(48) The Plane of the Human Passing from the Plane of Animal Consciousness to that of the Plane of Human Consciousness, we soon become cognizant of the presence of a new element of consciousness. This element is known as "Self Consciousness," or the consciousness which enables Man to say, knowingly, of himself "I am I"—to identify himself as the Thinker, apart from the thoughts; the Actor apart from the action; the Feeler, apart from the feelings; the Willer, apart from the voluntary activities; the Conscious Subject, apart from the phenomena of the senses. It is true that in the primitive forms of human life this new consciousness exists but as a faint dawn, but it is latent there; and as the ascent of Man progresses this new conscious flames out in higher and still higher forms. What this new element of Self-Consciousness is, we shall see presently.

(33) The highest authorities inform us that the characteristic element of this highest form of all consciousness is the conscious realization of the individual that he IS identical with the Infinite, and is only apparently separated therefrom by the most tenuous and subtle veil of illusion.

(2) While these three higher Planes of Consciousness are included in the Rosicrucian symbol of the seven Planes of Consciousness, i.e., the seven linked circles, the Rosicrucians have also a special symbol by which they seek to indicate these three wonderful higher Planes of Consciousness, viz.: the symbol of the three linked circles (see illustration ). It will be noticed here, also, that each of the circles are linked with the two on either side of it,—the circumference of each circle extending over that of the two others on either side of it; this indicates that each Plane of Consciousness is blended with the others, a truth which will be made more apparent as we progress without commentary on the teaching in this chapter.

(3) The Plane of Human Consciousness, as its name indicates, is that plane of conscious activity which is manifested by human beings, high and low, in varying degrees. This Plane of Consciousness, like all the others of the Seven Planes of Consciousness, is divided into seven sub-planes, and each of these into seven, and so on, as explained in preceding chapters of this book. Moreover, at one pole this plane is linked with, and blends into the highest sub-planes of the Plane of Animal Consciousness; while at its other pole it blends into the lower subplanes of the next highest plane, i.e., the Plane of the Consciousness of the Demi-Gods. Again, following the symbol of the Three Linked Circles, the same individual who manifests on the Plane of Human Consciousness is (in a measure) in touch with the two higher planes, known, respectively, as the Plane of the Consciousness of the Demi-Gods, and the Plane of Consciousness of the Gods.

(13) Of phenomena of this sphere some derive from the Kosmic Circuit and some not: we must take them singly and mark them off, assigning to each its origin.

The gist of the whole matter lies in the consideration that Soul governs this All by the plan contained in the Reason-Principle and plays in the All exactly the part of the particular principle which in every living-thing forms the members of the organism and adjusts them to the unity of which they are portions; the entire force of the Soul is represented in the All, but, in the parts, Soul is present only in proportion to the degree of essential reality held by each of such partial objects. Surrounding every separate entity there are other entities, whose approach will sometimes be hostile and sometimes helpful to the purpose of its nature; but to the All taken in its length and breadth each and every separate existent is an adjusted part, holding its own characteristic and yet contributing by its own native tendency to the entire life-history of the Universe.

The soulless parts of the All are merely instruments; all their action is effected, so to speak, under a compulsion from outside themselves.

The ensouled fall into two classes. The one kind has a motion of its own, but haphazard like that of horses between the shafts but before their driver sets the course; they are set right by the whip. In the Living-Being possessed of Reason, the nature-principle includes the driver; where the driver is intelligent, it takes in the main a straight path to a set end. But both classes are members of the All and co-operate towards the general purpose.

The greater and most valuable among them have an important operation over a wide range: their contribution towards the life of the whole consists in acting, not in being acted upon; others, but feebly equipped for action, are almost wholly passive; there is an intermediate order whose members contain within themselves a principle of productivity and activity and make themselves very effective in many spheres or ways and yet serve also by their passivity.

Thus the All stands as one all-complete Life, whose members, to the measure in which each contains within itself the Highest, effect all that is high and noble: and the entire scheme must be subordinate to its Dirigeant as an army to its general, "following upon Zeus"- it has been said- "as he proceeds towards the Intelligible Kind."

