(12) But the reasoning faculty, being peculiar to the human soul, ought not to be impelled similarly with the irrational animals, but ought to discriminate appearances, and not to be carried away by them. The powers, then, of which we have spoken hold out beautiful sights, and honours, and adulteries, and pleasures, and such like alluring phantasies before facile spirits; as those who drive away cattle hold, out branches to them. Then, having beguiled those incapable of distinguishing the true from the false pleasure, and the fading and meretricious from the holy beauty, they lead them into slavery. And each deceit, by pressing constantly on the spirit, impresses its image on it; and the soul unwittingly carries about the image of the passion, which takes its rise from the bait and our consent.

(15) For He who prohibited the making of a graven image, would never Himself have made an image in the likeness of holy things. Nor is there at all any composite thing, and creature endowed with sensation, of the sort in heaven. But the face is a symbol of the rational soul, and the wings are the lofty ministers and energies of powers fight and left; and the voice is delightsome glory in ceaseless contemplation. Let it suffice that the mystic interpretation has advanced so far.

(4) It is, then, possible to frame in one's mind good contemplations from everything, and to depict, from things material, the aforesaid dissimilar similitudes, both for the intelligible and the intelligent; since the intelligent hold in a different fashion things which are attributed to things sensible differently. For instance, appetite, in the irrational creatures, takes its rise in the passions, and their movement, which takes the form of appetite, is full of all kinds of unreasonableness. But with regard to the intelligent, we must think of the appetite in another fashion, as denoting, according to my judgment, their manly style, and their determined persistence in their Godlike and unchangeable steadfastness. In like manner we say, with regard to the irrational creatures, that lust is a certain uncircumspect and earthly passionate attachment, arising incontinently from an innate movement, or intimacy in things subject to change, and the irrational supremacy of the bodily desire, which drives the whole organism towards the object of sensual inclination. But when we attribute "lust" to spiritual beings, by clothing them with dissimilar similitudes, we must think that it is a Divine love of the immaterial, above expression and thought, and the inflexible and determined longing for the supernally pure and passionless contemplation, and for the really perpetual and intelligible fellowship in that pure and most exalted splendour, and in the abiding and beautifying comeliness. And 'incontinence' we may take for the persistent and inflexible, which nothing can repulse, on account of the pure and changeless love for the Divine beauty, and the whole tendency towards the really desired. But with regard to the irrational living beings, or soulless matter, we appropriately call their irrationality and want of sensible perception a deprivation of reason and sensible perception. And with regard to the immaterial and intelligent beings, we reverently acknowledge their superiority, as supermundane beings, over our discursive and bodily reason, and the material perception of the senses which is alien to the incorporeal Minds. It is, then, permissible to depict forms, which are not discordant, to the celestial beings, even from portions of matter which are the least honourable, since even it, having had its beginning from the Essentially Beautiful, has throughout the whole range of matter some echoes of the intellectual comeliness; and it is possible through these to be led to the immaterial archetypes--things most similar being taken, as has been said, dissimilarly, and the identities being denned, not in the same way, but harmoniously, and appropriately, as regards the intellectual and sensible beings.

(7) Then again, the ideal of the artist or sculptor, which he is endeavoring to reproduce in stone or on canvas, seems very real to him. So do the characters in the mind of the author; or dramatist, which he seeks to express so that others may recognize them. And if this be true in the case of our finite minds, what must be the degree of Reality in the Mental Images created in the Mind of the Infinite? Oh, friends, to mortals this Universe of Mentality is very real indeed--it is the only one we can ever know, though we rise from plane to plane, higher and higher in it. To know it otherwise, but actual experience, we must be THE ALL itself. It is true that the higher we rise in the scale--the nearer to "the mind of the Father" we reach--the more apparent becomes the illusory nature of finite things, but not until THE ALL finally withdraws us into itself does the vision actually vanish.

(3) For as the more excellent genera are exempt from all others, thus also their energies do not resemble those of any other nature. Hence, when you speak of divine mania, immediately remove from it all human perversions. And if you ascribe a sacred “ sobriety and vigilance ” to divine natures, you must not consider human sobriety and vigilance as similar to it. But by no means compare the diseases of the body, such as suffusions, and the imaginations excited by diseases, with divine imaginations. For what have the two in common with each other? Nor again, must you compare “ an ambiguous state ,” such as that which takes place between a sober condition of mind and ecstasy, with sacred visions of the Gods, which are defined by one energy. But neither must you compare the most manifest surveys of the Gods with the imaginations artificially procured by enchantment. For the latter have neither the energy, nor the essence, nor the truth of the things that are seen, but extend mere phantasms, as far as to appearances only.

