(28) In this figure the pagan naturalists represent all the vital powers of the three kingdoms and families of sublunary nature-mineral, plant, and animal (man considered as an animal). At one of her ears was the moon and at the other the sun, to indicate that these two were the agent and patient, or father and mother principles of all natural objects; and that Isis, or Nature, makes use of these two luminaries to communicate her powers to the whole empire of animals, vegetables, and minerals. On the back of her neck were the characters of the planets and the signs of the zodiac which assisted the planets in their functions. This signified that the heavenly influences directed the destinies of the principles and sperms of all things, because they were the governors of all sublunary bodies, which they transformed into little worlds made in the image of the greater universe.

(355) 572 The double doors of heaven open. 572 O N., 572 thy head is joined for thee to thy bones; thy bones are joined for thee to thy head. 572 The double doors of heaven are open for thee; the great bolts are drawn back for thee; 572 a brick is drawn out of the great tomb for thee. 573 Thy face is that of a jackal; thy tail is that of a lion; 573 thou sittest upon this thy throne; thou commandest the spirits. 573 Thou comest to me, thou comest to me, thou comest indeed to me, 573 like (to) Horus after he had avenged his father, Osiris. 574 I am thine Anubis-priest. 574 Thou puttest thy hand on the land; thy warrior-arm is over the great region, 574 wherein thou goest (or, passest through) among the spirits. 574 Rise, lift up thyself like Osiris.

(55) Osiris is often represented with the lower par, of his body enclosed in a mummy case or wrapped about with funeral bandages. Man's spirit consists of three distinct parts, only one of which incarnates in physical form. The human body was considered to be a tomb or sepulcher of this incarnating spirit. Therefore Osiris, a symbol of the incarnating ego, was represented with the lower half of his body mummified to indicate that he was the living spirit of man enclosed within the material form symbolized by the mummy case.

(15) And consider attentively, I pray, with what appropriateness the holy symbols are presented. For since death is with us not an annihilation of being, as others surmise, but the separating of things united, leading to that which is invisible to us, the soul indeed becoming invisible through deprivation of the body, and the body, through being buried in earth in consequence of one of its bodily changes, becoming invisible to human ken, appropriately, the whole covering by water would be taken as an image of death, and the invisible tomb. The symbolical teaching, then, reveals in mystery that the man baptized according to religious rites, imitates, so far as Divine imitation is attainable to men, by the three immersions in the water, the supremely Divine death of the Life-giving Jesus, Who spent three days and three nights in the tomb, in Whom, according to the mystical and secret teaching of the sacred text, the Prince of the world found nothing.

(19) The explanations in these pages of the symbols peculiar to the Virgin Isis are based (unless otherwise noted) on selections from a free translation of the fourth book of Bibliotèque des Philosophes Hermétiques, entitled "The Hermetical Signification of the Symbols and Attributes of Isis," with interpolations by the compiler to amplify and clarify the text.

(676) 2007 To say: Thy water belongs to thee, thine abundance belongs to thee, thine efflux belongs to thee, 2007 which issues from Osiris. 2008 Collect thy bones; arrange thy limbs; 2008 shake off thy dust; untie thy bandages. 2009 The tomb is open for thee; the double doors of the coffin are undone for thee; 2009 the double doors of heaven are open for thee. 2009 "Hail," says Isis; "(come) in peace," says Nephthys, 2009 when they see their brother at the feast of Atum. 2010 These thy libations, Osiris, are in Busiris, in Grg.w-b(.f ); 2010 thy soul is in thy body; thy might is behind thee; remain chief of (or, master of) thy powers. 2011 Raise thyself up, N., 2011 travel over the southern regions; travel over the northern regions; 2011 be thou powerful over the powers that are in thee. 2011 Thy spirits, the jackals, are given thee which Horus of Hierakonpolis has given to thee. 2012 Raise thyself up, N., be seated on thy firm (or, copper) throne. 2012 Anubis, who is chief of the divine pavillion (s-ntr), has commanded 2012 thy purification with thy eight nm.t-jars and (thy) eight `b.tjars, which come from the s-ntr. 2013 Thou art a god who supports the sky, who beautifies the earth. 2013 The mnt.t-woman laments for thee; the great min.t mourns for thee; 2014 arms agitate for thee; feet tremble for thee, 2014 when thou ascendest as a star, as the morning star. 2014 He comes to thee, his father; he comes to thee, Geb; 2015 take his hand, let him sit upon the great seat; 2015 let him unite with the two mt-lakes of b.w; 2015 purify his mouth with natron on the lap of Mnti-'irti; 2015 purify his nails, upper and lower. 2016 Let one do for him what thou didst do for his brother, Osiris, . on the day of counting the bones, 2016 of making firm the sandals, of ferrying over the lake Rd-wr. 2017 To thee come the wise and the understanding; 2017 thou art called to the southern 'itr.t-palace; 2017 to thee come (the gods of) the full northern 'itr.t-palace, with a salutation. 54. TEXTS OF MISCELLANEOUS CONTENTS,