Secondary in the All are those of its parts which possess a less exalted nature just as in us the members rank lower than the Soul; and so all through, there is a general analogy between the things of the All and our own members- none of quite equal rank.

All living things, then- all in the heavens and all elsewhere- fall under the general Reason-Principle of the All- they have been made parts with a view to the whole: not one of these parts, however exalted, has power to effect any alteration of these Reason-Principles or of things shaped by them and to them; some modification one part may work upon another, whether for better or for worse; but there is no power that can wrest anything outside of its distinct nature.

The part effecting such a modification for the worse may act in several ways.

It may set up some weakness restricted to the material frame. Or it may carry the weakness through to the sympathetic Soul which by the medium of the material frame, become a power to debasement, has been delivered over, though never in its essence, to the inferior order of being. Or, in the case of a material frame ill-organized, it may check all such action upon the material frame as demands a certain collaboration in the part acted upon: thus a lyre may be so ill-strung as to be incapable of the melodic exactitude necessary to musical effect.

(2) So sense and thought both flow together into man, as though they were entwined with one another. For neither without sensing can one think, nor without thinking sense. But it is possible [they say] to think a thing apart from sense, as those who fancy sights in dreams. But unto me it seems that both of these activities occur in dream-sight, and sense doth pass out of the sleeping to the waking state. For man is separated into soul and body, and only when the two sides of his sense agree together, does utterance of its thought conceived by mind take place.

(10) Let us now pass on to a consideration of the operation of the Principle on the Mental Plane. Many interesting features are there awaiting examination.

(23) I explain: A living body is illuminated by soul: each organ and member participates in soul after some manner peculiar to itself; the organ is adapted to a certain function, and this fitness is the vehicle of the soul-faculty under which the function is performed; thus the seeing faculty acts through the eyes, the hearing faculty through the ears, the tasting faculty through the tongue, the faculty of smelling through the nostrils, and the faculty of sentient touch is present throughout, since in this particular form of perception the entire body is an instrument in the soul's service.

The vehicles of touch are mainly centred in the nerves- which moreover are vehicles of the faculty by which the movements of the living being are affected- in them the soul-faculty concerned makes itself present; the nerves start from the brain. The brain therefore has been considered as the centre and seat of the principle which determines feeling and impulse and the entire act of the organism as a living thing; where the instruments are found to be linked, there the operating faculty is assumed to be situated. But it would be wiser to say only that there is situated the first activity of the operating faculty: the power to be exercised by the operator- in keeping with the particular instrument- must be considered as concentrated at the point at which the instrument is to be first applied; or, since the soul's faculty is of universal scope the sounder statement is that the point of origin of the instrument is the point of origin of the act.

Now, the faculty presiding over sensation and impulse is vested in the sensitive and representative soul; it draws upon the Reason-Principle immediately above itself; downward, it is in contact with an inferior of its own: on this analogy the uppermost member of the living being was taken by the ancients to be obviously its seat; they lodged it in the brain, or not exactly in the brain but in that sensitive part which is the medium through which the Reason-Principle impinges upon the brain. They saw that something must be definitely allocated to body- at the point most receptive of the act of reason- while something, utterly isolated from body must be in contact with that superior thing which is a form of soul of that soul apt to the appropriation of the perceptions originating in the Reason-Principle.

Such a linking there must be, since in perception there is some element of judging, in representation something intuitional, and since impulse and appetite derive from representation and reason. The reasoning faculty, therefore, is present where these experiences occur, present not as in a place but in the fact that what is there draws upon it. As regards perception we have already explained in what sense it is local.

But every living being includes the vegetal principle, that principle of growth and nourishment which maintains the organism by means of the blood; this nourishing medium is contained in the veins; the veins and blood have their origin in the liver: from observation of these facts the power concerned was assigned a place; the phase of the soul which has to do with desire was allocated to the liver. Certainly what brings to birth and nourishes and gives growth must have the desire of these functions. Blood- subtle, light, swift, pure- is the vehicle most apt to animal spirit: the heart, then, its well-spring, the place where such blood is sifted into being, is taken as the fixed centre of the ebullition of the passionate nature.

(3) But it leaves that conjunction; it cannot suffer that unity; it falls in love with its own powers and possessions, and desires to stand apart; it leans outward so to speak: then, it appears to acquire a memory of itself.

