(28) The twelfth chapter treats of a great wonder appearing in the heavens: a woman clothed with the sun, the moon under her feet, and upon her head a crown of twelve stars. This woman represents the constellation of Virgo and also the Egyptian Isis, who, about to be delivered of her son Horus, is attacked by Typhon, the latter attempting to destroy the child predestined by the gods to slay the

(11) With many faces and eyes, presenting many wondrous sights, bedecked with many celestial ornaments, armed with many divine uplifted weapons; wearing celestial garlands and vestments, anointed with divine perfumes, all-wonderful, resplendent, boundless, and with faces on all sides.

(14) "The Logos-figure described is a composite picture of the seven sacred planets: he has the snowy-white hair of Kronos ('Father Time'), the blazing eyes of 'wide-seeing' Zeus, the sword of Arcs, the shining face of Helios, and the chiton and girdle of Aphrodite; his feet are of mercury, the metal sacred to Hermes, and his voice is like the murmur of the ocean's waves (the 'many waters'), alluding to Selene, the Moon-Goddess of the four seasons and of the waters."

(67) In the central triangle are the three Mother Letters from which come forth the seven Double Letters--the planets and the heavens. Surrounding the black star are the signs of the zodiac symbolized by the twelve Simple Letters. In the midst of this star is the Invisible Throne of the Most Ancient of the Ancients--the Supreme Definitionless Creator.

(35) The fifteenth to eighteenth chapters inclusive contain an account of seven angels (the Pleiades) who pour their vials upon the earth. The contents of their vials (the loosened energy of the Cosmic Bull) are called the seven last plagues. Here also is introduced a symbolic figure, termed "the harlot of Babylon, "which is described as a woman seated upon a scarlet-colored beast having seven heads and ten horns. The woman was arrayed in purple and scarlet and bedecked with gold, precious stones, and pearls, having in her hand a golden cup full of abominations. This figure may be an effort (probably interpolated) to vilify Cybele, or Artemis, the Great Mother goddess of antiquity. Because the pagans venerated the Mater Deorum through symbols appropriate to the feminine generative principle they were accused by the early Christians of worshiping a courtesan. As nearly all the ancient Mysteries included a test of the neophyte's moral character, the temptress (the animal soul) is here portrayed as a pagan goddess.

(15) The seven stars carried by this immense Being in his right hand are the Governors of the world; the flaming sword issuing from his mouth is the Creative Fiat, or Word of Power, by which the illusion of material permanence is slain. Here also is represented, in all his symbolic splendor, the hierophant of the Phrygian Mysteries, his various insignia emblematic of his divine attributes. Seven priests bearing lamps are his attendants and the stars carried in his hand are the seven schools of the Mysteries whose power he administers. As one born again out of spiritual darkness, into perfect wisdom, this archimagus is made to say: "I am he that liveth, and was dead; and, behold, I am alive forever more, Amen; and have the keys of hell and of death."

(21) Apuleius describes her as follows: "In the first place, then, her most copious and long hairs, being gradually intorted, and promiscuously scattered on her divine neck, were softly defluous. A multiform crown, consisting of various flowers, bound the sublime summit of her head. And in the middle of the crown, just on her forehead, there was a smooth orb resembling a mirror, or rather a white refulgent light, which indicated that she was the moon. Vipers rising up after the manner of furrows, environed the crown on the right hand and on the left, and Cerealian ears of corn were also extended from above. Her garment was of many colours, and woven from the finest flax, and was at one time lucid with a white splendour, at another yellow from the flower of crocus, and at another flaming with a rosy redness. But that which most excessively dazzled my sight, was a very black robe, fulgid with a dark splendour, and which, spreading round and passing under her right side, and ascending to her left shoulder, there rose protuberant like the center of a shield, the dependent part of the robe falling in many folds, and having small knots of fringe, gracefully flowing in its extremities. Glittering stars were dispersed through the embroidered border of the robe, and through the whole of its surface: and the full moon, shining in the middle of the stars, breathed forth flaming fires. Nevertheless, a crown, wholly consisting of flowers and fruits of every kind, adhered with indivisible connexion to the border of that conspicuous robe, in all its undulating motions. What she carried in her hands also consisted of things of a very different nature. For her right hand, indeed, bore a brazen rattle [sistrum] through the narrow lamina of which bent like a belt, certain rods passing, produced a sharp triple sound, through the vibrating motion of her arm. An oblong vessel, in the shape of a boat, depended from her left hand, on the handle of which, in that part in which it was conspicuous, an asp raised its erect head and largely swelling neck. And shoes woven from the leaves of the victorious palm tree covered her immortal feet."

