(3) But say if him I here behold, who forth Evoked the new-invented rhymes, beginning, 'Ladies, that have intelligence of love?'" And I to him: "One am I, who, whenever Love doth inspire me, note, and in that measure Which he within me dictates, singing go." "O brother, now I see," he said, "the knot Which me, the Notary, and Guittone held Short of the sweet new style that now I hear. I do perceive full clearly how your pens Go closely following after him who dictates, Which with our own forsooth came not to pass; And he who sets himself to go beyond, No difference sees from one style to another;" And as if satisfied, he held his peace. Even as the birds, that winter tow'rds the Nile, Sometimes into a phalanx form themselves, Then fly in greater haste, and go in file; In such wise all the people who were there, Turning their faces, hurried on their steps, Both by their leanness and their wishes light. And as a man, who weary is with trotting, Lets his companions onward go, and walks, Until he vents the panting of his chest;

(4) followed by a thundering peal, without end and without beginning, now dying, now living, now sinking, now rising, on and on without a moment's break. And so you were afraid. "When I played again, it was the harmony of the Yin and Yang, lighted by the glory of sun and moon; now broken, now prolonged, now gentle, now severe, in one unbroken, unfathomable volume of sound. Filling valley and gorge, stopping the ears and dominating the senses, adapting itself to the capacities of things,—the sound whirled around on all sides, with shrill note and clear. The spirits of darkness kept to their domain. Sun, moon, and stars, pursued their appointed course. When the melody was exhausted I stopped; if the melody did not stop, I went on. You would have sympathised, but you could not understand. You would have looked, but you could not see. You would have pursued, but you could not overtake. You stood dazed in the middle of the wilderness, leaning against a tree and crooning, your eye conscious of exhausted vision, your strength failing for the pursuit, and so unable to overtake me. Your frame was but an empty shell. You were completely at a loss, and so you were amazed. "Then I played in sounds which produce no amazement, the melodious law of spontaneity, springing forth like nature's countless buds, in manifold but formless joy, as though poured forth to the dregs, in deep but soundless bass. Beginning nowhere, the melody rested in void; some would say dead, others alive, others real, others ornamental, as it scattered itself on all sides in never to be anticipated chords.

(1) Eager already to search in and round The heavenly forest, dense and living-green, Which tempered to the eyes the new-born day, Withouten more delay I left the bank, Taking the level country slowly, slowly Over the soil that everywhere breathes fragrance. A softly-breathing air, that no mutation Had in itself, upon the forehead smote me No heavier blow than of a gentle wind, Whereat the branches, lightly tremulous, Did all of them bow downward toward that side Where its first shadow casts the Holy Mountain; Yet not from their upright direction swayed, So that the little birds upon their tops Should leave the practice of each art of theirs; But with full ravishment the hours of prime, Singing, received they in the midst of leaves, That ever bore a burden to their rhymes, Such as from branch to branch goes gathering on Through the pine forest on the shore of Chiassi, When Eolus unlooses the Sirocco. Already my slow steps had carried me Into the ancient wood so far, that I Could not perceive where I had entered it.

(398) our souls’ health the rougher and severer poet or story-teller, who will imitate the style of the virtuous only, and will follow those models which we prescribed at first when we began the education of our soldiers. We certainly will, he said, if we have the power. Then now, my friend, I said, that part of music or literary education which relates to the story or myth may be considered to be finished; for the matter and manner have both been discussed. I think so too, he said. Next in order will follow melody and song. That is obvious. Every one can see already what we ought to say about them, if we are to be consistent with ourselves. I fear, said Glaucon, laughing, that the word ‘every one’ hardly includes me, for I cannot at the moment say what they should be; though I may guess. At any rate you can tell that a song or ode has three parts—the words, the melody, and the rhythm; that degree of knowledge I may presuppose? Yes, he said; so much as that you may. And as for the words, there will surely be no difference between words which are and which are not set to music; both will conform to the same laws, and these have been already determined by us? Yes. And the melody and rhythm will depend upon the words? Certainly. We were saying, when we spoke of the subject-matter, that we had no need of lamentation and strains of sorrow? True.