(15) Leaf 4. At the top: "Let them believe that . everything is possible. The art is fleeting, bright and rare, and not believed by the foolish." The words between the sun and crescent read "It is hidden," and on the panel across the body "The Book of life and true Treasury of the World." The panel to the left of the figure says "Moving almost all, and the soul of its body returns to the place from which it had fled, and ripens seven months or nine, and the King crowned with his diadem appears." The right panel states: "There are three Mercuries: animal, vegetable, and mineral." The text below is of such a cryptic nature that to translate it is well nigh impossible. It declares that by putting fire beneath the feet of the symbolic figure it is possible to extract therefrom the sun and the moon which the human body is shown elevating to a position of dignity above its head.

(81) 56 Awake thou in peace, (as) Ti.t awakes, in peace, (as) Tit.t (she of Ti.t) awakes in peace, 56 (as) the eye of Horus in Buto (awakes) in peace, (as) the eye of Horus which is in the houses of the Lower Egyptian crown (awakes) in peace, 56 (the eye) which the weavers wove (?), (the eye) which the sedanchairman planned (?). 57 Cause thou (0 Eye) the two lands to bow to N., as they bow to Horus,. 57 Cause the two lands to fear N., as they fear Set. 57 Sit thou before N., as his god; open thou his way before the spirits, 57 that be may stand before the spirits like Anubis, "First of the Westerners." 57 To say four times: Forward, forward to Osiris. Two rolls of linen.

(1) Now onward goes, along a narrow path Between the torments and the city wall, My Master, and I follow at his back. "O power supreme, that through these impious circles Turnest me," I began, "as pleases thee, Speak to me, and my longings satisfy; The people who are lying in these tombs, Might they be seen? already are uplifted The covers all, and no one keepeth guard." And he to me: "They all will be closed up When from Jehoshaphat they shall return Here with the bodies they have left above. Their cemetery have upon this side With Epicurus all his followers, Who with the body mortal make the soul; But in the question thou dost put to me, Within here shalt thou soon be satisfied, And likewise in the wish thou keepest silent." And I: "Good Leader, I but keep concealed From thee my heart, that I may speak the less, Nor only now hast thou thereto disposed me." "O Tuscan, thou who through the city of fire Goest alive, thus speaking modestly, Be pleased to stay thy footsteps in this place.

(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(213) 134 O N., thou didst not depart dead; thou didst depart living, 134 (so) thou sittest upon the throne of Osiris, thy `b-sceptre in thy hand, thou commandest the living; 134 (thy) mk-sceptre and thy nb.t-sceptre in thy hand, commanding those of secret places. 135 Thine arm is like that of Atum; thy shoulders are like those of Atum; thy body is like that of Atum; thy back is like that of Atum; 135 thy seat is like that of Atum; thy legs are like those of Atum; thy face is like that of Anubis. 135 Thou travelest over the regions of Horus; thou travelest over the regions of Set (or, the regions of Horus serve thee; the regions of Set serve thee).

