(6) Far more than uselessly he leaves the shore, (Since he returneth not the same he went,) Who fishes for the truth, and has no skill; And in the world proofs manifest thereof Parmenides, Melissus, Brissus are, And many who went on and knew not whither; Thus did Sabellius, Arius, and those fools Who have been even as swords unto the Scriptures In rendering distorted their straight faces. Nor yet shall people be too confident In judging, even as he is who doth count The corn in field or ever it be ripe. For I have seen all winter long the thorn First show itself intractable and fierce, And after bear the rose upon its top; And I have seen a ship direct and swift Run o'er the sea throughout its course entire, To perish at the harbour's mouth at last. Let not Dame Bertha nor Ser Martin think, Seeing one steal, another offering make, To see them in the arbitrament divine; For one may rise, and fall the other may."

(606) element to break loose because the sorrow is another’s; and the spectator fancies that there can be no disgrace to himself in praising and pitying any one who comes telling him what a good man he is, and making a fuss about his troubles; he thinks that the pleasure is a gain, and why should he be supercilious and lose this and the poem too? Few persons ever reflect, as I should imagine, that from the evil of other men something of evil is communicated to themselves. And so the feeling of sorrow which has gathered strength at the sight of the misfortunes of others is with difficulty repressed in our own. How very true! And does not the same hold also of the ridiculous? There are jests which you would be ashamed to make yourself, and yet on the comic stage, or indeed in private, when you hear them, you are greatly amused by them, and are not at all disgusted at their unseemliness;—the case of pity is repeated;—there is a principle in human nature which is disposed to raise a laugh, and this which you once restrained by reason, because you were afraid of being thought a buffoon, is now let out again; and having stimulated the risible faculty at the theatre, you are betrayed unconsciously to yourself into playing the comic poet at home. Quite true, he said. And the same may be said of lust and anger and all the other affections, of desire and pain and pleasure, which are held to be inseparable from every action—in all of them poetry feeds and waters the passions instead of drying them up; she lets them rule, although they ought to be controlled, if mankind are ever to increase in happiness and virtue. I cannot deny it.

(6) The light in which was smiling my own treasure Which there I had discovered, flashed at first As in the sunshine doth a golden mirror; Then made reply: "A conscience overcast Or with its own or with another's shame, Will taste forsooth the tartness of thy word; But ne'ertheless, all falsehood laid aside, Make manifest thy vision utterly, And let them scratch wherever is the itch; For if thine utterance shall offensive be At the first taste, a vital nutriment 'Twill leave thereafter, when it is digested. This cry of thine shall do as doth the wind, Which smiteth most the most exalted summits, And that is no slight argument of honour. Therefore are shown to thee within these wheels, Upon the mount and in the dolorous valley, Only the souls that unto fame are known; Because the spirit of the hearer rests not, Nor doth confirm its faith by an example Which has the root of it unknown and hidden, Or other reason that is not apparent."

(4) And what shall I more say of these venomous deceits? Truly I trow, unless they have grace to leave off such piping hypocrisy, that betwixt that privy pride in their hearts within and such meek words without, the silly soul may full soon sink into sorrow.

(605) which he represents some pitiful hero who is drawling out his sorrows in a long oration, or weeping, and smiting his breast—the best of us, you know, delight in giving way to sympathy, and are in raptures at the excellence of the poet who stirs our feelings most. Yes, of course I know. But when any sorrow of our own happens to us, then you may observe that we pride ourselves on the opposite quality—we would fain be quiet and patient; this is the manly part, and the other which delighted us in the recitation is now deemed to be the part of a woman. Very true, he said. Now can we be right in praising and admiring another who is doing that which any one of us would abominate and be ashamed of in his own person? No, he said, that is certainly not reasonable. Nay, I said, quite reasonable from one point of view. What point of view? If you consider, I said, that when in misfortune we feel a natural hunger and desire to relieve our sorrow by weeping and lamentation, and that this feeling which is kept under control in our own calamities is satisfied and delighted by the poets;—the better nature in each of us, not having been sufficiently trained by reason or habit, allows the sympathetic

(607) the vain talk of fools,’ and ‘the mob of sages circumventing Zeus,’ and the ‘subtle thinkers who are beggars after all’; and there are innumerable other signs of ancient enmity between them. Notwithstanding this, let us assure our sweet friend and the sister arts of imitation, that if she will only prove her title to exist in a well-ordered State we shall be delighted to receive her—we are very conscious of her charms; but we may not on that account betray the truth. I dare say, Glaucon, that you are as much charmed by her as I am, especially when she appears in Homer? Yes, indeed, I am greatly charmed. Shall I propose, then, that she be allowed to return from exile, but upon this condition only—that she make a defence of herself in lyrical or some other metre? Certainly. And we may further grant to those of her defenders who are lovers of poetry and yet not poets the permission to speak in prose on her behalf: let them show not only that she is pleasant but also useful to States and to human life, and we will listen in a kindly spirit; for if this can be proved we shall surely be the gainers—I mean, if there is a use in poetry as well as a delight? Certainly, he said, we shall be the gainers. If her defence fails, then, my dear friend, like other persons who are enamoured of something, but put a restraint upon themselves when they think their desires are opposed to their interests, so too must we after the manner of lovers give her up, though not without a struggle. We too are inspired by that love of poetry which the education