(1) When the birds had listened to this discourse of the Hoopoe their heads drooped down, and sorrow pierced their hearts. Now they understood how difficult it would be for a handful of dust like themselves to bend such a bow. So great was their agitation that numbers of them died then and there. But others, in spite of their distress, decided to set out on the long road. For years they travelled over mountains and

valleys, and a great part of their life flowed past on this journey. But how is it possible to relate all that happened to them? It would be necessary to go with them and see their difficulties for oneself, and to follow the wanderings of this long road. Only then could one realize what the birds suffered.

In the end, only a small number of all this great company arrived at that sublime place to which the Hoopoe had led them. Of the thousands of birds almost all had disappeared. Many had been lost in the ocean, others had perished on the summits of the high mountains, tortured by thirst; others had had their wings burnt and their hearts dried up by the fire of the sun; others were devoured by tigers and panthers; others died of fatigue in the deserts and in the wilderness, their lips parched and their bodies overcome by the heat; some went mad and killed each other for a grain of barley; others, enfeebled by suffering and weariness, dropped on the road unable to go further; others, bewildered by the things they saw, stopped where they were, stupefied; and many, who had started out from curiosity or pleasure, perished without an idea of what they had set out to find.

So then, out of all those thousands of birds, only thirty reached the end of the journey. And even these were bewildered, weary" and dejected, with neither feathers nor wings. But now they were at the door of this Majesty that cannot be described, whose essence is incomprehensible - that Being who is beyond human reason and knowledge. Then flashed the lightning of fulfilment, and a hundred worlds were consumed in a moment. They saw thousands of suns each more resplendent than the other, thousands of moons and stars all equally beautiful, and seeing all this they were amazed and agitated like a dancing atom of dust, and they cried out: 'O Thou who art more radiant than the sun! Thou, who hast reduced the sun to an atom, how can we appear before Thee? Ah, why have we so uselessly endured

(13 °)

all this suffering on the Way? Having renounced ourselves and all things, we now cannot obtain that for which we have striven. Here, it little matters whether we exist or not.'

Then the birds, who were so disheartened that they resembled a cock half-killed, sank into despair. A long time passed. When, at a propitious moment, the door suddenly opened, there stepped out a noble chamberlain, one of the courtiers of the Supreme Majesty. He looked them over and saw that out of thousands only these thirty birds were left.

He said: 'Now then, O Birds, where have you come from, and what are you doing here? What is your name? O you who are destitute of everything, where is your home? What do they call you in the world? What can be done with a feeble handful of dust like you?'

'We have come,' they said, 'to acknowledge the Simurgh as our king. Through love and desire for him we have lost our reason and our peace of mind. Very long ago, when we started on this journey, we were thousands, and now only thirty of us have arrived at this sublime court. We cannot believe that the King will scOrn us after all the sufferings we have gone through. Ah, no! He cannot but look on us with the eye of benevolence! '

The Chamberlain replied: 'O you whose minds and hearts are troubled, whether you exist or do not exist in the universe, the King has his being always and eternally. Thousands of worlds of creatures are no more than an ant at his gate. You bring nothing but moans and lamentations. Return then to whence you came, O vile handful of earth! ' At this, the birds were petrified with astonishment. Nevertheless, when they came to themselves a little, they said: 'Will this great king reject us so ignominiously? And if he really has this attitude to us may he not change it to one of honour? Remember Majnun who said, "If all the people who dwell on earth wished to sing my praises, I would not accept them; I would rather have the insults of Laila. One

of her insults is more to me than a hundred compliments from another woman! '' '

'The lightning of his glory manifests itself/ said the Chamberlain, 'and it lifts up the reason of all souls. What benefit is there if the soul be consumed by a hundred sorrows? What benefit is there at this moment in either greatness or littleness?'