(22) Therefore it happens often, that the Spirit of a deceased Man is seen walking, also many Times it is seen riding in the perfect Form of Fire; also many Times in [some] other Manner of Disquietude; all according as the Clothing of the Soul has been in the Time of the Body, just so has its Source [or Condition] been; and such a Form, according to its Source, it has (after the Departing of the Body) in its Figure, and so rides (in such Form) in the Source [or Working] of the Stars, till that Source also be consumed; and then it is wholly naked, and is never seen more by any Man. But the deep Abyss without End and Number is its eternal Dwelling-House, and its Works which it has here wrought, stand in the Figure, in its Tincture, and follow after it.

(38) But now, nothing corrupts, [or is transitory,] but only the Spirit in the Will, and its Body in the Fiat; and the Figure remains eternally in the Shadow. And this Figure could not thus have been brought to Light and to Visibility; that it might subsist eternally, if it had not been in the Essence; but now it is also incorruptible, for in the Figure there is no Essence: The Center in the Source is broken asunder, and gone into its Ether, [Receptacle, or Air;] and the Figure does neither Good nor Evil, but it continues eternally to the [Manifestation of the] Deeds of Wonder, and the Glory of God, and for the Joy of the Angels.

(7) Now the rational soul in man abounds in marvels, both of knowledge and power. By means of it he masters arts and sciences, can pass in a flash from earth to heaven and back again, can map out the skies and measure the distances between the stars. By it also he can draw the fish from the sea and the birds from the air, and can subdue to his service animals like the elephant, the camel, and the horse. His five senses are like five doors opening on the external world; but, more wonderful than this, his heart has a window which opens on the unseen world of spirits. In the state of sleep, when the avenues of the senses are closed, this window is opened and man receives impressions from the unseen world and sometimes fore-shadowings of the future. His heart is then like a mirror which reflects what is pictured in the Tablet of Fate. But, even in sleep, thoughts of worldly things dull this mirror, so that the impression it receives are not clear. After death, however, such thoughts vanish and things are seen in their naked reality, and the saying

(2) The entrance of this spirit, also, is accompanied with a noise, and he diffuses himself on all sides without any contact, and effects admirable works conducive to the liberation of the passions of the soul and body. But sometimes a bright and tranquil light shines forth, by which the sight of the eyes is detained, and which occasions them to become closed, though they were before open. The other senses, however, are in a vigilant state, and in a certain respect have a cosensation of the light unfolded by the Gods; and the recumbents hear what the Gods say, and know, by a consecutive perception, what is then done by them. This, however, is beheld in a still more perfect manner, when the sight perceives, when intellect, being corroborated, follows what is performed, and this is accompanied with the motion of the spectators. Such, therefore, and so many being the differences of these dreams, no one of them is similar to human dreams. But wakefulness, a detention of the eyes, a similar oppression of the head, a condition between sleeping and waking, an instantaneous excitation, or perfect vigilance, are all of them divine indications, and are adapted to the reception of the Gods. They are also sent by the Gods, and a part of divine appearances antecedes according to things of this kind.

(1) Why, therefore, does the maker of images, who effects these things, desert himself, though he is better than these images, and consists of things of a more excellent nature, and confide in inanimate idols, which are inspired with the representation alone of life, contain a renovated harmony, and which is externally multiform, and are in reality diurnal? Shall we say that something genuine and true is inherent in them? Nothing, however, which is fashioned by human art is genuine and pure. But you will say, that simplicity and uniformity of energy predominate in the whole of their composition. This is very far from being the case. For the idol, according to its visible composition, is mingled from all-various and contrary qualities. Shall we say then, that a certain pure and perfect power is manifest in them? By no means. For a thing of this kind possesses an adventitious multitude of effluxions, collected from many places, and which shows itself to be imbecile and evanescent. But if these particulars, which we have enumerated, are not found to take place in images, is stability present with them, as it is said to be [by the patrons of these images]? By no means, likewise, is this the case. For these idols are extinguished with much greater rapidity than the images which are seen in mirrors.

(2) For they are immediately formed by the accession of fumigations from exhaling vapours; but when the fumigation is mingled with, and diffused through, the whole air, then the idol is likewise immediately dissolved, and is not naturally adapted to remain for the smallest portion of time. Why, therefore, should the man who is a lover of truth, pay attention to these useless delusions? I, indeed, do not think them to be of any value. For if the makers of these images know that the fictions about which they are busily employed, are nothing more than the formations of passive matter, the evil arising from an attention to them will be simple. But in addition to this, these idol-makers are similar to the images in which they confide. And if they pay attention to these idols as if they were Gods, the absurdity will be so great, as neither to be effable by words, nor to be endured in deeds. For a certain divine splendour never illuminates a soul of this kind, because it is not adapted to be imparted to things which are entirely repugnant to it; neither have those things which are detained by dark phantasms a place for its reception. This delusive formation, therefore, of phantasms, will be conversant with shadows, which are very remote from the truth.