In this self-memory a distinction is to be made; the memory dealing with the Intellectual Realm upbears the soul, not to fall; the memory of things here bears it downwards to this universe; the intermediate memory dealing with the heavenly sphere holds it there too; and, in all its memory, the thing it has in mind it is and grows to; for this bearing-in-mind must be either intuition or representation by image: and the imaging in the case of the is not a taking in of something but is vision and condition- so much so, that, in its very sense- sight, it is the lower in the degree in which it penetrates the object. Since its possession of the total of things is not primal but secondary, it does not become all things perfectly ; it is of the boundary order, situated between two regions, and has tendency to both.

(1) Perceptions are no imprints, we have said, are not to be thought of as seal-impressions on soul or mind: accepting this statement, there is one theory of memory which must be definitely rejected.

Memory is not to be explained as the retaining of information in virtue of the lingering of an impression which in fact was never made; the two things stand or fall together; either an impression is made upon the mind and lingers when there is remembrance, or, denying the impression, we cannot hold that memory is its lingering. Since we reject equally the impression and the retention we are obliged to seek for another explanation of perception and memory, one excluding the notions that the sensible object striking upon soul or mind makes a mark upon it, and that the retention of this mark is memory.

If we study what occurs in the case of the most vivid form of perception, we can transfer our results to the other cases, and so solve our problem.

In any perception we attain by sight, the object is grasped there where it lies in the direct line of vision; it is there that we attack it; there, then, the perception is formed; the mind looks outward; this is ample proof that it has taken and takes no inner imprint, and does not see in virtue of some mark made upon it like that of the ring on the wax; it need not look outward at all if, even as it looked, it already held the image of the object, seeing by virtue of an impression made upon itself. It includes with the object the interval, for it tells at what distance the vision takes place: how could it see as outlying an impression within itself, separated by no interval from itself? Then, the point of magnitude: how could the mind, on this hypothesis, define the external size of the object or perceive that it has any- the magnitude of the sky, for instance, whose stamped imprint would be too vast for it to contain? And, most convincing of all, if to see is to accept imprints of the objects of our vision, we can never see these objects themselves; we see only vestiges they leave within us, shadows: the things themselves would be very different from our vision of them. And, for a conclusive consideration, we cannot see if the living object is in contact with the eye, we must look from a certain distance; this must be more applicable to the mind; supposing the mind to be stamped with an imprint of the object, it could not grasp as an object of vision what is stamped upon itself. For vision demands a duality, of seen and seeing: the seeing agent must be distinct and act upon an impression outside it, not upon one occupying the same point with it: sight can deal only with an object not inset but outlying.

(33) By holding one-pointedly to that train of thought, the belief that they are real is dissipated; and, that being impressed upon the inner continuity [of consciousness], one turneth backwards: if the knowledge of the unreality be impressed deeply in that way, the womb-door will be closed.

(8) But, we need not record in memory all we see; mere incidental concomitants need not occupy the imagination; when things vividly present to intuition, or knowledge, happen to occur in concrete form, it is not necessary- unless for purposes of a strictly practical administration- to pass over that direct acquaintance, and fasten upon the partial sense-presentation, which is already known in the larger knowledge, that of the Universe.

I will take this point by point:

First: it is not essential that everything seen should be laid up in the mind; for when the object is of no importance, or of no personal concern, the sensitive faculty, stimulated by the differences in the objects present to vision, acts without accompaniment of the will, and is alone in entertaining the impression. The soul does not take into its deeper recesses such differences as do not meet any of its needs, or serve any of its purposes. Above all, when the soul's act is directed towards another order, it must utterly reject the memory of such things, things over and done with now, and not even taken into knowledge when they were present.

On the second point: circumstances, purely accidental, need not be present to the imaging faculty, and if they do so appear they need not be retained or even observed, and in fact the impression of any such circumstance does not entail awareness. Thus in local movement, if there is no particular importance to us in the fact that we pass through first this and then that portion of air, or that we proceed from some particular point, we do not take notice, or even know it as we walk. Similarly, if it were of no importance to us to accomplish any given journey, mere movement in the air being the main concern, we would not trouble to ask at what particular point of place we were, or what distance we had traversed; if we have to observe only the act of movement and not its duration, nothing to do which obliges us to think of time, the minutes are not recorded in our minds.

