(30) Eliphas Levi describes the preparation of a magical sword in substance as follows: The steel blade should be forged in the hour of Mars, with new tools. The pommel should be of hollow silver containing quicksilver, and the symbols of Mercury and the moon and the signatures of Gabriel and Samael should be engraved upon it. The hilt should be encased with tin, with the symbol of Jupiter and the signature of Michael engraved upon it. A copper triangle should extend from the hilt along the blade a short distance on each side: these should bear the symbols of Mercury and Venus. Five Sephiroth should be engraved upon the handle, as shown. The blade itself should have the word Malchut upon one side and Quis ut Deus upon the other. The sword should be consecrated on Sunday.

(30) And that bright light fountain-water kindleth the astringent and the bitter qualities, and the heat (which is generated by the astringent and the bitter qualities in the sweet water), riseth up out of the sweet fountain-water through the astringent and bitter qualities, and in the astringent and bitter qualities the light first then becometh dry and shining, as also moveable and triumphing.

(12) It is painted with anti and shethu, mixed with green colour of the South, and with water from the Western Lake of Egypt; on a bandage of new linen, in which all the limbs of a man will be wrapped

(31) And when the light riseth up out of the sweet fountain-water in the heat, in the astringent and bitter qualities, then the bitter and astringent qualities taste the light and sweet water, and the bitter quality catcheth the taste of the sweet water, and in the sweet water is the light, but only of a sky-colour or azure, which is blue.

(68) Timaeus: which is midway between these reaches to the liquid of the eyes and is mingled therewith, it is not brilliant but, owing to the blending of the fire's ray through the moisture, it gives off a sanguine color, and we give it the name of “red.” And “bright” color when blended with red and white becomes “yellow.” But in what proportions the colors are blended it were foolish to declare, even if one knew, seeing that in such matters one could not properly adduce any necessary ground or probable reason. Red blended with black and white makes “purple”;

(62) Munpus saith: It behoves you, O all ye seekers after this Art, to know that whatsoever the Philosophers have narrated or ordained, Kenckel, herbs, geldum, and carmen, are one thing!* Do not, therefore, trouble about a plurality of things, for there is one Tyrian tincture of the Philosophers to which they have given names at will, and having abolished the proper name, they have called it black, because it has been extracted from our sea. And know that the ancient priests did not condescend to wear artificial garments, whence, for purifying altars, and lest they should introduce into them anything sordid or impure, they tinged Kenckel with a Tyrian colour; but our Tyrian colour, which they placed in their altars and treasuries, was more clean and fragrant than can be described by me, which also has been extracted from our red and most pure sea, which is sweet and of a pleasant odour, and is neither sordid nor impure in putrefaction. And know ye that we have given many names to it, which are all true—an example of which, for those that possess understanding, is to be traced in corn that is being ground. For after grinding it is called by another name, and after it has been passed through the sieve, and the various substances have been separated one from another, each of these has its own name, and yet fundamentally there is but one name, to wit, corn, from which many names are distinguished. Thus we call the purple in each grade of its regimen by the name:of its own colour.

(152) But the sweet water being dried up through the astringent attracting together, therefore could not the heat any more rise to a flame or to any light (for the light existeth in the unctuosity or oiliness of the water), but glowed like a redhot iron, or like iron not quite glowing, but very dimly and darkly; or as if you should put a very hard stone into the fire, and should let it lie there in great heat as long as you please, yet it would not be glowing light, because it has too little water or oiliness in it.

(107) And his body was white as snow and red as the blooming of a rose, and the hair of his head †and his long locks were white as wool, and his eyes beautiful†. And when he opened his eyes, he lighted up the whole house like the sun, and the whole house was very bright.

(83) And the sweet spring water became very thick and stinking, and the bitter quality became very raging, tearing and raving, whence poison was generated, and the fire or heat was violently and zealously or fervently burning and consuming, and so there was a very great distemper and confused mixture.

