(2) So they began to consider how to set out on their quest. The Hoopoe, excited and full of hope, came forward and placed herself in the middle of the assembled birds. On her breast was the ornament which symbolized that she had entered the way of spiritual knowledge; the crest on her head was as the crown of truth, and she had knowledge of both good and evil.

(3) 'Dear Birds,' she began, 'I am one who is engaged in divine warfare, and I am a messenger of the world invisible. I have knowledge of God and of the secrets of creation. When one carries on his beak, as I do, the name of God, Bismillah, it follows that one must have knowledge of many hidden tilings. Yet my days pass restlessly and I am concerned with no person for I am wholly occupied by love for the King. I can find water by instinct, and I know many other secrets. I talk with Solomon and am the foremost of his (lO followers. It is astonishing that he neither asked nor sought for those who were absent from his kingdom, yet when I was away from him for a day he sent his messengers everywhere, and, since he could not be without me for a moment, my worth is established for ever. I carried his letters, and I was his confidential companion. The bird who is sought after by the prophet Solomon, merits a crown for his head. The bird who is well spoken of by God, how can he trail his feathers in the dust? For years I have travelled by sea and land, over mountains and valleys. I covered an immense space in the time of the deluge; I accompanied Solomon on his journeys, and I have measured the bounds of the world.

(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(2) The Hoopoe said: 'O birds without aspiration! How shall love spring bountifully in a heart devoid of sensibility? Begging the question like this, which seems to gratify you, will result in nothing. He who loves sets out with open eyes towards his goal making a plaything of his life.

"When the Simurgh manifested himself outside the veil, radiant as the sun, he produced thousands of shadows on earth. When he cast his glance on these shadows there appeared birds in great numbers. The different types of birds that are seen in the world are thus only the shadow of the Simurgh. Know then, O ignorant ones, that when you understand this you will understand exactly your relation to the Simurgh. Ponder over this mystery, but do not reveal it. He who acquires this knowledge sinks into the immensity of the Simurgh; though he must not think that he is God on that account.

"If you become this of which I speak you will not be God, but you will be immersed in God. Does a man thus immersed become transubstantiated? When you understand of whom you are the shadow you will become indifferent to life or death. If the Simurgh had not wished to manifest himself he would not have cast his shadow; if he had wished to remain hidden his shadow would not have appeared in the world. All that which is produced by his shadow becomes visible. If your spirit is not fit to see the Simurgh, neither will your heart be a bright mirror, fit to reflect him. It is true

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that no eye is able to contemplate and marvel at his beauty, nor is it capable of understanding; one cannot feel towards the Simurgh as one feels towards the beauty of this world. But by his abounding grace he has given us a mirror to reflect himself, and this mirror is the heart. Look into your heart and there you will see his image.'

A sage went out to till his field, and saw a peacock busily engaged in destroying his own plumage with his beak. At seeing this insane self-destruction the sage could not refrain himself, but cried out to the peacock to forbear from mutilating himself and spoiling his beauty in so wanton a manner. The peacock then explained to him that the bright plumage which he admired so much was a fruitful source of danger to its unfortunate owner, as it led to his being constantly pursued by hunters, whom he had no strength to contend against; and he had accordingly decided on ridding himself of it with his own beak, and making himself so ugly that no hunter would in future care to molest him. The poet proceeds to point out that worldly cleverness and accomplishments and wealth endanger man's spiritual life, like the peacock's plumage; but, nevertheless, they are appointed for our probation, and without such trials there can be no virtue.

(1) Next came the golden Peacock, with feathers of a hundred - what shall I say? - a hundred thousand colours! He displayed himself, turning this way and that, like a bride. 'The painter of the world,' he said, 'to fashion me took in his hand the brush of the Jinn. But although I am Gabriel among birds my lot is not to be envied. I was friendly with the serpent in the earthly paradise, and for this was ignominiously driven out. They deprived me of a position of trust, they, who trusted me, and my feet were my prison. But I

am always hoping that some benevolent guide will lead me out of this dark abode and take me to the everlasting mansions. I do not expect to reach the king you speak of, it will suffice me to reach his gate. How can you expect me to strive to reach the Simurgh since I have lived in the earthly paradise? I have no wish except to dwell there again. Nothing else has any meaning for me.'

The Hoopoe replied: 'You are straying from the true Way. The palace of this King is far better than your paradise. You cannot do better than to strive to reach it. It is the habitation of the soul, it is eternity, it is the object of our real desires, the dwelling of the heart, the seat of truth. The Most High is a vast ocean; the paradise of earthly bliss is only a little drop; all that is not this ocean is distraction. When you can have the ocean why will you seek a drop of evening dew? Shall he who shares the secrets of the sun idle with a speck of dust? Is he who has all, concerned with the part? Is the soul concerned with members of the body? If you would be perfect seek the whole, choose the whole, be whole.'