(392) about men poets and story-tellers are guilty of making the gravest misstatements when they tell us that wicked men are often happy, and the good miserable; and that injustice is profitable when undetected, but that justice is a man’s own loss and another’s gain—these things we shall forbid them to utter, and command them to sing and say the opposite. To be sure we shall, he replied. But if you admit that I am right in this, then I shall maintain that you have implied the principle for which we have been all along contending. I grant the truth of your inference. That such things are or are not to be said about men is a question which we cannot determine until we have discovered what justice is, and how naturally advantageous to the possessor, whether he seem to be just or not. Most true, he said. Enough of the subjects of poetry: let us now speak of the style; and when this has been considered, both matter and manner will have been completely treated. I do not understand what you mean, said Adeimantus. Then I must make you understand; and perhaps I may be more intelligible if I put the matter in this way. You are aware, I suppose, that all mythology and poetry is a narration of events, either past, present, or to come? Certainly, he replied. And narration may be either simple narration, or imitation, or a union of the two? That again, he said, I do not quite understand. I fear that I must be a ridiculous teacher when I have so much difficulty in making myself apprehended. Like a bad speaker, therefore, I will not take the whole of the subject,

(567) and from every land. Yes, he said, there are. But will he not desire to get them on the spot? How do you mean? He will rob the citizens of their slaves; he will then set them free and enrol them in his body-guard. To be sure, he said; and he will be able to trust them best of all. What a blessed creature, I said, must this tyrant be; he has put to death the others and has these for his trusted friends. Yes, he said; they are quite of his sort. Yes, I said, and these are the new citizens whom he has called into existence, who admire him and are his companions, while the good hate and avoid him. Of course. Verily, then, tragedy is a wise thing and Euripides a great tragedian. Why so? Why, because he is the author of the pregnant saying, ‘Tyrants are wise by living with the wise;’ and he clearly meant to say that they are the wise whom the tyrant makes his companions.

(365) sort they call mysteries, and they redeem us from the pains of hell, but if we neglect them no one knows what awaits us. He proceeded: And now when the young hear all this said about virtue and vice, and the way in which gods and men regard them, how are their minds likely to be affected, my dear Socrates,—those of them, I mean, who are quickwitted, and, like bees on the wing, light on every flower, and from all that they hear are prone to draw conclusions as to what manner of persons they should be and in what way they should walk if they would make the best of life? Probably the youth will say to himself in the words of Pindar— ‘Can I by justice or by crooked ways of deceit ascend a loftier tower which may be a fortress to me all my days?’ For what men say is that, if I am really just and am not also thought just profit there is none, but the pain and loss on the other hand are unmistakeable. But if, though unjust, I acquire the reputation of justice, a heavenly life is promised to me. Since then, as philosophers prove, appearance tyrannizes over truth and is lord of happiness, to appearance I must devote myself. I will describe around me a picture and shadow of virtue to be the vestibule and exterior of my house; behind I will trail the subtle and crafty fox, as Archilochus, greatest of sages, recommends. But I hear some one exclaiming that the concealment of wickedness is often difficult;

(492) And our philosopher follows the same analogy—he is like a plant which, having proper nurture, must necessarily grow and mature into all virtue, but, if sown and planted in an alien soil, becomes the most noxious of all weeds, unless he be preserved by some divine power. Do you really think, as people so often say, that our youth are corrupted by Sophists, or that private teachers of the art corrupt them in any degree worth speaking of? Are not the public who say these things the greatest of all Sophists? And do they not educate to perfection young and old, men and women alike, and fashion them after their own hearts? When is this accomplished? he said. When they meet together, and the world sits down at an assembly, or in a court of law, or a theatre, or a camp, or in any other popular resort, and there is a great uproar, and they praise some things which are being said or done, and blame other things, equally exaggerating both, shouting and clapping their hands, and the echo of the rocks and the place in which they are assembled redoubles the sound of the praise or blame—at such a time will not a young man’s heart, as they say, leap within him? Will any private training enable him to stand firm against the overwhelming flood of popular opinion? or will he be carried away by the stream? Will he not have the notions of good and evil which the public in general have—he will do as they do, and as they are, such will he be?