The birds, on fire with love, said: 'How can the moth save itself from the flame when it wishes to be one with the flame? The friend we seek will content us by allowing us to be united to him. If now we are refused, what is there left for us to do? We are like the moth who wished for union with the flame of the candle. They bfegged him not to sacrifice himself so foolishly and for such an impossible aim, but he thanked them for their advice and told them that since his heart was given to the flame for ever, nothing else mattered.'

Then the Chamberlain, having tested them, opened the door; and as he drew aside a hundred curtains, one after the other, a new world beyond the veil was revealed. Now was the light of lights manifested, and all of them sat down on the masnad, the seat of the Majesty and Glor}' They were given a writing which they were told to read through; and reading this, and pondering, they were able to understand their state. When they were completely at peace and detached from all things they became aware that the Simurgh was there with them, and a new life began for them in the Simurgh. All that they had done previously was washed away. The sun of majesty sent forth his rays, and in the reflection of each other's faces these thirty birds (si-murgh) of the outer world, contemplated the face of the Simurgh of the inner world. This so astonished them that they did not know if they were still themselves or if they had become the Simurgh. At last, in a state of contemplation, they realized that they were the Simurgh and that the Simurgh was the thirty birds. W'hen they gazed at the Simurgh they

saw that it was truly the Simurgh who was there, and when they turned their eyes towards themselves they saw that they themselves were the Simurgh. And perceiving both at once, themselves and Him, they realized that they and the Simurgh were one and the same being. No one in the world has ever heard of anything to equal it.

Then they gave themselves up to meditation, and after a little they asked the Simurgh, without the use of tongues, to reveal to them the secret of the mystery of the unity and plurality of beings. The Simurgh, also without speaking, made this reply: ' The sun of my majesty is a mirror. He who sees himself therein sees his soul and his body, and sees them completely. Since you have come as thirty birds, si-murgh, you will see thirty birds in this mirror. If forty or fifty were to come, it would be the same. Although you are now completely changed you see yourselves as you were before.

'Can the sight of an ant reach to the far-off Pleiades? And can this insect lift an anvil? Have you ever seen a gnat seize an elephant in its teeth? All that you have known, all that you have seen, all that you have said or heard - all this is no longer that. When you crossed the valleys of the Spiritual Way and when you performed good tasks, you did aU this by my action; and you were able to see the valleys of my essence and my perfections. You, who are only thirty birds, did well to be astonished, impatient and wondering. But I am more than thirty birds. I am the very essence of the true Simurgh. Annihilate then yourselves gloriously and joyfully in me, and in me you shall find yourselves.'

Thereupon, the birds at last lost themselves for ever in the Simurgh - the shadow was lost in the sun, and that is all.

All that you have heard or seen or known is not even the beginning of what you must know, and since the ruined habitation of this world is not your place you must renounce it. Seek the trunk of the tree, and do not worry about whether the branches do or do not exist.

(2) For first advances the Singer, bearing some one of the symbols of music. For they say that he must learn two of the books of Hermes, the one of which contains the hymns of the gods, the second the regulations for the king's life.

(6) By Inaction, one can become the centre of thought, the focus of responsibility, the arbiter of wisdom. Full allowance must be made for others, while remaining unmoved oneself. There must be a thorough compliance with divine principles, without any manifestation thereof. All of which may be summed up in the one word passivity. For the perfect man employs his mind as a mirror. It grasps nothing: it refuses nothing. It receives, but does not keep. And thus he can triumph over matter, without injury to himself. The ruler of the southern sea was called Shu. The ruler of the northern sea was called Hu. The ruler of the central zone was called Hun Tun. Shu and Hu often met on Hun Tun's territory, and being always well treated by him, determined to repay his kindness. They said, "All men have seven holes,—for seeing, hearing, eating, and breathing. Hun Tun alone has none. We will bore some for him." So every day they bored one hole; but on the seventh day Hun Tun died.

