(1) AS appropriate emblems of various human and divine attributes birds were included in religious and philosophic symbolism that of pagans and of Christians alike. Cruelty was signified by the buzzard; courage by the eagle; self-sacrifice by the pelican; and pride by the peacock. The ability of birds to leave the earth and fly aloft toward the source of light has resulted in their being associated with aspiration, purity, and beauty. Wings were therefore often added to various terrene creatures in an effort to suggest transcendency. Because their habitat was among the branches of the sacred trees in the hearts of ancient forests, birds were also regarded as the appointed messengers of the tree spirits and Nature gods dwelling in these consecrated groves, and through their clear notes the gods themselves were said to speak. Many myths have been fabricated to explain the brilliant plumage of birds. A familiar example is the story of Juno's peacock, in whose tail feathers were placed the eyes of Argus. Numerous American Indian legends also deal with birds and the origin of the various colors of feathers. The Navahos declare that when all living things climbed to the stalk of a bamboo to escape the Flood, the wild turkey was on the lowest branch and his tail feathers trailed in the water; hence the color was all washed out.

(7) Nocturnal birds were appropriate symbols of both sorcery and the secret divine sciences: sorcery because black magic cannot function in the light of truth (day) and is powerful only when surrounded by ignorance (night); and the divine sciences because those possessing the arcana are able to see through the darkness of ignorance and materiality. Owls and bats were consequently often associated with either witchcraft or wisdom. The goose was an emblem of the first primitive substance or condition from which and within which the worlds were fashioned. In the Mysteries, the universe was likened to an egg which the Cosmic Goose had laid in space. Because of its blackness the crow was the symbol of chaos or the chaotic darkness preceding the light of creation. The grace and purity of the swan were emblematic of the spiritual grace and purity of the initiate. This bird also represented the Mysteries which unfolded these qualities in humanity. This explains the allegories of the gods (the secret wisdom) incarnating in the body of a swan (the initiate).

(2) Even thus, relieved from the delay of waiting, That murmuring of the eagle mounted up Along its neck, as if it had been hollow. There it became a voice, and issued thence From out its beak, in such a form of words As the heart waited for wherein I wrote them. "The part in me which sees and bears the sun In mortal eagles," it began to me, "Now fixedly must needs be looked upon; For of the fires of which I make my figure, Those whence the eye doth sparkle in my head Of all their orders the supremest are. He who is shining in the midst as pupil Was once the singer of the Holy Spirit, Who bore the ark from city unto city; Now knoweth he the merit of his song, In so far as effect of his own counsel, By the reward which is commensurate. Of five, that make a circle for my brow, He that approacheth nearest to my beak Did the poor widow for her son console; Now knoweth he how dearly it doth cost Not following Christ, by the experience Of this sweet life and of its opposite.

(92) Sound the note of every bird that draws near; When God sent, thee to the birds, To the predestinarian bird talk predestination, To the bird with broken wings preach patience, To the patient well-doer preach comfort and pardon, To the spiritual 'Anka relate the glories of Mount Qaf, To the pigeon preach avoidance of the hawk, To the lordly hawk mercy and self-control; As for the bat, who lingers helpless in the dark, Acquaint him with the society of the light;

(1) In fashion then as of a snow-white rose Displayed itself to me the saintly host, Whom Christ in his own blood had made his bride, But the other host, that flying sees and sings The glory of Him who doth enamour it, And the goodness that created it so noble, Even as a swarm of bees, that sinks in flowers One moment, and the next returns again To where its labour is to sweetness turned, Sank into the great flower, that is adorned With leaves so many, and thence reascended To where its love abideth evermore. Their faces had they all of living flame, And wings of gold, and all the rest so white No snow unto that limit doth attain. From bench to bench, into the flower descending, They carried something of the peace and ardour Which by the fanning of their flanks they won. Nor did the interposing 'twixt the flower And what was o'er it of such plenitude Of flying shapes impede the sight and splendour; Because the light divine so penetrates The universe, according to its merit, That naught can be an obstacle against it.

(5) Both the peacock and the ibis were objects of veneration because they destroyed the poisonous reptiles which were popularly regarded as the emissaries of the infernal gods. Because of the myriad of eyes in its tail feathers the peacock was accepted as the symbol of wisdom, and on account of its general appearance it was often confused with the fabled phœnix of the Mysteries. There is a curious belief that the flesh of the peacock will not putrefy even though kept for a considerable time. As an outgrowth of this belief the peacock became the emblem of immortality, because the spiritual nature of man--like the flesh of this bird--is incorruptible.

(16) Both Herodotus and Pliny noted the general resemblance in shape between the phœnix and the eagle, a point which the reader should carefully consider, for it is reasonably certain that the modern Masonic eagle was originally a phœnix. The body of the phœnix is described as having been covered with glossy purple feathers, while its long tail feathers were alternately blue and red. Its head was light in color and about its neck was a circlet of golden plumage. At the back of its head the phœnix had a peculiar tuft of feathers, a fact quite evident, although it has been overlooked by most writers and symbolists.

(22) The Egyptians occasionally represented the Phœnix as having the body of a man and the wings of a bird. This biform, creature had a tuft of feathers upon its head and its arms were upraised in an attitude of prayer. As the phœnix was the symbol of regeneration, the tuft of feathers on the back of its head might well symbolize the activity of the Pineal gland, or third eye, the occult function of which was apparently well understood by the ancient priestcraft.

(48) At the peak of the headdress was a tiny cup of gold, made in the form of a flower. This signified that the nature of the priest was receptive and that he had a vessel in his own soul which, cuplike, was capable of catching the eternal waters of life pouring upon him from the heavens above. This flower over the crown of his head is similar in its esoteric meaning to the rose growing out of a skull, so famous in Templar symbology. The ancients believed that the spiritual nature escaping from the body passed upward through the crown of the head; therefore, the flowerlike calyx, or cup, symbolized also the spiritual consciousness. On the front of the golden crown were inscribed in Hebrew, Holiness unto the Lord.