(1) "The early priests believed that a great spiritual power was invoked by correct and unabridged sacrificial ceremonies. If one feature were lacking, the whole was vitiated, says Iamblichus. Hence they were most careful in all details, for they considered it absolutely essential for the entire chain of logical connections to be exactly according to ritual. Certainly for no other reason did they prepare and prescribe for future use the manuals, as it were, for conducting the rites. They learned, too, what the first hieromancers--possessed, as it were, by a divine fury--devised as a system of symbolism for exhibiting their mysteries. These they placed in this Tablet of Isis, before the eyes of those admitted to the sanctum sanctorum in order to teach the nature of the Gods and the prescribed forms of sacrifice. Since each of the orders of Gods had its own peculiar symbols, gestures, costumes, and ornaments, they thought it necessary to observe these in the whole apparatus of worship, as nothing was more efficacious in drawing the benign attention of the deities and genii. * * * Thus their temples, remote from the usual haunts of men, contained representations of nearly every form in nature. First, in the pavement, they symbolized the physical economy of the world, using minerals, stones and other things suitable for ornaments, including little streams of water. The walls showed the starry world, and the done the world of genii. In the center was the altar, to suggest the emanations of the Supreme Mind from its center. Thus the entire interior constituted a picture of the Universe of Worlds. The priests in making sacrifices wore raiment adorned with figures similar to those attributed to the Gods. Their bodies were partially bare like those of the deities, and they themselves were divested of all material cares and practices the strictest chastity. * * * Their heads were veiled to indicate their charge of earthly things. Their heads and bodies were shaved, for they regarded hair as a useless excrescence. Upon the head they bore the same insignia as those attributed to the Gods. Thus arrayed, they regarded themselves to be transformed into that intelligence with which they constantly desired to be identified. For example, in order to call down to the world the soul and spirit of the Universe, they stood before the image shown in the center of our Tablet, wearing the same symbols as that figure and its attendants, and offered sacrifices. By these and the accompanying singing of hymns they believed that they infallibly drew the God's attention to their prayer. And so they did in regard to other regions of the Tablet, believing of necessity the proper ritual properly carried out would evoke the deity desired. That this was the origin of the science of oracles is apparent. As a touched chord produces a harmony of sound, likewise the adjoining chords respond though not touched. Similarly the idea they expressed by their concurrent acts while adoring the God came into accord with basic Idea and, by an intellectual union, it was returned to them deiformed, and they thus obtained the Idea of Ideas. Hence there sprang up in their souls, they thought, the gift of prophecy and divination, and they believed they could foretell future events, impending evils, etc. For as in the Supreme Mind everything is simultaneous and spaceless, the future is therefore present in that Mind; and they thought that while the human mind was absorbed in the Supreme by contemplation, by that union they were enabled to know all the future. Nearly all that is represented in our Tablet consists of amulets which, by analogy above described, would inspire them, under the described conditions, with the virtues of the Supreme Power and enable them to receive good and avert evil. They also believed they could in this magical manner effect cures of diseases; that genii could be induced to appear to them during sleep and cure or teach them to cure the sick. In this belief they consulted the Gods about all sort of doubts and difficulties, while adorned with the simulacra of the mystic rite and intently contemplating the Divine Ideas; and while so enraptured they believed the God by some sign, nod or gesture communicated with them, whether asleep or awake, concerning the truth or falsity of the matter in point." (See Œdipus Ægyptiacus.)

(6) All of their coverings uplifted were, And from them issued forth such dire laments, Sooth seemed they of the wretched and tormented. And I: "My Master, what are all those people Who, having sepulture within those tombs, Make themselves audible by doleful sighs?" And he to me: "Here are the Heresiarchs, With their disciples of all sects, and much More than thou thinkest laden are the tombs. Here like together with its like is buried; And more and less the monuments are heated." And when he to the right had turned, we passed Between the torments and high parapets.

(35) The statue of Isis was placed on a pedestal of dark stone ornamented with rams' heads. Her feet trod upon a number of venomous reptiles. This indicates that Nature has power to free from acidity or saltness all corrosives and to overcome all impurities from terrestrial corruption adhering to bodies. The rams' heads indicate that the most auspicious time for the generation of life is during the period when the sun passes through the sign of Aries. The serpents under her feet indicate that Nature is inclined to preserve life and to heal disease by expelling impurities and corruption.

(13) Lo, to thee I pour as a libation the sparkling gleam of Bromius."He signifies, as I think, the soul's first milk-like nutriment of the four-and-twenty elements, after which solidified milk comes as food. And last, he teaches of the blood of the vine of the Word, the sparkling wine, the perfecting gladness of instruction. And Drops is the operating Word, which, beginning with elementary training, and advancing to the growth of the man, inflames and illumines man up to the measure of maturity. The third is said to be a writing copy for children -marptes, sfigx klwy, zxnkqhdos. And it signifies, in my opinion, that by the arrangement of the elements and of the world, we must advance to the knowledge of what is more perfect, since eternal salvation is attained by force and toil; for maryai is to grasp. And the harmony of the world is meant by the Sphinx; and zunkqhdon means difficulty; and klwys means at once the secret knowledge of the Lord and day. Well! does not Epigenes, in his book on the Poetry of Orpheus, in exhibiting the peculiarities found in Orpheus, say that by " the curved rods" (keraisi) is meant "ploughs;"and by the warp (sthmosi), the furrows; and the woof (mitos) is a figurative expression for the seed; and that the tears of Zeus signify a shower; and that the "parts" (moirai) are, again, the phases of the moon, the thirtieth day, and the fifteenth, and the new moon, and that Orpheus accordingly calls them "white-robed," as being parts of the light?