(12) The outstanding hero of North American Indian folklore is Hiawatha, a name which, according to Lewis Spence, signifies "he who seeks the wampum-belt." Hiawatha enjoys the distinction of anticipating by several centuries the late Woodrow Wilson's cherished dream of a League of Nations. Following in the footsteps of Schoolcraft, Longfellow confused the historical Hiawatha of the Iroquois with Manabozho, a mythological hero of the Algonquins and Ojibwas. Hiawatha, a chief of the Iroquois, after many reverses and disappointments, succeeded in uniting the five great nations of the Iroquois into the "League of the Five Nations." The original purpose of the league--to abolish war by substituting councils of arbitration--was not wholly successful, but the power of the "Silver Chain" conferred upon the Iroquois a solidarity attained by no other confederacy of North American Indians. Hiawatha, however, met the same opposition which has confronted every great idealist, irrespective of time or race. The shamans turned their magic against him and, according to one legend, created an evil bird which, swooping down from heaven, tore his only daughter to pieces before his eyes. When Hiawatha, after accomplishing his mission, had sailed away in his self-propelled canoe along the path of the sunset, his people realized the true greatness of their benefactor and elevated him to the dignity of a demigod. In Longfellow's Song of Hiawatha the poet has cast the great Indian statesman in a charming setting of magic and enchantment; yet through the maze of symbol and allegory is ever faintly visible the figure of Hiawatha the initiate--the very personification of the red man and his philosophy.

(400) And also that good and bad rhythm naturally assimilate to a good and bad style; and that harmony and discord in like manner follow style; for our principle is that rhythm and harmony are regulated by the words, and not the words by them. Just so, he said, they should follow the words. And will not the words and the character of the style depend on the temper of the soul? Yes. And everything else on the style? Yes. Then beauty of style and harmony and grace and good rhythm depend on simplicity,—I mean the true simplicity of a rightly and nobly ordered mind and character, not that other simplicity which is only an euphemism for folly? Very true, he replied. And if our youth are to do their work in life, must they not make these graces and harmonies their perpetual aim? They must. And surely the art of the painter and every other creative and constructive art are full of them,—weaving, embroidery, architecture, and every kind of manufacture; also nature, animal and vegetable,—in all of them there is grace or the absence of grace. And ugliness and discord and inharmonious motion are nearly allied to ill words and ill nature, as grace and harmony are the twin sisters of goodness and virtue and bear their likeness. That is quite true, he said.

(4) And I began: "O Poet, willingly Speak would I to those two, who go together, And seem upon the wind to be so light." And, he to me: "Thou'lt mark, when they shall be Nearer to us; and then do thou implore them By love which leadeth them, and they will come." Soon as the wind in our direction sways them, My voice uplift I: "O ye weary souls! Come speak to us, if no one interdicts it." As turtle-doves, called onward by desire, With open and steady wings to the sweet nest Fly through the air by their volition borne, So came they from the band where Dido is, Approaching us athwart the air malign, So strong was the affectionate appeal. "O living creature gracious and benignant, Who visiting goest through the purple air Us, who have stained the world incarnadine, If were the King of the Universe our friend, We would pray unto him to give thee peace, Since thou hast pity on our woe perverse. Of what it pleases thee to hear and speak, That will we hear, and we will speak to you, While silent is the wind, as it is now.

(36) Later, Hunahpu was restored to life by magic, and the two brothers, having thus foiled every attempt against their lives by the Xibalbians, in order to better avenge the murder of Hunhun-ahpu and Vukub-hunhun-ahpu, permitted themselves to be burned upon a funeral pyre. Their powdered bones were then cast into a river and immediately became two great man-fishes. Later taking upon themselves the forms of aged wanderers, they danced for the Xibalbians and wrought strange miracles. Thus one would cut the other to pieces and with a single word resurrect him, or they would burn houses by magic and then instantly rebuild them. The fame of the two dancers--who were in reality Hunahpu and Xbalanque--finally came to the notice of the twelve princes of Xibalba, who thereupon desired these two miracle-workers to perform their strange fears before them. After Hunahpu and Xbalanque had slain the dog of the princes and restored it to life, had burned the royal palace and instantly rebuilt it, and given other demonstrations of their magical powers, the monarch of the Xibalbians asked the magicians to destroy him and restore him also to life. So Hunahpu and Xbalanque slew the princes of Xibalba but did not return them to life, thereby avenging the murder of Hunhun-ahpu and Vukub-hunhun-ahpu. These heroes later ascended to heaven, where they became the celestial lights.