(1) Remember, Reader, if e'er in the Alps A mist o'ertook thee, through which thou couldst see Not otherwise than through its membrane mole, How, when the vapours humid and condensed Begin to dissipate themselves, the sphere Of the sun feebly enters in among them, And thy imagination will be swift In coming to perceive how I re-saw The sun at first, that was already setting. Thus, to the faithful footsteps of my Master Mating mine own, I issued from that cloud To rays already dead on the low shores. O thou, Imagination, that dost steal us So from without sometimes, that man perceives not, Although around may sound a thousand trumpets, Who moveth thee, if sense impel thee not? Moves thee a light, which in the heaven takes form, By self, or by a will that downward guides it. Of her impiety, who changed her form Into the bird that most delights in singing, In my imagining appeared the trace; And hereupon my mind was so withdrawn Within itself, that from without there came Nothing that then might be received by it.

(3) But they also depict them under the likeness of men, on account of the intellectual faculty, and their having powers of looking upwards, and their straight and erect form, and their innate faculty of ruling and guiding, and whilst being least, in physical strength as compared with the other powers of irrational creatures, yet ruling over all by their superior power of mind, and by their dominion in consequence of rational science, and their innate unslavishness and indomitableness of soul. It is possible, then, I think, to find within each of the many parts of our body harmonious images of the Heavenly Powers, by affirming that the powers of vision denote the most transparent elevation towards the Divine lights, and again, the tender, and liquid, and not repellent, but sensitive, and pure, and unfolded, reception, free from all passion, of the supremely Divine illuminations. Now the discriminating powers of the nostrils denote the being able to receive, as far as attainable, the sweet-smelling largess beyond conception, and to distinguish accurately things which are not such, and to entirely reject. The powers of the ears denote the participation and conscious reception of the supremely Divine inspiration. The powers of taste denote the fulness of the intelligible nourishments, and the reception of the Divine and nourishing streams. The powers of touch denote the skilful discrimination of that which is suitable or injurious. The eyelids and eyebrows denote the guarding of the conceptions which see God. The figures of manhood and youth denote the perpetual bloom and vigour of life. The teeth denote the dividing of the nourishing perfection given to us; for each intellectual Being divides and multiplies, by a provident faculty, the unified conception given to it by the more Divine for the proportionate elevation of the inferior. The shoulders and elbows, and further, the hands, denote the power of making, and operating, and accomplishing. The heart again is a symbol of the Godlike life, dispersing its own life-giving power to the objects of its forethought, as beseems the good. The chest again denotes the invincible and protective faculty of the life-giving distribution, as being placed above the heart. The back, the holding together the whole productive powers of life. The feet denote the moving and quickness, and skilfulness of the perpetual movement advancing towards Divine things. Wherefore also the Word of God arranged the feet of the holy Minds under their wings; for the wing displays the elevating quickness and the heavenly progress towards higher things, and the superiority to every grovelling thing by reason of the ascending, and the lightness of the wings denotes their being in no respect earthly, but undefiledly and lightly raised to the sublime; and the naked and unshod denotes the unfettered, agile, and unrestrained, and free from all external superfluity, and assimilation to the Divine simplicity, as far as attainable.

(6) My beloved Reader, just thus is our Mind also. It is the indissoluble Band, which God by the Fiat in the moving Spirit breathed into Adam out of the eternal Mind, [from whence] the Essences are a Particular, or a Sparkle out of the eternal Mind, which has the Center of the Breaking, and in the Breaking has the Sharpness in itself; and that Will drives [forth] the Flash [or Glimpse] in the Breaking, and the Sharpness of the Consuming of the Darkness is in the Glimpse [or Flash] of the Willing, and the Will is our Mind. The Glimpse is the Eyes in the Fire-flash, which discovers itself in our Essences hin us, and without us, for it is free, and has both the Gates open, that [Gate] in the Darkness, and that Gate in the Light. For although it continues in the Darkness, yet it breaks the Darkness, and makes all Light in itself; and where it is, there it sees. As our Thoughts, they can i speculate a Thing that is many Miles off, when the Body is far from thence, and it may be never was in that Place; the Discovery or Glimpse [or piercing Sight of the Eye of the Mind] goes through Wood and Stone, through Bones and Marrow, and there is nothing that can withhold it, for it pierces and breaks the Darkness every where without rending the Body of any Thing, and the Will is its Horse whereon it rides. Here many Things must be concealed, because of the devilish Inchantment, (or else we would reveal much more here,) for the Nigromanticus [Necromancer] is generated here.