(608) of noble States has implanted in us, and therefore we would have her appear at her best and truest; but so long as she is unable to make good her defence, this argument of ours shall be a charm to us, which we will repeat to ourselves while we listen to her strains; that we may not fall away into the childish love of her which captivates the many. At all events we are well aware 4 that poetry being such as we have described is not to be regarded seriously as attaining to the truth; and he who listens to her, fearing for the safety of the city which is within him, should be on his guard against her seductions and make our words his law. Yes, he said, I quite agree with you. Yes, I said, my dear Glaucon, for great is the issue at stake, greater than appears, whether a man is to be good or bad. And what will any one be profited if under the influence of honour or money or power, aye, or under the excitement of poetry, he neglect justice and virtue? Yes, he said; I have been convinced by the argument, as I believe that any one else would have been. And yet no mention has been made of the greatest prizes and rewards which await virtue. What, are there any greater still? If there are, they must be of an inconceivable greatness. Why, I said, what was ever great in a short time? The whole period of three score years and ten is surely but a little thing in comparison with eternity? Say rather ‘nothing,’ he replied. And should an immortal being seriously think of this little

(602) and being compelled to hear what he has to say, whereas the user will have knowledge? True. But will the imitator have either? Will he know from use whether or no his drawing is correct or beautiful? or will he have right opinion from being compelled to associate with another who knows and gives him instructions about what he should draw? Neither. Then he will no more have true opinion than he will have knowledge about the goodness or badness of his imitations? I suppose not. The imitative artist will be in a brilliant state of intelligence about his own creations? Nay, very much the reverse. And still he will go on imitating without knowing what makes a thing good or bad, and may be expected therefore to imitate only that which appears to be good to the ignorant multitude? Just so. Thus far then we are pretty well agreed that the imitator has no knowledge worth mentioning of what he imitates. Imitation is only a kind of play or sport, and the tragic poets, whether they write in Iambic or in Heroic verse, are imitators in the highest degree? Very true. And now tell me, I conjure you, has not imitation been shown by us to be concerned with that which is thrice removed from the truth? Certainly. And what is the faculty in man to which imitation is addressed? What do you mean? I will explain: The body which is large when seen near, appears small when seen at a distance? True. And the same object appears straight when looked at out of the water, and crooked when in the water; and the concave becomes convex, owing to the illusion about colours to which the sight is liable. Thus every sort of confusion is revealed within us;

(605) Certainly. Then the imitative poet who aims at being popular is not by nature made, nor is his art intended, to please or to affect the rational principle in the soul; but he will prefer the passionate and fitful temper, which is easily imitated? Clearly. And now we may fairly take him and place him by the side of the painter, for he is like him in two ways: first, inasmuch as his creations have an inferior degree of truth—in this, I say, he is like him; and he is also like him in being concerned with an inferior part of the soul; and therefore we shall be right in refusing to admit him into a well-ordered State, because he awakens and nourishes and strengthens the feelings and impairs the reason. As in a city when the evil are permitted to have authority and the good are put out of the way, so in the soul of man, as we maintain, the imitative poet implants an evil constitution, for he indulges the irrational nature which has no discernment of greater and less, but thinks the same thing at one time great and at another small—he is a manufacturer of images and is very far removed from the truth 3 . Exactly. But we have not yet brought forward the heaviest count in our accusation:—the power which poetry has of harming even the good (and there are very few who are not harmed), is surely an awful thing? Yes, certainly, if the effect is what you say. Hear and judge: The best of us, as I conceive, when we listen to a passage of Homer, or one of the tragedians, in

(6) He said to me: "Soon there will upward come What I await; and what thy thought is dreaming Must soon reveal itself unto thy sight." Aye to that truth which has the face of falsehood, A man should close his lips as far as may be, Because without his fault it causes shame; But here I cannot; and, Reader, by the notes Of this my Comedy to thee I swear, So may they not be void of lasting favour, Athwart that dense and darksome atmosphere I saw a figure swimming upward come, Marvellous unto every steadfast heart, Even as he returns who goeth down Sometimes to clear an anchor, which has grappled Reef, or aught else that in the sea is hidden, Who upward stretches, and draws in his feet.

(493) No, nor am I likely to hear. You recognise the truth of what I have been saying? Then let me ask you to consider further whether the world will ever be induced to believe in the existence of absolute beauty rather than of the many beautiful, or of the absolute in each kind rather than of the many in each kind? Certainly not. Then the world cannot possibly be a philosopher? Impossible. And therefore philosophers must inevitably fall under the censure of the world? They must. And of individuals who consort with the mob and seek to please them? That is evident. Then, do you see any way in which the philosopher can be preserved in his calling to the end? and remember what we were saying of him, that he was to have quickness and memory and courage and magnificence—these were admitted by us to be the true philosopher’s gifts. Yes. Will not such an one from his early childhood be in all things first among all, especially if his bodily endowments are like his mental ones? Certainly, he said. And his friends and fellow-citizens will want to use him as he gets older for their own purposes? No question.