(1) It was the hour when the diurnal heat No more can warm the coldness of the moon, Vanquished by earth, or peradventure Saturn, When geomancers their Fortuna Major See in the orient before the dawn Rise by a path that long remains not dim, There came to me in dreams a stammering woman, Squint in her eyes, and in her feet distorted, With hands dissevered and of sallow hue. I looked at her; and as the sun restores The frigid members which the night benumbs, Even thus my gaze did render voluble Her tongue, and made her all erect thereafter In little while, and the lost countenance As love desires it so in her did colour. When in this wise she had her speech unloosed, She 'gan to sing so, that with difficulty Could I have turned my thoughts away from her. "I am," she sang, "I am the Siren sweet Who mariners amid the main unman, So full am I of pleasantness to hear. I drew Ulysses from his wandering way Unto my song, and he who dwells with me Seldom departs so wholly I content him."

(404) to melody and song composed in the panharmonic style, and in all the rhythms. Exactly. There complexity engendered licence, and here disease; whereas simplicity in music was the parent of temperance in the soul; and simplicity in gymnastic of health in the body. Most true, he said. But when intemperance and diseases multiply in a State, halls of justice and medicine are always being opened; and the arts of the doctor and the lawyer give themselves airs, finding how keen is the interest which not only the slaves but the freemen of a city take about them. Of course. And yet what greater proof can there be of a bad and disgraceful state of education than this, that not only artisans and the meaner sort of people need the skill of first-rate physicians and judges, but also those who would profess to have had a liberal education? Is it not disgraceful, and a great sign of want of good-breeding, that a man should have to go abroad for his law and physic because he has none of his own at home, and must therefore surrender himself into the hands of other men whom he makes lords and judges over him? Of all things, he said, the most disgraceful. Would you say ‘most,’ I replied, when you consider that there is a further stage of the evil in which a man is not only a life-long litigant, passing all his days in the courts, either as plaintiff or defendant, but is actually led by his bad taste to pride himself on his litigiousness; he imagines that he is

(2) So thick a veil ne'er made upon its current In winter-time Danube in Austria, Nor there beneath the frigid sky the Don, As there was here; so that if Tambernich Had fallen upon it, or Pietrapana, E'en at the edge 'twould not have given a creak. And as to croak the frog doth place himself With muzzle out of water,—when is dreaming Of gleaning oftentimes the peasant-girl,— Livid, as far down as where shame appears, Were the disconsolate shades within the ice, Setting their teeth unto the note of storks. Each one his countenance held downward bent; From mouth the cold, from eyes the doleful heart Among them witness of itself procures. When round about me somewhat I had looked, I downward turned me, and saw two so close, The hair upon their heads together mingled. "Ye who so strain your breasts together, tell me," I said, "who are you;" and they bent their necks, And when to me their faces they had lifted, Their eyes, which first were only moist within, Gushed o'er the eyelids, and the frost congealed The tears between, and locked them up again.

