(3) Dion, too, the philosopher, tells that a certain woman Lysidica, through excess of modesty, bathed in her clothes; and that Philotera, when she was to enter the bath, gradually drew back her tunic as the water covered the naked parts; and then rising by degrees, put it on. And did not Lesena of Attica manfully bear the torture? She being privy to the conspiracy of Harmodius and Aristogeiton against Hipparchus, uttered not a word, though severely tortured.

(21) Apuleius describes her as follows: "In the first place, then, her most copious and long hairs, being gradually intorted, and promiscuously scattered on her divine neck, were softly defluous. A multiform crown, consisting of various flowers, bound the sublime summit of her head. And in the middle of the crown, just on her forehead, there was a smooth orb resembling a mirror, or rather a white refulgent light, which indicated that she was the moon. Vipers rising up after the manner of furrows, environed the crown on the right hand and on the left, and Cerealian ears of corn were also extended from above. Her garment was of many colours, and woven from the finest flax, and was at one time lucid with a white splendour, at another yellow from the flower of crocus, and at another flaming with a rosy redness. But that which most excessively dazzled my sight, was a very black robe, fulgid with a dark splendour, and which, spreading round and passing under her right side, and ascending to her left shoulder, there rose protuberant like the center of a shield, the dependent part of the robe falling in many folds, and having small knots of fringe, gracefully flowing in its extremities. Glittering stars were dispersed through the embroidered border of the robe, and through the whole of its surface: and the full moon, shining in the middle of the stars, breathed forth flaming fires. Nevertheless, a crown, wholly consisting of flowers and fruits of every kind, adhered with indivisible connexion to the border of that conspicuous robe, in all its undulating motions. What she carried in her hands also consisted of things of a very different nature. For her right hand, indeed, bore a brazen rattle [sistrum] through the narrow lamina of which bent like a belt, certain rods passing, produced a sharp triple sound, through the vibrating motion of her arm. An oblong vessel, in the shape of a boat, depended from her left hand, on the handle of which, in that part in which it was conspicuous, an asp raised its erect head and largely swelling neck. And shoes woven from the leaves of the victorious palm tree covered her immortal feet."

(21) Later the Virgo Lucifera announced that a comedy was to be performed for the benefit of the six royal guests in a building called the House of the Sun. C.R.C. and his companions formed part of the royal procession, which after a considerable walk arrived at the theater. The play was in seven acts, and after its happy ending all returned through the garden and up the winding stairs to the throne room. C.R.C. noticed the young King was very sad and that at the banquet following he often sent meat to the white serpent in the skull. The feast over, the young King, holding in his hand the little black book from the altar, asked the guests if they would all be true to him through prosperity and adversity, and when they tremblingly agreed he asked that each should sign his name in the little black book as proof of his fealty. The royal persons then drank from the little crystal fountain, the others afterwards doing likewise. This was called the "Draught of Silence." The royal persons then sadly shook hands with all present. Suddenly a little bell tinkled and immediately the kings and queens took off their white garments and donned black ones, the room was hung in sable draperies, and the tables were removed. The eyes of the royal persons were bound with six black taffeta scarfs and six coffins were placed in the center of the room. An executioner, a Moor, robed in black and bearing an axe, entered, and beheaded in turn each of the six royal persons. The blood of each was caught in a golden goblet, which was placed in the coffins with the body. The executioner was also decapitated and his head placed in a small chest.

(26) "With poison instead of blood she hath filled heir bodies

(19) The length of the throne room was five times its width. To the west was a great porch in which stood three thrones, the central one elevated. On each throne sat two persons: on the first an ancient king with a young consort; on the third a black king with a veiled matron beside him; and on the central throne two young persons over whose heads hung a large and costly crown, about which hovered a little Cupid who shot his arrows first at the two lovers and then about the hall. Before the Queen a book bound in black velvet lay on a small altar, on which were golden decorations. Beside this were a burning candle, a celestial globe, a small striking-watch, a little crystal pipe from which ran a stream of clear blood-red liquor, and a skull with a white serpent crawling in and out of the orbits. After their presentations, the guests retired down the winding stairs to the great hall.

(6) He who upon the left is near her placed The father is, by whose audacious taste The human species so much bitter tastes. Upon the right thou seest that ancient father Of Holy Church, into whose keeping Christ The keys committed of this lovely flower. And he who all the evil days beheld, Before his death, of her the beauteous bride Who with the spear and with the nails was won, Beside him sits, and by the other rests That leader under whom on manna lived The people ingrate, fickle, and stiff-necked. Opposite Peter seest thou Anna seated, So well content to look upon her daughter, Her eyes she moves not while she sings Hosanna. And opposite the eldest household father Lucia sits, she who thy Lady moved When to rush downward thou didst bend thy brows.