And finally, it is of common knowledge that, when the understanding is possessed of the entire act undertaken and has no reason to foresee any departure from the normal, it will no longer observe the detail; in a process unfailingly repeated without variation, attention to the unvarying detail is idleness.

So it is with the stars. They pass from point to point, but they move on their own affairs and not for the sake of traversing the space they actually cover; the vision of the things that appear on the way, the journey by, nothing of this is their concern: their passing this or that is of accident not of essence, and their intention is to greater objects: moreover each of them journeys, unchangeably, the same unchanging way; and again, there is no question to them of the time they spend in any given section of the journey, even supposing time division to be possible in the case. All this granted, nothing makes it necessary that they should have any memory of places or times traversed. Besides this life of the ensouled stars is one identical thing so that their very spatial movement is pivoted upon identity and resolves itself into a movement not spatial but vital, the movement of a single living being whose act is directed to itself, a being which to anything outside is at rest, but is in movement by dint of the inner life it possesses, the eternal life. Or we may take the comparison of the movement of the heavenly bodies to a choral dance; if we think of it as a dance which comes to rest at some given period, the entire dance, accomplished from beginning to end, will be perfect while at each partial stage it was imperfect: but if the dance is a thing of eternity, it is in eternal perfection. And if it is in eternal perfection, it has no points of time and place at which it will achieve perfection; it will, therefore, have no concern about attaining to any such points: it will, therefore, make no measurements of time or place; it will have, therefore, no memory of time and place.

If the stars live a blessed life in their vision of the life inherent in their souls, and if, by force of their souls' tendency to become one, and by the light they cast from themselves upon the entire heavens, they are like the strings of a lyre which, being struck in tune, sing a melody in some natural scale... if this is the way the heavens, as one, are moved, and the component parts in their relation to the whole- the sidereal system moving as one, and each part in its own way, to the same purpose, though each, too, hold its own place- then our doctrine is all the more surely established; the life of the heavenly bodies is the more clearly an unbroken unity.

(9) But the student soon finds that this is not all that he finds within his inner consciousness. He finds that there exists a mental Something which is able to Will that the "Me" act along certain creative lines, and which is also able to stand aside and witness the mental creation. This part of himself he is taught to call his "I." He is able to rest in its consciousness at will. He finds there not a consciousness of an ability to generate and actively create, in the sense of the gradual process attendant upon mental operations, but rather a sense and consciousness of an ability to project an energy from the "I" to the "Me"--a process of "willing" that the mental creation begin and proceed. He also finds that the "I" is able to stand aside and witness the operations of the "Me's" mental creation and generation. There is this dual aspect in the mind of every person. The "I" represents the Masculine Principle of Mental Gender-the "Me" represents the Female Principle. The "I" represents the Aspect of Being; the "Me" the Aspect of Becoming. You will notice that the Principle of Correspondence operates on this plane just as it does upon the great plane upon which the creation of Universes is performed. The two are similar in kind, although vastly different in degree. "As above, so below; as below, so above."

(2) If sight depends upon the linking of the light of vision with the light leading progressively to the illumined object, then, by the very hypothesis, one intervening substance, the light, is indispensable: but if the illuminated body, which is the object of vision, serves as an agent operating certain changes, some such change might very well impinge immediately upon the eye, requiring no medium; this all the more, since as things are the intervening substance, which actually does exist, is in some degree changed at the point of contact with the eye .

Those who have made vision a forth-going act need not postulate an intervening substance- unless, indeed, to provide against the ray from the eye failing on its path- but this is a ray of light and light flies straight. Those who make vision depend upon resistance are obliged to postulate an intervening substance.

The champions of the image, with its transit through a void, are seeking the way of least resistance; but since the entire absence of intervenient gives a still easier path they will not oppose that hypothesis.

