(40) ¶ The names on this sketch are to be deemed scarcely more than pointers to the places named in the text. The printing of the letters large enough to be readily legible on so small a map rendered precise placements impracticable.

(1) HERE I must encounter with the proud and seeming conceited Wise, who does but grope in the Dark, and knows or understands nothing of the Spirit of God, and must comfort both him, and also the desirous longing Reader who loves God, and must show them a little Door to the heavenly Essence; and show them in what Manner they should understand these Writings, before I come to the Chapter itself.

(251) 269 To say: O ye, who are (set) over the hours, who are (go) before R`, make (ready) the way for N., 269 that N. may pass through in the midst of the border guard of hostile mien. 270 N. is on the way to his throne, (like) one whose places are in front, who is behind the god, with bowed head, 270 adorned with a sharp (and) strong antelope's horn, 270 like one in possession of a sharp knife, which cuts the throat. 270 The driver-away (?) of suffering from the bull, the punisher of those in darkness, 270 (is) the strong antelope's horn, which is behind the Great God. 271 N. has reduced them to punishment; N. has crushed their head. 271 The arm of N. will not be resisted in the horizon.

(2) Work upon the text of this volume was begun the first day of January, 1926, and has continued almost uninterruptedly for over two years. The greater part of the research work, however, was carried on prior to the writing of the manuscript. The collection of reference material was begun in 1921, and three years later the plans for the book took definite form. For the sake of clarity, all footnotes were eliminated, the various quotations and references to other authors being embodied in the text in their logical order. The bibliography is appended primarily to assist those interested in selecting for future study the most authoritative and important items dealing with philosophy and symbolism. To make readily accessible the abstruse information contained in the book, an elaborate topical cross index is included.

(6) There shall be seen the pride that causes thirst, Which makes the Scot and Englishman so mad That they within their boundaries cannot rest; Be seen the luxury and effeminate life Of him of Spain, and the Bohemian, Who valour never knew and never wished; Be seen the Cripple of Jerusalem, His goodness represented by an I, While the reverse an M shall represent; Be seen the avarice and poltroonery Of him who guards the Island of the Fire, Wherein Anchises finished his long life; And to declare how pitiful he is Shall be his record in contracted letters Which shall make note of much in little space.

(29) Therefore, if we intend to speak of God, we must use similitudes. For we live in this world as men who know but in part, and are made of that which is but in part. Therefore I cite the Reader into the life to come, where and when I shall speak more properly and more clearly of this high article.

(35) Now if a man likeneth the Son of God to the globe of the sun, as I have often done in the foregoing chapters, that is spoken in the way and manner of natural similitudes; and I was constrained to write so, because of the lack of understanding of the Reader, that so he might raise his sense or thoughts in these natural things, and climb from step to step, from one degree to another, till he might come into the high Mysteries.

(2) And he: "If I were made of leaded glass, Thine outward image I should not attract Sooner to me than I imprint the inner. Just now thy thoughts came in among my own, With similar attitude and similar face, So that of both one counsel sole I made. If peradventure the right bank so slope That we to the next Bolgia can descend, We shall escape from the imagined chase." Not yet he finished rendering such opinion, When I beheld them come with outstretched wings, Not far remote, with will to seize upon us. My Leader on a sudden seized me up, Even as a mother who by noise is wakened, And close beside her sees the enkindled flames, Who takes her son, and flies, and does not stop, Having more care of him than of herself, So that she clothes her only with a shift; And downward from the top of the hard bank Supine he gave him to the pendent rock, That one side of the other Bolgia walls. Ne'er ran so swiftly water through a sluice To turn the wheel of any land-built mill, When nearest to the paddles it approaches,

(3) As did my Master down along that border, Bearing me with him on his breast away, As his own son, and not as a companion. Hardly the bed of the ravine below His feet had reached, ere they had reached the hill Right over us; but he was not afraid; For the high Providence, which had ordained To place them ministers of the fifth moat, The power of thence departing took from all. A painted people there below we found, Who went about with footsteps very slow, Weeping and in their semblance tired and vanquished. They had on mantles with the hoods low down Before their eyes, and fashioned of the cut That in Cologne they for the monks are made. Without, they gilded are so that it dazzles; But inwardly all leaden and so heavy That Frederick used to put them on of straw. O everlastingly fatiguing mantle! Again we turned us, still to the left hand Along with them, intent on their sad plaint; But owing to the weight, that weary folk Came on so tardily, that we were new In company at each motion of the haunch.

(6) But, I well know you will further ask that the propitious sleep of Almighty God, and His awakening, should be explained. And, when we have said, that the superiority of Almighty God, and His incommunicability with the objects of His Providence is a Divine sleep, and that the attention to His Providential cares of those who need His discipline, or His preservation, is an awakening, you will pass to other symbols of the Word of God. Wherefore, thinking it superfluous that by running through the same things to the same. persons, we should seem to say different things, and, at the same time, conscious that you assent to things that are good, we finish this letter at what we have said, having set forth, as I think, more than the things solicited in your letters. Further, we send the whole of our Symbolical Theology, within which you will find, together with the house of wisdom, also the seven pillars investigated, and its solid food divided into sacrifices and breads. And what is the mingling of the wine; and again, What is the sickness arising from the inebriety of Almighty God? and in fact, the things now spoken of are explained in it more explicitly. And it is, in my judgment, a correct enquiry into all the symbols of the Word of God, and agreeable to the sacred traditions and truths of the Oracles.