(68) Timaeus: but when these colors are mixed and more completely burned, and black is blended therewith, the result is “violet.” “Chestnut” comes from the blending of yellow and grey; and “grey” from white and black; and “ochre” from white mixed with yellow. And when white is combined with “bright” and is steeped in deep black it turns into a “dark blue” color; and dark blue mixed with white becomes “light blue”; and chestnut with black becomes “green.” As to the rest, it is fairly clear from these examples

(4) Gold and fine silver, and scarlet and pearl-white, The Indian wood resplendent and serene, Fresh emerald the moment it is broken, By herbage and by flowers within that hollow Planted, each one in colour would be vanquished, As by its greater vanquished is the less. Nor in that place had nature painted only, But of the sweetness of a thousand odours Made there a mingled fragrance and unknown. "Salve Regina," on the green and flowers There seated, singing, spirits I beheld, Which were not visible outside the valley. "Before the scanty sun now seeks his nest," Began the Mantuan who had led us thither, "Among them do not wish me to conduct you. Better from off this ledge the acts and faces Of all of them will you discriminate, Than in the plain below received among them. He who sits highest, and the semblance bears Of having what he should have done neglected, And to the others' song moves not his lips, Rudolph the Emperor was, who had the power To heal the wounds that Italy have slain, So that through others slowly she revives.

(5) Flowers were chosen as symbols for many reasons. The great variety of flora made it possible to find some plant or flower which would be a suitable figure for nearly any abstract quality or condition. A plant might be chosen because of some myth connected with its origin, as the stories of Daphne and Narcissus; because of the peculiar environment in which it thrived, as the orchid and the fungus; because of its significant shape, as the passion flower and the Easter lily; because of its brilliance or fragrance, as the verbena and the sweet lavender; because it preserved its form indefinitely, as the everlasting flower; because of unusual characteristics as the sunflower and heliotrope, which have long been sacred because of their affinity for the sun.

(25) The grass, the rush of the marsh, the reed, and the forest he created

(3) With dust dishonor’d, and deform’d with gore.

As the young olive in some sylvan scene,

Crown’d by fresh fountains with eternal green,

(3) For purple is from water, linen from the earth; blue, being dark, is like the air, as scarlet is like fire.

(34) Bacsen saith: On account of thy dicta the

Philosophers said beware,* Take the regal Corsufle, which is like to the redness of copper, and pound in the urine of a calf until the nature of the Corsufle is converted, for the true nature has. been hidden in the belly of the Corsufle. The

Tureva saith: Explain to posterity what the nature is. And he: A tingeing spirit which it hath from permanent water, which is coinlike, and coruscates. And they: Shew, therefore, how it is extracted. And he: It is pounded, and water is poured upon it seven times until it absorbs the whole humour, and receives a force which is equal to the hostility of the fire; then it is called rust. Putrefy the same diligently until it becomes a spiritual powder, of a colour like burnt blood, which the fire overcoming hath introduced into the receptive belly of Nature, and hath coloured with an indelible colour. This, therefore, have kings sought, but not found, save only to whom God has granted it.* But the

Turba saith: Finish your speech, O Bacsen. And he: I direct them to whiten copper with white water, by which also they make red. Be careful not to introduce any foreign matter. And the Turba: Well hast thou spoken, O Bacsen, and Nictimerus also has spoken well! Then he: If I have spoken well, do one of you continue.

:

(93) Now when the wrath of these four spirits is killed, then the mineral orey Salitter stands in the water, like a tough matter, and looketh like that spirit which is predominant in the mineral ore; and the light which stands in the fire coloureth [tinctureth] it according to its own quality, be it silver or gold.

(10) ARISLEUS saith:—Know that the key of this work is the art of Coins.* Take, therefore, the body which I have shewn to you and reduce it to thin tablets. Next immerse the said tablets in the Water of our Sea,t which is permanent Water,! and, after it is covered,§ set it over a gentle fire until the tablets are melted and become waters or Etheliz, which are one and the same thing. Mix, cook, and simmer in a gentle fire until Brodium is produced, like to Saginatum. Then stir in its water of Etheliz until it be coagulated, and the coins become variegated, which we call the Flower of Salt. Cook it, therefore, until it be deprived of blackness, and the whiteness appear. Then rub it, mix with the Gum of Gold, and cook -until it becomes red Etheliz. Use patience in pounding lest you become weary. Imbue the Ethelia with its own water, which has preceded from it, which also is Permanent Water, until the same becomes red. This, then, is Burnt Copper,” which is the Leaven of Gold and the Flower thereof. Cook the same with Permanent Water, which is always with it, until the water be dried up. Continue the operation until all the water is consumed, and it becomes a most subtle powder.

(10) "Very well," the [boys] answered. And carrying the flowers in the four gourds, they went, and when they arrived before the lord [of Xibalba] and the other lords, it was lovely to see the flowers they had brought. And in this way the Lords of Xibalba were overcome. The boys had only sent the ants [to cut the flowers], and in a night the ants cut them and put them in the gourds.

(108) Thou canst kindle wood that it give light, for the water is chief upper regent, or predominant therein; so likewise in all sorts of herbs on earth, wherein the sweet water is predominant.