So, too, those that explain vision by sympathy must recognize that an intervening substance will be a hindrance as tending to check or block or enfeeble that sympathy; this theory, especially, requires the admission that any intervenient, and particularly one of kindred nature, must blunt the perception by itself absorbing part of the activity. Apply fire to a body continuous through and through, and no doubt the core will be less affected than the surface: but where we are dealing with the sympathetic parts of one living being, there will scarcely be less sensation because of the intervening substance, or, if there should be, the degree of sensation will still be proportionate to the nature of the separate part, with the intervenient acting merely as a certain limitation; this, though, will not be the case where the element introduced is of a kind to overleap the bridge.

But this is saying that the sympathetic quality of the universe depends upon its being one living thing, and that our amenability to experience depends upon our belonging integrally to that unity; would it not follow that continuity is a condition of any perception of a remote object?

The explanation is that continuity and its concomitant, the bridging substance, come into play because a living being must be a continuous thing, but that, none the less, the receiving of impression is not an essentially necessary result of continuity; if it were, everything would receive such impression from everything else, and if thing is affected by thing in various separate orders, there can be no further question of any universal need of intervening substance.

Why it should be especially requisite in the act of seeing would have to be explained: in general, an object passing through the air does not affect it beyond dividing it; when a stone falls, the air simply yields; nor is it reasonable to explain the natural direction of movement by resistance; to do so would bring us to the absurdity that resistance accounts for the upward movement of fire, which on the contrary, overcomes the resistance of the air by its own essentially quick energy. If we are told that the resistance is brought more swiftly into play by the very swiftness of the ascending body, that would be a mere accidental circumstance, not a cause of the upward motion: in trees the upthrust from the root depends on no such external propulsion; we, too, in our movements cleave the air and are in no wise forwarded by its resistance; it simply flows in from behind to fill the void we make.

If the severance of the air by such bodies leaves it unaffected, why must there be any severance before the images of sight can reach us?

And, further, once we reject the theory that these images reach us by way of some outstreaming from the objects seen, there is no reason to think of the air being affected and passing on to us, in a progression of impression, what has been impressed upon itself.

If our perception is to depend upon previous impressions made upon the air, then we have no direct knowledge of the object of vision, but know it only as through an intermediary, in the same way as we are aware of warmth where it is not the distant fire itself that warms us, but the warmed intervening air. That is a matter of contact; but sight is not produced by contact: the application of an object to the eye would not produce sight; what is required is the illumination of the intervening medium; for the air in itself is a dark substance: If it were not for this dark substance there would probably be no reason for the existence of light: the dark intervening matter is a barrier, and vision requires that it be overcome by light. Perhaps also the reason why an object brought close to the eye cannot be seen is that it confronts us with a double obscuration, its own and that of the air.

(23) A first principle is that the knowing of sensible objects is an act of the soul, or of the living conjoint, becoming aware of the quality of certain corporeal entities, and appropriating the ideas present in them.

This apprehension must belong either to the soul isolated, self-acting, or to soul in conjunction with some other entity.

Isolated, self-acting, how is it possible? Self-acting, it has knowledge of its own content, and this is not perception but intellection: if it is also to know things outside itself it can grasp them only in one of two ways: either it must assimilate itself to the external objects, or it must enter into relations with something that has been so assimilated.

Now as long as it remains self-centred it cannot assimilate: a single point cannot assimilate itself to an external line: even line cannot adapt itself to line in another order, line of the intellectual to line of the sensible, just as fire of the intellectual and man of the intellectual remain distinct from fire and man of the sensible. Even Nature, the soul-phase which brings man into being, does not come to identity with the man it shapes and informs: it has the faculty of dealing with the sensible, but it remains isolated, and, its task done, ignores all but the intellectual as it is itself ignored by the sensible and utterly without means of grasping it.

Suppose something visible lying at a distance: the soul sees it; now, admitting to the full that at first only the pure idea of the thing is seized- a total without discerned part- yet in the end it becomes to the seeing soul an object whose complete detail of colour and form is known: this shows that there is something more here than the outlying thing and the soul; for the soul is immune from experience; there must be a third, something not thus exempt; and it is this intermediate that accepts the impressions of shape and the like.