(10) The editorial work was under the supervision of Dr. C. B. Rowlingson, through whose able efforts literary order was often brought out of literary chaos. Special recognition is also due the services rendered by Mr. Robert B. Tummonds, of the staff of H. S. Crocker Company, Inc., to whom were assigned the technical difficulties of fitting the text matter into its allotted space. For much of the literary charm of the work I am also indebted to Mr. M. M. Saxton, to whom the entire manuscript was first dictated and to whom was also entrusted the preparation of the index. The splendid efforts of Mr. J. Augustus Knapp, the illustrator, have resulted in a series of color plates which add materially to the beauty and completeness of the work. Q The printing of the book was in the hands of Mr. Frederick E. Keast, of H. S. Crocker Company, Inc., whose great personal interest in the volume has been manifested by an untiring effort to improve the quality thereof Through the gracious cooperation of Dr. John Henry Nash, the foremost designer of printing on the American Continent, the book appears in a unique and appropriate form, embodying the finest elements of the printer's craft. An increase in the number of plates and also a finer quality of workmanship than was first contemplated have been made possible by Mr. C. E. Benson, of the Los Angeles Engraving Company, who entered heart and soul into the production of this volume.

(6) And yet some one might say the seal is not whole and the same in the images throughout. But of this the seal is not the cause, for it imparts itself all and the same to each; but the difference of the recipients makes the figures dissimilar, since the archetype is one and complete and the same. For instance, if the wax were soft and impressionable, and smooth and unstamped, and neither unimpressionable and hard, nor running and dissolving, it will have the figure clear and sharp and fixed. But if it should lack any of the aforesaid aptitudes, this will be the cause of the non-participative and un-figured and indistinct, and whatever else arises from inaptitude for reception. Further, there is a distinction from the goodly work of God towards us, in that the superessential Word was invested with being amongst us--from us--wholly and truly, and did and suffered whatever things are choice and pre-eminent in His human work of God. For in these, the Father and the Spirit in no respect communicated, except perhaps, one might say, as regards the benign and philanthropic purpose, and as regards all the pre-eminent and unutterable work of God which the unchangeable, qua God and Word of God, did when He had been born amongst us. Thus we, too, strive to unite and distinguish in the Word the things Divine, as the things Divine themselves, are united and distinguished.

(21) The writing of these memoranda of mine, I well know, is weak when compared with that spirit, full of grace, which I was privileged to hear. But it will be an image to recall the archetype to him who was struck with the thyrsus. For "speak," it is said, "to a wise man, and he will grow wiser; and to him that hath, and there shall be added to him." And we profess not to explain secret things sufficiently - far from it - but only to recall them to memory, whether we have forgot aught, or whether for the purpose of not forgetting. Many things, I well know, have escaped us, through length of time, that have dropped away unwritten. Whence, to aid the weakness of my memory, and provide for myself a salutary help to my recollection in a systematic arrangement of chapters, I necessarily make use of this form. There are then some things of which we have no recollection; for the power that was in the blessed men was great. There are also some things which remained unnoted long, which have now escaped; and others which are effaced, having faded away in the mind itself, since such a task is not easy to those not experienced; these I revive in my commentaries. Some things I purposely omit, in the exercise of a wise selection, afraid to write what I guarded against speaking: not grudging - for that were wrong - but fearing for my readers, lest they should stumble by taking them in a wrong sense; and, as the proverb says, we should be found "reaching a sword to a child." For it is impossible that what has been written should not escape, although remaining unpublished by me. But being always revolved, using the one only voice, that of writing, they answer nothing to him that makes inquiries beyond what is written; for they require of necessity the aid of some one, either of him who wrote, or of some one else who has walked in his footsteps.

(170) Having put on the completely armed-vigour of resounding Light, with triple strength fortifying the Soul and the Mind, He must put into the Mind the various Symbols, and not walk dispersedly on the empyræan path, but with concentration.

(3) After these things, therefore, we shall define the reasons of the self-apparent statues [or images]. Hence, in the forms of the Gods which are seen by the eyes, the most clear spectacles of truth itself are perceived, which are also accurately splendid, and shine forth with an evolved light. The images of archangels present themselves to the view true and perfect; but those of angels preserve, indeed, the same form, but fail in plenitude of indication. The images of dæmons are obscure; and those of heroes are seen to be still inferior to these. With respect, also, to archons, the images of such as are mundane, are clear; but of such as are material, obscure. Both, however, are seen to be of an authoritative nature. And the images of souls appear to be of a shadowy form.