(186) The number nine is divine, receives its completion from three triads, and attains the summits of theology, according to the Chaldaic philosophy as Porphyry informeth us.

(9) Nine thousand, nine hundred, and ninety-nine, and nine myriads of the guardian spirits of the righteous are intrusted with its protection, so that the demons may not injure it.

(138) For the Goddess bringeth forth the Vast Sun, and the lucent Moon.

(7) Tau, predominant in beauty, crowned, combined and formed Jupiter in the Universe, the seventh day in the week, and the mouth of man.

DAUGHTER of Jove, almighty and divine, Come, blessed queen, and to these rites incline: Only-begotten, Pluto's honor'd wife, 3 O venerable Goddess, source of life: 'Tis thine in earth's profundities to dwell, Fast by the wide and dismal gates of hell: Jove's holy offspring, of a beauteous mien, Fatal, with lovely locks, infernal queen: Source of the furies, whose blest frame proceeds From Jove's ineffable and secret seeds: Mother of Bacchus, Sonorous, divine, And many-form'd, the parent of the vine: The dancing Hours attend thee, essence bright, All-ruling virgin, bearing heav'nly light: Illustrious, horned, of a bounteous mind, 13 Alone desir'd by those of mortal kind. O, vernal queen, whom grassy plains delight, Sweet to the smell, and pleasing to the sight: Whose holy form in budding fruits we view, Earth's vig'rous offspring of a various hue: Espous'd in Autumn: life and death alone 21 To wretched mortals from thy power is known: For thine the task according to thy will, 23 Life to produce, and all that lives to kill. Hear, blessed Goddess, send a rich increase Of various fruits from earth, with lovely Peace; Send Health with gentle hand, and crown my life With blest abundance, free from noisy strife; Last in extreme old age the prey of Death, Dismiss we willing to the realms beneath, To thy fair palace, and the blissful plains Where happy spirits dwell, and Pluto reigns.

HEAV'NLY, illustrious, laughter-loving queen, Sea-born, night-loving, of an awful mien; Crafty, from whom necessity first came, Producing, nightly, all-connecting dame: 'Tis thine the world with harmony to join, For all things spring from thee, O pow'r divine. The triple Fates are rul'd by thy decree, And all productions yield alike to thee: Whate'er the heav'ns, encircling all contain, Earth fruit-producing, and the stormy main, Thy sway confesses, and obeys thy nod, Awful attendant of the brumal God: Goddess of marriage, charming to the sight, Mother of Loves, whom banquetings delight; Source of persuasion, secret, fav'ring queen, Illustrious born, apparent and unseen: Spousal, lupercal, and to men inclin'd, Prolific, most-desir'd, life-giving., kind: Great sceptre-bearer of the Gods, 'tis thine, Mortals in necessary bands to join; And ev'ry tribe of savage monsters dire In magic chains to bind, thro' mad desire. Come, Cyprus-born, and to my pray'r incline, Whether exalted in the heav'ns you shine, Or pleas'd in Syria's temple to preside, Or o'er th' Egyptian plains thy car to guide, Fashion'd of gold; and near its sacred flood, Fertile and fam'd to fix thy blest abode; Or if rejoicing in the azure shores, Near where the sea with foaming billows roars, The circling choirs of mortals, thy delight, Or beauteous nymphs, with eyes cerulean bright, Pleas'd by the dusty banks renown'd of old, To drive thy rapid, two-yok'd car of gold; Or if in Cyprus with thy mother fair, Where married females praise thee ev'ry year, And beauteous virgins in the chorus join, Adonis pure to sing and thee divine; Come, all-attractive to my pray'r inclin'd, For thee, I call, with holy, reverent mind.

(34) On the girdle surrounding the upper part of the body of the statue appear a number of mysterious emblems. The girdle is joined together in front by four golden plates (the elements), placed in the form of a square. This signified that Isis, or Nature, the first matter (alchemical terminology), was the essence- of the four elements (life, light, heat, and force), which quintessence generated all things. Numerous stars are represented on this girdle, thereby indicating their influence in darkness as well as the influence of the sun in light. Isis is the Virgin immortalized in the constellation of Virgo, where the World Mother is placed with the serpent under her feet and a crown. of stars on her head. In her arms she carries a sheaf of grain and sometimes the young Sun God.