(41) The twentieth numbered major trump is called Le Jugement, the judgment, and portrays three figures rising apparently from their tombs, though but one coffin is visible. Above them in a blaze of glory is a winged figure (presumably the Angel Gabriel) blowing a trumpet. This Tarot represents the liberation of man's threefold spiritual nature from the sepulcher of his material constitution. Since but one-third of the spirit actually enters the physical body, the other two-thirds constituting the Hermetic anthropos or overman, only one of the three figures is actually rising from the tomb. Court de Gébelin believes that the coffin may have been an afterthought of the card makers and that the scene actually represents creation rather than resurrection, In philosophy these two words are practically synonymous. The blast of the trumpet represents the Creative Word, by the intoning of which man is liberated from his terrestrial limitations. In the pseudo-Egyptian Tarot it is evident that the three figures signify the parts of a single being, for three mummies are shown emerging from one mummy case.

(60) It will yet be proved that the Table of Isis is directly connected with Egyptian Gnosticism, for in a Gnostic papyrus preserved in the Bodleian Library there is a direct reference to the twelve Fathers or Paternities beneath whom are twelve Fountains. (See Egyptian Magic by S.S.D.D.) That the lower panel represents the underworld is further emphasized by the two gates--the great gate of the East and the great gate of the West--for in the Chaldean theology the sun rises and sets through gates in the underworld, where it wanders during the hours of darkness. As Plato was for thirteen years under the instruction of the Magi Patheneith, Ochoaps, Sechtnouphis, and Etymon of Sebbennithis, his philosophy consequently is permeated with the Chaldean and Egyptian system of triads. The Bembine Table is a diagrammatic exposition of the so-called Platonic philosophy, for in its design is epitomized the entire theory of mystic cosmogony and generation. The most valuable guide to the interpretation of this Table is the Commentaries of Proclus on the Theology of Plato. The Chaldean Oracles of Zoroaster also contains many allusions to the theogonic principles which are demonstrated by the Table.

(12) When the Hierarch has finished these things, he places the body in an honourable chamber, with other holy bodies of the same rank. For if, in soul and body, the man fallen asleep passed a life dear to God, there will be honoured, with the devout soul, the body also, which contended with it throughout the devout struggles. Hence the Divine justice gives to it, together with its own body, the retributive inheritances, as companion and participator in the devout, or the contrary, life. Wherefore, the Divine institution of sacred rites bequeaths the supremely Divine participations to them both--to the soul, indeed, in pure contemplation and in science of the things being done, and to the body, by sanctifying the whole man, as in a figure with the most Divine Muron, and the most holy symbols of the supremely Divine Communion, sanctifying the whole man, and announcing, by purifications of the whole man, that his resurrection will be most complete.

(29) Isis holds in her right hand a small sailing ship with the spindle of a spinning wheel for its mast. From the top of the mast projects a water jug, its handle shaped like a serpent swelled with venom. This indicates that Isis steers the bark of life, full of troubles and miseries, on the stormy ocean of Time. The spindle symbolizes the fact that she spins and cuts the thread of Life. These emblems further signify that Isis abounds in humidity, by means of which she nourishes all natural bodies, preserving them from the heat of the sun by humidifying them with nutritious moisture from the atmosphere. Moisture supports vegetation, but this subtle humidity (life ether) is always more or less infected by some venom proceeding from corruption or decay. It must be purified by being brought into contact with the invisible cleansing fire of Nature. This fire digests, perfects, and revitalizes this substance, in order that the humidity may become a universal medicine to heal and renew all the bodies in Nature.

(42) Leaf 26. This page, which concludes that part of the Hermetic manuscript bearing the symbols of the Secret Work, contains a number of emblems not directly correlated. At the top is the head of the King--the most common of alchemical figures. To the right of the King is an alchemical vessel designated the Hermetic Seal. Below is the head of a ferocious bird, here designated a griffon. To the left of the King is a headless figure elevating a Sun, or spiritual face. This figure is the world, which must be headless, since its spiritual and rational part is not material and consequently, is invisible. Below is a circle unaccompanied by descriptive matter. Directly under the King's head is a vase of flowers, in which rises the golden plant of the Philosophers. At the bottom of the page is additional alchemical equipment, this also being termed a Hermetic Seal.