This intermediate must be able to assume the modifications of the material object so as to be an exact reproduction of its states, and it must be of the one elemental-stuff: it, thus, will exhibit the condition which the higher principle is to perceive; and the condition must be such as to preserve something of the originating object, and yet not be identical with it: the essential vehicle of knowledge is an intermediary which, as it stands between the soul and the originating object, will, similarly, present a condition midway between the two spheres, of sense and the intellectual-linking the extremes, receiving from one side to exhibit to the other, in virtue of being able to assimilate itself to each. As an instrument by which something is to receive knowledge, it cannot be identical with either the knower or the known: but it must be apt to likeness with both- akin to the external object by its power of being affected, and to the internal, the knower, by the fact that the modification it takes becomes an idea.

If this theory of ours is sound, bodily organs are necessary to sense-perception, as is further indicated by the reflection that the soul entirely freed of body can apprehend nothing in the order of sense.

The organ must be either the body entire or some member set apart for a particular function; thus touch for one, vision for another. The tools of craftsmanship will be seen to be intermediaries between the judging worker and the judged object, disclosing to the experimenter the particular character of the matter under investigation: thus a ruler, representing at once the straightness which is in the mind and the straightness of a plank, is used as an intermediary by which the operator proves his work.

Some questions of detail remain for consideration elsewhere: Is it necessary that the object upon which judgement or perception is to take place should be in contact with the organ of perception, or can the process occur across space upon an object at a distance? Thus, is the heat of a fire really at a distance from the flesh it warms, the intermediate space remaining unmodified; is it possible to see colour over a sheer blank intervening between the colour and the eye, the organ of vision reaching to its object by its own power?

For the moment we have one certainty, that perception of things of sense belongs to the embodied soul and takes place through the body.

(8) After this laying-aside process has been performed, the student will find himself in conscious possession of a "Self" which may be considered in its "I" and "Me" dual aspects. The "Me" will be felt to be a Something mental in which thoughts, ideas, emotions, feelings, and other mental states may be produced. It may be considered as the "mental womb," as the ancients styled it-capable of generating mental offspring. It reports to the consciousness as a "Me" with latent powers of creation and generation of mental progeny of all sorts and kinds. Its powers of creative energy are felt to be enormous. But still it seems to be conscious that it must receive some form of energy from either its "I" companion, or else from some other "I" ere it is able to bring into being its mental creations. This consciousness brings with it a realization of an enormous capacity for mental work and creative ability.

(5) This discussion of Nature has shown us how the origin of things is a Contemplation: we may now take the matter up to the higher Soul; we find that the Contemplation pursued by this, its instinct towards knowing and enquiring, the birth pangs set up by the knowledge it attains, its teeming fullness, have caused it- in itself, all one object of Vision- to produce another Vision : it is just as a given science, complete in itself, becomes the source and cause of what might be called a minor science in the student who attains to some partial knowledge of all its divisions. But the visible objects and the objects of intellectual contemplation of this later creation are dim and helpless by the side of the content of the Soul.

The primal phase of the Soul- inhabitant of the Supreme and, by its participation in the Supreme, filled and illuminated- remains unchangeably There; but in virtue of that first participation, that of the primal participant, a secondary phase also participates in the Supreme, and this secondary goes forth ceaselessly as Life streaming from Life; for energy runs through the Universe and there is no extremity at which it dwindles out. But, travel as far as it may, it never draws that first part of itself from the place whence the outgoing began: if it did, it would no longer be everywhere it would be present at the end, only, of its course.

None the less that which goes forth cannot be equal to that which remains.

In sum, then:

The Soul is to extend throughout the Universe, no spot void of its energy: but, a prior is always different from its secondary, and energy is a secondary, rising as it must from contemplation or act; act, however, is not at this stage existent since it depends upon contemplation: therefore the Soul, while its phases differ, must, in all of them, remain a contemplation and what seems to be an act done under contemplation must be in reality that weakened contemplation of which we have spoken: the engendered must respect the Kind, but in weaker form, dwindled in the descent.

All goes softly since nothing here demands the parade of thought or act upon external things: it is a Soul in vision and, by this vision, creating its own subsequent- this Principle , itself also contemplative but in the feebler degree since it lies further away and cannot reproduce the quality or experiences of its prior- a Vision creates the Vision.

for no limit exists either to contemplation or to its possible objects, and this explains how the Soul is universal: where can this thing fail to be, which is one identical thing in every Soul; Vision is not cabined within the bournes of magnitude.