(2) I have seized upon Hu from the place in which I found him. And I have lifted off the darkness through my power. I have rescued the Eye from its eclipse against the coming of the Fifteenth day, and balanced Sutu in the mansions above, against the Great one who is with him

(3) Thus Hu Pu Hsieh, Wu Kuang, Poh I, Shu Ch'i, Chi Tzŭ Hsü Yü, Chi T'o, and Shên T'u Ti, were the servants of rulers, and did the behests of others, not their own. The pure men of old did their duty to their neighbours, but did not associate with them. They behaved as though wanting in themselves, but without flattering others. Naturally rectangular, they were not uncompromisingly hard. They manifested their independence without going to extremes. They appeared to smile as if pleased, when the expression was only a natural response. Their outward semblance derived its fascination from the store of goodness within. They seemed to be of the world around them, while proudly treading beyond its limits. They seemed to desire silence, while in truth they had dispensed with language. They saw in penal laws a trunk; in social ceremonies, wings; in wisdom, a useful accessory; in morality, a guide. For them penal laws meant a merciful administration; social ceremonies, a passport through the world; wisdom, an excuse for doing what they could not help; and morality, walking like others upon the path. And thus all men praised them for the worthy lives they led.

(1) In that part of the youthful year wherein The Sun his locks beneath Aquarius tempers, And now the nights draw near to half the day, What time the hoar-frost copies on the ground The outward semblance of her sister white, But little lasts the temper of her pen, The husbandman, whose forage faileth him, Rises, and looks, and seeth the champaign All gleaming white, whereat he beats his flank, Returns in doors, and up and down laments, Like a poor wretch, who knows not what to do; Then he returns and hope revives again, Seeing the world has changed its countenance In little time, and takes his shepherd's crook, And forth the little lambs to pasture drives. Thus did the Master fill me with alarm, When I beheld his forehead so disturbed, And to the ailment came as soon the plaster. For as we came unto the ruined bridge, The Leader turned to me with that sweet look Which at the mountain's foot I first beheld. His arms he opened, after some advisement Within himself elected, looking first Well at the ruin, and laid hold of me.

(6) When the Hoopoe had finished the birds began excitedly to discuss the glory of this king, and seized with longing to have him for their own sovereign they were all impatient to be off. They resolved to go together; each became a friend to the other and an enemy to himself. But when they began to realize how long and painful their journey was to be, they hesitated, and in spite of their apparent good-will began to excuse themselves, each according to his type.

(3) As did my Master down along that border, Bearing me with him on his breast away, As his own son, and not as a companion. Hardly the bed of the ravine below His feet had reached, ere they had reached the hill Right over us; but he was not afraid; For the high Providence, which had ordained To place them ministers of the fifth moat, The power of thence departing took from all. A painted people there below we found, Who went about with footsteps very slow, Weeping and in their semblance tired and vanquished. They had on mantles with the hoods low down Before their eyes, and fashioned of the cut That in Cologne they for the monks are made. Without, they gilded are so that it dazzles; But inwardly all leaden and so heavy That Frederick used to put them on of straw. O everlastingly fatiguing mantle! Again we turned us, still to the left hand Along with them, intent on their sad plaint; But owing to the weight, that weary folk Came on so tardily, that we were new In company at each motion of the haunch.

(1) Fear and apprehension drew plaintive cries from the birds as they faced a road without end, where the strong wind of detachment from earthly things split the vault of heaven. In their anxiety they crowded together and asked the Hoopoe

for advice. They said: 'We do not know how we should present ourselves to the King with due reverence. But you have been in the presence of Solomon, and know the usages of etiquette. Also you have ascended and descended this road, and many times flown round the earth. You are our Imam, to bind and to loose. We ask you now to go up into the minabar and instruct us. Tell us about the road and about the King's court and the ceremonies there, for we do not wish to behave foolishly. Also, all kinds of difficulties arise in our minds, and for this journey one needs to be free from disquiet. We have many questions to ask, and we wish you to resolve our misgivings, otherwise we shall not see clearly on this long road.'

The Hoopoe then set the crown on her head, sat on her throne and disposed herself to speak to them. When the army of birds was ranged in front of her in ranks, the Nightingale and the Turtle-dove went up and as two readers with the same voice together gave forth a melody so sweet that all who heard were lifted out of themselves. Then one after another, a number of birds went up to her to speak about their difficulties and to make excuses.