(11) And let no one fancy that we honour the Name of Love beyond the Oracles, for it is, in my opinion, irrational and stupid not to cling to the force of the meaning, but to the mere words; and this is not the characteristic of those who have wished to comprehend things Divine, but of those who receive empty sounds and keep the same just at the ears from passing through from outside, and are not willing to know what such a word signifies, and in what way one ought to distinctly represent it, through other words of the same force and more explanatory, but who specially affect sounds and signs without meaning, and syllables, and words unknown, which do not pass through to the mental part of their soul, but buzz without, around their lips and ears, as though it were not permitted to signify the number four, by twice two, or straight lines by direct lines, or motherland by fatherland, or any other, which signify the self-same thing, by many parts of speech. We ought to know, according to the correct account, that we use sounds, and syllables, and phrases, and descriptions, and words, on account of the sensible perceptions; since when our soul is moved by the intellectual energies to the things contemplated, the sensible perceptions by aid of sensible objects are superfluous; just as also the intellectual powers, when the soul, having become godlike, throws itself, through a union beyond knowledge, against the rays of the unapproachable light, by sightless efforts. But, when the mind strives to be moved upwards, through objects of sense, to contemplative conceptions, the clearer interpretations are altogether preferable to the sensible perceptions, and the more definite descriptions are things more distinct than things seen; since when objects near are not made clear to the sensible perceptions, neither will these perceptions be well able to present the things perceived to the mind. But that we may not seem, in speaking thus, to be pushing aside the Divine Oracles, let those who libel the Name of Love (Ἔρωτος) hear them. "Be in love with It," they say, "and It will keep thee--Rejoice over It, and It will exalt thee--Honour It, in order that It may encompass thee,"--and whatever else is sung respecting Love, in the Word of God.

(1) Why, therefore, does the maker of images, who effects these things, desert himself, though he is better than these images, and consists of things of a more excellent nature, and confide in inanimate idols, which are inspired with the representation alone of life, contain a renovated harmony, and which is externally multiform, and are in reality diurnal? Shall we say that something genuine and true is inherent in them? Nothing, however, which is fashioned by human art is genuine and pure. But you will say, that simplicity and uniformity of energy predominate in the whole of their composition. This is very far from being the case. For the idol, according to its visible composition, is mingled from all-various and contrary qualities. Shall we say then, that a certain pure and perfect power is manifest in them? By no means. For a thing of this kind possesses an adventitious multitude of effluxions, collected from many places, and which shows itself to be imbecile and evanescent. But if these particulars, which we have enumerated, are not found to take place in images, is stability present with them, as it is said to be [by the patrons of these images]? By no means, likewise, is this the case. For these idols are extinguished with much greater rapidity than the images which are seen in mirrors.

(5) My Master thereupon on his right cheek Did backward turn himself, and looked at me; Then said: "He listeneth well who noteth it." Nor speaking less on that account, I go With Ser Brunetto, and I ask who are His most known and most eminent companions. And he to me: "To know of some is well; Of others it were laudable to be silent, For short would be the time for so much speech. Know them in sum, that all of them were clerks, And men of letters great and of great fame, In the world tainted with the selfsame sin. Priscian goes yonder with that wretched crowd, And Francis of Accorso; and thou hadst seen there If thou hadst had a hankering for such scurf,

(1) Already on my Lady's face mine eyes Again were fastened, and with these my mind, And from all other purpose was withdrawn; And she smiled not; but "If I were to smile," She unto me began, "thou wouldst become Like Semele, when she was turned to ashes. Because my beauty, that along the stairs Of the eternal palace more enkindles, As thou hast seen, the farther we ascend, If it were tempered not, is so resplendent That all thy mortal power in its effulgence Would seem a leaflet that the thunder crushes. We are uplifted to the seventh splendour, That underneath the burning Lion's breast Now radiates downward mingled with his power. Fix in direction of thine eyes the mind, And make of them a mirror for the figure That in this mirror shall appear to thee." He who could know what was the pasturage My sight had in that blessed countenance, When I transferred me to another care, Would recognize how grateful was to me Obedience unto my celestial escort, By counterpoising one side with the other.

(1) I have erewhile seen horsemen moving camp, Begin the storming, and their muster make, And sometimes starting off for their escape; Vaunt-couriers have I seen upon your land, O Aretines, and foragers go forth, Tournaments stricken, and the joustings run, Sometimes with trumpets and sometimes with bells, With kettle-drums, and signals of the castles, And with our own, and with outlandish things, But never yet with bagpipe so uncouth Did I see horsemen move, nor infantry, Nor ship by any sign of land or star. We went upon our way with the ten demons; Ah, savage company! but in the church With saints, and in the tavern with the gluttons! Ever upon the pitch was my intent, To see the whole condition of that Bolgia, And of the people who therein were burned. Even as the dolphins, when they make a sign To mariners by arching of the back, That they should counsel take to save their vessel, Thus sometimes, to alleviate his pain, One of the sinners would display his back, And in less time conceal it than it lightens.