(6) Three maidens at the right wheel in a circle Came onward dancing; one so very red That in the fire she hardly had been noted. The second was as if her flesh and bones Had all been fashioned out of emerald; The third appeared as snow but newly fallen. And now they seemed conducted by the white, Now by the red, and from the song of her The others took their step, or slow or swift. Upon the left hand four made holiday Vested in purple, following the measure Of one of them with three eyes in her head. In rear of all the group here treated of Two old men I beheld, unlike in habit, But like in gait, each dignified and grave. One showed himself as one of the disciples Of that supreme Hippocrates, whom nature Made for the animals she holds most dear; Contrary care the other manifested, With sword so shining and so sharp, it caused Terror to me on this side of the river.

(30) Leaf 16. The first sentence reads: "The dead bodies remain; the spirits are freed by the death in the bodies. You will ride with that death with a scythe, and the light of the Sun, the Moon, and the fixed stars." Over the scythe is written: "Subject to the Sun, the Moon and Azoth, complete the Work." The four words in the curve of the scythe blade say: "Man's head, head of raven." The three lines to the right are interpreted thus: "This figure is called Laton, for it looks black in a vessel, and is the beginning of corruption." The text below the ladder states: "This is the ladder of primitive matter which when placed in a vessel turns black, the gradually changes to white by the scale [ladder] of digestion, according to the degree of heat." Here a ladder is used to signify the natural steps up which matter must ascend before it can attain to a truly spiritual state.

(28) The twelfth chapter treats of a great wonder appearing in the heavens: a woman clothed with the sun, the moon under her feet, and upon her head a crown of twelve stars. This woman represents the constellation of Virgo and also the Egyptian Isis, who, about to be delivered of her son Horus, is attacked by Typhon, the latter attempting to destroy the child predestined by the gods to slay the

(2) Then reigned within my lofty fantasy One crucified, disdainful and ferocious In countenance, and even thus was dying. Around him were the great Ahasuerus, Esther his wife, and the just Mordecai, Who was in word and action so entire. And even as this image burst asunder Of its own self, in fashion of a bubble In which the water it was made of fails, There rose up in my vision a young maiden Bitterly weeping, and she said: "O queen, Why hast thou wished in anger to be naught? Thou'st slain thyself, Lavinia not to lose; Now hast thou lost me; I am she who mourns, Mother, at thine ere at another's ruin." As sleep is broken, when upon a sudden New light strikes in upon the eyelids closed, And broken quivers ere it dieth wholly, So this imagining of mine fell down As soon as the effulgence smote my face, Greater by far than what is in our wont. I turned me round to see where I might be, When said a voice, "Here is the passage up;" Which from all other purposes removed me,

HEAV'NLY, illustrious, laughter-loving queen, Sea-born, night-loving, of an awful mien; Crafty, from whom necessity first came, Producing, nightly, all-connecting dame: 'Tis thine the world with harmony to join, For all things spring from thee, O pow'r divine. The triple Fates are rul'd by thy decree, And all productions yield alike to thee: Whate'er the heav'ns, encircling all contain, Earth fruit-producing, and the stormy main, Thy sway confesses, and obeys thy nod, Awful attendant of the brumal God: Goddess of marriage, charming to the sight, Mother of Loves, whom banquetings delight; Source of persuasion, secret, fav'ring queen, Illustrious born, apparent and unseen: Spousal, lupercal, and to men inclin'd, Prolific, most-desir'd, life-giving., kind: Great sceptre-bearer of the Gods, 'tis thine, Mortals in necessary bands to join; And ev'ry tribe of savage monsters dire In magic chains to bind, thro' mad desire. Come, Cyprus-born, and to my pray'r incline, Whether exalted in the heav'ns you shine, Or pleas'd in Syria's temple to preside, Or o'er th' Egyptian plains thy car to guide, Fashion'd of gold; and near its sacred flood, Fertile and fam'd to fix thy blest abode; Or if rejoicing in the azure shores, Near where the sea with foaming billows roars, The circling choirs of mortals, thy delight, Or beauteous nymphs, with eyes cerulean bright, Pleas'd by the dusty banks renown'd of old, To drive thy rapid, two-yok'd car of gold; Or if in Cyprus with thy mother fair, Where married females praise thee ev'ry year, And beauteous virgins in the chorus join, Adonis pure to sing and thee divine; Come, all-attractive to my pray'r inclin'd, For thee, I call, with holy, reverent mind.