(69) Therefore we must consider, that the Noise in the Tincture of Man is [of a] higher [Nature] than [that] in the Beasts; for Man searches and distinguishes all Things which give a Sound, and knows from whence it comes, and how it exists, which the Beasts cannot do, but stare at it, and knows not what it is; whereby it may be understood, that the Original of Man, is out of the Eternal, because he can distinguish all Things that in the Out-Birth came out of the Eternal. And hence it is, that the Body (seeing all Things out of the eternal Nothing are caused to be Something which is comprehensible [or palpable,] and yet there, that Nothing is not a mere Nothing, but is a Source) after the Corrupting shall stand in the eternal Figure, and not in the Spirit, because it is not out of the eternal Spirit; for otherwise, if it were out of the [eternal] Spirit, then it should also search out the Beginning of every Thing, as [well as] Man, who in his Sound receives and distinguishes all Things.

(1) You adduce, however, as a thing by no means to be despised, “ the artificers of efficacious images .” But I should wonder if these were admitted by any one of the theurgists who survey the true forms of the Gods. For why should any one exchange truly existing beings for images, and descend from the first to the last of things? Or do we not know that all things effected by an adumbration of this kind, have an obscure subsistence, are the phantasms only of that which is true, and appear to be good, but in no respect are so? Other things, also, of this kind that accede, are borne along in a flowing condition of being; but obtain nothing genuine, or perfect, or manifest. But this is evident from the mode of their production: for not divinity, but man is the maker of them. Nor are they produced from uniform and intelligible essences, but from matter, which is assumed for this purpose. What good, therefore, can germinate from matter, and from the material and corporeal-formed powers which are in bodies? Or is not that which derives its subsistence from human art, more imbecile than men themselves, who impart existence to it? By what kind of art, likewise, is this image fashioned? For it is said, indeed, to be fashioned by demiurgic art; but this is effective of true essences, and not of certain images. Hence the image-producing art is distant by a great interval from the seminal production of realities. Besides, neither does it preserve a certain analogy with divine fabrication.

(3) With this prologue we come to our discussion of Memory.

That the soul, or mind, having taken no imprint, yet achieves perception of what it in no way contains need not surprise us; or rather, surprising though it is, we cannot refuse to believe in this remarkable power.

The Soul is the Reason-Principle of the universe, ultimate among the Intellectual Beings- its own essential Nature is one of the Beings of the Intellectual Realm- but it is the primal Reason-Principle of the entire realm of sense.

Thus it has dealings with both orders- benefited and quickened by the one, but by the other beguiled, falling before resemblances, and so led downwards as under spell. Poised midway, it is aware of both spheres.

Of the Intellectual it is said to have intuition by memory upon approach, for it knows them by a certain natural identity with them; its knowledge is not attained by besetting them, so to speak, but by in a definite degree possessing them; they are its natural vision; they are itself in a more radiant mode, and it rises from its duller pitch to that greater brilliance in a sort of awakening, a progress from its latency to its act.

To the sense-order it stands in a similar nearness and to such things it gives a radiance out of its own store and, as it were, elaborates them to visibility: the power is always ripe and, so to say, in travail towards them, so that, whenever it puts out its strength in the direction of what has once been present in it, it sees that object as present still; and the more intent its effort the more durable is the presence. This is why, it is agreed, children have long memory; the things presented to them are not constantly withdrawn but remain in sight; in their case the attention is limited but not scattered: those whose faculty and mental activity are busied upon a multitude of subjects pass quickly over all, lingering on none.

Now, if memory were a matter of seal-impressions retained, the multiplicity of objects would have no weakening effect on the memory. Further, on the same hypothesis, we would have no need of thinking back to revive remembrance; nor would we be subject to forgetting and recalling; all would lie engraved within.

The very fact that we train ourselves to remember shows that what we get by the process is a strengthening of the mind: just so, exercises for feet and hands enable us to do easily acts which in no sense contained or laid up in those members, but to which they may be fitted by persevering effort.

How else can it be explained that we forget a thing heard once or twice but remember what is often repeated, and that we recall a long time afterwards what at first hearing we failed to hold?