(11) Instantly the Lords of Xibalba paled and their faces became livid because of the flowers. They sent at once for the guardians of the flowers. "Why did you permit them to steal our flowers? These which we see here are our flowers," they said to the guardians. "We noticed nothing, my lord. Our tails also suffered," they answered. And then the [lords] tore at their mouths as a punishment for having let that which was under their care be stolen. Thus were Hun-Camé and Vucub-Camé defeated by Hunahpú and Xbalanqué. And this was the beginning of their deeds. From that time the mouth of the owl is divided, cleft as it is today. Immediately they went down to play ball, and also they played several tie-matches. Then they finished playing and agreed to play again the following day at dawn. So said the Lords of Xibalba. "It is well," said the boys upon finishing.

(16) Now the high priest's robe is the symbol of the world of sense. The seven planets are represented by the five stones and the two carbuncles, for Saturn and the Moon. The former is southern, and moist, and earthy, and heavy; the latter aerial, whence she is called by some Artemis, as if Aerotomos (cutting the air); and the air is cloudy. And cooperating as they did in the production of things here below, those that by Divine Providence are set over the planets are rightly represented as placed on the breast and shoulders; and by them was the work of creation, the first week. And the breast is the seat of the heart and soul.

(2) Within the crystal which, around the world Revolving, bears the name of its dear leader, Under whom every wickedness lay dead, Coloured like gold, on which the sunshine gleams, A stairway I beheld to such a height Uplifted, that mine eye pursued it not. Likewise beheld I down the steps descending So many splendours, that I thought each light That in the heaven appears was there diffused. And as accordant with their natural custom The rooks together at the break of day Bestir themselves to warm their feathers cold; Then some of them fly off without return, Others come back to where they started from, And others, wheeling round, still keep at home; Such fashion it appeared to me was there Within the sparkling that together came, As soon as on a certain step it struck, And that which nearest unto us remained Became so clear, that in my thought I said, "Well I perceive the love thou showest me; But she, from whom I wait the how and when Of speech and silence, standeth still; whence I Against desire do well if I ask not."

(19) Mediæval Hermetists regarded the phœnix as a symbol of the accomplishment of alchemical transmutation, a process equivalent to human regeneration. The name phœnix was also given to one of the secret alchemical formula. The familiar pelican of the Rose Croix degree, feeding its young from its own breast, is in reality a phœnix, a fact which can be confirmed by an examination of the head of the bird. The ungainly lower part of the pelican's beak is entirely missing, the head of the phœnix being far more like that of an eagle than of a pelican. In the Mysteries it was customary to refer to initiates as phœnixes or men who had been born again, for just as physical birth gives man consciousness in the physical world, so the neophyte, after nine degrees in the womb of the Mysteries, was born into a consciousness of the Spiritual world. This is the mystery of initiation to which Christ referred when he said, "Except a man be born again, he cannot see the kingdom of God" (John iii. 3). The phœnix is a fitting symbol of this spiritual truth.

(21) On the left is the bird's head from the first Great Seal of the United States (1782) and on the right the Great Seal of 1902. When the first great Seal was actually cut, the bird represented upon it was very different from the eagle which now appears; the neck was much longer and the tuft of feathers, at the upper back part of the head was quite noticeable; the beak bore little resemblance to that of the eagle; and the entire bird was much thinner and its wings shorter. It requires very little imagination to trace in this first so-called eagle the mythological Phœnix of antiquity. What is more, there is every reason why a phœnix bird should be used to represent a new country rising out of an old, while as Benjamin Franklin caustically noted, the eagle was not a bird of good moral character!

(16) Then the maidens held out the painted capes, all covered with [the figures] of jaguars and eagles, and covered with bumblebees and wasps, painted on the surface of the cloth and which shone before them. At once they felt a desire to put the capes on. The jaguar did nothing when the lord threw the first painting on his back. Then the lord put on the second painting, with the figure of the eagle. The lord felt very well wrapped within it. And he turned about before all of them.

(9) The dove, accepted by Christianity as the emblem of the Holy Ghost, is an extremely ancient and highly revered pagan yonic emblem. In many of the ancient Mysteries it represented the third person of the Creative Triad, or the Fabricator of the world. As the lower worlds were brought into existence through a generative process, so the dove has been associated with those deities identified with the procreative functions. It is sacred to Astarte, Cybele, Isis, Venus, Juno, Mylitta, and Aphrodite. On account of its gentleness and devotion to its young, the dove was looked upon as the embodiment of the maternal instinct. The dove is also an emblem of wisdom, for it represents the power and order by which the lower worlds are maintained. It has long been accepted as a messenger of the divine will, and signifies the activity of God.

(4) And I beheld the flamelets onward go, Leaving behind themselves the air depicted, And they of trailing pennons had the semblance, So that it overhead remained distinct With sevenfold lists, all of them of the colours Whence the sun's bow is made, and Delia's girdle. These standards to the rearward longer were Than was my sight; and, as it seemed to me, Ten paces were the outermost apart. Under so fair a heaven as I describe The four and twenty Elders, two by two, Came on incoronate with flower-de-luce. They all of them were singing: "Blessed thou Among the daughters of Adam art, and blessed For evermore shall be thy loveliness." After the flowers and other tender grasses In front of me upon the other margin Were disencumbered of that race elect, Even as in heaven star followeth after star, There came close after them four animals, Incoronate each one with verdant leaf. Plumed with six wings was every one of them, The plumage full of eyes; the eyes of Argus If they were living would be such as these.