(31) "She hath set up vipers, and dragons, and the (monster) Lahamu

(39) As time passed on the historical Orpheus became hopelessly confounded with the doctrine he represented and eventually became the symbol of the Greek school of the ancient wisdom. Thus Orpheus was declared to be the son of Apollo, the divine and perfect truth, and Calliope, the Muse of harmony and rhythm. In other words, Orpheus is the secret doctrine (Apollo) revealed through music (Calliope). Eurydice is humanity dead from the sting of the serpent of false knowledge and imprisoned in the underworld of ignorance. In this allegory Orpheus signifies theology, which wins her from the king of the dead but fails to accomplish her resurrection because it falsely estimates and mistrusts the innate understanding within the human soul. The Ciconian women who tore Orpheus limb from limb symbolize the various contending theological factions which destroy the body of Truth. They cannot accomplish this, however, until their discordant cries drown out the harmony drawn by Orpheus from his magic lyre. The head of Orpheus signifies the esoteric doctrines of his cult. These doctrines continue to live and speak even after his body (the cult) has been destroyed. The lyre is the secret teaching of Orpheus; the seven strings are the seven divine truths which are the keys to universal knowledge. The differing accounts of his death represent the various means used to destroy the secret teachings: wisdom can die in many ways at the same time. The allegory of Orpheus incarnating in the white swan merely signifies that the spiritual truths he promulgated will continue and will be taught by the illumined initiates of all future ages. The swan is the symbol of the initiates of the Mysteries; it is a symbol also of the divine power which is the progenitor of the world.

(41) Leaf 25. Above the figure of the Queen are three lines stating, in substance, that in the beginning of the book it was written of her that from her maternal breasts she nourished the Sun, and that he who was capable of converting her into Primal matter possessed rare skill. Opposite the Queen's head are the words: "In the highest mountains this water" and "I am the light of the Philosophers." To the left of the Queen is an admonition to strike the sons whom she bears. She calls herself "The mother of the Sun, the sister of the Moon, and the servant and spouse of Mercury." On the right she is made to exclaim: "I cannot be crowned unless these sons of mine become ashes. " The sons are shown directly below. The verse under the Queen continues the alchemical processes, describing the method in which the exudations from the substance should be preserved.

(251) 269 To say: O ye, who are (set) over the hours, who are (go) before R`, make (ready) the way for N., 269 that N. may pass through in the midst of the border guard of hostile mien. 270 N. is on the way to his throne, (like) one whose places are in front, who is behind the god, with bowed head, 270 adorned with a sharp (and) strong antelope's horn, 270 like one in possession of a sharp knife, which cuts the throat. 270 The driver-away (?) of suffering from the bull, the punisher of those in darkness, 270 (is) the strong antelope's horn, which is behind the Great God. 271 N. has reduced them to punishment; N. has crushed their head. 271 The arm of N. will not be resisted in the horizon.

(49) And though indeed thou must walk here with thy Body in the dark Night among Thorns and Thistles, (so that the Devil and also this World does rend and tear thee, and not only buffet, despise, deride, and villify thee outwardly, but also many Times stop thy dear Mind, and lead it captive in the Lust of this World into the Bath [or Lake] of S wines,) yet then the noble Virgin will help thee still, and will call upon thee to desist from thy ungodly mWays.

(7) This sorceress decks herself out in gorgeous and jewelled apparel and veils her face. Then she goes forth to seduce, men, too many of whom follow her to their own destruction. The Prophet has said that on the Judgment Day the world will appear in the form of a hideous witch with green eyes and projecting teeth. Men, beholding her, will say, "Mercy on us! who is this?" The angels will answer, "this is the world for whose sake you quarrelled and fought and embittered one another's lives." Then she will be cast into hell, whence she will cry out, "O Lord! where are those, my former lovers? God will then command that they be cast after her.

(221) 196 To say: O N.t (Crown of Lower Egypt), O 'Inw (Crown of Lower Egypt), O Great One (Crown of Lower Egypt), 196 O Great-in-magic (Crown of Lower Egypt), O Nsr.t (Uraeus), 197 make thou the terror of N. to be like the terror of thee; 197 make thou the awe of N. to be like the awe of thee; 197 make thou the respect for N. to be like the respect for thee; 197 make thou the love for N. to be like the love for thee; 197 make thou that his `b-sceptre be at the head of the living; make thou that his m-sceptre be at the head of the spirits; 197 make thou that his blade be firm against his enemies. 198 O 'Inw-Crown, thou has come forth from him as he came forth from thee. 198 The great 'I.t has given birth to thee, the 'I.t-wt.t has adorned thee; 198 the 'I.t-wt.t has given birth to thee, the great 'I.t has adorned thee, 198 for as for thee, thou art like Horus, who fought in protection of his eye.

(41) Although the early Pythian priestesses were always maidens--some still in their teens--a law was later enacted that only women past fifty years of age should be the mouthpiece of the oracle. These older women dressed as young girls and went through the same ceremonial as the first Pythiæ. The change was probably the indirect result of a series of assaults made upon the persons of the priestesses by the profane.

(18) O nobly-born on the Fourteenth Day, the Four Female Door-Keepers, also issuing from within thine own brain, will come to shine upon thee. Again recognize. From the east [quarter] of thy brain will come to shine the White Tiger-Headed Goad-Holding Goddess, bearing a blood-filled skull-bowl in her left [hand]; from the south, the Yellow Sow-Headed Noose-Holding Goddess; from the west, the Red Lion-Headed Iron-Chain-Holding Goddess; and from the north, the Green Serpent-Headed Bell- Holding Goddess. Thus, issue the Four Female Door-Keepers also from within thine own brain and come to shine upon thee; as tutelary deities, recognize them.