, and only consider it as independent when it is not complementary: when we say "completes the substance," we refer not to Subtance as such but to the differentiated substance; the particular object is to be thought of as receiving an accession which is non-substantial.
We must not however fad to observe that we predicate equality of triangles, rectangles, and figures generally, whether plane or solid: this may be given as a ground for regarding equality and inequality as characteristic of Quantity.
It remains to enquire whether similarity and dissimilarity are characteristic of Quality.
We have spoken of Quality as combining with other entities, Matter and Quantity, to form the complete Sensible Substance; this Substance, so called, may be supposed to constitute the manifold world of Sense, which is not so much an essence as a quale. Thus, for the essence of fire we must look to the Reason-Principle; what produces the visible aspect is, properly speaking, a quale.
Man's essence will lie in his Reason-Principle; that which is perfected in the corporeal nature is a mere image of the Reason-Principle a quale rather than an essence.
Consider: the visible Socrates is a man, yet we give the name of Socrates to that likeness of him in a portrait, which consists of mere colours, mere pigments: similarly, it is a Reason-Principle which constitutes Socrates, but we apply the name Socrates to the Socrates we see: in truth, however, the colours and shapes which make up the visible Socrates are but reproductions of those in the Reason-Principle, while this Reason-Principle itself bears a corresponding relation to the truest Reason-Principle of Man. But we need not elaborate this point.
With Quality we have undertaken to group the dependent qualia, in so far as Quality is bound up with them; we shall not however introduce into this...
(19) With Quality we have undertaken to group the dependent qualia, in so far as Quality is bound up with them; we shall not however introduce into this category the qualified objects , that we may not be dealing with two categories at once; we shall pass over the objects to that which gives them their name.
But how are we to classify such terms as "not white"? If "not white" signifies some other colour, it is a quality. But if it is merely a negation of an enumeration of things not white, it will be either a meaningless sound, or else a name or definition of something actual: if a sound, it is a kind of motion; if a name or definition, it is a relative, inasmuch as names and definitions are significant. But if not only the things enumerated are in some one genus, but also the propositions and terms in question must be each of them significative of some genus, then we shall assert that negative propositions and terms posit certain things within a restricted field and deny others. Perhaps, however, it would be better, in view of their composite nature, not to include the negations in the same genus as the affirmations.
What view, then, shall we take of privations? If they are privations of qualities, they will themselves be qualities: "toothless" and "blind," for example, are qualities. "Naked" and "dothed," on the other hand, are neither of them qualities but states: they therefore comport a relation to something else.
Passivity, while it lasts, is not a quality but a motion; when it is a past experience remaining in one's possession, it is a quality; if one ceases to possess the experience then regarded as a finished occurrence, one is considered to have been moved- in other words, to have been in Motion. But in none of these cases is it necessary to conceive of anything but Motion; the idea of time should be excluded; even present time has no right to be introduced.
"Well" and similar adverbial expressions are to be referred to the single generic notion .
It remains to consider whether blushing should be referred to Quality, even though the person blushing is not included in this category. The fact of becoming flushed is rightly not referred to Quality; for it involves passivity- in short, Motion. But if one has ceased to become flushed and is actually red, this is surely a case of Quality, which is independent of time. How indeed are we to define Quality but by the aspect which a substance presents? By predicating of a man redness, we clearly ascribe to him a quality.
We shall accordingly maintain that states alone, and not dispositions, constitute qualities: thus, "hot" is a quality but not "growing hot," "ill" but not "turning ill."