This, of course, does not mean that the Soul is present at the same strength in each and every place and thing- any more than that it is at the same strength in each of its own phases.

The Charioteer gives the two horses what he has seen and they, taking that gift, showed that they were hungry for what made that vision; there was something lacking to them: if in their desire they acted, their action aimed at what they craved for- and that was vision, and an object of vision.

(10) But how comes the soul not to keep that ground?

Because it has not yet escaped wholly: but there will be the time of vision unbroken, the self hindered no longer by any hindrance of body. Not that those hindrances beset that in us which has veritably seen; it is the other phase of the soul that suffers and that only when we withdraw from vision and take to knowing by proof, by evidence, by the reasoning processes of the mental habit. Such logic is not to be confounded with that act of ours in the vision; it is not our reason that has seen; it is something greater than reason, reason's Prior, as far above reason as the very object of that thought must be.

In our self-seeing There, the self is seen as belonging to that order, or rather we are merged into that self in us which has the quality of that order. It is a knowing of the self restored to its purity. No doubt we should not speak of seeing; but we cannot help talking in dualities, seen and seer, instead of, boldly, the achievement of unity. In this seeing, we neither hold an object nor trace distinction; there is no two. The man is changed, no longer himself nor self-belonging; he is merged with the Supreme, sunken into it, one with it: centre coincides with centre, for on this higher plane things that touch at all are one; only in separation is there duality; by our holding away, the Supreme is set outside. This is why the vision baffles telling; we cannot detach the Supreme to state it; if we have seen something thus detached we have failed of the Supreme which is to be known only as one with ourselves.

(5) My mind in this wise wholly in suspense, Steadfast, immovable, attentive gazed, And evermore with gazing grew enkindled. In presence of that light one such becomes, That to withdraw therefrom for other prospect It is impossible he e'er consent; Because the good, which object is of will, Is gathered all in this, and out of it That is defective which is perfect there. Shorter henceforward will my language fall Of what I yet remember, than an infant's Who still his tongue doth moisten at the breast. Not because more than one unmingled semblance Was in the living light on which I looked, For it is always what it was before; But through the sight, that fortified itself In me by looking, one appearance only To me was ever changing as I changed. Within the deep and luminous subsistence Of the High Light appeared to me three circles, Of threefold colour and of one dimension,

(34) For ourselves, while whatever in us belongs to the body of the All should be yielded to its action, we ought to make sure that we submit only within limits, realizing that the entire man is not thus bound to it: intelligent servitors yield a part of themselves to their masters but in part retain their personality, and are thus less absolutely at beck and call, as not being slaves, not utterly chattels.

The changing configurations within the All could not fail to be produced as they are, since the moving bodies are not of equal speed.

Now the movement is guided by a Reason-Principle; the relations of the living whole are altered in consequence; here in our own realm all that happens reacts in sympathy to the events of that higher sphere: it becomes, therefore, advisable to ask whether we are to think of this realm as following upon the higher by agreement, or to attribute to the configurations the powers underlying the events, and whether such powers would be vested in the configurations simply or in the relations of the particular items.

It will be said that one position of one given thing has by no means an identical effect- whether of indication or of causation- in its relation to another and still less to any group of others, since each several being seems to have a natural tendency of its own.

The truth is that the configuration of any given group means merely the relationship of the several parts, and, changing the members, the relationship remains the same.

But, this being so, the power will belong, not to the positions but to the beings holding those positions?

To both taken together. For as things change their relations, and as any one thing changes place, there is a change of power.

But what power? That of causation or of indication?

To this double thing- the particular configuration of particular beings- there accrues often the twofold power, that of causation and that of indication, but sometimes only that of indication. Thus we are obliged to attribute powers both to the configuration and to the beings entering into them. In mime dancers each of the hands has its own power, and so with all the limbs; the relative positions have much power; and, for a third power, there is that of the accessories and concomitants; underlying the action of the performers' limbs, there are such items as the clutched fingers and the muscles and veins following suit.