It is no answer to say that the parts present themselves sooner than the entire imprint- why should they too be forgotten?- the last hearing, or our effort to remember, brings the thing back to us in a flash.

All these considerations testify to an evocation of that faculty of the soul, or mind, in which remembrance is vested: the mind is strengthened, either generally or to this particular purpose.

Observe these facts: memory follows upon attention; those who have memorized much, by dint of their training in the use of leading indications , reach the point of being easily able to retain without such aid: must we not conclude that the basis of memory is the soul-power brought to full strength?

The lingering imprints of the other explanation would tell of weakness rather than power; for to take imprint easily is to be yielding. An impression is something received passively; the strongest memory, then, would go with the least active nature. But what happens is the very reverse: in no pursuit to technical exercises tend to make a man less the master of his acts and states. It is as with sense-perception; the advantage is not to the weak, the weak eye for example, but to that which has the fullest power towards its exercise. In the old, it is significant, the senses are dulled and so is the memory.

Sensation and memory, then, are not passivity but power.

And, once it is admitted that sensations are not impressions, the memory of a sensation cannot consist in the retention of an impression that was never made.

Yes: but if it is an active power of the mind, a fitness towards its particular purpose, why does it not come at once- and not with delay- to the recollection of its unchanging objects?

Simply because the power needs to be poised and prepared: in this it is only like all the others, which have to be readied for the task to which their power reaches, some operating very swiftly, others only after a certain self-concentration.

Quick memory does not in general go with quick wit: the two do not fall under the same mental faculty; runner and boxer are not often united in one person; the dominant idea differs from man to man.

Yet there could be nothing to prevent men of superior faculty from reading impressions on the mind; why should one thus gifted be incapable of what would be no more than a passive taking and holding?

That memory is a power of the Soul is established at a stroke by the consideration that the soul is without magnitude.

And- one general reflection- it is not extraordinary that everything concerning soul should proceed in quite other ways than appears to people who either have never enquired, or have hastily adopted delusive analogies from the phenomena of sense, and persist in thinking of perception and remembrance in terms of characters inscribed on plates or tablets; the impossibilities that beset this theory escape those that make the soul incorporeal equally with those to whom it is corporeal.

(3) But it leaves that conjunction; it cannot suffer that unity; it falls in love with its own powers and possessions, and desires to stand apart; it leans outward so to speak: then, it appears to acquire a memory of itself.

In this self-memory a distinction is to be made; the memory dealing with the Intellectual Realm upbears the soul, not to fall; the memory of things here bears it downwards to this universe; the intermediate memory dealing with the heavenly sphere holds it there too; and, in all its memory, the thing it has in mind it is and grows to; for this bearing-in-mind must be either intuition or representation by image: and the imaging in the case of the is not a taking in of something but is vision and condition- so much so, that, in its very sense- sight, it is the lower in the degree in which it penetrates the object. Since its possession of the total of things is not primal but secondary, it does not become all things perfectly ; it is of the boundary order, situated between two regions, and has tendency to both.

(2) The greatest indication, however, of the truth of this is the following. Many, through divine inspiration, are not burned when fire is introduced to them, the inspiring influence preventing the fire from touching them. Many, also, though burned, do not apprehend that they are so, because they do not then live an animal life. And some, indeed, though transfixed with spits, do not perceive it; but others that are struck on the shoulders with axes, and others that have their arms cut with knives, are by no means conscious of what is done to them. Their energies, likewise, are not at all human. For inaccessible places become accessible to those that are divinely inspired; they are thrown into fire, and pass through fire, and over rivers, like the priest in Castabalis, without being injured. But from these things it is demonstrated, that those who energize enthusiastically are not conscious of the state they are in, and that they neither live a human nor an animal life, according to sense or impulse, but that they exchange this for a certain more divine life, by which they are inspired and perfectly possessed.

(510) but they begin with them, and go on until they arrive at last, and in a consistent manner, at their conclusion? Yes, he said, I know. And do you not know also that although they make use of the visible forms and reason about them, they are thinking not of these, but of the ideals which they resemble; not of the figures which they draw, but of the absolute square and the absolute diameter, and so on—the forms which they draw or make, and which have shadows and reflections in water of their own, are converted by them into images, but they are really seeking to behold the things themselves, which can only be seen with the eye of the mind? That is true. And of this kind I spoke as the intelligible, although in the search after it the soul is compelled to use hypotheses; not ascending to a first principle, because she is unable to rise above the region of hypothesis, but employing the objects of which the shadows below are resemblances in their turn as images, they having in relation to the shadows and reflections of them a greater distinctness, and therefore a higher value.