(69) According to the original conception, from the union of the Divine Father and the Divine Mother is produced Microprosophus--the Short Face or the Lesser Countenance, which is established in the Yetziratic World of formation and corresponds to the letter ו, or V, in the Great Name. The six powers of Microprosophus flow from and are contained in their own source, which is Binah, the Mother of the Lesser Adam. These constitute the spheres of the sacred planets; their name is Elohim, and they move upon the face of the deep. The tenth Sephira--Malchuth, the Kingdom--is described as the Bride of the Lesser Adam, created back to back with her lord, and to it is assigned the final, ה, or H, the last letter of the Sacred Name. The dwelling place of Malchuth is in the fourth world--Assiah--and it is composed of all the superior powers reflected into the elements of the terrestrial sphere. Thus it will be seen that the Qabbalistic Tree extends through four worlds, with its branches in matter and its roots in the Ancient of Ancients--Macroprosophus.

(2) First he produced, the celestial sphere, and the constellation stars are assigned to it by him; especially these twelve whose names are Varak (the Lamb), Tôrâ (the Bull), Dô-patkar (the Two-figures or Gemini), Kalakang (the Crab), Sêr (the Lion), Khûsak (Virgo), Tarâzûk (the Balance), Gazdûm (the Scorpion), Nîmâsp (the Centaur or Sagittarius), Vahîk (Capricornus), Dûl (the Waterpot), and Mâhîk (the Fish);

(7) Behold, again, the seven subject Worlds; ordered by Aeon's order, and with their varied course full-filling Aeon! [See how] all things [are] full of light, and nowhere [is there] fire; for 'tis the love and the blending of the contraries and the dissimilars that doth give birth to light down shining by the energy of God, the Father of all good, the Leader of all order, and Ruler of the seven world-orderings! [Behold] the Moon, forerunner of them all, the instrument of nature, and the transmuter of its lower matter! [Look at] the Earth set in the midst of All, foundation of the Cosmos Beautiful, feeder and nurse of things on Earth! And contemplate the multitude of deathless lives, how great it is, and that of lives subject to death; and midway, between both, immortal [lives] and mortal, [see thou] the circling Moon.

(18) O nobly-born on the Fourteenth Day, the Four Female Door-Keepers, also issuing from within thine own brain, will come to shine upon thee. Again recognize. From the east [quarter] of thy brain will come to shine the White Tiger-Headed Goad-Holding Goddess, bearing a blood-filled skull-bowl in her left [hand]; from the south, the Yellow Sow-Headed Noose-Holding Goddess; from the west, the Red Lion-Headed Iron-Chain-Holding Goddess; and from the north, the Green Serpent-Headed Bell- Holding Goddess. Thus, issue the Four Female Door-Keepers also from within thine own brain and come to shine upon thee; as tutelary deities, recognize them.

(29) The Supreme Deity is symbolized by the small globe at the top, which is divided into two hemispheres, the dark half representing the divine darkness with which the Deity surround Himself and which serves as His hiding place. The radiant hemisphere signifies the divine light which is in God and which, pouring forth, manifests as the objective creative power. The large dark globe to the left and beneath the dark half of the upper sphere signifies the potential darkness which was upon the face of the primordial deep and within which moved the Spirit of God. The light globe to the right is the Deity who is revealed out of the darkness. Here the shining Word has dissipated the shadows and a glorious universe has been formed. The divine power of this radiant globe is cognizable to man as the sun. The large light and a dark section represents the created universes partaking of the light and darkness which are in the nature of the Creator. The dark half represents the Deep, or Chaos, the Eternal Waters pouring forth out of the Deity; the light half-circle containing the figure of Apollo represents the diurnal hemisphere of the world, which in the ancient Mysteries was ruled over by Apollo. The dark half-circle is the nocturnal hemisphere ruled over by Dionysius (Dionysos), whose figure is faintly visible in the gloom.

(126) The Pythagoreans held the hexad--6--to represent, as Clement of Alexandria conceived, the creation of the world according to both the prophets and the ancient Mysteries. It was called by the Pythagoreans the perfection of all the parts. This number was particularly sacred to Orpheus, and also to the Fate, Lachesis, and the Muse, Thalia. It was called the form of forms, the articulation of the universe, and the maker of the soul.