(8) The Image of the Ox denotes the strong and the mature, turning up the intellectual furrows for the reception of the heavenly and productive showers; and the Horns, the guarding and indomitable. The representation of the Eagle denotes the kingly, and soaring, and swift in flight, and quickness in search of the nourishment which makes strong, and wanness, and agility, and cleverness; and the unimpeded, straight, and unflinching gaze towards the bounteous and brilliant splendour of the Divine rays of the sun, with the robust extension of the visual powers. That of Horses represents obedience and docility, and of those who are white, brilliancy, and as especially congenial to the Divine Light; but of those who are dark blue, the Hidden; and of those red, the fiery and vigorous; and of the piebald, the uniting of the extremes by the power passing through them, and joining the first to the second, and the second to the first, reciprocally and considerately. Now if we did not consult the proportion of our discourse, we might, not inappropriately, adapt the particular characteristics of the aforesaid living creatures, and all their bodily representations to the Heavenly Powers, upon the principle of dissimilar similitudes; for instance, their appearance of anger, to intellectual manliness, of which anger is the remotest echo, and their desire, to the Divine love; and to speak summarily, referring all the sensible perceptions, and many parts of irrational beings, to the immaterial conceptions and unified Powers of the Heavenly Beings. Now not only is this sufficient for the wise, but even an explanation of one of the dissimilar representations would be sufficient for the accurate description of similar things, after the same fashion.

(1) Fear and apprehension drew plaintive cries from the birds as they faced a road without end, where the strong wind of detachment from earthly things split the vault of heaven. In their anxiety they crowded together and asked the Hoopoe

for advice. They said: 'We do not know how we should present ourselves to the King with due reverence. But you have been in the presence of Solomon, and know the usages of etiquette. Also you have ascended and descended this road, and many times flown round the earth. You are our Imam, to bind and to loose. We ask you now to go up into the minabar and instruct us. Tell us about the road and about the King's court and the ceremonies there, for we do not wish to behave foolishly. Also, all kinds of difficulties arise in our minds, and for this journey one needs to be free from disquiet. We have many questions to ask, and we wish you to resolve our misgivings, otherwise we shall not see clearly on this long road.'

The Hoopoe then set the crown on her head, sat on her throne and disposed herself to speak to them. When the army of birds was ranged in front of her in ranks, the Nightingale and the Turtle-dove went up and as two readers with the same voice together gave forth a melody so sweet that all who heard were lifted out of themselves. Then one after another, a number of birds went up to her to speak about their difficulties and to make excuses.

(22) This, too, it says, that of all precious birds the crow (valâgh) is the most precious. 23, Regarding the white falcon it says, that it kills the serpent with wings. 24. The magpie (kâskînak) bird kills the locust, and is created in opposition to it. 25. The Kahrkâs, dwelling in decay, which is the vulture, is created for devouring dead matter (nasâî); so also are the crow (valâk) and the mountain kite. 26. The mountain ox, the mountain goat, the deer, the wild ass, and other beasts devour all snakes. 27. So also, of other animals, dogs are created in opposition to the wolf species, and for securing the protection of sheep; the fox is created in opposition to the demon Khava; the ichneumon is created in opposition to the venomous snake (garzak) and other noxious creatures in burrows; so also the great musk-animal is created in opposition to ravenous intestinal worms (kadûk-dânak garzak). 28. The hedgehog is created in opposition to the ant which carries off grain, as it says, that the hedgehog, every time that it voids urine into an ant's nest, will destroy a thousand ants; when the grain-carrier travels over the earth it produces a hollow track; when the hedgehog travels over it the track goes away from it, and it becomes level. 29. The water-beaver is created in opposition to the demon which is in the water. 30. The conclusion is this, that, of all beasts and birds and fishes, every one is created in opposition to some noxious creature. 31. Regarding the vulture (karkâs) it says, that, even from his highest flight, he sees when flesh the size of a fist is on the ground; and the scent of musk is created under his wing, so that if, in devouring dead matter, the stench of the dead matter comes out from it, he puts his head back under the wing and is comfortable again. 32. Regarding the Arab horse they say, that if, in a dark night, a single hair occurs on the ground, he sees it. 33. The cock is created in opposition to demons and wizards, co-operating with the dog; as it says in revelation, that, of the creatures of the world, those which are co-operating with Srôsh, in destroying the fiends, are the cock and the dog. 34. This, too, it says, that it would not have been managed if I had not created the shepherd's dog, which is the Pasus-haurva, and the house watchdog, the Vis-haurva; for it says in revelation, that the dog is a destroyer of such a fiend as covetousness, among those which are in the nature (aîtîh) of man and of animals. 35. Moreover it says, that, inasmuch as it will destroy all the disobedient, when it barks it will destroy pain; and its flesh and fat are remedies for driving away decay and pain from men. 36. Aûharmazd created nothing useless whatever, for all these (kolâ aê) are created for advantage; when one does not understand the reason of them, it is necessary to ask the Dastûr ('high-priest'), for his five dispositions (khûk) are created in this way that he may continually destroy the fiend (or deceit).

(15) It is, then, proper that the Barbarian philosophy, on which it is our business to speak, should prophecy also obscurely and by symbols, as was evinced. Such are the injunctions of Moses: "These common things, the sow, the hawk, the eagle, and the raven, are not to be eaten." For the sow is the emblem of voluptuous and unclean lust of food, and lecherous and filthy licentiousness in venery, always prurient, and material, and lying in the mire, and fattening for slaughter and destruction.